DOCSLIB.ORG

The Ithacan, 1981-09-10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Ithacan, 1981-09-10 Ithaca College Digital Commons @ IC The thI acan, 1981-82 The thI acan: 1980/81 to 1989/90 9-10-1981 The thI acan, 1981-09-10 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1981-82 Recommended Citation The thI acan, "The thI acan, 1981-09-10" (1981). The Ithacan, 1981-82. 2. http://digitalcommons.ithaca.edu/ithacan_1981-82/2 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1981-82 by an authorized administrator of Digital Commons @ IC. A Weekly Newspaper. Published Independently by the Students of Ithaca College Vol. 51/ No. 2 · · September 10, 1981 B-Building Blooms Borrowing Budgett Bombs by Juliet Bailey construction is going accor- maker tor cost, budget, time "More··room". "No more ding to schedule. The steel is schedule and effective elevators". "Easily ac- up an.g the walls are now being operation. cessible, Better -parking." worked on. If the weather The· ground floor of the "Classrooms closer together." . holds, a hopeful date of mid­ building will house nine These are some o·f the respon- November is being set for the classrooms. These will be used ses from staff, faculty and completion of the outer shell primarily by the Business and students when questioned , and brickwork. The total Allied Health departments, about the new building which completion date has been set but other departments will will be the new home for the as· spring of 1983, ·once again also use the classrooms. This school of Business and the depending on the weather and should help to decrease the school of Allied Health the labor situation. A definate present classroom crunch on Professions. price could not be quoted at campus. The second floor. will Tht: four story building was this time, but funding is being house the Allied Health designed by Larry Hoffman of negotiated by Matt Wall the clinics. These are prcsenuy Levatich and Hoffman. Ar- vice president of development dispersed between the Health chitects, a local firm. It .!is of college relations. Tom Center, Rowland Hall, Lyon being built by McGufre and Salm, -r vice president of Hall and one of the Garden Bennet of Ithaca. Ground Business Affairs is the project Apartments. All the labs for breaking ceremonies took d1rcctor and final decision­ the Physical Therapy depar­ place on May ·21st, and so far tment will now-be functionally related. There will be. a room specially designed for com­ Enforced Law§ puter readout and data collec­ ting. The Physical THerapy Jepartment will include three .Limiting Crowds exercise rooms, a size of exits, square footage of by Judy Green hydrotherapy laboratory, the place of assembly and What appears to be a recent research labs and enough structural modifications. "crackdown" on.. the enfor­ room on the same floor to Occupancy limits can be cement of occupancy limits in allow the clinical physical raised by the addition of struc­ local bars and restaurants is therapists to have their own tural modifications, such as not as sudden as it may seem, offices. The Ewing_ Clinic, doors or sprinkler systems. according to Ed Olmstead, which will almost double in But these can be expensive assistant fire chief of the 'size, will also be on this floor. changes, said Olmstead, and Ithaca Fire Department. The Mcdicar record lab, the owners must ask themselves if "It started about three years speech science lab, and the it will be cost effective. ago in late 1978 when we did audiology therapy rooms will "There shouldn't be any oc­ the measurements to obtain also take up their share of cupancy limits," said Dugout occupancy figures," said Olm­ floor space. Because it is built owner Thomas Kheel. "90 ~tcad. - into the side of a hill, the percent of the c-ause of a fire i, "Then in June of 198 I," he building will be .easily ac­ in the building. If a building ,, continued, "we sent letters to cessible to the handicapped. It in poor shape a fire will bar and tavern owners saying will be totally handicapped spread," he'continued. we would be enforcing (the oc­ equipped inclu.ding special size Kheel claimed the owner~ cupancy limits) soon." bathrooms. There is a good should be responsible for the For Ithaca bar owners and possibility the clinics will serve occupancy limits. ' . fire officials, "soon,,. has tur­ as a referral center. This will McCawbers owner Michael ned into· "now,'j and for the provide the students with more · LoPinto, Jr. echoed that past two weekends· fire, mar­ clinical experience before their claim. "We've been open four shalls have been closely sur­ Befor_e ... , senior or post-un.dergraduate years and we have always kcr­ veying the downtown.scene for years. The third floor will people out (when its gott,' overcrowding. provide twenty-six offices for crowded)," he said. · - Summons to a Sept. 8 the Allied Health staff and Since LoPinto works behim. hearing have been issued to the faculty. Wtien interviewed the bar much of the time, a owners of The Dugout, Mc­ about the new building Dean location fairly distant from thl 'Cawbers, The Pines Tavern Koustaal said he is very en­ exit, he said that for hi'> own and Ragmann 's for being in thusiastic about the project. safety he would not want to violation of the fire code, a He has pictures of the building see McCawbers become so er violation classified as a since its founding and intenc;Is ('Wded 3.S to endanger lifL misdemeanor. to keep up on his pictoral ~,1fet\'. "I think there _is a need for story. He feels the new school "I think it's unfortunate the complete reevaluation of will be able to provide students that I can't use my own occupancy limits. You can't with· a comprehensive, reasoning for the limits," he judge a small bar. on the same theoretical, and- practical ap­ said. · scale with · places with proaches close together.__,. He capacities of 500, ,,, said Pines One · question that bar says he intends to make his owners are raising is that of Tavern Owner Jim Verrichio. · clinics the best in- a radius of a why the occupancy limits Verrichio claimed that each hundred miles.- being so stringently enforced bar should be judged in­ The ,school of .Business \\'.ill at a time when all the student\ dividually as opposed to stan­ be housed entirely on the four­ arc returning to schoor and dard code regulations which tfi floor. There will be more downtown Ithaca· 1s most offices, a total _of . twenty­ the fire department fojlowed in determining the occupancy crowded. seven, more floor space, areas "There's no way we caJ) limits. for gathering, bulletin board facilitate· people overnight,'' • , They are determined in - space and wider corridors. said LoPinto. If fire official\ several ways, accor.ding to continued on page4 Olmstead. Among the factors continued ,m pugc· l'i · ·And· Aiter. StoryP~e 12 considcr~d are the number and Page2 THE ITHACAN-- September 10, 1981 ';' ~. '' . ' ... 'J:TIIACAN.,' ' ' INQUIRER.. - EDITORIAL In an effort to report campus affairs accurately What do you think of the new business building? and comprehensively "The Ithacan" staff tries to ERICPLICKERT be aware of all events of concern to the I. C. com- munity. " In the last issue of the Ithacan last spring, .a "Letter To the Editor" from an I. C. professor questioned a general lack of awareness regarding crime on campus. · _ He wrote the letter as a resuli offife alleged rape of on; of his students by 'three Ithaca College men . Very few people knew of the incident, he claimed, '~;;;;, although his student pressed charges against tfze ' .... ~ ... ·· :;_·."' ~ . men with the Ithaca police. ~ ··.-..:-.... In his letter, the professor wrote, "The members of a comm.unity ought to know what __ happens around them. " Among his charges of the ad­ David Drucker Mgmt. '84 Mark Young Business Mgmt. I think that the new building '84 ministration's, faculty's and students' lack of will be a great asset for the Being a business major it awareness he included the fact that "The Ithacan school and I wish I would still will make my classes more ac­ that week carried no word of it." 1 be here to use it. cessable. This is a very troubling and accurate claim again­ .st the Ithacan since this newspaper should have been quick to report the incident. The truth is~ The Ithacan had no knowledge of the rape -- if we had, it certainly would have been covered. .:t. One of our chief goals is·to let the members of our community know ·"what happens around them." The problem is that all too often we are not aware of important campus· occurances and affairs. It is with pride The Ithacan 's banner reads "A Weekly Newspaper, Published Independently by the Students of Ithaca College. " We like to feel we are removed from the position of an ad­ ministration sounding board. But as Students we may sometimes have trouble Stac)· Freed Comm. Mgmt. Debbie Goller Psych '82 '83 I think that we need more - finding out about all that goes on. I suppose it is a good in- housing instead. of a new We, at the Ithacan request that you -- members ve~tmenr for the school and building. of our community -- help keep us informed. If you · will make things easier for know of news that needs to be heard, let us know busine~s 5tudents.
Load more

Recommended publications
  • The Shakin' Street Gazette, Volume 6
    State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Shakin Street Gazette, Student Music Magazine Buffalo State Archives: History of the College 1-1-1974 The Shakin' Street Gazette, Volume 6 The Shakin' Street Gazette Follow this and additional works at: https://digitalcommons.buffalostate.edu/shakinstreet Part of the History Commons Recommended Citation The Shakin' Street Gazette, "The Shakin' Street Gazette, Volume 6" (1974). Shakin Street Gazette, Student Music Magazine. 6. https://digitalcommons.buffalostate.edu/shakinstreet/6 This Book is brought to you for free and open access by the Buffalo State Archives: History of the College at Digital Commons at Buffalo State. It has been accepted for inclusion in Shakin Street Gazette, Student Music Magazine by an authorized administrator of Digital Commons at Buffalo State. For more information, please contact [email protected]. Volume one, Number six S+ree+ ' 0 But for the work I've taken on · Sto · star maker machine e popular song ut features double electric guitars (Jose Feliciano and Larry Carlton) that Joni's new on top of a light acoustic rhythm., released on the same day as the . "People's Parties!' follows, a . .- Dylan LP (coming in the balancing diversionary pasttimes (pe _s .first tour in seven years) parties) against the underlying s rt of ov wed. Not this repressed dispair in this song an 0 longing request for release in the fin oni, who ~ C:Ot! rts for "Same Situation" which ends: I ti4 first time g time, (including I called out to be released I o{e at Klein _ on February 11, Caught in my 'struggle for f cqurtesy of Festival East) has changed her _.:,achievement , I st~'le a little.
    [Show full text]
  • Rhino Reissues the Ramones' First Four Albums
    2011-07-11 09:13 CEST Rhino Reissues The Ramones’ First Four Albums NOW I WANNA SNIFF SOME WAX Rhino Reissues The Ramones’ First Four Albums Both Versions Available July 19 Hey, ho, let’s go. Rhino celebrates the Ramones’ indelible musical legacy with reissues of the pioneering group’s first four albums on 180-gram vinyl. Ramones, Leave Home, Rocket To Russia and Road To Ruin look amazing and come in accurate reproductions of the original packaging. More importantly, the records sound magnificent and were made using lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. For these releases, Rhino will – for the first time ever on vinyl – reissue the first pressing of Leave Home, which includes “Carbona Not Glue,” a track that was replaced with “Sheena Is A Punk Rocker” on all subsequent pressings. Joey, Johnny, Dee Dee and Tommy Ramone. The original line-up – along with Marky Ramone who joined in 1978 – helped blaze a trail more than 30 years ago with this classic four-album run. It’s hard to overstate how influential the group’s signature sound – minimalist rock played at maximum volume – was at the time, and still is today. These four landmark albums – Ramones (1976), Leave Home (1977), Rocket To Russia (1977) and Road to Ruin (1978) – contain such unforgettable songs as: “Blitzkrieg Bop,” “Sheena Is Punk Rocker,” “Beat On The Brat,” “Now I Wanna Sniff Some Glue,” “Pinhead,” “Rockaway Beach” and “I Wanna Be Sedated.” RAMONES Side One Side Two 1. “Blitzkrieg Bop” 1. “Loudmouth” 2. “Beat On The Brat” 2.
    [Show full text]
  • RAMONES the Sire Years 1976-1981 Die Ersten Sechs Alben Der Punkrock-Pioniere in Einer Box!
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] RAMONES The Sire Years 1976-1981 Die ersten sechs Alben der Punkrock-Pioniere in einer Box! „Hey ho, let’s go!” Mit diesem Schlachtruf begann eine Epoche. Bei allen Diskussionen, wer nun wo den Punkrock erfunden habe, steht eine Tatsache außer Zweifel: Die RAMONES haben ihn auf den Punkt gebracht wie keine andere Band. Sie nahmen den dahinsiechenden Rock’n’Roll unter ihre Mähnen, erfanden ihn neu und gaben ihm die Kraft und Innovation zurück, die irgendwo zwischen Woodstock und Progrock verlorengegangen war. 1974 in Forest Hill, Queens, NYC, gegründet, waren die RAMONES neu, authentisch und kreierten einen aufwühlenden Sound, der zur Hebamme einer der lebhaftesten Musikstile aller Zeiten wurde: Punkrock. Mit der 6-CD-Box RAMONES: The Sire Years (1976-1981) präsentieren Rhino Records das Erbe einer der innovativsten Bands in einer umfassenden Box, die die bedeutendsten Alben des Quartetts in einer längst fälligen Sammlung vereint: Ramones (1976), Leave Home (1977), Rocket To Russia (1977), Road To Ruin(1978), End Of The Century (1980) bis Pleasant Dreams (1981) – sämtlich mit ursprünglichen Tracklistings und Original- Artwork. Das Debüt der RAMONES aus dem Jahr 1976 war zugleich ein Manifest und eine Aufforderung zum musikalischen Aufstand, der zahllose Fans anspornte, selbst die Gitarre in die Hand zu nehmen. 14 Songs brauchten gerade mal eine Gesamtlänge von 32 Minuten. Reduziert auf das Nötigste, erreichte keine der Nummern die 3-Minuten Marke – die meisten blieben sogar unter zwei Minuten. Und es waren Klassiker, die da über die Musikwelt hereinbrachen: „Blitzkrieg Bop“, „Beat On The Brat“, „Judy Is A Punk“ und „I Wanna Be Your Boyfriend“.
    [Show full text]
  • Metronome Magazine-Boston
    •Our 35th Year Proudly Promoting All Things Music• FREE! January 2020 Sparky John Larson & The Silver Fields One Dime Band Paul Gabriel Metro•Scene BERKLEE BULL RUN CITY WINERY 1/8- Stars in Our Midst PERFORMANCE CENTER RESTAURANT Boston, MA. 1/9- Culomba album release Boston, MA Shirley, MA. (617) 933-8047 1/10- Meg Toohey album release (617) 747-2261 (978) 425-4311 1/11- Americana 1/1- Chris Trapper; Sarah Borges 1/12- Masters of Hawaiian Music w/George 1/11- Juan de Marcos and the Afro-Cuban All 1/5- Past Life Regression Circle Brunch w/ 1/2- Lyfe Jennings Kahumoku Jr, Led Kaapana and Kawika Kahiapo Stars Brandie Wells 1/3- Kashmir - Live Led Zeppelin Show; Chad 1/13-Kora Feder and Bella White 1/18- Terence Blanchard and The E-Collective 1/9- the Subdudes Perrone 1/14- Lauren Balthrop & Sean Trischka 1/28- Marcus Prince: Hearts on Fire—I Won’t Be 1/10- Sarah Borges & the Broken Singles 1/4- Wanted: DOA – Bon Jovi Tribute 1/15- Rachel Sumner Band; Pretty Saro Silent 1/16- Kerrville North 1/5- Kindred the Family Soul 1/16, 17 & 18- Boston Celtic Music Festival 1/30- Soundscapes of Spain: From Flamenco 1/17- Ellis Paul 1/7- Jake Clemons (E Street Band) 1/19- Billy, Jimmy & Dave Roots to Fusion featuring Sonia Olla, Ismael 1/18- Steve Forbert; Offtet’s “Midlife 1/8- Avery Sunshine 1/20- Massmouth Story Slam Fernández & Olivia Pérez Monkeyshine” CD release (Ballroom) 1/10- Marc Cohn; Jesse Valenzuela (of the Gin 1/22- Hayley Jane; Giovanina Bucci 1/19- Albert Lee Band Blossoms) 1/23- Taarka 1/24- Deadbeat w/ Guest Mark Karan 1/11- Marc Cohn 1/24- Kemp Harris BLUE OCEAN 1/25- The Fools 1/12- Jon B (Early Show) - 1/12/20 1/25- Les Sampou; Jay Psaros; Julian Rundlett MUSIC HALL 1/13- Chris Mann: Gershwin to Gaga ; Cheikh Lô & Gail Finnie Rundlett Salisbury Beach, MA.
    [Show full text]
  • Singles 1970 to 1983
    AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD.
    [Show full text]
  • THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
    THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The New Wave (These are excerpts from my book "A History of Rock and Dance Music") New York's new Boheme TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. 1976 was a watershed year: the music industry was revitalized by the emergence of "independent" labels and the music scene was revitalized by the emergence of new genres. The two phenomena fed into each other and spiraled out of control. In a matter of months, a veritable revolution changed the way music was produced, played and heard. The old rock stars were forgotten and new rock stars began setting new trends. As far as white popular music goes, it was a sort of Renaissance after a few years of burgeoisie icons (think: Bowie), conservative sounds (country-rock, southern boogie) and exploitation of minorities (funk, reggae). During the 1970s alternative rock had survived in niches that were highly intellectual, namely German rock and progressive-rock (particularly the Canterbury school). They were all but invisible to the masses. 1976 was the year when most of those barriers (between "low" and "high" rock, between "intellectual" and "populist", between "conservative" and "progressive", between "star" and "anti-star") became not only obsolete but meaningless.
    [Show full text]
  • Download the Archives Here
    23.12.12 Merry Christmas Here comes the time for a family gathering. Hope your christmas tree will have ton of intersting presents for you. 22.12.12 Sting to perform in Jodhpur in march Sting is sheduled to perform in march (8, 9 or 10) for Jodhpur One World Retreat. It will be a private show for head injury victims. Only 250 couples will attend the party, with 30,000$ to 60,000$ donations. More information on jodhpuroneworld.org. 22.12.12 The last ship I made some updates to the "what we know about the play" on the forum. Please, check them to know all the informations about "The Last Ship", that could be released in 2013-2014. 16.12.12 Back to bass tour : the end The Back to bass tour has ended yesterday (well, that's what some fans hope) in Jakarta. You'll find all the tour history on the forum, and all informations about the "25 years" best of, that pointed the start of this world tour on this special page. What will follow ? We know that Sting's musical "The last ship" could be released in 2013/2014. We also know that he will perform in France and Marocco this summer. 10.12.12 Back to Bass last dates reports Follow the recent reports from the past shows from Back to Bass tour in Eastern Europe and Asia. Sting and his band met warm audiences (yesterday one in Manilla seems to have been the best from the tour according to Peter and Dominic's tweets and according to various Youtube crazy videos) You'll find pictures and videos on the forum.
    [Show full text]
  • ARSC Journal
    CURRENT BIBLIOGRAPHY by Tim Brooks Much important and interesting research on recording history and artists appears in small and generally unindexed collectors publications. It is the purpose of this column to help readers find these articles, and to keep abreast of the latest research in all fields of interest to the ARSC membership. If you write to one of these journals or authors, please mention ARSC and "Current Bibliography." A lot of them have no idea who we are! To be included here an article must be in English, reasonably original, and deal with recording history--as opposed to musicological, sociological or current collecting subjects (such as LP reviews, record prices, current artists, etc.). Current Bibliography supplements the less frequent Bibliography of Discographies in that a great many non­ discographic articles of interest are included here (artist biographies, label and genre histories, repair and preservation techniques, etc.). "W/D" indicates that the article did include a discography, although this is often no more than a simple list of releases by catalog number. The listing this time is rather lengthy, due to the long gap between issues of the Journal. Issues covered are those received between February 1986 and July 1987. Most issues listed here should still be available from the publishers, at the addresses indicated below. Among the new publications listed this time are Rockin' 50s, a slick little bi-monthly from Bill Griggs (longtime head of the Buddy Holly Memorial Society) which focusses on '50s rock music of all artists; and Show Music, from ARSC member Max Preeo. Although the latter-rs-concerned mainly with current Broadway recordings, interesting historical articles by Richard C.
    [Show full text]
  • A Newwave of Rock Fever
    10 BERKELEY BARB, Jan. 20-26, 1978 PLATTERS A NewWave Of Rock Fever Bette the brassy babe becomes by Michael Snyder Cross Lou Reed's rock 'n' roll LOL CREME/KEVIN GODLEY heart. We saw the corpse kick­ Consequences (Mercury): a fragile flower. Bessie Smith's ing and thrashing throughout Mammoth, three-record boxed "Empty Bed Blues," the Ro- Welcome to a fresh start. A nettes' "Paradise," a duet with new wave, as it were. Nonse- Winterland at the Pistols' show set, directed by two former mem­ last weekend. We heatd and felt bers of 10 CC. Weird synthetic Tom Waits on "I Never Talk To quiturs aside, 1978's product has Strangers" (the same take that's yet to hit the racks, so we're the beat. ' Born again, brothers noises, two or three fair-to- sisters... middlin' songs (one with the on Waits' latest LP, Foreign indulging in a quasi-retrospec­ and Affairs) and "La Vie En Rose." tive of a few recorded goods that « * * silky voice of Sarah Vaughn) The Line and tons of garbled rapping by Midler's strongest record since went unheralded in these pages AEROSMITH-Draw her first, which was arranged by during '77. No sense in another (Columbia): They drew it, but British satirist Peter Cook. It's didn't snort it. The title cut a fascinating demo for Creme Super-Wimp Barry Manilow. His Tops-Qf-The-Year list, anyway. they absence makes Broken Blossom You can see Blair Jackson's poll is as awesome as the Stones' and Godley's instrumental inven­ tion, the Gizmo, in the same way twice as good by default.
    [Show full text]
  • Sun.Aug.23.15 195 Songs, 12.3 Hours, 1.47 GB
    Page 1 of 6 .Sun.Aug.23.15 195 songs, 12.3 hours, 1.47 GB Name Time Album Artist 1 Peaks Song 3:27 Silence Is A Weapon Blackfire 2 I Can't Give You Anything 2:01 Rocket To Russia The Ramones 3 The Cutter 3:50 U2 Jukebox Echo & The Bunnymen 4 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 5 Glad To See You Go 2:12 U2 Jukebox The Ramones 6 Wake Up 5:31 U2 Jukebox The Arcade Fire 7 Grey Will Fade 4:45 U2 Jukebox Charlotte Hatherley 8 Obstacle 1 4:10 U2 Jukebox Interpol 9 Pagan Lovesong 3:27 U2 Jukebox Virgin Prunes 10 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 11 30 Seconds Over Tokyo 6:21 U2 Jukebox Pere Ubu 12 Hounds Of Love 3:02 U2 Jukebox The Futureheads 13 Cattle And Cane 4:14 U2 Jukebox The Go-Betweens 14 A Forest 5:54 U2 Jukebox The Cure 15 The Cutter 3:50 U2 Jukebox Echo & The Bunnymen 16 Christine 2:58 U2 Jukebox Siouxsie & The Banshees 17 Glad To See You Go 2:12 U2 Jukebox The Ramones 18 Tell Me You Love Me 2:33 Strictly Commercial Frank Zappa 19 Peaches En Regalia 3:37 Strictly Commercial Frank Zappa 20 Don't Eat The Yellow Snow (Singl… 3:35 Strictly Commercial Frank Zappa 21 My Guitar Wants To Kill Your Mama 3:32 Strictly Commercial Frank Zappa 22 COPE-Terry 0:33 23 The Way It Is 2:22 The Strokes 24 Delicious Demon 2:42 Life's Too Good Sugarcubes 25 Tumble In The Rough 3:19 Tiny Music..
    [Show full text]
  • Grand Emporium Audiovisual Collection Finding Aid (PDF)
    Title of Collection: Grand Emporium Audiovisual Collection Reference Code: US-MoKcUMS-MSA38 Repository: Marr Sound Archives UMKC Miller Nichols Library 800 E. 51st Street Kansas City, MO 64110 Creator: Grand Emporium Naber, Roger Palmer, C. Herb Administrative/Biographical History: In 1979, Roger Naber started booking bands on the side while maintaining a day job for the postal service in Kansas City. Attracting marquee performers to local venues such as the Lone Star, the Uptown Theater, the National Guard Armory, Harling's Upstairs and King Henry's Feast (later known as Parody Hall), he built a rapport with the music world and a reputation as a hardworking promoter. In 1980, he co-founded the Kansas City Blues Society, galvanizing the local music scene during twelve years as the organization's president. His tenacity made him one of Kansas City's most respected promoters, but it was his genuine affinity for musicians that brought success to places like the Grand Emporium. Naber and business partner George Myers bought the Grand Emporium in July 1985, transforming the erstwhile restaurant into a premier destination for live music. From show flyers doubling as wallpaper to a jukebox stocked with old 45s to the makeshift kitchen where "Amazing" Grace Harris served barbecue and soul food, the intimate midtown barroom offered common ground for patron and performer. It was here musicians walked the bar during a guitar solo or took the show outside to Main Street for a song; big name stars were known to drop by for a slice of local flavor after playing bigger, more impersonal area venues; and local legends, such as musician and dancer Speedy Huggins, were fixtures on the scene, cutting up the dance floor and sitting in with bands.
    [Show full text]