Abby O'sullivan

Total Page:16

File Type:pdf, Size:1020Kb

Abby O'sullivan ABBY O’SULLIVAN Costume Designer FEATURES OUT OF BLUE Carol Morley BBC Films CAPTIVE STATE Rupert Wyatt Focus Features / Participant Media Cast: Vera Farmiga, John Goodman GIFTED Marc Webb Fox Searchlight Pictures Cast: Chris Evans, Octavia Spencer KEANU Peter Atencio Warner Brothers Cast: Will Forte, Keegan-Michael Key, Method Man, Jordan Peele Official Selection, SXSW Film Festival (2016) EQUALS Drake Doremus Scott Free Productions Official Selection, Toronto International Film Festival (2015) Official Selection, Tribeca Film Festival (2016) Cast: Kristen Stewart, Nicholas Hoult, Guy Pearce THE WHOLE TRUTH Courtney Hunt PalmStar Media Cast: Keanu Reeves, Renee Zellweger, Kenneth Choi, James Belushi MISSISSIPPI GRIND Anna Boden & Ryan Fleck Electric City Cast: Ben Mendelsohn, Ryan Reynolds, Analeigh Tipton Gala Screening, Toronto International Film Festival (2015) Official Selection, Sundance Film Festival (2015) Nominated, Best Male Lead, Independent Spirit Awards (2015) SEARCH PARTY Scot Armstrong Universal Cast: T.J. Miller, Alison Brie, Krysten Ritter, Rosa Salazar KRISTY Oliver Blackburn Dimension Films Cast: Haley Bennett, Ashley Greene, Lucas Till EMPIRE STATE Dito Montiel The Film Arcade Cast: Liam Hemsworth, Dwayne Johnson, Michael Angarano, Jerry Ferrara THE LAST EXORCISM PART 2 Ed Gass-Donnelly StudioCanal Cast: Ashley Bell, Julia Garner, Spencer Treat Clark, David Jensen SINISTER Scott Derrickson Blumhouse Cast: Ethan Hawke, Juliet Rylance, Fred Dalton Thompson HELLBENDERS 3D J.T. Petty Circle of Confusion Cast: Clifton Collins, Clancy Brown, Andrew Royo, Robyn Rikoon GENERATION UM Mark Mann Voltage Pictures Cast: Keanu Reeves, Bojana Novakovi, Adelaide Clemens NONAMES Kathy Lindboe Gravitas Ventures Cast: Gillian Jacobs, James Badge Dale, Barry Corbin TEN STORIES TALL David Garrett Bull Run Pictures Cast: Jim Gaffigan, Jean Brassard, Tovah Feldshuh, Josh Hamilton FROZEN RIVER Courtney Hunt Sony Pictures Classics Cast: Melissa Leo, Misty Upham, Charlie McDermott Winner, Producers Award, Independent Spirit Awards (2009) Winner, Movie of the Year, AFI Awards (2009) Nominated, Best Original Screenplay & Best Actress, Academy Awards (2009) TELEVISION THE EXORCIST (Pilot & Series) Rupert Wyatt & Various 20th Century Fox Television Cast: Geena Davis, Ben Daniels, Hannah Kasulka, Brianne Howey, Alfonso Herrera DIRECTORS AND COMMERCIALS JAMES GAY Oxygen Networks “TGIF” JOSHUA KATCHER PBS “Make ‘em Laugh” DARYL GOLDBERG “1-800 Contacts”, “Mator Razr” ANDREW CARRANZA New York City PSA “Earth Day” 800 South Robertson Blvd. Suite 6 Los Angeles CA 90035 p: 310 652 8778 artistry.net .
Recommended publications
  • 10.9 De Jesus Precarious Girlhood Dissertation Draft
    ! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"&#2'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&(
    [Show full text]
  • Roger Ebert's
    The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.
    [Show full text]
  • Neuerwerbungen Noten
    NEUERWERBUNGSLISTE JUNI 2018 FILM Cinemathek in der Amerika-Gedenkbibliothek (aktuelle Medienempfehlungen siehe auch im Webauftritt unter www.zlb.de/fachinformation/spezialbereiche/cinemathek) © Eva Kietzmann, ZLB Zentral- und Landesbibliothek Berlin Stiftung des öffentlichen Rechts Inhaltsverzeichnis Film 5 Stummfilme 3 Film 7 Fernsehserien 3 Film 10 Tonspielfilme 11 Film 20 Animationsfilme 39 Film 27 Animation/Anime Serien 40 Film 30 Experimentalfilme 40 Film 40 Dokumentarfilme 40 Musi Musikdarbietungen/ Musikvideos 40 K 400 Kinderfilme 42 Ju 400 Jugendfilme 45 Sachfilme nach Fachgebiet 46 Seite 2 von 52 Stand vom: 02.07.2018 Neuerwerbungen im Fachbereich Film Film 5 Stummfilme Film 5 Dupo 3 ¬Das¬ Alte Gesetz / Ewald A. Dupont Regie ; Paul Reno Dreh- a:DVD buchautor/in ; Theodor Sparkuhl Kamera ; Henny Porten Schau- spieler/in ; Ernst Deutsch Schauspieler/in ; Ruth Weyher Schau- spieler/in ; Heinrich Laube ; Philippe Schoeller [Komponist/in]. - 2018 Film 7 Fernsehserien Film 7/19- 19-2. - 4. Staffel. ¬Die¬ komplette vierte Staffel. - 2018 2/1:4.DVD 112/000 033 016 American Gods : [DVD-Video]. - 1. Staffel, Episoden 1-8.. - 2017 (Film 7 AmeGods 1 e:1.DVD) Film 7 Androme 1 Andromeda : [DVD-Video]. - Staffel 4, Episoden 1-22. / Jorge Mon- a:4.DVD tesi Regie ... Ashley Miller Drehbuchautor/in ... Gordon Verheul Kamera ... Kevin Sorbo Schauspieler/in ; Lisa Ryder Schauspieler/in ; Laura Bertram Schauspieler/in ... Gene Roddenberry ; Matthew MacCauley Komponist/in. - 2017 112/000 032 535 Ascencion : die komplette Serie / Adrian A. Cruz Drehbuchautor/in (Film 7 Ascenci 1 ; Philip Levens Drehbuchautor/in ; Tricia Helfer Schauspieler/in ; Gil c:DVD) Bellows Schauspieler/in ; Brian P. Holt Schauspieler/in. - 2016 112/000 034 515 Mit Schirm, Charme und Melone : wie alles begann ; [DVD-Video].
    [Show full text]
  • 1 I Give Permission for Public Access to My Thesis and for Any Copying To
    1 I give permission for public access to my thesis and for any copying to be done at the discretion of the archives librarian and/or the College librarian. 2 In the Spirit of Solo: Neo-Neorealism and American Identity in Independent Cinema after September 11 Joanna Arcieri April 29, 2010 Presented to the Film Studies Department of Mount Holyoke in partial fulfillment of the degree of Bachelor of Arts with honors. 3 Awknowledgements This project would not have been possible without the assistance, support, and encouragement of a number of people. Robin Blaetz, my thesis advisor, has been a wonderful mentor throughout my four years at Mount Holyoke. Without her guidance and patience throughout this year, particularly while working on my thesis, most certainly would not exist. My two other readers, Elizabeth Young and Stephen Jones, have been a great help with this project. Professor Young was initially my academic advisor and working with her on this project almost made up for never having taken a class with her. It was in Professor Jones’ seminar on Nationalism where I first began think to critically about national identity and its relationship to the cinema. I am grateful for the patience and understanding of my friends at Mount Holyoke – Ruth Canter, Melanie Bowden, Hillary Ossip, Chrissy Kleespies, Erica Catalano, Michele Kuhnle, Allison Payne, Diana Bilbao, Margaret Knoerzer, and Ariel Hahn. Without our dinner breaks or late-night venting sessions, the completion our projects would have seemed unlikely. Likewise, my friends beyond Mount Holyoke – Heather Patterson, Vincent Pettit, Chelsea Cantero, and Mark Stewart – have all contributed to this project in ways, which may have seemed small at the time but were nonetheless greatly important.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • 35 Years of Nominees and Winners 36
    3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First
    [Show full text]
  • Rejection and Disaffiliation in Twenty-First Century Immigration Narratives
    I Was Never An American: Rejection and Disaffiliation in Twenty-First Century Immigration Narratives Author: Mary Catherine Daily-Bruckner Persistent link: http://hdl.handle.net/2345/bc-ir:104159 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2015 Copyright is held by the author. This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License (http://creativecommons.org/licenses/ by-nd/4.0/). Boston College The Graduate School of Arts and Sciences Department of English I WAS NEVER AN AMERICAN: REJECTION AND DISAFFILIATION IN TWENTY-FIRST CENTURY IMMIGRATION NARRATIVES a dissertation By MARY CATHERINE DAILY-BRUCKNER submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 © copyright by MARY CATHERINE DAILY-BRUCKNER 2015 Abstract Title: I Was Never An American: Rejection and Disaffiliation in Twenty-First Century Immigration Narratives Author: Mary Catherine Daily-Bruckner Dissertation Advisors: Christopher Wilson, Carlo Rotella, Christina Klein, Min Song This dissertation explores traditional patterns of immigration narratives and reads them alongside not only their contemporary, divergent counterparts but also historical moments that contribute to the narrative transformations. By way of this examination, literary changes over time become readable, highlighting the speed at which the rhetoric and aims of many immigration narratives became patently anti-America in the twenty- first century, significantly departing from the traditions established in the twentieth century, which, at their core still held pro-America aims. The first chapter, “The Solution is the Problem: Immigrant Narratives of Internment and Detention,” considers nonfiction narratives regarding immigration detention within the borders of the United States.
    [Show full text]
  • Ebertfest 2013 Roger Ebert's Film Festival
    The College of Media at Illinois Presents... 15th Annual ebertfestApril 17–21 2013The University of Illinois at Urbana–Champaign Roger Ebert’s Film Festival The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2013 April 17–21, 2013 Roger Ebert, Programmer and Host Chaz Ebert, Executive Producer Nate Kohn, Festival Director Mary Susan Britt, Associate Director More information about the festival can be found at www.ebertfest.com Mission Roger Ebert, 1964 University of Illinois Journalism graduate and Pulitzer Prize-winning film critic, comes to Urbana-Champaign each spring to host Ebertfest. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked by audiences, critics and distributors. Each year, Mr. Ebert selects 12 films representing a cross-section of important cinematic works. They include films without distributors, independent and studio films that did not win wide audiences, formats such as 70mm, silent films, and overlooked genres like the documentary. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. Festival guests who help showcase the features include producers, writers, actors and directors. Following each screening, Mr. Ebert leads discussions with the filmmakers for general audi- ences, distributors and critics from around the world. There are also a number of campus wide panel discussions featuring Mr. Ebert, festival guests and academic scholars. We work to keep the festival small enough so that a sense of community can develop among the audience, filmmakers, guests, students and scholars. The festival is a non-profit event of the College of Media at Illinois.
    [Show full text]
  • Archived News
    Archived News 2008-2009 News articles from 2008-2009 Table of Contents New Dean of the College Named at Sarah Erica Newhouse ’03 ......................................... 24 Lawrence............................................................. 7 Graduate Student Christine Meyers.................. 24 Alumnus Rahm Emanuel '81 Addresses Sarah Beth Webb Hart ’98.......................................... 24 Lawrence College Class of 2009 ........................ 8 Literature Faculty Nicolaus Mills..................... 24 Liz Page Stitzel Wins Prestigious Academic Awards .............................................................. 10 Caroline Lieber, Director of Human Genetics Program ............................................................ 25 Mia Kai Moody ’08 .......................................... 11 President Karen Lawrence, Rosie Young ’12, Music Faculty Eddye Pierce-Young ................. 11 Kayleigh Salstrand ’12, and Max Teicher ’11.. 25 Courtney Hunt ’86 ............................................ 11 Sahra Motalebi ’99 ............................................. 0 Alexandra Avakian ’83..................................... 11 Warren Green ................................................... 25 Spanish Faculty Maria Negroni ........................ 12 Laura Weil, Interim Director of Graduate Health Local Couple Creates Scholarship Fund........... 13 Advocacy ......................................................... 26 Literature Faculty Nicolaus Mills ..................... 14 Sarah Lawrence College..................................
    [Show full text]
  • Afi Docs Presented by Audi 3 2013
    2013 / U.S.A. / 78 Minutes / Unrated / Mixed Archival Formats: 16 mm, 8 mm / 1.78 US & Canadian Sales: International Sales: Press Contact: Preferred Content The Works International Cinereach Kevin Iwashina Clare Crean Reva Goldberg +1 323 782 9193 +44 (0) 207 612 1089 +1 212 727 3224 ext. 111 [email protected] [email protected] [email protected] OFFICIAL SELECTION AFI DOCS PRESENTED BY AUDI 3 2013 TEENAGE Logline 'Teenagers' didn’t always exist. In this living collage of rare archival material, filmed portraits, and voices lifted from early 20th Century diary entries, a struggle erupts between adults and adolescents to define a new idea of youth. Synopsis Before the ‘Teenager’ was invented, there was no second stage of life. You were either a child or you went to work as an adult. At the turn of the century, child labor was ending, 'adolescence' was emerging, and a struggle erupted between adults and youth. Would the young be controlled and regimented, or could they be free? Inspired by punk author Jon Savage's book, Teenage gives voice to young people from the first half of the 20th century in America, England, and Germany—from party-crazed Flappers and hip Swing Kids to zealous Nazi Youth and frenzied Sub-Debs. By the end of World War II, they were all 'Teenagers': a new idea of youth. Four young voices (Jena Malone, Ben Whishaw, Julia Hummer, Jessie Usher) bring to life rare archival material and filmed portraits of emblematic teenagers from history—Brenda Dean Paul, a self-destructive Bright Young Thing; Melita Maschmann, an idealistic Hitler Youth; Tommie Scheel, a rebellious German Swing Kid; and Warren Wall, a black Boy Scout.
    [Show full text]