2020 Concert Guide
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Featuring the Brandenburg Choir Noël! Noël! Featuring the Brandenburg Choir
Noël! Noël! Featuring the Brandenburg Choir Noël! Noël! Featuring the Brandenburg Choir Morgan Balfour (San Francisco) soprano 2019 Australian Brandenburg Orchestra Brandenburg Choir SYDNEY Matthew Manchester Conductor City Recital Hall Paul Dyer AO Artistic Director, Conductor Saturday 14 December 5:00PM Saturday 14 December 7:30PM PROGRAM Wednesday 18 December 5:00PM Mendelssohn Hark! The Herald Angels Sing Wednesday 18 December 7:30PM Anonymous Sonata à 9 Gjeilo Prelude MELBOURNE Eccard Ich steh an deiner Krippen hier Melbourne Recital Centre Crüger Im finstern Stall, o Wunder groβ Saturday 7 December 5:00PM Palestrina ‘Kyrie’ from Missa Gabriel Archangelus Saturday 7 December 7:30PM Arbeau Ding Dong! Merrily on High Handel ‘Rejoice greatly, O daughter of Zion’ NEWTOWN from Messiah, HWV 56 Friday 6 December 7:00PM Head The Little Road to Bethlehem Gjeilo The Ground PARRAMATTA Tuesday 10 December 7:30PM Vivaldi La Folia, RV 63 Handel Eternal source of light divine, HWV 74 MOSMAN Traditional Deck the Hall Wednesday 11 December 7:00PM Traditional The Coventry Carol WAHROONGA Traditional O Little Town of Bethlehem Thursday 12 December 7:00PM Traditional God Rest Ye Merry, Gentlemen Palmer A Sparkling Christmas WOOLLAHRA Adam O Holy Night Monday 16 December 7:00PM Gruber Stille Nacht Anonymous O Come, All Ye Faithful CHAIRMAN’S 11 Proudly supporting our guest artists. Concert duration is approximately 75 minutes without an interval. Please note concert duration is approximate only and subject to change. We kindly request that you switch off all electronic devices prior to the performance. This concert will be broadcast on ABC Classic on 21 December at 8:00PM NOËL! NOËL! 1 Biography From our Principal Partner: Macquarie Group Paul Dyer Imagination & Connection Paul Dyer is one of Australia’s leading specialists On behalf of Macquarie Group, it is my great pleasure to in period performance. -
Koorie Perspectives in Curriculum Bulletin: January - February 2021
Koorie perspectives in Curriculum Bulletin: January - February 2021 This edition of the Koorie enrich your teaching program, see VAEAI’s Perspectives in Curriculum Bulletin Protocols for Koorie Education in Primary and features: Secondary Schools. For a summary of key Learning Areas and − Australia Day & The Great Debate Content Descriptions directly related to − The Aboriginal Tent Embassy Aboriginal and Torres Strait Islander histories − The 1939 Cummeragunja Walk-off & and cultures within the Victorian Curriculum F- Dhungala – the Murray River 10, view or download the VCAA’s curriculum − Charles Perkins & the 1967 Freedom guide: Learning about Aboriginal and Torres Rides Strait Islander histories and cultures. − Anniversary of the National Apology − International Mother Language Day January − What’s on: Tune into the Arts Welcome to the first Koorie Perspectives in Australia Day, Survival Day and The Curriculum Bulletin for 2021. Focused on Great Debate Aboriginal Histories and Cultures, we aim to highlight Victorian Koorie voices, stories, A day off, a barbecue and fireworks? A achievements, leadership and connections, celebration of who we are as a nation? A day and suggest a range of activities and resources of mourning and invasion? A celebration of around key dates for starters. Of course any of survival? Australians hold many different views these topics can be taught at any time on what the 26th of January means to them. In throughout the school year and we encourage 2017 a number of councils controversially you to use these bulletins and VAEAI’s Koorie decided to no longer celebrate Australia Day Education Calendar for ongoing planning and on this day, and since then Change the Date ideas. -
SOH-Annual-Report-2016-2017.Pdf
Annual Report Sydney Opera House Financial Year 2016-17 Contents Sydney Opera House Annual Report 2016-17 01 About Us Our History 05 Who We Are 08 Vision, Mission and Values 12 Highlights 14 Awards 20 Chairman’s Message 22 CEO’s Message 26 02 The Year’s Activity Experiences 37 Performing Arts 37 Visitor Experience 64 Partners and Supporters 69 The Building 73 Building Renewal 73 Other Projects 76 Team and Culture 78 Renewal – Engagement with First Nations People, Arts and Culture 78 – Access 81 – Sustainability 82 People and Capability 85 – Staf and Brand 85 – Digital Transformation 88 – Digital Reach and Revenue 91 Safety, Security and Risk 92 – Safety, Health and Wellbeing 92 – Security and Risk 92 Organisation Chart 94 Executive Team 95 Corporate Governance 100 03 Financials and Reporting Financial Overview 111 Sydney Opera House Financial Statements 118 Sydney Opera House Trust Staf Agency Financial Statements 186 Government Reporting 221 04 Acknowledgements and Contact Our Donors 267 Contact Information 276 Trademarks 279 Index 280 Our Partners 282 03 About Us 01 Our History Stage 1 Renewal works begin in the Joan 2017 Sutherland Theatre, with $70 million of building projects to replace critical end-of-life theatre systems and improve conditions for audiences, artists and staf. Badu Gili, a daily celebration of First Nations culture and history, is launched, projecting the work of fve eminent First Nations artists from across Australia and the Torres Strait on to the Bennelong sail. Launch of fourth Reconciliation Action Plan and third Environmental Sustainability Plan. The Vehicle Access and Pedestrian Safety 2016 project, the biggest construction project undertaken since the Opera House opened, is completed; the new underground loading dock enables the Forecourt to become largely vehicle-free. -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers. -
Viennese Masters — 2010 National Concert Season
VIENNESE MASTERS — 2010 NATIONAL CONCERT SEASON NATIONAL TOUR PARTNER NATIONAL TOUR PARTNER On behalf of BNP Paribas, I’m delighted to welcome you to the 2010 Viennese Masters Tour by the Australian Chamber Orchestra. At BNP Paribas, we have a long tradition of supporting performing arts around the world and encouraging those, such as the ACO, who embody our core values of ambition, creativity and commitment. As the ‘Bank for a Changing World’ BNP Paribas is constantly evolving, and this is something we have in common with the ACO. Each year that we continue to support the ACO, we are inspired by their individuality, unique artistic style and creative vision. For this reason we have been a proud National Tour Partner of the ACO since 2006 and this year, we are pleased to sponsor the Viennese Masters Tour. BNP Paribas is a leader in global banking and fi nancial services and is recognised as one of the strongest banks in the world. We have been supporting Australian enterprise since 1881, as the fi rst major foreign bank in the country. Today, we provide leading Australian corporates, Financial Institutions and multinational companies with customised solutions in Corporate and Investment Banking, Asset Management and Securities Services. We are delighted to bring you this ACO tour. With a repertoire including Schubert, Brahms and Beethoven, we trust that you will enjoy it immensely. NATIONAL TOUR PARTNER DIDIER MAHOUT CEO, BNP PARIBAS AUSTRALIA & NEW ZEALAND TOUR SIX VIENNESE MASTERS SPEED READ SCHUBERT (arr. Ross) The 19th century was a time of Rondo Brilliante in B minor, D895 unparalleled development in the technology of instrument BEETHOVEN making, and this program — from Beethoven at the beginning Septet in E fl at major, Op.20 of the century to Brahms at the Adagio – Allegro con brio end — gives us some insight into that evolution. -
2019-2020 Philharmonia No. 3
Lynn Philharmonia No. 3 Featuring the winners of the 2019 Lynn Concerto Competition. Saturday, Nov. 9, 2019 Sunday, Nov. 10, 2019 2019-2020 Season Lynn Philharmonia Roster VIOLIN CELLO FRENCH HORN Carlos Avendano Georgiy Khokhlov Chase DeCarlo Alexander Babin Devin LaMarr Alexander Hofmann Zulfiya Bashirova Michael Puryear Ting-An Lee David Brill Clarissa Viera Sarah Rodnick Kayla Bryan Davron Ziyodjonov Christa Rotolo Mingyue Fei Daniel Guevara DOUBLE BASS TRUMPET Benjamin Kremer Luis Gutierrez Diana Lopez Ricardo Lemus Austin King Oscar Mason Shiyu Liu Peter Savage Abigail Rowland Jenna Mangum Benjamin Shaposhnikov Gerson Medina FLUTE Karla Mejias Naomi Franklin TROMBONE David Mersereau Seung Jeon Aaron Chan Moises Molina Scott Quirk Tyler Coffman Nalin Myoung Lydia Roth Mario Rivieccio Sol Ochoa Castro Aaron Small Sebastian Orellana OBOE Francesca Puro Garrett Arosemena Ott Melanie Riordan Jin Cai PERCUSSION Askar Salimdjanov Amy Han Seth Burkhart Mengyu Shen Kari Jenks Justin Ochoa Shuyi Wang Blaise Rothwell Jonathon Winter CLARINET Miranda Smith Yu Xie Dunia Andreu Benitez Mario Zelaya Kelsey Castellanos HARP Taylor Overholt Yana Lyashko VIOLA Abby Dreher BASSOON Ellen Galentas Fabiola Hoyo Gabriel Galley Dennis Pearson Hyemin Lee Meng-Hsin Shih Marina Monclova Lopez Guillermo Yalanda Daniel Moore Vishnu Ramankutty Mario Rivera Jovani Williams Thomas Wong Lynn Philharmonia No. 3 Guillermo Figueroa, music director and conductor Saturday, Nov. 9 – 7:30 p.m. Sunday, Nov. 10 – 4 p.m. Keith C. and Elaine Johnson Wold Performing Arts Center On October 4, 5 and 6, thirty-seven students performed before guest judges Sarah Johnson, violin (Converse College), David Jackson, trombone (University of Michigan), and Baruch Meir, piano (Arizona State University & President of the Bosendorfer/Yamaha USASU International Piano Competition). -
SONG for NAIDOC Thursday 7 July 7Pm, Salon Presented by Melbourne Recital Centre
Short Black Opera SONG FOR NAIDOC Thursday 7 July 7pm, Salon Presented by Melbourne Recital Centre ARTISTS ARTISTS Deborah Cheetham AO Edward Bryant Shauntai Batzke Baden Hitchcock Zoy Frangos Sermsah Bin Saad Michael Lapiña John Wayne Parsons Jessica Hitchcock with Toni Lalich, piano Minjaara Atkinson PROGRAM PROGRAM LÉO DELIBES KATE MILLER-HEIDKE, IAIN GRANDAGE & ‘Flower Duet’ from Lakmé LALLY KATZ Deborah Cheetham AO and Shauntai Batzke ‘Flinch’s Dream’ from The Rabbits Jessica Hitchcock BENNY ANDERSSON, BJÖRN ULVAEUS & TIM RICE SIR ANDREW LLOYD WEBBER ‘Anthem’ from Chess ‘Til I Hear You Sing’ from Love Never Dies Zoy Frangos Zoy Frangos GIACOMO PUCCINI DEBORAH CHEETHAM AO ‘Chi il bel sogno’ from La Rondine Excerpts from Pecan Summer: Deborah Cheetham AO ‘In 1964’ ‘Che gelida manina’ from La Boheme Shauntai Batzke & Zoy Frangos Michael Lapina ‘The Meeting Scene’ ‘Si, mi chiamano Mimi’ from La Boheme Short Black Opera Ensemble Shauntai Batzke ‘Biami Creation Story’ ‘O soave fanciulla’ from La Boheme John Wayne Parsons and Jessica Hitchcock Shauntai Batzke and Michael Lapina ‘The Exodus’ FRANCESCO CILEA Short Black Opera Ensemble ‘Io son lumille ancella’ from Adriana Lecouvreur Deborah Cheetham AO ABOUT THE MUSIC Pecan Summer Australia’s first Indigenous opera, written by Deborah Cheetham AO, the opera is based on the events of the 1939 Cummeragunja walk-off. On February 3rd, 1939, hundreds of Yorta Yorta chose to leave their homes on Cummeragunja mission, located on the banks of the Murray River in New South Wales, in protest at harsh conditions and treatment by the mission’s manager. Many opted to start new lives over the border in Victoria. -
Impact Report 2019 Impact Report
2019 Impact Report 2019 Impact Report 1 Sydney Symphony Orchestra 2019 Impact Report “ Simone Young and the Sydney Symphony Orchestra’s outstanding interpretation captured its distinctive structure and imaginative folkloric atmosphere. The sumptuous string sonorities, evocative woodwind calls and polished brass chords highlighted the young Mahler’s distinctive orchestral sound-world.” The Australian, December 2019 Mahler’s Das klagende Lied with (L–R) Brett Weymark, Simone Young, Andrew Collis, Steve Davislim, Eleanor Lyons and Michaela Schuster. (Sydney Opera House, December 2019) Photo: Jay Patel Sydney Symphony Orchestra 2019 Impact Report Table of Contents 2019 at a Glance 06 Critical Acclaim 08 Chair’s Report 10 CEO’s Report 12 2019 Artistic Highlights 14 The Orchestra 18 Farewelling David Robertson 20 Welcome, Simone Young 22 50 Fanfares 24 Sydney Symphony Orchestra Fellowship 28 Building Audiences for Orchestral Music 30 Serving Our State 34 Acknowledging Your Support 38 Business Performance 40 2019 Annual Fund Donors 42 Sponsor Salute 46 Sydney Symphony Under the Stars. (Parramatta Park, January 2019) Photo: Victor Frankowski 4 5 Sydney Symphony Orchestra 2019 Impact Report 2019 at a Glance 146 Schools participated in Sydney Symphony Orchestra education programs 33,000 Students and Teachers 19,700 engaged in Sydney Symphony Students 234 Orchestra education programs attended Sydney Symphony $19.5 performances Orchestra concerts 64% in Australia of revenue Million self-generated in box office revenue 3,100 Hours of livestream concerts -
Swr2 Programm Kw 36
SWR2 PROGRAMM - Seite 1 - KW 36 / 04. - 10.09.2017 Louis Moreau Gottschalk: 8.58 SWR2 Programmtipps Montag, 04. September ”Polonia” op. 35 Philip Martin (Klavier) 9.00 Nachrichten, Wetter 0.05 ARD-Nachtkonzert William Boyce: George Enescu: Sinfonie F-Dur op. 2 Nr. 4 9.05 SWR2 Musikstunde Rumänische Rhapsodie A-Dur op. 11 Academy of St. Martin in the Fields Bruch – Joachim – Sarasate, drei Nr. 1 Leitung: Neville Marriner Männer und ihre Violinwerke (1) MDR Sinfonieorchester Hector Berlioz: Mit Christian Schruff Leitung: Kristjan Järvi ”Le corsaire”, Ouvertüre Carl Goldmark: Royal Philharmonic Orchestra Sie waren herausragende Streichquartett B-Dur op. 8 Leitung: Jurij Temirkanow Zeitgenossen und für alle drei spielte Klenke-Quartett Weimar die Geige eine wichtige Rolle, wenn Richard Wagner: 6.00 SWR2 am Morgen nicht gar die Hauptrolle. Der ”Siegfried-Idyll” darin bis 8.00 Uhr: ungarische Geiger Joseph Joachim auf MDR Sinfonieorchester der einen Seite, der spanische Virtuose Leitung: Christof Prick 6.00 SWR2 Aktuell Pablo de Sarasate auf der anderen Alban Berg: und zwischen beiden der rheinische Sieben frühe Lieder 6.30 Kurznachrichten Komponist Max Bruch. Er hat für beide Juliane Banse (Sopran) komponiert.Die Geigerin Antje Staatskapelle Dresden Weithaas hat gerade alle konzertanten Leitung: Giuseppe Sinopoli 6.36 SWR2 Zeitwort Violinwerke von Bruch eingespielt. Franz Schmidt: 04.09.1949: Die Berlinerin Herta Davon ausgehend hören wir die Konzertante Variationen über ein Heuwer erfindet die Currywurst eigenen Werke der prominenten Thema -
Benyamin Nuss
KAMMERMUSIK FUNKHAUS KONZERTE PHANTASTISCHE WELTEN MUSIK AUS DEM UNIVERSUM DER KONSOLEN SENDETERMIN MI 14. APRIL 2021, 20.04 UHR WDR 3 KONZERT PROGRAMM NOBUO UEMATSU/ MASASHI HAMAUZU SHIRO HAMAGUCHI Final Fantasy XIII: Lost Odyssey Suite Improvisation: The Promise/ I. Prologue Dust to Dust II. A Sign Of Hope III. A Mighty Enemy Appears BENYAMIN NUSS Hoffnung NAOSHI MIZUTA/ Uraufführung BENYAMIN NUSS Final Fantasy XI: NOBUO UEMATSU/ Sanctuary of Zi’Tah BENYAMIN NUSS Uraufführung Final Fantasy VII: Aeriths Theme HIDEKI SAKAMOTO/ BENYAMIN NUSS BENYAMIN NUSS Bungo to Arukemisto: Improvisation Kairan Deux miniatures März 2021 Theme of the Director Uraufführung YOKO SHIMOMURA/ MASASHI HAMAUZU BENYAMIN NUSS Saga Frontier II: Final Fantasy XV: Missgestalt Somnus BENYAMIN NUSS / Klavier NOBUO UEMATSU/ JONNE VALTONEN Blue Dragon: SENDUNG My Tears and the Sky Mittwoch, 14. April 2021, 20.04 Uhr, WDR 3 Konzert ZUM NACHHÖREN IM WDR 3 KONZERTPLAYER Benyamin Nuss PHANTASTISCHE WELTEN 1987 stand der kleine japanische Spieleentwickler Square kurz vor dem Konkurs und suchte nach einer zündenden Idee für ein erfolg- reiches Computerspiel. Die Firma Enix hatte ein Jahr vorher das populäre Rollenspiel »Dragon Quest« auf den Markt gebracht. Die Idee des Game-Designers Hironobu Sakaguchi, ein Videospiel zu entwickeln, das zwar auf »Dragon Quest« basieren würde, aber dessen Konzepte maßgebend erweitern und ausbauen sollte, war die Geburt einer Gaming-Ära: »Final Fantasy«. Square traf damit den Nerv der Zeit und das Spiel wurde letztendlich nicht nur in Japan zu einem Bestseller. Benyamin Nuss wächst mit Videospielen auf, die neben der Musik seine zweite Leidenschaft werden. »Schon mein Vater hat immer Gameboy gespielt, wodurch ich sehr früh selbst zum Computerspie- len kam und viele Konsolen durchprobierte«, erzählt er in einem In- terview. -
2013 ACO Annual Report
2013 ANNUAL REPORT PRINCIPAL PARTNER NICOLE DIVALL, IMAGE © JAMIE WILLIAMS by Richard Tognetti JAMIE © IMAGE NICOLE DIVALL, Photo of Richard Tognetti CONTENTS MISSION STATEMENT 3 ORCHESTRA LIST 4 ARTISTIC DIRECTOR’S REPORT 5 CHAIRMAN’S REPORT 6 GENERAL MANAGER’S REPORT 7 NATIONAL CONCERT SEASON 9 SPECIAL EVENTS 20 INTERNATIONAL TOURS 23 EDUCATION PROGRAM 25 C EMERGING ARTISTS & A O2 28 ACO UNDERGROUND 31 ACO VIRTUAL 32 ATTENDANCE FIGURES 33 EVENTS 35 RECORDINGS 36 ACO CORPORATE PARTNERS 38 DONATIONS PROGRAM 39 CHAIRMAN’S COUNCIL MEMBERS 44 STAFF LIST 45 FINANCIAL REPORT 46 DIRECTORS’ REPORT 47 AUDITOR’S INDEPENDENCE DECLARATION 52 FINANCIAL STATEMENTS 53 NOTES TO THE FINANCIAL STATEMENTS 57 DIRECTORS’ DECLARATION 73 INDEPENDENT AUDIT REPORT 74 RICHARD TOGNETTI, IMAGE © JAMIE WILLIAMS JAMIE © IMAGE TOGNETTI, RICHARD 2013 ANNUAL REPORT 2 MISSION STATEMENT To inspire and challenge audiences everywhere through the music we play. VISION To be recognised as one of the finest chamber orchestras in the world, renowned for the integrity and excellence of its musicianship, the boldness and vitality of its programming, and the loyalty of its audiences, stakeholders and supporters. CORE VALUES The core values of the ACO are the principles which have been adopted over the years to provide guidance and context for the Orchestra’s artistic development and its relationships with audiences and stakeholders: • performing music of a quality and at a standard that both challenges and satisfies audiences and players alike; • adherence to principles of trust, -
DAS MAGAZIN 03 Das Orchester Des Mariinsky-Theaters in Köln Klassiker Im Wahrsten Sinne JUL / AUG 2009 Portrait Jörg Widmann A
Alle Abos der Saison 2009/2010 DAS MAGAZIN 03 JUL / AUG 2009 Das Orchester des Mariinsky-Theaters in Köln Valery Gergiev dirigiert dreiteilige Konzertreihe Portrait Jörg Widmann Der Klarinettist und Komponist zu Gast in Köln Klassiker im wahrsten Sinne Renommiertes im Klassiker!-Abo Blick von der Bühne des Mariinsky-Theaters in St. Petersburg Die Haut und das darunter liegende Lidchirurgie · Ästhetische Lidkorrektur EDITORIAL Gewebe der Augen verlieren im Laufe Abonnement-Ausgabe 03/2009 Juli/August des Lebens an Festigkeit und somit KLEINER EINGRIFF, ihre Form. Die Veränderungen der feinen Lidhaut führen frühzeitig zu GROSSE WIRKUNG. einem älteren, müden oder traurigen Ausdruck des Gesichtes. Durch einen kleinen unauffälligen Eingriff lässt sich die Zeit zwar nicht zurückdrehen, aber das Aussehen optisch deutlich Liebe Besucherinnen und Besucher, verjüngen. Eine Veränderung der Lider muss liebe Freundinnen und Freunde der Kölner Philharmonie, aber nicht altersbedingt sein – auch junge Menschen können an einer an- wenngleich wir uns schon seit vielen Monaten mit der Planung der geborenen oder krankheitsbedingten kommenden Konzertsaison befassen, wenngleich wir jetzt schon Fehlstellung der Augenlider leiden. beginnen müssen, die nachfolgenden Spielzeiten zu ersinnen, ist Auch hier kann mit einer Korrektur für uns der Tag, an dem wir dem Publikum das neue Programm ein harmonisches Erscheinungsbild www.augen-venividi.de präsentieren können, immer eine besondere Freude. Dass viele erreicht werden. wunderbare musikalische Erlebnisse nun zum