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Bollywood's Periphery: Child Stars and Representations of Childhood in Hindi Films
Shakuntala Banaji Bollywood's periphery: child stars and representations of childhood in Hindi films Book section Original citation: Originally published in Bollywood's periphery: child stars and representations of childhood in Hindi films. In: O'Connor, Jane and Mercer, John, (eds.) Childhood and Celebrity. Routledge, London, UK. ISBN 9781138855274 © 2016 The Author This version available at: http://eprints.lse.ac.uk/65482/ Available in LSE Research Online: February 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Title: Bollywood's periphery: child stars and representations of childhood in Hindi films Author: Shakuntala Banaji, Introduction The three research questions which I explore in this chapter ask: How do international accounts of children’s role on screen and child performance -
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences FILM MR. CHURCH Make-Up Department Head Director: Bruce Beresford Cast: Britt Robertson, Xavier Samuel, Christian Madsen SPY Make-Up Department Head Director: Paul Feig Cast: Jason Statham, Rose Byrme, Peter Serafinowicz, Julian Miller THE PURGE 2 - ANARCHY Make-Up Department Head and Mask Design Director: James DeMonaco Cast: Michael K. Williams, Frank Grillo, Carmen Ejogo BONNIE AND CLYDE Make-Up Department Head Director: Bruce Beresford Cast: Emile Hirsch, Holly Hunter, William Hurt, Sarah Hyland Nominee: Emmy – Outstanding Make-Up for a Miniseries or a Movie (Non-Prosthetic) ENDER’S GAME Make-Up Department Head Director: Gavin Hood Cast: Harrison Ford, Asa Butterfield, Sir Ben Kingsley JACK REACHER Make-Up Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall THE RITE Make-Up and Hair Designer Director: Mikael Håfström Cast: Alice Braga, Anthony Hopkins, Ciarán Hinds A NIGHTMARE ON ELM STREET Department Head Make-Up, Los Angeles Director: Samuel Bayer Cast: Jackie Earle Hayley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown LONDON DREAMS Make-Up and Hair Designer Director: Vipul Amrutlal Shah Cast: Salman Khan, Ajay Devgan, Asin, THE COURAGEOUS HEART Make-Up and Hair Department Head OF IRENA SENDLER Director: John Kent Harrison Hallmark Hall of Fame Cast: Anna Paquin, Goran Visnjic, Marcia Gay Harden Winner: Emmy for Outstanding Make-Up for a Miniseries or Movie -
La Danse Contemporaine Aujourd'hui En Inde
LA DANSE CONTEMPORAINE AUJOURD’HUI EN INDE ÉTAT DES LIEUX Annette Leday Avec le soutien du Centre National de la Danse (Aide à la recherche et au patrimoine en danse) Traduction anglaise soutenue par India Foundation for the Arts et Association Keli-Paris 2019 Anita Ratnam : "En Inde le mot contemporain s’applique à quiconque veut s’éloigner de son guru ou de la tradition qu’il a apprise pour expérimenter et explorer." Mandeep Raikhy : "Nous avons rejeté ce terme de contemporain et nous sommes toujours à la recherche d’une définition alternative." Vikram Iyengar : "Je pense que les diverses couches de ce qui constitue le contemporain dans la danse indienne n’ont pas encore été définies." TABLE DES MATIÈRES PRÉAMBULE 1 1. INTRODUCTION 4 2. QUELQUES REPÈRES HISTORIQUES 5 a) Mystifications 5 b) Les pionniers de la danse moderne 7 3. QUELQUES REPÈRES GÉOGRAPHIQUES 10 4. TYPOLOGIE DE LA DANSE CONTEMPORAINE EN INDE 13 a) Les "néo-classiques" 13 b) Vers une radicalité du geste 17 c) Un espace suspendu 19 d) Sans passer par les classiques 21 e) Entre théâtre et danse 22 f) Le phénomène Bollywood 23 g) Les contemporains commerciaux 25 5. THÈMES 26 a) Les techniques nourricières 27 b) La question de l’indianité 28 c) Thèmes d’hier et d’aujourd’hui 29 d) Danse et politique 30 6. LE PROCESSUS CRÉATIF 33 7. PRESSE, CRITIQUE ET FORUMS 35 8. ENSEIGNEMENT ET TRANSMISSION 37 9. LIEUX ET MOYENS 41 a) Lieux de spectacles 41 b) Festivals 43 c) Lieux de travail 45 d) Financements 47 e) Débouchés 48 10. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
“Forget My Creative Expression, I Can Tell Other Stories, but Can You Imagine Being a Part of a Society That Thinks That You Should Not Exist?” – Zoya Akthar
“Forget my creative expression, I can tell other stories, but can you imagine being a part of a society that thinks that you should not exist?” – Zoya Akthar blogs.lse.ac.uk/southasia/2015/04/10/forget-my-creative-expression-ill-talk-about-something-else-but-can-you- imagine-being-a-part-of-a-society-that-thinks-that-you-should-not-exist-zoya-akthar/ 2015-4-10 In March Zoya Akhtar, eminent Bollywood filmmaker who is known for making films that are critically acclaimed and commercially successful such as Luck By Chance and Zindagi Na Milegi Dobara, attended the Economic Forum of LSE Conference to speak about Indian cinema and what makes the box office and industry tick. During her visit, she spoke to Sharanya Shriram about the BBC ’India’s Daughter’ documentary, censorship, and the representation of sexuality in Indian cinema. In a previous interview you had mentioned that as a woman you are more aware of the way you etch out female characters because you have a feel for how the general male audience in India perceives certain images of women, so would you, as a female writer and director from India, have approached the BBC documentary India’s Daughter in a different way? You could take any filmmaker on the planet, and it would have been a different documentary. It’s your personality, and not just where you’re from that affects how you approach a movie. As a filmmaker closer to home, yes, I would have addressed certain things differently, but the again maybe I wouldn’t have had the stomach for certain aspects. -
Digital Studio 3
HOT VFX RC KAMALAKANNAN VFX SUPERVISOR, PULI The release of Puli was much-awaited, not just because it was a big budget film (its production budget was said to be around INR 120 crore) to hit Tamil cinema screens after a long time, or because Sridevi was appearing in her first Tamil language film after 29 years. It was because this Chimbu Devan-movie packed a wallop of visual eects by veteran RC Kamalakannan. KEITH DEVLIN The entire castle, even Sridevi’s hourglass VFX SUPERVISOR, PRIME FOCUS silhouette was crafted by VFX. Kamalakannan and the director had initially planned to merge Snow played an important role in Bajrangi Bhaijaan , but also caused some 2,600 scenes with graphics, but later brought it unusual issues. Since transporting the several hundred extras for the climax down to 2,200 scenes. Given Puli’s mammoth scene became difficult, about 75% of them had to be graphically generated scale and tight schedule, Kamalakannan collabo - using a crowd simulator called ‘Miarmy’. “Sometimes the CGI characters were rated with around 160 freelance animators in walking right next to the real extras we had on location, and even I could not Russia, Bulgaria, Ukraine, Netherlands, Iran as tell them apart. I would critique one guy for having a funny walk only to be well as studios in Chennai and Bangalore, split - told that it was actually a real person, not CGI!” Keith Devlin revealed. ting the work into smaller portions to ensure it got Many scenes had to be digitally manipulated to ensure Kashmir’s visual done faster. -
Filmpodium Biel/Bienne 10/06–11/07/11
FILMPODIUM BIEL/BIENNE indien Fr/Ve 10/06 20h00 LUCK BY CHANCE 10/06 –11/07/11 Zoya Akhtar, Indien 2009, 156’, Ov/d,f SONGS, SAMOSAS, CHAÏ & FILM In Zusammenarbeit mit der Musikschule Biel / en collaboration avec l’Ecole de Musique Bienne BollywoodConcert Sa 11/06 20h00 CADENZA Fanny Anderegg (vocal), Isabelle Lehmann (flute), Katrin Scholl (violin),Thomas Niggli (sitar), Luca Carangelo (tabla, percussion) 21 h 00 DEVDAS Film Bhansali Sanjay Leela, Indien 2002, 182’, Ov/d,f Eintritt/entrée: Fr. 43.– / Mitglieder/membres Fr. 30.– So/Di 12/06 20h00 MY NAME IS KHAN Mo/Lu 13/06 20h00 Karan Johar, Indien 2010, 155’, Ov/d Fr/Ve 17/06 20h30 SITA SINGS THE BLUES Sa 18/06 20h30 Nina Paley, USA 2008, 82’, Ov/d So/Di 19/06 20h30 PATHER PANCHALI Mo/Lu 20/06 20h30 Satyajit Ray, Indien 1955, 126’, Ov/d,f Fr/Ve 24/06 20h30 PEEPLI (LIVE) Sa 25/06 20h30 Anusha Rizvi, Indien 2010, 107’, Ov/d So/Di 26/06 20h30 Mo/Lu 27/06 20 h 30 Fr/Ve 01/07 20h30 WATER Sa 02/07 20h30 Deepa Mehta, CND/Indien 2005, 114’, Ov/d,f So/Di 03/07 20h30 THE NAMESAKE Mo/Lu 04/07 20h30 Mira Nair, Indien/USA 2006, 122’, Ov/d,f REGARDS SUISSES SUR L’INDE Fr/Ve 08/07 20h30 HIPPIE MASALA Sa 09/07 20h30 Ulrich Grossenbacher, Damaris Lüthi, CH 2006, 93’, Ov/d,f Sa 09/07 18h00 LA CITÉ ANIMALE (STADT DER TIERE) So/Di 10/07 18h00 Frédéric Gonseth, Catherine Azad, CH 2000, 70’, Ov/f So/Di 10/07 20h30 DHARAVI, SLUM FOR SALE Mo/Lu 11/07 20h30 Lutz Konermann, CH/D 2010, 80’, Ov/d Mo/Lu 11/07 18h00 UNE VILLE À CHANDIGARH – LE CORBUSIER FILMPODIUM BIEL/BIENNE // CentrePasquArt // Seevorstadt/Faubourg du Lac 73 Alain Tanner, Indien, 50’, F/d T 032 322 71 01 // [email protected] // www.filmpodiumbiel.ch Mit Unterstützung der Stadt Biel und des Kantons Bern / Avec le soutien de la Ville de Bienne et du Canton de Berne FILMPODIUM BIEL/BIENNE Fr/Ve 10/06 ces irréductibles. -
Welcome Movie Anil Kapoor Entry Music Download
Welcome movie anil kapoor entry music download CLICK TO DOWNLOAD · Akshay Kumar, Katrina Kaif, Anil Kapoor, Feroz Khan, Paresh Rawal, Nana Patekar, Mallika Sherawat Check After Some To Get Welcome High Quality Mobile Ringtones. Welcome Movie Tag Cloud. Welcome, Welcome ringtones, Welcome mp3 ringtones, Welcome polyphonic ringtones, Welcome wav ringtones, Welcome mobile ringtones, Welcome cellphone renuzap.podarokideal.ru?movie=welcome. 1 day ago · ‘No Entry’ turns Anil Kapoor recalls his ‘be positive’ moments,Mumbai, Aug 26 (IANS) The multistarrer comedy blockbuster No Entry was released 15 years ago on this day and Anil Kapoor, one of its stars, celebrated by recalling the famous dialogue renuzap.podarokideal.ru 1 day ago · The multistarrer comedy blockbuster No Entry was released 15 years ago on this day and Anil Kapoor, one of its stars, celebrated by recalling the famous dialoguerenuzap.podarokideal.ru · No Entry. No Entry is a comedy movie directed by Anees Bazmee. Featuring an ensemble cast, the movie was bankrolled by Boney Kapoor. The cast of the movie includes Salman Khan, Anil Kapoor, Lara Dutta, Fardeen Khan, Bipasha Basu and more. No Entry is the official remake of the Tamil movie Charlie Chaplin. The plot of the movie features how renuzap.podarokideal.ru Anil Kapoor is mighty impressed by his daughter Sonam and Hrithik Roshan’s music video “Dheere Dheere”, a new version of the popular track from block-buster “Aashiqui”. The song is said to be a tribute to late T-series founder Gulshan renuzap.podarokideal.ru://renuzap.podarokideal.ru /sonam-hrithiks-music-video-is-fantastic-anil-kapoor. · Released in , Dil Tera Aashiq is a romantic-comedy movie helmed by Lawrence D’Souza. -
Secuencias, 36
BOLLYWOOD, DE VIAJE POR ESPAÑA Bollywood: Traveling around Spain a ALEJANDRA VAL CUBERO Universidad Carlos III de Madrid RESUMEN La película de Bollywood Zindagi Na Milegi Dobara (ZNMD) traducida al español como Solo se vive una vez, fue un éxito de taquilla en el verano de 2011 en la India. Dirigida por la joven realizadora Zoya Akhtar y financiada por Turespaña, se ha construido como un perfecto pro- yecto de marketing a nivel transnacional, donde España se convierte en el escenario elegido por tres jóvenes que deciden celebrar la despedida de soltero de uno de ellos visitando ciudades y pueblos de nuestra geografía. La película plantea interesantes temas sobre la ascendente clase media alta india que trata de armonizar un nuevo estilo de vida consumista con las tradiciones más ligadas a la generación de sus padres, y es un claro ejemplo de una industria cultural cada vez más globalizada y con más peso económico dentro y fuera de la India. Palabras clave: Bollywood, cine, España, turismo, clase media-alta en India. ABSTRACT The Bollywood film Zindagi Na Milegi Dobara (hereinafter ‘ZNMD’), translated into Spanish as Solo se vive una vez, was a box office success in the summer of 2011 in India. Directed by the young filmmaker Zoya Akhtar and funded by Turespaña, ZNMD was conceived as a perfect marketing product at transnational level, in which Spain becomes the venue chosen by three young people who decide to celebrate the bachelor party of one of them, by visiting some touris- tic towns and villages of the country. The film raises interesting topics on the ascending upper middle class in India which seeks to harmonize a new consumerist way of life with a more tra- ditional lifestyle linked to their parent’s generation, and it is a clear example of an increasingly globalized cultural industry with more economic weight inside and outside India. -
Top 10 Actresses Who Married Divorcees - Top 10 - Entertainment - the Times of India
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Darr Shahrukh Khan Full Movie Free Download
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Zameer Movie Download Sanjay Kapoor
Zameer movie download sanjay kapoor CLICK TO DOWNLOAD Zameer: The Awakening of a Soul is a Indian Bollywood drama film directed by Rajat Rawail and written by Rumi Jaffery, starring Sanjay Kapoor and Shilpa renuzap.podarokideal.ru premiered on in Mumbai.. Cast. Sanjay Kapoor as Kishan; Shilpa Shetty as Roma Khurana; Paresh Rawal as Raja Gajraj Singh; Laxmikant Berde as Beparwah; Om Puri as Jaichand Marwah Music by: Anand-Milind. Zameer: The Awakening Of A Soul is a Indian Hindi film directed by Rajat Rawail and produced by Gul Advani, Ravi Vachani under the banners Tips Music. The film (Zameer: The Awakening Of A Soul), starring Sanjay Kapoor, Shilpa Shetty, Kader Khan, Om Puri, Shakti Kapoor, Gulshan Grover, Laxmikant Berde, Kulbhushan Kharbanda, Asrani, Paresh Rawal, Yunus Parvez, Satyajeet, . Zameer: The Awakening of a Soul is a Hindi Film stars Sanjay Kapoor, Shilpa Shetty, Kader Khan, Om Puri, Shakti Kapoor, Gulshan Grover, Laxmikant Berde, Kulbhushan Kharbanda, Asrani, Paresh Rawal, Yunus Parvez, Satyajeet, Anuradha, Neeluf, Master Devesh Mamtani, Rajat Rawail, Rumi Jaffery, directed by Rajat Rawail & music renuzap.podarokideal.ruor: Rajat Rawail. Sanjay Kapoor (born 17 October ) is an Indian film actor and producer. He is known for starring in the Bollywood hit film Raja as Raja and Anant Mathur on Dil Sambhal Jaa Zara that aired on Star Plus.. He is the founder and director of Sanjay Kapoor Entertainment Private Limited company with his wife Maheep Sandhu. 16/05/ · Zameer: The Awakening Of A Soul is a Hindi movie released on 16 May, The movie is directed by Rajat Rawail and featured Sanjay Kapoor, Shilpa Shetty and 3,1/5(8).