Lee Godfrey Grip NVQ 3 Certified

Total Page:16

File Type:pdf, Size:1020Kb

Lee Godfrey Grip NVQ 3 Certified Gravy Crew Ltd. t. +44 (0) 203 696 4600 e. [email protected] Diary Management Service Lee Godfrey Grip NVQ 3 Certified Lee has been working in the film industry from the age of 18 and achieved his NVQ Level 2 in 2009, with his advanced Level 3 completed 2016. His work includes features, TV dramas, commercials and promos. Lee is also fully compliant in the operation of the Russian & Spanish ARM, a specialist piece of tracking equipment. Feature Films Production Director Director of Photography Additional Information Dumbo Tim Burton Ben Davis Key Grip, Splinter Unit Untitled Jurassic World Sequel J A Bayona Oscar Faura 2nd Unit B Cam/Dolly Grip Murder on the Orient Express Kenneth Branagh Haris Zambarloukos Dolly Grip Mary Magdalene Garth Davis Greg Fraser B Cam Grip Life Daniel Espinosa Seamus McGarvey R Stage Grip Sense 8 Lana Wachowski John Toll A Cam Dolly Grip Space Bear ( SW) Rian Johnson Jason Presant Splinter Unit, Grip Dailies Bourne (Additional Photography) Paul Greengrass Barry Ackroyd VFX Unit Key Grip, C Cam Grip Fantastic Beats & Where to Find David Yates Philippe Rousselot 2nd Unit, Crane Grip Them TOOM Justin Kurzel Adam Arkapaw Main Unit, Spanish ARM Operator Curse of Hendon (Additional Louis Leterrier Erik Wilson Grip Dailies Photography) Beauty & the Beast (Additional Bill Condon Tobias A Schliessler Grip Dailies Photography) And Then There Were None Abi Bach John Pardue Main Unit, Grip Dailies The Huntsman (Main Unit) Cedric Nicholas-Troyan Phedon Papamichael Russian ARM Operator Knights of the Round Table: King Guy Ritchie John Mathieson Grip Dailies Arthur Miss Peregrine's Home for Tim Burton Bruno Delbonnel C Cam Grip, Grip Dailies Peculiar Children The Last Panthers Johan Renck Laurent Tangy Spanish ARM Operator The Infiltrator Brad Furman Joshua Reis Grip Dailies Mission Impossible 5 (Additional Christopher McQaurrie Robert Elswit Spanish ARM Operator Photography) SPECTRE Sam Mendes Alexander Witt 2nd Unit, VFX Grip Criminal Ariel Vromen David Stragmeister Spanish ARM Operator Mortdecai David Koepp Florian Hoffmeister Additional Photography, Dailies Mission Impossible 5 (Morocco) Christopher McQaurrie Jonathan Taylor 2nd Unit, B Cam Grip Avengers: Age of Ultron John Mahaffie John Gamble 2nd Unit, C Camera Grip Production Director Director of Photography Additional Information Dracula Untold Gary Shore John Mathieson Additional Photography, Grip Dailies Royal Night Out Julian Jarrold Christophe Beaucarne B Camera Grip Suffragette Sarah Gavron Eduard Grau Grip Dailies Exodus Ridley Scott Dariuaz Wolski Grip Dailies/Russian ARM Operator Jupiter Ascending Lana Wachowski John Toll Dolly Grip Guardians of the Galaxy James Gunn Jonathan Taylor Dolly Grip Black Sea Kevin Macdonald Christopher Ross BSC B Camera Grip In the Heart of the Sea Ron Howard Anthony Dodd Mantle Crane Grip Fury David Ayer Stephen Hall Dailies Edge of Tomorrow Doug Liman Fraser Taggart Additional Photography TV / Drama Production Director Director of Photography Additional Information The Windsors S2 Adam Miller Greg Duffield Key Grip The Crown Mark Jenkinson Tim Green Spanish ARM Operator Black Mirror James Watkins Tim Maurice-Jones Spanish ARM Operator Marco Polo (Malaysian Unit) Dan Minahan, Jon Amiel Romain Lacourbas, Vanja B Camera Grip Cernjul Game of Thrones S6 Jack Bender Jonathan Freeman Drago Unit, 3rd Camera Grip You, Me & the Apocalypse Saul Metzstein Adam Gilham Grip Dailies, Russian ARM Operator Downton Abbey Michael Engler, David Adam Gilham Russian ARM Operator Evans Commercial / Promos (selection) Production Production Company Director of Photography Additional Information Nike Dir: Ringan Ledwidge Matty Libatique Spanish ARM Operator McClaren Corporate Dir: James Watkins Tim Maurice-Jones Spanish ARM Operator Just Eat Rattling Stick Tim Maurice-Jones 2nd Camera Grip Jaguar Corporate Artifex Media Simon Fitzgerald Key Grip Argos Chi & Partners Stuart Graham Key Grip Charlyz Angels 'Lousy Lover' Promo David Mackie Key Grip Amazon Fashion Shoot Mill + Chris Clarke Key Grip Abu Dhabi National Day Live TV Crane Grip British Heart Foundation - CRY Park Pictures Matthias Rudh 2nd Grip UK Grand National (TVC & Live) Channel 4 Tat Radcliffe Russian/Spanish ARM Operator Equipment Lee has access to a long list of grip equipment including a remote head that is both programmable and wireless..
Recommended publications
  • Métier : Directeur De La Photo
    Métier : Directeur de la photo Livre 1.indb 1 28/11/2013 10:39:23 VilMoS ZSiGMond CHriSTopHer doyle MiCHael BallHauS JaMeS wonG Howe ed laCHMan rodriGo prieTo CaleB deSCHanel raoul CouTard ViTTorio SToraro CHriS MenGeS dion BeeBe JaCk CardiFF owen roiZMan Barry aCkroyd ellen kuraS SVen nykViST peTer SuSCHiTZky SeaMuS MCGarVey JaVier aGuirreSaroBe MaTTHew liBaTiQue Freddie younG X-FCVN-LVBK-001-007-US.indd 2 02/08/2011 15:38 Mike Goodridge et Tim Grierson Métier : Directeur de la photo Quand les maîtres du cinéma se racontent Traduit de l’anglais par Jean-Louis Clauzier et Laurence Coutrot 9782100705016-Goodridge-001-005.inddX-FCVN-LVBK-001-007-US.indd 3 3 28/11/201302/08/2011 13:50:32 15:38 L’édition originale de cet ouvrage a été publiée en 2012 au Royaume-Uni par ILEX sous le titre FilmCraft: Cinematography Copyright © 2012 The Ilex Press Limited 210 High Street Lewes East Sussex BN7 2NS © Dunod, Paris, 2014 pour la traduction française ISBN 978-2-10-070501-6 Traduction : Jean-Louis Clauzier et Laurence Coutrot Révision du texte français : Emmanuel Dayan Couverture : Misteratomic Mise en page : Arclémax Imprimé en Chine Toute représentation ou reproduction intégrale ou partielle faite sans le consentement de l’auteur ou de ses ayants droit ou ayants cause est illicite selon le Code de la propriété intellectuelle [Art. L 122-4] et constitue une contrefaçon réprimée par le Code pénal. Seules sont autorisées [Art. L 122-5] les copies ou reproductions strictement réservées à l’usage privé du copiste et non destinées à une utilisation collective, ainsi que les analyses et courtes citations justifiées par le caractère critique, pédagogique ou d’information de l’œuvre à laquelle elles sont incorporées, sous réserve, toutefois, du respect des dispositions des articles L 122-10 et L 122-12 du même Code, relatives à la reproduction par reprographie.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • British Society of Cinematographers
    Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC
    [Show full text]
  • Sven Vosloo Sasc
    svengali cinematography Sven Vosloo sasc Director of Photography Curriculum Vitae - Features Personal Information Nationality: South African I D Number: 650923 5110 081 Date of Birth: 23 September 1965 Passport: South African 1stLanguage: English Contact Information Email: [email protected] Website: www.svenvosloo.co.za Telephone: + 27 (0) 82 557 1166 svengali cinematography 2018 Production Title: American Monster 3 Production Co.: Arrow Media / Trilogy Creative Studios Directors: Bill Thomas, Neil Rawles, Nick Davies, Stephen Oxenham DOP: Paul Jenkins Position: B camera operator & 2nd unit DP 2017 Production Title: Deep Blue Sea II Production Co.: Warner Brothers / Film Afrika Director: Darrin Scott DOP: Thomas Callaway Position: A camera operator & 2nd unit DP Production Title: Maze Runner : The Death Cure (2nd unit) Production Co.: 20th Century Fox / Light Stuff Trading - OOA Director: Vic Armstrong DOP: Josh Bleibtreu Position: 2nd unit camera operator Production Title: Maze Runner : The Death Cure (main unit) Production Co.: 20th Century Fox / Light Stuff Trading - OOA Director: Wes Ball DOP: Gyula Pados Position: Additional camera operator (daily) Production Title: Outlander Season 3 (block 6) Production Co.: Left Bank Pictures / Film Afrika Director: Charlotte Brandstrom DOP: Alisdair Walker Position: Additional camera operator (daily) Production Title: The Kissing Booth Production Co.: Komixx Entertainment / Out of Africa Entertainment Director: Vince Marcello DOP: Anastas Michos Position: A camera operator Production Title:
    [Show full text]
  • J a N U a R Y 2 0 1 2 $5.95Canada $6.95
    JANUARY 2012 $5.95Canada $6.95 ! ® LitepanelsiL te slenap ® [email protected]@ofni moc.slena • www.litepanels.comapetil.www moc.slena A Vitec Group branddnarbpuorGcetiVA JANUARY 2012 VOL. 93 NO. 1 The International Journal of Motion Imaging On Our Cover: Computer hacker Lisbeth Salander (Rooney Mara) unearths sinister secrets in The Girl with the Dragon Tattoo, shot by Jeff Cronenweth, ASC. (Photo by Jean-Baptiste Mondino, courtesy of Columbia Pictures.) FEATURES 32 Cold Case Jeff Cronenweth, ASC and David Fincher investigate a compelling mystery for The Girl with the Dragon Tattoo 48 Animal Instincts Janusz Kaminski saddles up with Steven Spielberg on the World War I drama War Horse 48 62 Lord of War Barry Ackroyd, BSC provides stalwart support for Coriolanus director and star Ralph Fiennes 74 Go with the Flow AC’s technical editor outlines the challenges posed by digital workflows 62 DEPARTMENTS 8 Editor’s Note 10 President’s Desk 12 Short Takes: String Theory 20 Production Slate: The Descendants • ASC Awards Preview • HPA Awards 88 New Products & Services 98 International Marketplace 99 Classified Ads 100 Ad Index 102 Clubhouse News 104 ASC Close-Up: Rodrigo Prieto — VISIT WWW.THEASC.COM TO ENJOY THESE WEB EXCLUSIVES — DVD Playback: Le Beau Serge/Les Cousins • The Island of Lost Souls • Little Big Man January 2012 Vol. 93, No. 1 The International Journal ofMotion Imaging Visit us online at www.theasc.com ———————————————————————————————————— PUBLISHER Martha Winterhalter ———————————————————————————————————— EDITORIAL EXECUTIVE EDITOR Stephen Pizzello SENIOR EDITOR Rachael K. Bosley ASSOCIATE EDITOR Jon D. Witmer TECHNICAL EDITOR Christopher Probst CONTRIBUTING WRITERS Stephanie Argy, Benjamin B, Douglas Bankston, Robert S.
    [Show full text]
  • 2013 NOMINATIONS (Presented in 2014)
    2013 NOMINATIONS (presented in 2014) BEST FILM 12 YEARS A SLAVE Anthony Katagas, Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen AMERICAN HUSTLE Charles Roven, Richard Suckle, Megan Ellison, Jonathan Gordon CAPTAIN PHILLIPS Scott Rudin, Dana Brunetti, Michael De Luca GRAVITY Alfonso Cuarón, David Heyman PHILOMENA Gabrielle Tana, Steve Coogan, Tracey Seaward OUTSTANDING BRITISH FILM GRAVITY Alfonso Cuarón, David Heyman, Jonás Cuarón MANDELA: LONG WALK TO FREEDOM Justin Chadwick, Anant Singh, David M. Thompson, William Nicholson PHILOMENA Stephen Frears, Gabrielle Tana, Steve Coogan, Tracey Seaward, Jeff Pope RUSH Ron Howard, Andrew Eaton, Peter Morgan SAVING MR. BANKS John Lee Hancock, Alison Owen, Ian Collie, Philip Steuer, Kelly Marcel, Sue Smith THE SELFISH GIANT: Clio Barnard, Tracy O’Riordan OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER COLIN CARBERRY (Writer), GLENN PATTERSON (Writer) Good Vibrations KELLY MARCEL (Writer) Saving Mr. Banks KIERAN EVANS (Director/Writer) Kelly + Victor PAUL WRIGHT (Director/Writer), POLLY STOKES (Producer) For Those in Peril SCOTT GRAHAM (Director/Writer) Shell FILM NOT IN THE ENGLISH LANGUAGE THE ACT OF KILLING Joshua Oppenheimer, Signe Byrge Sørensen BLUE IS THE WARMEST COLOUR Abdellatif Kechiche, Brahim Chioua, Vincent Maraval THE GREAT BEAUTY Paolo Sorrentino, Nicola Giuliano, Francesca Cima METRO MANILA Sean Ellis, Mathilde Charpentier WADJDA Haifaa Al-Mansour, Gerhard Meixner, Roman Paul DOCUMENTARY THE ACT OF KILLING Joshua Oppenheimer THE ARMSTRONG LIE Alex Gibney BLACKFISH Gabriela Cowperthwaite TIM’S VERMEER Teller, Penn Jillette, Farley Ziegler WE STEAL SECRETS: THE STORY OF WIKILEAKS Alex Gibney ANIMATED FILM DESPICABLE ME 2 Chris Renaud, Pierre Coffin FROZEN Chris Buck, Jennifer Lee MONSTERS UNIVERSITY Dan Scanlon DIRECTOR 12 YEARS A SLAVE Steve McQueen AMERICAN HUSTLE David O.
    [Show full text]
  • Mise En Page 1
    février 2020 La lettre n° 305 . Photo Nicolas Maupin AFC photographié par Julien Poupard La Dernière vie de Simon, u entretiens AFC AFC Thierry Arbogast > p. 19 BSC, ASC Roger Deakins > p. 22 Tournage du film de Léo Karmann, Tournage FILMS AFC SUR LES ÉCRANS > p. 2 ACTUALITÉS AFC > p. 4 MICRO SALON > p. 6-10 JPP AFC > p. 11-13 CÔTÉ PROFESSION > p. 14, 17, 25 BILLET D’HUMEUR > p. 15 FESTIVALS > p. 15 IN MEMORIAM > p. 16 Association Française Association des directeurs de la photographie Cinématographique ÇÀ ET LÀ > p. 39 TECHNIQUE > p. 26-27 NOS ASSOCIÉS > p. 9-10, 28-38 SUR LES ÉCRANS : La Dernière vie de Simon de Léo Karmann, Dictionnaire de traductions de termes techniques du cinéma photographié par Julien Poupard AFC et de l’audiovisuel Avec Benjamin Voisin, Martin Karmann, Avec le soutien du CNC, de Film France et de la commission Île-de-France Camille Claris Le Cinedico devient une application entièrement installée sur Sortie le 5 février 2020 votre iphone ou ipad ne nécessitant plus de connexion à Internet [ u p. 18 ] http://www.lecinedico.com/ Je suis là d’Eric Lartigau, photographié par Laurent Tangy AFC Avec Alain Chabat, Doona Bae, Lumières n°5, Blanche Gardin est toujours disponible Sortie le 5 février 2020 à la vente, passez commande dès maintenant ! Notre-Dame du Nil d’Atiq Rahimi, Des directeurs photographié par Thierry Arbogast AFC de la Avec Amanda Mugabekazi, Albina photographie Kirenga, Pascal Greggory parlent de cinéma, Sortie le 5 février 2020 leur métier [ u p. 19 ] www.cahierslumieres.fr Le Prince oublié de Michel Hazanavicius, photographié par Guillaume Schiffman AFC Avec Omar Sy, Bérénice Bejo, François Damiens Sortie le 12 février 2020 Un divan à Tunis de Manele Labidi, photographié par Laurent Brunet AFC Avec Golshifteh Farahani, Majd Mastoura, Hichem Yacoubi Sortie le 12 février 2020 Lucky d’Olivier Van Hoofstadt, photographié par Jérôme Alméras AFC Avec Florence Foresti, Michaël Youn, Alban Ivanov Sortie le 26 février 2020 On écrit pour tout le monde, pour tout ce qui a besoin d’être initié.
    [Show full text]
  • BEST PICTURE O up Director Actor in a Leading Role ACTRESS in a Leading Role Actor in a Supporting Role ACTRESS in a Supporting
    Up–to–the–minute Oscar news and wrap-up on vulture.com 2010 OSCAR PooL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Avatar Ajami Burma VJ Anders Østergaard and Lise Lense-Møller The Blind Side Israel | Directed by Scandar Copti and Yaron Shani The Cove Louie Psihoyos and Fisher Stevens District 9 The Milk of Sorrow (La Teta Asustada) Food, Inc. Robert Kenner and Elise Pearlstein Peru | Directed by Claudia Llosa An Education The Most Dangerous Man in America: A Prophet (Un Prophète) The Hurt Locker Daniel Ellsberg and the Pentagon Papers France | Directed by Jacques Audiard Judith Ehrlich and Rick Goldsmith Inglourious Basterds The Secret in Their Eyes (El Secreto de Sus Ojos) Which Way Home Rebecca Cammisa Precious Argentina | Directed by Juan José Campanella A Serious Man The White Ribbon (Das Weisse Band) DOcuMENtarY SHOrt SubJect Up Germany | Directed by Michael Haneke China’s Unnatural Disaster: The Tears of Up in the Air Sichuan Province Jon Alpert and Matthew O’Neill OriGINal SCOre The Last Campaign of Governor Booth Gardner DirectOR Avatar James Horner Daniel Junge and Henry Ansbacher James Cameron Avatar Fantastic Mr. Fox Alexandre Desplat The Last Truck: Closing of a GM Plant Kathryn Bigelow The Hurt Locker The Hurt Locker Marco Beltrami and Buck Sanders Steven Bognar and Julia Reichert Quentin Tarantino Inglourious Basterds Sherlock Holmes Hans Zimmer Music by Prudence Roger Ross Williams and Lee Daniels Precious Up Michael Giacchino Elinor Burkett Jason Reitman Up in the Air Rabbit à la Berlin Bartek Konopka and Anna Wydra OriGINal SONG ActOR IN A LeadiNG ROle The Princess and the Frog “Almost There” ANIMated SHOrt FilM Jeff Bridges Crazy Heart Music and Lyric by Randy Newman French Roast Fabrice O.
    [Show full text]
  • S T E V E B U R G E
    S T E V E B U R G E S S STEADICAM OPERATOR + 1ST AC 24 Stone Road, Broadstairs, Kent, CT10 1DZ + 44 7968 393 047 [email protected] Steve has extensive camera department experience and over the last couple of years has also trained as a Steadicam Op, (Tiffen Gold Course). Steve completed his first feature as Steadicam Op in 2019. Steve continues to work as Steadicam Op, Operator and 1st AC and also works regularly in Commercials. References available upon request. TOP GUN (2019) Additional Photography A Cam DOP: Claudio Miranda MISSION IMPOSSIBLE 7 (2019) Camera Tests DOP: Fraser Taggart THE OBSCURE LIFE OF THE GRAND DUKE OF CORSICA (2019) Timothy Spall independent feature film Steadicam/Operator DOP: Ben Ziryab MISSION IMPOSSIBLE 6 (2019) Paris Main Unit / Aerial Unit New Zealand 1st AC DOP: Rob Hardy OUTLAW KING (2018) C Cam DOP: Barry Ackroyd WILL (2017) TV Series – 1st AC B Cam DOP: John De Boorman GRIMSBY (2016) 1st AC + Operator DOP: Fraser Taggart & Sebastian Belnkov ROGUE ONE (2016) 1st AC, 2nd Unit DOP: Fraser Taggart OUR ROBERT OVERLORDS (2014) 1st AC DOP: Fraser Taggart THE EDGE OF TOMORROW (2014) 1st AC 2nd Unit DOP: Fraser Taggart GAME OF THRONES (2013) TV Series - 1st AC B CAM DOP: Matt Jensen 47 RONIN (2013) 1st AC 2nd Unit DOP: Fraser Taggart THE BLETCHLEY CIRCLE (2012) TV Series - 1st AC DOP: John Pardue XMEN FIRST CLASS (2011) 1st AC B Cam DOP: John Mathieson MOBY DICK (2011) 1st AC B Cam DOP: : Simon Richards YOUR HIGHNESS (2011) 1st AC + Operator DOP: Fraser Taggart PRINCE OF PERSIA (2010) 1st AC A CAM DOP: John
    [Show full text]
  • Belonging to The
    ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| BELONGING TO THE BSC Leading cinematographers reveal what being a member of the BSC means to them, and how they’d ROGER DEAKINS CBE BSC ASC like to see their art and craft unfold in the future. Fargo, O Brother Where Art Thou, Jarhead, Skyfall, Blade Runner 2049 Joined: 1999… I can’t recall how I managed to become a board member, nor eventually the BSC president (2014-17). Doesn’t seem |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| possible, but it was. Joined: 1986… I was blown away when I was asked to join by Alex Thomson BSC, just after I shot 1984. Your BSC inspirations? This one is easy… Chris Menges BSC ASC. I Your BSC inspirations? was always inspired by his documentaries and, Oswald Morris OBE BSC and Chris Menges BSC ASC of course, he shot the film Kes, which literally were the two most inspiring BSC members as I began change my life. He also, in his own quiet way, my life as a cinematographer. Ossie’s body of work led me on to my career as a cinematographer is unsurpassed. The Spy Who Came In From The Cold and introduced me to Ken Loach. remains the greatest B/W photography out there. Chris, a gentleman and a true inspiration, brings quiet Your thoughts about cinematography today? dignity to his images and hence to the subjects that he I’m certain that it’s the art of cinematography has trained his camera on. The subject comes first, not that makes cinema so special. I see new talent the cinematography. coming along all the time.
    [Show full text]
  • Neuerwerbungsliste Juni 2020 Film
    NEUERWERBUNGSLISTE JUNI 2020 FILM (Foto: Moritz Haase / Olaf Janson) Zentral- und Landesbibliothek Berlin Stiftung des öffentlichen Rechts Inhaltsverzeichnis Unser Filmbestand 3 Unsere Empfehlung 5 Film 5 Stummfilme 7 Film 7 Fernsehserien 7 Film 10 Tonspielfilme 13 Film 20 Animationsfilme 33 Musi Musikdarbietungen/ Musikvideos 34 K 400 Kinderfilme 34 Ju 400 Jugendfilme 36 Sachfilme nach Fachgebiet 40 Allgemeine Hinweise 46 Seite 2 von 50 Stand vom: 01.07.2020 Neuerwerbungen im Fachbereich Film Unser Filmbestand Die Cinemathek der ZLB bietet den größten, allgemein zugänglichen Filmbestand in einer öffentlichen Bibliothek Deutschlands. Der internationale und vielsprachige Filmbestand umfasst alle Genres: Spielfilme, auch Stummfilme, Fernsehserien, Kinder- und Jugendfilme, Musikfilme und Bühnenaufzeichnungen, Animations- und Experimentalfilme, sowie Dokumentarfilme zu allen Fächern der Bibliothek. Mehr als 65.000 Filme auf über 50.000 DVDs und über 6.000 Blu-ray Discs sind frei zugänglich aufgestellt und ausleihbar. Aus dem Außenmagazin können 20.000 Videokassetten mit zum Teil seltenen Filmen bestellt werden. Seite 3 von 50 Stand vom: 01.07.2020 Neuerwerbungen im Fachbereich Film Sie haben einen Film nicht im Regal gefunden? Unsere Filme sind nach den Anfangsbuchstaben der Regie und die Serien nach dem Originaltitel sortiert. Sachfilme befinden sich häufig am Ende des Regals des passenden Fachbereichs. Es lohnt sich immer auch eine Suche über unseren Bibliothekskatalog. Denn ein Teil unseres Angebotes steht für Sie in unseren Magazinen
    [Show full text]
  • What Do I Do to Get Into Movies?
    So You Wanna Work in Movies So You Wanna Work in the Movies Stumble It! NEW! "THE WATERHORSE" - the Cinematographer's perspective with PICTURES! If you'd like to see my credits click here...... If you want to view or save the essay in .pdf format click here......... SO YOU WANNA WORK IN MOVIES? A response to people who ask: What do I do to get into Movies? By Oliver Stapleton BSC So you have to ask yourself the question: Am I Any Good at Anything? file:///Users/OS/Sites/Cineman%20May%202009/public_html/index.htm (1 of 52)09/05/2009 11:08 So You Wanna Work in Movies I'm totally useless at everything. This is not necessarily a problem as plenty of people working in the industry are totally useless. Some of them are Executives working in the Studios. If you don't know what this means, go to the part on Studio Executives, although it may not be very helpful, as I've never quite worked out what they do. Some people who work on the floor, i. e. actually making the film, are totally useless but they usually don't last very long, unless they are either very enthusiastic or very entertaining or very pretty or all three. I'm totally useless at everything but I'm willing to learn. Now this is much better. Modern schooling damages more people than it helps*. This is because the grade system means that you are never first. And if you were, you wouldn't be reading this.
    [Show full text]