The Collection of Roman Republican Coins of a Student and His Mentor – Part II
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Kenyon College Catalogue 1930-1931
Digital Kenyon: Research, Scholarship, and Creative Exchange Kenyon College Course Catalogs College Archives 1930 Kenyon College Bulletin No. 121 - Kenyon College Catalogue 1930-1931 Follow this and additional works at: https://digital.kenyon.edu/coursecatalogs Recommended Citation "Kenyon College Bulletin No. 121 - Kenyon College Catalogue 1930-1931" (1930). Kenyon College Course Catalogs. 124. https://digital.kenyon.edu/coursecatalogs/124 This Book is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Kenyon College Course Catalogs by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. KENYON COLLEGE BULLETIN NUMBER 121 KENYON COLLEGE CATALOGUE 1930 - 1931 GAMBIER, OHIO PUBLISHED BY THE COLLEGE 1930 CALENDAR 1931 JANUARY FEBRUARY MARCH APRIL s MT WT F s s MT WT F s s M T WT F S S M T W T F S -·--- 1 2 3 1 2 3 4 6 6 7 1 2 3 4 6 6 7 1 2 3 4 4 6 6 7 8 9 10 8 g 10 11 12 13 14 8 9 10 11 12 13 14 567 8 9 10 11 11 12 13 14 15 16 17 16 16 17 18 19 20 21 15 16 17 18 19 20 21 12 13 H 15 16 17 18 18 19 20 21 22 23 24 22 23 24 25 26 27 28 22 23 24 25 26 27 28 19 20 21 22 23 24 25 25 26 27 28 29 30 31 ------- 29 30 31 - --- 26 27 28 29 30 - - ------- ---- -----·-··-·- MAY JUNE JULY AUGUST SMTWTFS S M T W T F S SM T WT F S s MTWTFS 1 2 1 2 3 4 6 6 1 2 3 4 1 34567 8 9 7 8 9 10 II 12 13 567 8 9 10 11 -234°667 8 JO II 12 13 14 15 16 14 15 16 -
A View of the Horse from the Classical Perspective the Penn Museum Collection by Donald White
A View of the Horse from the Classical Perspective The Penn Museum Collection by donald white quus caballus is handsomely stabled in tive how-to manual On Horsemanship (“The tail and mane the University of Pennsylvania Museum of should be washed, to keep the hairs growing, as the tail is used Archaeology and Anthropology. From the to swat insects and the mane may be grabbed by the rider Chinese Rotunda’s masterpiece reliefs portray- more easily if long.”) all the way down to the 9th century AD ing two horses of the Chinese emperor Taizong Corpus of Greek Horse Veterinarians, which itemizes drugs for Eto Edward S. Curtis’s iconic American Indian photographs curing equine ailments as well as listing vets by name, Greek housed in the Museum’s Archives, horses stand with man and Roman literature is filled with equine references. One in nearly every culture and time-frame represented in the recalls the cynical utterance of the 5th century BC lyric poet Museum’s Collection (pre-Columbian America and the Xenophanes from the Asia Minor city of Colophon: “But if northern polar region being perhaps the two most obvious cattle and horses and lions had hands, or were able to do the exceptions). Examples drawn from the more than 30,000 work that men can, horses would draw the forms of the gods like Greek, Roman, and Etruscan vases, sculptures, and other horses” (emphasis added by author). objects in the Museum’s Mediterranean Section serve here as The partnership between horse and master in antiquity rested a lens through which to view some of the notable roles the on many factors; perhaps the most important was that the horse horse played in the classical Mediterranean world. -
The Economic Relationship Between Patron and Freedman in Italy in the Early Roman Empire
The Economic Relationship between Patron and Freedman in Italy in the Early Roman Empire by Alex Cushing A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Classics University of Toronto © Copyright by Alex Cushing 2020 The Economic Relationship between Patron and Freedman in Italy in the Early Roman Empire Alex Cushing Doctor of Philosophy Department of Classics University of Toronto 2020 Abstract The Economic Relationship between Patron and Freedman in Italy in the Early Roman Empire explores how economic and productive relationships between patrons and freedmen continued after manumission in Roman Italy during the early Principate. This dissertation surveys a range of ancient sources, including inscriptions, literary sources, alimenta tables, and wax tablets, to show how Roman patrons deployed different social and legal mechanisms to continue to draw on the productive capacities of their former slaves in a range of economic sectors. The techniques employed varied depending on productive context. Freedpersons who had been slaves in domestic familiae were redeployed as agents, not just associated with the urban households from which they originated, but also as agricultural procuratores overseeing the legal administration of rural properties. This indicates a recognition that unique skills and personal connections to their former masters could continue to be exploited after manumission for a variety of purposes. That mid-level domestic slaves were preferred for such posts instead of other, ostensibly better-suited skilled slaves, such as urban dispensatores or rural vilici , indicates a deliberate and concerted organization of both enslaved and freed workforces alongside each other. ii This suggests that practical economic considerations played a role both in the direction of freed labour and in manumission itself. -
Roman Coins – Mass Media for Image Cultivation
Roman Coins – Mass Media for Image Cultivation Unlike modern coins, Roman money was characterized by an enormous diversity of coin images. This reflected not so much the desire for change, however, but rather an often very purposeful policy of concrete self-interests. At the time of the Roman Republic, coins were issued on behalf of the senate by a committee of moneyers. These men decided independently what motifs their coins were to bear, and, from the late 2nd century BC, used this liberty often for family propaganda. Later, during the time of the Firs and second triumvirate (60 to 32 BC), coins were issued by several powerful Romans or their adherents. These pieces were not republican any more, but imperatorial, and used mainly for the representation of political dispositions and ambitions. In imperial times finally (from 27 BC), the rulers of Rome were in charge of the issuance of money. Naturally, they used the large Roman coins for the artful conversion of political propaganda and self-manifestation as well. 1 von 20 www.sunflower.ch Roman Republic, L. Caecilius Metellus Diadematur (or Delmaticus), Denarius, 128 BC Denomination: Denarius Mint Authority: Moneyer Lucius Caecilius Metellus Diadematus (?) Mint: Rome Year of Issue: -128 Weight (g): 3.94 Diameter (mm): 18.0 Material: Silver Owner: Sunflower Foundation This denarius bears on the obverse a traditional motif, the head of Roma, the goddess and personification of Rome, wearing a winged attic helmet; behind her is the mark XVI for the value of 16 asses. The reverse depicts a goddess driving a biga, a two-horse racing chariot. -
Chariots of Early Greece
CHARIOTS OF EARLY GREECE (PLATES 90-92) T O understand the harnessing of chariots in early Greece is no slight problem. Actual fragments are few and inconsistent, graphic representations difficult to interpret. In the course of prolonged and sometimes discouraging efforts to identify a curious bronze attachment (P1. 91, c, d) I have had occasion to review the field, including the magnificent Exekias krater from the North Slope of the Athenian Acropolis (P1. 92, c). Though my conclusions are tentative, they are offered here among the contributions in honor of the distinguished excavator of the krater, Oscar Broneer, on his eightieth birthday. Given only a few actual harness fixtures, one finds the plethora of vase illus- trations of Geometric through black-figured styles quite bewildering. The fact that the most important parts of the apparatus must be placed where the yoke joins the shaft decrees that they be partially concealedby the bodies of horses. The art grammar of archaic times with its requirementthat important objects or parts of objects appear complete in their most striking vi'ew (as, in the case of a man, with legs spread irn profile and chest in full front) makes for further difficulty, as when a round rein guide is viewed from the side. The best comprehensive studies of artists' renditions of chariots were offered by Helbig and Leaf in the 80's of the past century.1 Though ingenious and in many respects correct, their interpretations suffered from the effort to equate the Homeric description of a mule cart in Iliad, XXIV, 11.266 ff., with paintings of racing chariots and battle chariots on vases from Geometric through black figured and with My- cenaean and Assyrian art as well. -
Stellar Symbols on Ancient Coins of the Roman Empire – Part Iii: 193–235 Ad
STELLAR SYMBOLS ON ANCIENT COINS OF THE ROMAN EMPIRE – PART III: 193–235 AD ELENI ROVITHIS-LIVANIOU1, FLORA ROVITHIS2 1Dept of Astrophysics, Astronomy & Mechanics, Faculty of Physics, Athens University, Panepistimiopolis, Zographos 15784, Athens, Greece Email: [email protected] 2Email: fl[email protected] Abstract. We continue to present and describe some ancient Roman coins with astro- nomical symbols like the Moon, the Zodiac signs, the stars, etc. The coins presented in this Paper correspond to the Roman Empire covering the interval (193 - 235) AD, which corresponds mainly to the Severan dynasty. Key words: Astronomy in culture – Ancient Roman coins – Roman emperors – Stellar symbols. 1. PROLOGUE In a series of papers ancient Greek and Roman coins with astronomical sym- bols were shown, (Rovithis-Livaniou and Rovithis, 2011–2012 and 2014–2015,a&b). Especially the last two of them, hereafter referred as Paper I & II corresponded to the Roman Empire and covered the intervals 27 BD to 95 AD and 96 to 192 AD, re- spectively. Thus, the Roman numismatic system, and its coins has been examined in detail. For this reason, we do not repeat it here, where we continue with coins of the same subject covering the period (193–235) AD that corresponds mainly to the Severan dynasty. What it is worthwhile to be mentioned is that during this time interval, and when there was some numismatic crisis, the silver contain of the denary was reduced. For example during Caracalla’s[1] epoch a specific silver plated coin with less silver than denary was issued the so-called antonianus or the radiative. -
Celtic Coins and Their Archetypes
Celtic Coins and their Archetypes The Celts dominated vast parts of Europe from the beginning of the 5th century BC. On their campaigns they clashed with the Etruscans, the Romans and the Greeks, they fought as mercenaries under Philip II and Alexander the Great. On their campaigns the Celts encountered many exotic things – coins, for instance. From the beginning of the 3rd century, the Celts started to strike their own coins Initially, their issued were copies of Greek, Roman and other money. Soon, however, the Celts started to modify the Greek and Roman designs according to their own taste and fashion. By sheer abstraction they managed to transform foreign models into typically Celtic artworks, which are often almost modern looking. 1 von 27 www.sunflower.ch Kingdom of Macedon, Alexander III the Great (336-323 BC) in the Name of Philip II, Stater, c. 324 BC, Colophon Denomination: Stater Mint Authority: King Alexander III of Macedon Mint: Colophon Year of Issue: -324 Weight (g): 8.6 Diameter (mm): 19.0 Material: Gold Owner: Sunflower Foundation Through decades of warfare, King Philip II had turned Macedon into the leading power of the Greek world. In the summer of 336 BC he was assassinated, however, and succeeded by his son Alexander, who would later be known as "the Great." This coin was minted one year before Alexander's death. It bears a beautiful image of Apollo. The coin is a so-called Philip's stater, as Alexander's father Philip had already issued them for diplomatic purposes (bribery thus) and for the pay of his mercenaries. -
Ancient Lamps in the J. Paul Getty Museum
ANCIENT LAMPS THE J. PAUL GETTY MUSEUM Ancient Lamps in the J. Paul Getty Museum presents over six hundred lamps made in production centers that were active across the ancient Mediterranean world between 800 B.C. and A.D. 800. Notable for their marvelous variety—from simple clay saucers GETTYIN THE PAUL J. MUSEUM that held just oil and a wick to elaborate figural lighting fixtures in bronze and precious metals— the Getty lamps display a number of unprecedented shapes and decors. Most were made in Roman workshops, which met the ubiquitous need for portable illumination in residences, public spaces, religious sanctuaries, and graves. The omnipresent oil lamp is a font of popular imagery, illustrating myths, nature, and the activities and entertainments of daily life in antiquity. Presenting a largely unpublished collection, this extensive catalogue is ` an invaluable resource for specialists in lychnology, art history, and archaeology. Front cover: Detail of cat. 86 BUSSIÈRE AND LINDROS WOHL Back cover: Cat. 155 Jean Bussière was an associate researcher with UPR 217 CNRS, Antiquités africaines and was also from getty publications associated with UMR 140-390 CNRS Lattes, Ancient Terracottas from South Italy and Sicily University of Montpellier. His publications include in the J. Paul Getty Museum Lampes antiques d'Algérie and Lampes antiques de Maria Lucia Ferruzza Roman Mosaics in the J. Paul Getty Museum Méditerranée: La collection Rivel, in collaboration Alexis Belis with Jean-Claude Rivel. Birgitta Lindros Wohl is professor emeritus of Art History and Classics at California State University, Northridge. Her excavations include sites in her native Sweden as well as Italy and Greece, the latter at Isthmia, where she is still active. -
The Lacus Curtius in the Forum Romanum and the Dynamics of Memory
THE LACUS CURTIUS IN THE FORUM ROMANUM AND THE DYNAMICS OF MEMORY A contribution to the study of memory in the Roman Republic AUTHOR: PABLO RIERA BEGUÉ SUPERVISOR: NATHALIE DE HAAN MA ETERNAL ROME 15/08/2017 ACKNOLEDGEMENTS I would first like to thank my thesis advisor Dr. Nathalie de Haan of the Faculty of arts at Radboud University. She was always willing to help whenever I ran into a trouble spot or had a question about my thesis. I would also like to thank Dr. Jeremia Pelgrom, director of studies in archaeology at the KNIR, for his invaluable advice on the present research. Without their passionate participation and input, I would not have been able to achieve the present result. I would also like to acknowledge the Koninklijk Nederlands Instituut Rome to permit me to conduct great part of my research in the city of Rome. This thesis would not have been possible without its generous scholarship program for MA students. Finally, I must express my very profound gratitude to my parents and Annelie de Graaf for providing me with unfailing support and continuous encouragement throughout my year of study and through the process of researching and writing this thesis. This accomplishment would not have been possible without them. Thank you. 1 Content INTRODUCTION ......................................................................................................................... 3 1. THEORETICAL FRAMEWORK ............................................................................................ 6 1.1 The evolution of ‘memory studies’ -
2016-03-13 CHARIOTS on COINS Article.Htm
Ancient Greek and Roman Chariots on Coins See the different types of chariots depicted on coins of ancient Greece and Rome The ancient Greeks and Romans used the chariot for war, racing, processions and travel. On ancient coins, the chariot was featured being driven by emperors, important personages and even gods and goddesses. They were usually pulled by horses, but on ancient coins sometimes even by flying serpents and goats. There is a certain excitement associated with the chariot that is almost archetypal. The Latin word "carrus" is the root of the English word "chariot". Imagine the excitement the ancient spectators would feel as they saw chariots racing around the Circus Maximus in Rome or even other parts of the empire. Chariots are a fascinating topic of study and collecting. See the sights and feel the feeling with these authentic ancient coins depicting the chariot here. Click here to see all coins with a chariot. Biga, Triga and Quadriga chariots on ancient ancient Roman coins. Biga means a two horse, triga means a three horse and a quadriga means four horse chariot. A chariot pulled by goats! By winged serpents, with this depiction of Triptolemus. By even elephants! There is even a story about Pompey the Great who tried to use a chariot pulled by elephants for his triumphal march through Rome. It couldn't fit through the gates though, so he had to get on a regular chariot pulled by horses. There was a Greek general who had a battle on the streets of one of the Greek cities he tried to conquer. -
4 ATTI 9 CVT Roma 2013 MEMORIA Preprints 5 Settembre 2014
PERMANENCE OF ROMAN TOPONYMS IN THE MIDDLE AGES. Castrum Corzani and the first settlement of S. Piero in Bagno, Forum corzani . Alessandro Camiz 123 Key words EN: Urban morphology, Small towns, Rustic villas, Praedial Toponyms, Incastellamento English Abstract There has been a long discussion in the past decades on continuity or discontinuity between the decline of the roman rural settlement and the small towns and castles that arise, starting from the tenth century, in what historians have called the phase of “incastellamento”. Recognizing the widespread presence of praedial toponyms in modern cartography and in medieval notarial sources, using a GIS to handle a large amount of site names and documents, it was possible to correlate the site of a rustic villa, Valbiano (Sarsina), with the “incastellamento” phenomena. Within the distribution of praedial toponyms in the Ager Sarsinatis , some common characters were recognized and it was possible to correlate sites of rustic villas with medieval castles, showing the permanence of place names as a base for a “longue durèe” continuity of land use, through different land ownerships, from roman times to the middle ages. The medieval castrum corzani (1199) was built in hilltop position and, even though preserving the roman toponym, is mentioned later than a curte corçani (1177). It was possible to hypothesize the presence of a walled mercatale, forum corzani ( 1239) in a valley position, as the medieval fortified nucleus of the town of S. Piero in Bagno, similarly to the terra murata of Bagno di Romagna, built in continuity with the Roman thermal settlement of Balneus S. Mariae . -
Vol Moruzzi Berlin 2011
Stolen coins MORUZZI LIMITED/ Umberto Moruzzi in Berlin World Money Fair Berlin 2011 Roman Empire, MACRINUS 217-218 AD DENARIO , 217-218 AD Ex CNG 73 n. 955, D/IMP C M OPEL SEV MACRINVS AVG, R/PROVIDENTIA DEORVM Mint Roma, Rif. bibl. R.I.C., 80/S; Cohen, 108/Fr.6; Metal AR, gr. 3,15, near EF, (R) Roman Empire, TRAJAN A.D. 98-117 DENARIUS , A.D. 114-117 Ex St. James's 10, n. 62, D/IMP TRAIANO OPTIMO AVG GER DAC P M TR P, R/COS VI P P S P Q R Mint Roma, Rif. bibl. R.I.C., 299; Cohen, 103; Metal AR, gr. 3.38, near EF 1 Roman Empire, VESPASIAN A.D. 69-79 AS , A.D. 71 Ex Lanz 147 n. 293, D/IMP CAES VESPASIAN AVG P P COS IIII, R/VICTORIA NAVALIS Mint Roma, Rif. bibl. R.I.C. 2, 336; Cohen, 635 var.; Metal AE, gr. 10.00, near EF Roman Empire, ANTONINUS PIUS A.D. 138-161 DENARIUS , A.D. 140-143, D/ANTONINVS AVG PIVS P P TR P COS III, R/AEQVITAS AVG Mint Roma, Rif. bibl. R.I.C., 61c; Cohen, 14/Fr. 2; Metal AR, gr. 2.85, near FDC Roman Republic, GENS ANTONIA DENARIUS SERRATUS , 83-82 BC, D/Head of Zeus r., R/Nike in quadriga r. Mint Roma, Rif. bibl. Craw, 364/1; Bab., 1; Metal AR, gr. 3.74, EF Roman Empire, TRAJAN 2 A.D. 98-117 DENARIUS , 116-117 AD Ex Gorny & Mosch 191 n.