Alex Tyler (Actor) Equity Member

Total Page：16

File Type：pdf, Size：1020Kb

Alex Tyler (Actor) Equity Member All enquiries: Lakeside Casting Agency Agent : Phil Mckay Lakeside Casting Agency Top Floor 63 Scotland Road Carlisle CA3 9HT Tel: 01228 401093 mob: 07850 597689 Email : [email protected] _________________________________________________________________________________ D.O.B. 07.12.1994 Height 5.11” Chest 37” Waist 31” Inside leg 31” Collar 14½ EEEyesEyes Blue Hair Brown Build Slim Shoe 9½” HaHaHatHa t 22” Playing Age 16 to 27 _________________________________________________________________________________ Training Professional Actors Workshop Lakeside Actors Academy July 2017 HNC Acting & Performance City of Glasgow College Sept 2015 to August 2016 Royal Conservatoire of Scotland Acting Radio & Voice Technique : August 2016 _________________________________________________________________________________ Theatre + Film 2017 The Waiter Home from Home Paul Murphy BBC TV 2016 The Boyfriend Scots Squad Iain Davidson BBC TV Scotland 2016 Rick Virtually Happening Darrel Kirk Screen Academy Scotland 2016 Tom Change Brian McLean CoGC Student Production 2016 Arthur The Assembly Cole Lynch UWS Student Production 2016 Dracula Stuck with no Time Callum McLaughlin Glasgow Clyde College 2016 Magistrate/Chorus Lysistrata Anne McLeod Glasgow College 2014 Chorus Oliver Paul Kennedy St Aidan’s High 2006 Shere Khan The Jungle Book Donna Allen St Mary’s School _________________________________________________________________________________ Music Vocal Range: A2 - C6/falsetto G5 Accents English RP, West Country English, Scouse, Scottish (Glaswegian), Southern American, New York, American General. Australian Broad, Irish Dublin/Belfast. Skills and experience Barista, Improv, Canoe/ Kayaking, Walking in Heels, Full Passport Hobbies Socialising Sci-fi. Harry Potter. Doctor Who. Always Sunny in Philadelphia. Archer. Classic Comedies: Fawlty Towers/ Spaced/ Black Books/ Inbetweeners/ Peep Show/ AbFab/ Blackadder/ Father Ted/ Only Fools and Horses/ Red Dwarf. Drag/ RuPaul's Drag Race/ Cabaret shows, Books/ Reading, Fashion/ Clothing, Baking .

Copy Link

Recommended publications

Publishing Blackness: Textual Constructions of Race Since 1850
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE publishing blackness publishing blackness Textual Constructions of Race Since 1850 George Hutchinson and John K. Young, editors The University of Michigan Press Ann Arbor Copyright © by the University of Michigan 2013 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2016 2015 2014 2013 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John Young, editiors. pages cm — (Editorial theory and literary criticism) Includes bibliographical references and index. ISBN 978- 0- 472- 11863- 2 (hardback) — ISBN (invalid) 978- 0- 472- 02892- 4 (e- book) 1. American literature— African American authors— History and criticism— Theory, etc. 2. Criticism, Textual. 3. American literature— African American authors— Publishing— History. 4. Literature publishing— Political aspects— United States— History. 5. African Americans— Intellectual life. 6. African Americans in literature. I. Hutchinson, George, 1953– editor of compilation. II. Young, John K. (John Kevin), 1968– editor of compilation PS153.N5P83 2012 810.9'896073— dc23 2012042607 acknowledgments Publishing Blackness has passed through several potential versions before settling in its current form.
[Show full text]
TV 17 Wednesday, October 2
TUESDAY OCTOBER 1 2019 TV 17 WEDNESDAY, OCTOBER 2 6.00 Morning Programs. 12.00 ABC 6.00 Sunrise. 8.30 The Morning Show. 6.00 Today. 8.30 Today Extra. (PG) 6.00 The Talk. (PG) 7.00 Ent. Tonight. 6.00 WorldWatch. 1.30 Dateline. (R) News At Noon. 1.00 Dream Gardens. (PG) 11.00 News. 11.30 Movie: Two 11.00 Morning News. 11.30 Ellen (R) 7.30 Celebrity Name Game. (PG, R) 2.00 Insight. (R) 3.00 The Churchills. (R) 1.30 Compass. (PG, R) 2.00 Pulse. Against Time. (2002) (PG, R) 1.30 Cricket. DeGeneres. (PG) 12.30 World's Greatest 8.00 Bold. (PG, R) 8.30 Studio 10. (PG) (PG, R) 4.00 The Supervet. (PG, R) (M, R) 3.05 Cook And The Chef. (R) 3.30 Women's Twenty20 International Series. Islands. (PG, R) 1.30 The Block. (PG, R) 12.00 Dr Phil. (PG, R) 2.00 Ent. Tonight. 5.00 Letters And Numbers. (R) 5.30 Hard Quiz. (PG, R) 4.00 Think Tank. (PG, Australia v Sri Lanka. Game 3. 4.30 The 2.30 News. 3.30 Afternoon News. 4.30 2.30 Neighbours. (PG, R) 3.00 Judge Mastermind Australia. (R) 6.00 SBS R) 5.00 Making Child Prodigies. (PG, Chase Aust. 5.30 News. Hot Seat. 5.30 News. Judy. (PG) 3.30 GCBC. (R) 4.00 Everyday World News. 7.00 Tony Robinson: R) 5.30 Brush With Fame. (PG, R) 6.00 6.30 Home And Away. (PG) 6.30 A Current Affair.
[Show full text]
Bafta Rocliffe New Writing Showcase – Tv Comedy 2016
In addition to our top three finalists, theF ORUM LIST includes BAFTA Rocliffe patrons include: three additional projects. To contact any of the writers, simply Jenni Konner, Christine Langan, Julian Fellowes, John Madden, Mike Newell, BAFta ROCLIFFE NEW WrITING email [email protected] with your details and we will connect Richard Eyre, David Parfitt, Cameron you with them. McCracken, Peter Kosminsky, David Yates, SHOWcaSE Ð TV COMEDY 2016 Finola Dwyer, Michael Kuhn, Nik Powell, FRENEMIES by Paul Wilson Duncan Kenworthy, Rebecca OÕBrien, TUESDAY 21 JUNE 2016 No break-up is easy. But if two people can make each other Simon Relph, Sue Perkins, John Bishop and Dave Spikey. BAFTA 195 PIccaDILLY, LONDON W1J 9LN unhappy when they’re together, imagine the pain they can inflict when they’re apart. Rocliffe Producer and Moderator GALGOROTH by Alex Harvey FaraH ABUSHWESHA Parodic animated comedy series, spoofing ‘80s sci-fi/fantasy cartoons, [email protected] coupling puerile humour with epic storylines and satire: South Park BAFTA Producers meets He-man. JULIA CarrUTHERS [email protected] HELP by Sally Tatum & David Brain KAM KANDOLA FLYNN HELP is the story of what happens when your best friend becomes [email protected] your nanny. Rocliffe Producer JADE GrEEN [email protected] KEVIN CECIL is a writer and After becoming neither FaraH ABUSHWESHA runs A huge thank you to our script selection panelists and jurors. Casting script editor. He won an Emmy, an electrical engineer nor Rocliffe and is the Director FaYE TIMBY a Writer’s Guild of America an actor, multi-BAFTA of Content for the comedy The Jury [email protected] award and a Writer’s Guild of nominated ADAM TANDY platform PYPO.
[Show full text]
1 © 2013 Yougov Ltd. All Rights Reserved Yougov.Co.Uk Liberal
Liberal Democrat rank Have I Got News for You 1 Mock the Week 2 QI 3 Black Books 4 The IT Crowd 5 Brass Eye 6 Doctor Who 7 Red Dwarf 8 Futurama 9 Newswipe with Charlie Brooker 10 Family Guy 11 Russell Howard's Good News 12 Pride and Prejudice 13 Sherlock 14 The Thick of It 15 Being Human 16 Wallace and Gromit 17 Grand Designs 18 Elementary 19 Bremner, Bird and Fortune 20 8 Out of 10 Cats 21 Just a Minute 22 Blackadder 23 The Big Bang Theory 24 Fry's Planet Word 25 Jeeves and Wooster 26 Spaced 27 Dexter 28 Castle 29 The Armando Iannucci Shows 30 House of Cards 31 Green Wing 32 Firefly 33 That Mitchell And Webb Look 34 Buffy the Vampire Slayer 35 Parks and Recreation 36 Brainiac 37 Whose Line Is It Anyway? 38 Time Team 39 Tomorrow's World 40 Scrubs 41 Peep Show 42 Knowing Me, Knowing You... with Alan Partridge 43 BBC News 44 Campus 45 The Golden Age of Canals 46 That Was The Week That Was 47 Charlie Brooker's Screenwipe 48 1 © 2013 YouGov Ltd. All Rights Reserved yougov.co.uk Liberal Democrat rank Look Around You 49 Stand Up for the Week 50 Arrested Development 51 Dirk Gently 52 Stingray 53 The Sunday Night Project 54 Would I Lie To You? 55 Psychoville 56 The Big Fat Quiz of the Year 57 Wonders of the Universe 58 South Park 59 Vicious 60 Watson & Oliver 61 Dead Ringers 62 Absolutely Fabulous 63 Extreme Makeover 64 True Blood 65 Jack Dee Live at the Apollo 66 Nigella Bites 67 Planet Earth 68 Hancock's Half Hour 69 Friends 70 Putin, Russia and the West 71 How the Earth Was Made 72 Kath & Kim 73 Changing Rooms 74 My So-Called Life 75 Click 76 Ask Rhod Gilbert 77 Vic Reeves Big Night Out 78 Batman 79 How Clean is Your House? 80 Goodness Gracious Me 81 Supernatural 82 Walking with Dinosaurs 83 American Dad! 84 The Hitchhiker's Guide to the Galaxy 85 The Day Today 86 Not the Nine O'Clock News 87 Argumental 88 Is It Bill Bailey? 89 Russell Howard Live 90 Acorn Antiques 91 The Impressions Show with Culshaw and Stephenson 92 My Hero 93 The Office 94 House 95 New Girl 96 The Returned 97 Big Train 98 Due South 99 Destination Titan 100 2 © 2013 YouGov Ltd.
[Show full text]
Not Your Mother's Library Transcript Mini-Episode 20: British Comedy
Not Your Mother’s Library Transcript Mini-Episode 20: British Comedy (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a reader’s advisory podcast from the Oak Creek Public Library. I am Rachel, purportedly. The podcast’s other host, Leah, is—very much like myself—churning out mini-episode after mini-episode to keep you entertained while the library building is closed. At time of recording, our Governor’s Safe at Home order has been extended to just about the end of May 2020. Please continue to practice social distancing and healthy hygiene, listeners. We have been promoting a slew of digital resources on our website and social media channels, so visit oakcreeklibrary.org or look for us on Facebook @oakcreeklibrary. You can also contact us weekdays between 9:00 and 5:00 in case you have any questions that need answering. Leave a message on our voicemail by calling 414 766-7900, and feel free to email us by using the address [email protected]. We also do our best to respond quickly on Facebook Messenger, should you prefer that line of communique. As for Not Your Mother’s Library, we are continuing to share some of our favorite things with you. There are no limits to the types of media we consume on the daily. This month, I have been delving into different genres, so let’s wrap up May with something lighter— something filled with laughter. We are going to take a quick peek at British comedy. Ricky Gervais supplied an article for Time.com describing the difference between American and British humor.
[Show full text]
English Folk Traditions and Changing Perceptions About Black People in England
Trish Bater 080207052 ‘Blacking Up’: English Folk Traditions and Changing Perceptions about Black People in England Submitted for the degree of Master of Philosophy by Patricia Bater National Centre for English Cultural Tradition March 2013 This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. Trish Bater 080207052 2 Abstract This thesis investigates the custom of white people blacking their faces and its continuation at a time when society is increasingly aware of accusations of racism. To provide a context, an overview of the long history of black people in England is offered, and issues about black stereotypes, including how ‘blackness’ has been perceived and represented, are considered. The historical use of blackface in England in various situations, including entertainment, social disorder, and tradition, is described in some detail. It is found that nowadays the practice has largely been rejected, but continues in folk activities, notably in some dance styles and in the performance of traditional (folk) drama. Research conducted through participant observation, interview, case study, and examination of web-based resources, drawing on my long familiarity with the folk world, found that participants overwhelmingly believe that blackface is a part of the tradition they are following and is connected to its past use as a disguise. However, although all are aware of the sensitivity of the subject, some performers are fiercely defensive of blackface, while others now question its application and amend their ‘disguise’ in different ways.
[Show full text]
Man up – Biographies
Presents MAN UP A film by Ben Palmer (88 min., UK, 2015) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia LOGLINE When Nancy is mistaken for Jack’s blind date under the clock at Waterloo Station, she decides to take fate into her own hands and just go with it. What could possibly go wrong? MAN UP is an honest, heart-warming romantic comedy about taking chances and rolling with the consequences. One night, two people, on a first date like no other... SHORT SYNOPSIS Meet Nancy (Lake Bell): 34, single, hung-over, and exhausted by her well meaning but clueless friends’ continual matchmaking. 10 times bitten, 100 times shy, after an especially disastrous set-up at her friends’ engagement party, Nancy is basically done with dating. She’s reached the end of her rope, and is more than happy to hole up, seal up, and resign herself to a life alone. That is until Jack (Simon Pegg) mistakes Nancy for his blind date under the clock at Waterloo Station, and she does the unthinkable and just… goes with it. Because what if pretending to be someone else finally makes her man up, and become her painfully honest, awesomely unconventional, and slightly unstable true self? Best just to let the evening unfold, roll with the consequences, and see if one unpredictable, complicated, rather unique night can bring these two messy souls together.
[Show full text]
Objectivity Lies: the Rhetoric of Anthropology,” in the Rhetoric of the Human Sciences: Language and Argument in Scholarship and Public Affairs, Eds
ABSTRACT HUMANITIES JONAS-FOWLER, JOYCELYN J. B.A. CLARK ATLANTA UNIVERSITY, 1996 M.P.A. TROY STATE UNIVERSITY, 2005 IS THIS BLACK ENOUGH FOR YOU? A COMPARATIVE ANALYSIS OF AFRICAN-AMERICAN FAMILIES PORTRAYED IN BLACK FAMILY TELEVISION COMEDIES BETWEEN 1980 AND 2000 Committee Chair: Charmayne Patterson, Ph.D. Dissertation dated May 2018 Research shows that black people watch more television than any other race of people, and, given that television is the most influential media tool, the content of what may affect an audience’s behavior and beliefs deserves analysis. This study examines the black family, alleged pathology, strengths that are specifically associated with them, its portrayal on television, and how television is used as a tool for socialization and influence. A content analysis of the top thirty black family shows that appeared on major network television between 1980 and 2000 was conducted to determine if the family framed was portrayed realistically. Each show analyzed was found to portray some characteristic of strong black families, attributes some media and social critics had not previously recognized or acknowledged. This study suggests that further research is warranted from black family, cultural, and media scholars, as well as social policy and i program makers, and on how television influences entire cultures to shift socially and economically. ii IS THIS BLACK ENOUGH FOR YOU? A COMPARATIVE ANALYSIS OF AFRICAN-AMERICAN FAMILIES PORTRAYED IN BLACK FAMILY TELEVISION COMEDIES BETWEEN 1980 AND 2000 A DISSERTATION SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY JOYCELYN JONAS-FOWLER DEPARTMENT OF HUMANITIES ATLANTA, GEORGIA MAY 2018 © 2018 JOYCELYN JONAS-FOWLER All Rights Reserved ACKNOWLEDGMENTS I thank God for his favor and blessings and for being a God of thousands of chances.
[Show full text]
English Language and Literature Pragmatic Analysis of Ironic
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Mária Savkaničová Pragmatic Analysis of Ironic Humour in Black Books Bachelor‟s Diploma Thesis Supervisor: Mgr., Jan Chovanec, Ph. D. 2013 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‟s signature I would like to express my special thanks to my supervisor, Mgr. Jan Chovanec, Ph.D for his guidance and professional support during the time of research and writing of this thesis. Secondly, I would also like to thank all who encouraged and helped me in any respect during that time. Table of Contents 1. Introduction ................................................................................................................... 6 2. Definition of Humour ................................................................................................... 8 2.1 Linguistic Theories of Humour ............................................................................. 11 2.1.1 Incongruity-Resolution Theories .................................................................... 11 2.2.1 The Hostility Theories .................................................................................... 12 2.3.1 Release/Relief Theories .................................................................................. 12 2.3.2 The Semantic Script Theory ........................................................................... 13 2.3.3 The
[Show full text]
Channel 4'S 25 Year Anniversary
Channel 4’s 25 year Anniversary CHANNEL 4 AUTUMN HIGHLIGHTS Programmes surrounding Channel 4’s anniversary on 2nd November 2007 include: BRITZ (October) A two-part thriller written and directed by Peter Kosminsky, this powerful and provocative drama is set in post 7/7 Britain, and features two young and British-born Muslim siblings, played by Riz Ahmed (The Road to Guantanamo) and Manjinder Virk (Bradford Riots), who find the new terror laws have set their altered lives on a collision course. LOST FOR WORDS (October) Channel 4 presents a season of films addressing the unacceptable illiteracy rates among children in the UK. At the heart of the season is a series following one dynamic headmistress on a mission to wipe out illiteracy in her primary school. A special edition of Dispatches (Why Our Children Can’t Read) will focus on the effectiveness of the various methods currently employed to teach children to read, as well as exploring the wider societal impact of poor literacy rates. Daytime hosts Richard and Judy will aim to get children reading with an hour-long peak time special, Richard & Judy’s Best Kids’ Books Ever. BRITAIN’S DEADLIEST ADDICTIONS (October) Britain’s Deadliest Addictions follows three addicts round the clock as they try to kick their habits at a leading detox clinic. Presented by Krishnan Guru-Murphy and addiction psychologist, Dr John Marsden, the series will highlight the realities of addiction to a variety of drugs, as well as alcohol, with treatment under the supervision of addiction experts. COMEDY SHOWCASE (October) Channel 4 is celebrating 25 years of original British comedy with six brand new 30-minute specials starring some of the UK’s best established and up and coming comedic talent.
[Show full text]
4.3 the IT Crowd
Univerzita Palackého v Olomouci Filozofická fakulta Katedra divadelních filmových a mediálních studií Jan Valnoha Televizní pořady Grahama Linehana Graham Linehan’s Television Programs Bakalářská Diplomová práce Vedoucí práce: Mgr. Jakub Korda Olomouc 2009 Prohlašuji, že jsem tuto diplomovou práci vypracoval samostatně a uvedl v ní veškerou literaturu a ostatní zdroje, které jsem použil. V Olomouci dne 20. 4. 2009 ............................................................... Jan Valnoha 2 Anotace: Práce se zabývá televizní tvorbou producenta a režiséra Grahama Linehana. Zaměřuje se na vnitřní vztahy a podobnosti seriálů, na jejichž tvorbě se podílel na postu režiséra, či scénáristy, konkrétně se jedná o seriály Father Ted, Big Train, Black Books a The IT Crowd. Resumé: The aim of this thesis is work of TV director and producer Graham Linehan. Main focus is on inner relationships and similarities between TV series which Graham Linehan contributed on as a director or screenwriter. Namely the series Father Ted, Big Train, Black Books and The IT Crowd are mentioned. 3 Obsah: Úvod ......................................................................................................5 Přehled použité literatury................................................................…… 7 1. Osobnost Grahama Linehana…………………………………………. 9 2. Skečová show……………………………………………………………11 2.1 Big Train…………………………………………………………….. 14 3. Sitkom.............................................................................................. 16 3.1 Father Ted………………………………………………………….
[Show full text]
Exploring the Relationship Between Impoliteness, Laughter and Humour in the British-Irish Sitcoms Father Ted, Black Books
‘FECK OFF!’ EXPLORING THE RELATIONSHIP BETWEEN IMPOLITENESS, LAUGHTER AND HUMOUR IN THE BRITISH-IRISH SITCOMS FATHER TED, BLACK BOOKS AND THE IT CROWD By Marianne Eve Cronin A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of English Language and Applied Linguistics School of English, Drama, American & Canadian Studies College of Arts and Law University of Birmingham August 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Despite the pervasive presence of linguistic impoliteness in many of Britain’s most celebrated situation comedies, there has been little research on the relationship between impoliteness and humour in the sitcom. Likewise, while research has identified entertainment as an outcome of impoliteness, there has been little emphasis on humour. The present research explores the relationship between linguistic impoliteness and humour in 54 episodes of the BAFTA-winning British-Irish sitcoms Father Ted, Black Books and The IT Crowd (Channel4). In order to address earlier stylistic studies’ over-reliance on researcher intuition in identifying humour, the study uses audience laughter as confirmation of successful humour uptake.
[Show full text]