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2016 Case List
FRONT COVER 1 3 PEN INTERNATIONAL CHARTER The PEN Charter is based on resolutions passed at its International Congresses and may be summarised as follows: PEN affirms that: 1. Literature knows no frontiers and must remain common currency among people in spite of political or international upheavals. 2. In all circumstances, and particularly in time of war, works of art, the patrimony of humanity at large, should be left untouched by national or political passion. 3. Members of PEN should at all times use what influence they have in favour of good understanding and mutual respect between nations; they pledge themselves to do their utmost to dispel race, class and national hatreds, and to champion the ideal of one humanity living in peace in one world. 4. PEN stands for the principle of unhampered transmission of thought within each nation and between all nations, and members pledge themselves to oppose any form of suppression of freedom of expression in the country and community to which they belong, as well as throughout the world wherever this is possible. PEN declares for a free press and opposes arbitrary censorship in time of peace. It believes that the necessary advance of the world towards a more highly organised political and economic order renders a free criticism of governments, administrations and institutions imperative. And since freedom implies voluntary restraint, members pledge themselves to oppose such evils of a free press as mendacious publication, deliberate falsehood and distortion of facts for political and personal ends. Membership of PEN is open to all qualified writers, editors and translators who subscribe to these aims, without regard to nationality, ethnic origin, language, colour or religion. -
Cirkus-Columbia-Pressbook.Pdf (1.2 Mib)
CIRKUS COLUMBIA A FILM BY DANIS TANOVlC´ SYNOPSIS Bosnia and Herzegovina, 1991. The communists have fallen from power and Divko Buntic returns to the small town where he grew up to reclaim his family home. After a 20-year exile in Germany, Divko arrives in his flashy red Mercedes with sexy young girlfriend Azra, lucky black cat Bonny and a pocketful of Deutschmarks. Cash and cousin Ivanda, the recently inducted “democratic” mayor, help Divko forcefully evict estranged wife Lucija and 20-year-old son Martin. Lucky to not have been jailed after their eviction skirmish with the police, Martin and Lucija are moved into a small dilapidated municipal apartment. Once settled in the comfort of his old house, Divko tries to reach out to Martin, the son he never knew. He offers Martin an invitation to live with him and his soon-to-be new wife Azra. When Lucija finds out, she is furious and fearful that she’ll lose her son to his father. Martin reassures his mother, but the young CB radio enthusiast continues to secretly visit his father’s home to use the equipment he left behind. When Divko’s beloved cat Bonny disappears, the whole town joins in a frantic search to get the cash reward. The daily hunt for the missing cat strains Divko’s fragile relationship with Azra. It also opens up an unexpected but strong attraction between Azra and Martin. Busy fretting over everyday concerns, most of the townsfolk seem to disregard the rumbling political unrest: Croatia has seceded, all Yugoslavs are being forced to take sides, and the Serbs begin bombing Dubrovnik. -
Aid Memoir Aid Larry Hollingworth Larry
Larry Hollingworth, current visiting professor of AID MEMOIR Humanitarian Studies at Fordham University in New York City, served as head of the UNHCR’s efforts in Bosnia throughout the lengthy conflict that plagued the former Yugoslavia in the early to mid 90’s. Aid Memoir follows Larry and his UN colleagues throughout multiple efforts to provide much needed relief for besieged, isolated, and desperate communities riddled by senseless killing and aggression. The characters encountered throughout are at times thrilling, at times frightening. Larry spares no details, however troubling, and therefore shines a telling light on the reality of the situation that most will remember to have watched on their television screens. Front cover. During the Siege of Sarajevo, between 1992 and 1995, the city was repeatedly hit by mortar strikes. The craters left behind by these explosions were filled with red resin LARRY HOLLINGWORTH to commemorate the casualties of the attacks. These war memorials were given the name Sarajevo Roses, after people noted that the patterns reminded them of flowers. Today, they serve as a reminder of the bloodshed and loss of AID MEMOIR that conflict. The Sarajevo Rose on the cover HOLLINGWORTH LARRY of this book is one of the city’s most emblematic war memorials found outside the entrance of the Tunnel of Hope under the Sarajevo Airport. The Refuge Press is an independent imprint founded in 2020, with an emphasis on humanitarian and social justice issues. It publishes at least four books, and an equal number of art catalogues, per year. Our books focus on humanitarian solutions as well as personal and professional reflections on global crises. -
Catalogue, and Whose Passport WAVES: ( 26 Min, 1996); CHRONICLE of RETURNING They Confiscate
APULIA REGION EUROPEAN Economic Development, Employment and Innovation UNION Policy Department European Regional Development Fund International Business Promotion Department “Investing in your future” Project co-financed by the E.U., in accordance with the Operational Programme E.R.D.F. Puglia 2007-2013 – Line 6.3., Action 6.3.2 Initiatives in support of local business internationalisation PRESENTATION MEDITERRANEAN PROGRAMME COPRODUCTION FORUM The Apulia Film Commission Foundation, in collaboration with the Apulia Region, presents the 3rd edition of the Mediterranean Coproduction Forum on 26th and 27th October 2012 at the Cineporti di > 1st day: Friday 26th October /// CINEPORTI DI PUGLIA/BARI - ITALY Puglia/Bari - Italy. The aim of the Mediterranean Coproduction Forum is to support film projects linked to the Mediterranean H 10.00 and the Balkan regions, enhancing the meeting and the partnership among operators of the field such • Welcome Message and Programme presentation as production companies, financers, market experts and distributors, allowing the participants to work by Alberto La Monica - MCF Project Manager together within a Forum in order to discuss and present their projects with the opportunity of “testing them” during the development stage and to come into contact with potential co-financers. H 10.30 In short, a precious verification which will help them in the following steps of production. • Apulia Film Commission & Funds presentation Meetings are held with the aim of fostering the coproduction processes and an exchange of best practices by Silvio Maselli - AFC Chief of Executive Officer in order to improve the operative modalities of the professionals attending the Forum. • “Apulia System” presentation: locations and services available in the Region The participating projects, selected by Alberto La Monica and the Apulia Film Commission, are presented by Daniele Basilio and Raffaella Delvecchio - AFC Cinema and Production Office by their producers with the “one to one meetings” formula. -
Filming Locations in Bosnia and Herzegovina
Filming Locations in Bosnia and Herzegovina u d r u ž e n j e f i l m s k i h r a d n i k a u b o s n i i h e rc e g o v i n i association of filmmakers in bosnia and herzegovina 2011 | 2012 Filming Locations in Bosnia and Herzegovina 2011 | 2012 u d r u ž e n j e f i l m s k i h r a d n i k a u b o s n i i h e rc e g o v i n i association of filmmakers in bosnia and herzegovina Udruženje filmskih radnika u BiH Association of Filmmakers in B&H Branilaca Sarajeva 20/III, 71000 Sarajevo Bosnia & Herzegovina Tel/fax: +387 33 667 452 [email protected] www.bhfilm.ba Bosna i Hercegovina Federacija Bosne i Hercegovine Kanton Sarajevo MINISTARSTVO KULTURE I SPORTA Filming Locations in Bosnia and Herzegovina Bosnia and Herzegovina has always been an attractive spot for filmmaking. Part of its appeal was without a doubt related to historical and current events such as the First World War or the Olympic games, but it has been also interesting for its natural and geographical potential. Nonetheless, in over a century of filmmaking in Bosnia and Herzegovina, this is a very first attempt in presenting at least part of its filming location potential. We have decided to present four geographical regions where most of the filmmaking in the past ten years has taken part. The regions focused are centered around four cities: Banja Luka, Mostar, Goražde and Sarajevo. -
Snimajuce-Lokacije.Pdf
Elma Tataragić Tina Šmalcelj Bosnia and Herzegovina Filmmakers’ Location Guide Sarajevo, 2017 Contents WHY BOSNIA AND HERZEGOVINA 3 FACTS AND FIGURES 7 GOOD TO KNOW 11 WHERE TO SHOOT 15 UNA-SANA Canton / Unsko-sanski kanton 17 POSAVINA CANTON / Posavski kanton 27 Tuzla Canton / Tuzlanski kanton 31 Zenica-DoboJ Canton / Zeničko-doboJski kanton 37 BOSNIAN PODRINJE CANTON / Bosansko-podrinJski kanton 47 CENTRAL BOSNIA CANTON / SrednJobosanski kanton 53 Herzegovina-neretva canton / Hercegovačko-neretvanski kanton 63 West Herzegovina Canton / Zapadnohercegovački kanton 79 CANTON 10 / Kanton br. 10 87 SARAJEVO CANTON / Kanton SaraJevo 93 EAST SARAJEVO REGION / REGION Istočno SaraJevo 129 BANJA LUKA REGION / BanJalučka regiJA 139 BIJELJina & DoboJ Region / DoboJsko-biJELJinska regiJA 149 TREBINJE REGION / TrebinJska regiJA 155 BRčKO DISTRICT / BRčKO DISTRIKT 163 INDUSTRY GUIDE WHAT IS OUR RECORD 168 THE ASSOCIATION OF FILMMAKERS OF BOSNIA AND HERZEGOVINA 169 BH FILM 2001 – 2016 170 IMPORTANT INSTITUTIONS 177 CO-PRODUCTIONS 180 NUMBER OF FILMS PRODUCED 184 NUMBER OF SHORT FILMS PRODUCED 185 ADMISSIONS & BOX OFFICE 186 INDUSTRY ADDRESS BOOK 187 FILM SCHOOLS 195 FILM FESTIVALS 196 ADDITIONAL INFO EMBASSIES 198 IMPORTANT PHONE NUMBERS 204 WHERE TO STAY 206 1 Why BiH WHY BOSNIA AND HERZEGOVINA • Unspoiled natural locations including a wide range of natu- ral sites from mountains to seaside • Proximity of different natural sites ranging from sea coast to high mountains • Presence of all four seasons in all their beauty • War ruins which can be used -
Belleğin Mirası Legacy of the Mind
18 - 28 Ekim | October 2018 Belleğin Mirası Legacy of the Mind 18 - 28 Ekim | October 2018 #DanisTanovic Ekim Perşembe Ekim Çarşamba 18 October Thursday 24 October Wednesday 19:00 Tarafsız Bölge (98’) 19:00 Saraybosna’da Ölüm No Man’s Land Death in Sarajevo (85’) Ekim Cumartesi 20 October Saturday Ekim Cumartesi October Saturday 12:00 Güzel Bir Hayat 27 Düşlerken (113’) 16:00 Tarafsız Bölge (98’) Cirkus Columbia No Man’s Land 14:30 Bir Hurdacının Hayatı 18:00 Güzel Bir Hayat An Episode in the Life Düşlerken (113’) of an Iron Picker (75’) Cirkus Columbia 17:00 Konser: Adnan Teskeredžić Trio Ekim Pazar Concert: 28 October Sunday Adnan Teskeredžić Trio 14:00 Cehennem (98’) Hell Ekim Salı 16:00 Saraybosna’da Ölüm 23 October Tuesday Death in Sarajevo (85’) 19:00 Cehennem (98’) 18:00 Bir Hurdacının Hayatı Hell An Episode in the Life of an Iron Picker (75’) Bu program kapsamındaki Pera Film gösterimleri ücretsizdir. Rezervasyon alınmamaktadır. Screenings are free admissions. Drop in, no reservations. iş birliğiyle / in collaboration Pera Film, Bosna Sancak Akademik Kültür ve Tarih Vakfı iş birliğiyle 18 – 28 Ekim The satirical tale of two enemy soldiers, Ciki and Nino, who find themselves 2018 tarihleri arasında yönetmen Danis Tanović’in filmlerinden bir seçki sunuyor. stranded in no man’s land during the 1993 Bosnian Conflict... As Ciki and Nino try A small town in south Herzegovina, in the wake of the war. After years of communist Belleğin Mirası: Danis Tanović programı, yönetmenin beş filmine odaklanıyor ve to figure a way out of their bizarre predicament, a UN sergeant goes to help them, rule, a new democratic government is elected, and this means that all the sinners belleğin silindiği zamanlarda kök salmanın, tanık olduklarımızın nasıl aktarıldığının ve despite being ordered not to intervene, and the world’s press follows, turning the of the ex-system are suddenly forgiven. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES School of Film Volume 1 of 1 Transnational Bulgarian Cinema – Pieces of the Past, Present and Future by Maya Nedyalkova Thesis for the degree of Doctor of Philosophy September 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Thesis for the degree of Doctor of Philosophy TRANSNATIONAL BULGARIAN CINEMA – PIECES OF THE PAST, PRESENT AND FUTURE Maya Todorova Nedyalkova My thesis investigates issues of sustainability and belonging surrounding the Bulgarian feature film industry. There is a limited body of scholarship on Bulgarian cinema, most of which focuses on film aesthetics and fails to account for the socio-historical and industrial context of local film creation, dissemination and consumption. My work is a continuation of Dina Iordanova’s New Bulgarian Cinema (2008) which promoted the idea of cross-Balkan creative collaborations. -
Reflections on Film and Transitional Justice in Bosnia-Herzegovina
Studies in Social Justice Volume 7, Issue 2, 285-309, 2013 REVIEW ESSAY In the Land of Celebrity Humanitarianism: Reflections on Film and Transitional Justice in Bosnia-Herzegovina BRIAN PHILLIPS Journal of Human Rights Practice, Oxford University Press, United Kingdom Following a special Sarajevo screening of Angelina Jolie’s In the Land of Blood and Honey for representatives of Bosnian war victims’ associations, a woman who had been raped during the conflict said of her initial response to the film: “I first vomited, from the sheer force of my suffering...Angelina touched our souls” (Hopkins, 2011b). In another news report about the screening, this same woman added that “from the moment the film began, I was back in April 1992. My life passed through this film completely” (Hopkins, 2011a). Referring to the central character of the film, a second woman, also a victim of sexual violence in the Bosnian war, declared: “I am Ajla...This is what I went through in the rape camp in Vlasenica in 1992” (Hopkins, 2011b). The leader of a group of women whose sons were murdered in the 1995 Srebrenica massacres likewise praised the film and expressed gratitude to Jolie “for her intellectual and financial investment in making this movie that will tell the world the truth about Bosnia’s war” (Smajilhodžić, 2011). Similarly, the male head of a group of former prisoners of war explained that “this movie is deeply moving for the victims who experienced all of these things...It is completely objective and it really tells the facts of what happened during the war” (Smajilhodžić, 2011). -
Danis Tanović
AN EPISODE IN THE LIFE OF AN IRON PICKER (Epizoda u Životu Berača Željeza) a film by Danis Tanović Silver Bear: Jury Grand Prix Berlin Film Festival 2013 Silver Bear: Best Actor Nazif Mujić Berlin Film Festival 2013 Bosnia and Herzegovina / France / Slovenia / 74 min / Bosnian with English subtitles / Cert TBC Opens April 25 2014 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E‐mail: [email protected] FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 www.newwavefilms.co.uk SYNOPSIS A Roma family lives far from the urban centres of Bosnia‐Herzegovina. The father Nazif salvages metal from old cars that he sells to a scrap‐dealer. The mother Senada keeps the house tidy, cooks, bakes and cares for their two small daughters. A third baby is on the way. One day, she feels a sharp pain in her abdomen. At the hospital, she is told that there is something wrong with the baby she is carrying. She is at risk of septicemia and must undergo surgery immediately. Because she does not have a state‐provided health insurance card, the hospital requests that Senada pay 980 Bosnian marks (500 euros), which a fortune for Nazif. Despite Nazif's pleading for help, Senada is denied the crucial surgery and forced to return home to their village. For the next 10 days, Nazif will do everything he can to try and save Senada's life ‐ desperately searching for more scrap metal, and seeking help from state institutions. -
The Trap of the Transitionin the Recent Cinema of Bosnia And
DOI: 10.11649/ch.2014.014 Colloquia Humanistica 3 (2014) Multiple Biographies, Transcultural Experience Institute of Slavic Studies, Polish Academy of Sciences COLLOQUIA HUMANISTICA Tomasz Rawski Katarzyna Roman Institute of Sociology, Institute of Russian Studies, University of Warsaw University of Warsaw How to Escape? The Trap of the Transition in the Recent Cinema of Bosnia and Herzegovina (2000-2012) Abstract The paper concerns the latest cinema of Bosnia and Herzegovina (2000-2012). Focusing on the cinema of social criticism (represented by movies which try to rethink the new socio-political order gradually emerging in BiH after the war of 1992-95), the authors recognize the Bosnian society as a community captured in the trap of an unfinished system transition. The story of the Bosnian society, simultaneously stuck in a dysfunctional and oppressive state and completely devoid of any prospects for the improvement of this situation, seems to be dominated by several escape strategies into an alternative reality: the nostalgic past, the imagined present or the utopian future. In that sense, the Bosnian cinema of social criticism turns out to be a cinema of social escapism. Key words: Bosnia and Herzegovina; Bosnian cinema; social escapism; post- war society Introduction t is not easy to talk about the present-day Bosnia and Herzegovina I(below abbr. as: BiH) without the war in the background. Film artists continuously face the trauma of the first half of the 1990s and continue This is an Open Access article distributed under the terms of the Creative Commons Attribution 3.0 PL License (creativecommons.org/licenses/by/3.0/pl/), which permits redistribution, commercial and non-commercial, provided that the article is properly cited. -
Death in Sarajevo Pressbook Lowres.Pdf
SYNOPSIS Sarajevo‘s Hotel Europe is bustling in preparation for tonight‘s European Union gala for the centennial of Archduke Franz Ferdinand‘s assassination. But the disgruntled staff plans to strike because they haven‘t been paid for two months. If this prestigious political dinner fails, the already mortgaged hotel will be shut down by the bank. With no time to lose to stop the strike, hotel manager Omer must turn to tough guy Enzo, who runs the cellar strip club. The staff union rep soon goes missing. Dedicated and pretty chief receptionist Lamija does her absolute best to keep everything running smoothly toward the big event. But things get tricky when her mother Hatidza, of the laundry room, is elected strike leader. The VIP keynote speaker doesn‘t have much time to prepare, and he stumbles Escalating tensions and age-old disputes turn the financially troubled through complex details and names. The French guest‘s rehearsals in his room are secretly recorded in B&W. Surveillance is high (literally) due to a nose-happy Hotel Europe into an ideological pressure cooker when a staff strike video security guy. threatens to upset an important gala dinner. On the hotel roof, TV journalist Vedrana conducts interviews for a centennial special. Among her guests is Gavrilo Princip, the namesake descendant of the A political thriller from award-winning director Danis Tanović Archduke‘s assassin. Firm political stances quickly lead to age-old arguments. From the hotel roof to the cellar club, via the reception, laundry room and kitch- (AN EPISODE IN THE LIFE OF AN IRON PICKER, TIGERS, NO MAN‘S LAND).