Curriculum Paolo Trevisi
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Signumclassics
170booklet 6/8/09 15:21 Page 1 ALSO AVAILABLE on signumclassics Spanish Heroines Silvia Tro Santafé Orquesta Sinfónica de Navarra Julian Reynolds conductor SIGCD152 Since her American debut in the early nineties, Silvia Tro Santafé has become one of the most sought after coloratura mezzos of her generation. On this disc we hear the proof of her operatic talents, performing some of the greatest and most passionate arias of any operatic mezzo soprano. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 170booklet 6/8/09 15:21 Page 3 Rossini Mezzo Rossini Mezzo gratitude, the composer wrote starring roles for her in five of his early operas, all but one of them If it were not for the operas of Gioachino Rossini, comedies. The first was the wickedly funny Cavatina (Isabella e Coro, L’Italiana in Algeri) the repertory for the mezzo soprano would be far L’equivoco stravagante premiered in Bologna in 1. Cruda sorte! Amor tiranno! [4.26] less interesting. Opera is often thought of as 1811. Its libretto really reverses the definition of following generic lines and the basic opera plot opera quotes above. In this opera, the tenor stops Coro, Recitativo e Rondò (Isabella, L’Italiana in Algeri) has been described as “the tenor wants to marry the baritone from marrying the mezzo and does it 2. Pronti abbiamo e ferri e mani (Coro), Amici, in ogni evento ... (Isabella) [2.45] the soprano and bass tries to stop them”. by telling him that she is a castrato singer in drag. -
Tuscia Operafestival™ Brings Italian Style to California IAOF Is Delighted
Tuscia Operafestival™ brings Italian Style to California IAOF is delighted to announce an exciting partnership with Italian luxury brand Bulgari, proud sponsors of the first edition of the “Italian Opera Festival”. Every night before the show will 'offer the public a free taste of the best wines and oils of the tuscia and Italy The Tuscia Operafestival™, now in its sixth season in the historic papal city of Viterbo, will see its Californian debut with the opening of the Italian Opera Festival™ in Orange County, the pearl of Southern California, at the Soka Performing Arts Center of Soka University in Aliso Viejo. The series of events will begin on Saturday, May 26th at 5:00 PM with a press conference hosted by the Italian Cultural Institute (1023 Hilgard Avenue, Los Angeles) and its director, Alberto Di Mauro, and will end on June 2nd, the “Festa della Repubblica”, national Italian holiday commemorating the independence of the Republic of Italy, to be celebrated at the Pico House (430 North Main Street, Los Angeles) in the presence of the Italian Consul General . This new version of our festival strives to promote the excellence of world renowned Italian products such as opera, art, wine, olive oil, water and fashion. The first cultural event, on Wednesday, May 30th at 7:00 PM, at the Soka Performing Arts Center (1 University Drive, Aliso Viejo) will be the recital of international opera star Bruno Praticò: "Buffo si nasce!" (We are Born Funny!), presenting operatic arias and duets by Italian composers Donizetti and Rossini. Recently featured at the LA Opera in the role of "Don Bartolo” in Rossini's Barbiere di Siviglia, Praticò is considered to be one of the greatest comic bass-baritone artists of our time. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Call for Applications for the Post of Artistic Director Dossier
CALL FOR APPLICATIONS FOR THE POST OF ARTISTIC DIRECTOR DOSSIER FUNDACIÓ PALAU DE LES ARTS REINA SOFÍA CONTENTS CONTENTS....................................................................................................................................2 FINANCIAL INFORMATION............................................................................................................2 DESCRIPTION OF THE ARTISTIC PROGRAMME.............................................................................3 WHO’S WHO AT ‘LES ARTS’.........................................................................................................25 FINANCIAL INFORMATION Financial information for 2014 - 2016 can be found on the transparency portal of Fundació Palau de les Arts Reina Sofía. The information is contained in the section Información económica, presupuestaria y estadística > CCAA e Informes de auditoría (Financial, Budgetary and Statistic Information > Annual Accounts and Audit Reports) (available in Spanish). Details of productions, concerts, and programmes for 2015 - 2018 can be found on the Fundació Palau de les Arts’ transparency portal. See the section titled Información institucional, organizativa y de planificación > Plan de actuación y programa de actividades (Information on the Institution, Organisation and Planning > Action Plan and Programmed Activities) (available in Spanish). 2 DESCRIPTION OF THE ARTISTIC PROGRAMME FINANCIAL YEAR 2017: PRODUCTIONS AND CONCERTS Description and key information The 2016-2017 Season (September 2016 to January -
Claudio Abbado Eine Sendereihe Von Kai Luehrs-Kaiser 25.04.2021 15.03 Uhr
Claudio Abbado Eine Sendereihe von Kai Luehrs-Kaiser 25.04.2021 15.03 Uhr 17. Folge: Rossiniana Abbado entdeckt einen Belcanto-Meister für die Welt 15:05:1 2 0 Herzlich willkommen, meine Damen und Herren, zu einer weiteren Folge unserer Sendereihe über den Dirigenten Claudio Abbado. Heute: Rossiniana. Abbado entdeckt einen Belcanto-Meister für die Welt. 1 DG Gioacchino Rossini 2’21 LC 00173 “La Cenerentola” 479 0125 2. Akt, Temporale (Gewittermusik) Track 613 Evt. London Symphony Orchestra leicht anblenden Ltg. Claudio Abbado 1971 (= 2’21) I Fast so, als sei’s ein Stück aus Beethovens „Pastorale“: „Temporale”, die Gewittermusik aus der Oper “La Cenerentola” von Gioacchino Rossini; hier 1971 mit dem London Symphony Orchestra, dirigiert von Claudio Abbado. Und schon sehen wir, im Hereinkommen, worin das Geheimnis der Wiederentdeckung Rossinis – eines gemeinhin für gegeben hingenommenen und für zu leicht befundenen Komponisten des 19. Jahrhunderts – von Seiten Claudio Abbados bestanden haben mag: Er nahm ihn ernst. So ernst wie einen ausgewachsenen Symphoniker. Er traute Rossini Orchesterfarben und Kompositionsstrukturen zu, die sich nicht in bloßer Unterhaltungs- oder gar Untermalungsmusik erschöpften. Abbado tat so, als sei Rossini kein Dutzendkomponist für eine ausgewählte Klientel von Spezialisten (oder gar Sonderlingen); sondern: ein Meister für alle. Und schon wurde er es. Und damit herzlich willkommen zu einer ‘Geniestreich-Sendung’ innerhalb unserer Abbado-Sendereihe. So zäh und über Jahrzehnte hin nämlich ein Häuflein Unentwegter und allerliebst besessener Rossinianer und Rossinisten sich für ihr Herzensanliegen namens Rossini eingesetzt haben mögen – und zwar durchaus mit Erfolg: © rbbKultur 2021 www.rbbkultur.de Claudio Abbado Eine Sendereihe von Kai Luehrs-Kaiser 25.04.2021 15.03 Uhr Im “Sturm” genommen – und deswegen die “Sturmmusik” zu Anfang dieser Sendung – hat doch wohl erst Abbado diesen Komponisten, den er ebenso aufwertete wie befreite. -
Vivaldi Orlando Furioso Mp3, Flac, Wma
Vivaldi Orlando Furioso mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Orlando Furioso Country: France Released: 1978 Style: Baroque MP3 version RAR size: 1363 mb FLAC version RAR size: 1944 mb WMA version RAR size: 1316 mb Rating: 4.6 Votes: 908 Other Formats: RA WMA MP2 MP1 MPC WAV VOC Tracklist A Ouverture - Acte I (1ère Partie) B1 Acte I - Fin B2 Acte II - 1ère Partie C Acte II - Suite D Acte II - Suite E1 Acte II - Fin E2 Acte III - 1ère Partie F Acte III - Fin Credits Alto Vocals – Carmen Gonzales Baritone Vocals – Sesto Bruscantini Bass Vocals – Nicola Zaccaria Bassoon – Kiyoshi Koyama Cello – Gianni Chiampan Choir – Amici Della Polifonia* Chorus Master – Piero Cavalli Composed By – Antonio Vivaldi Conductor – Claudio Scimone Engineer – Pierre Lavoix Flute – András Adorján Harpsichord – Edoardo Farina Mezzo-soprano Vocals – Lucia Valentini-Terrani*, Marilyn Horne Orchestra – I Solisti Veneti Organ – Bepi De Marzi* Soprano Vocals – Victoria De Los Angeles Tenor Vocals – Lajos Kozma Theorbo – Jürgen Hübscher Notes Recorded La Villa Simes " Prima Registrazione Mondiale " Barcode and Other Identifiers Rights Society: SACEM SDRM SACD SGDL Other (Category Disc 1): STU 71139 Other (Category Disc 2): STU 71140 Other (Category Disc 3): STU 71141 Other versions Category Artist Title (Format) Label Category Country Year Marilyn Horne Marilyn Horne With With Victoria Victoria De Los De Los Angeles Angeles / Lucia / Lucia RCA Red ARL3-2869 Valentini Terrani / ARL3-2869 US 1978 Valentini Seal Carmen Gonzales - Terrani / Vivaldi's -
NABUCCO Opéra En Quatre Actes Livret De Temistocle Solerà Musique De Giuseppe VERDI (Editions Amphion-Riccordi) En Langue D'origine
Dimanche 9 mars (14 h 30) Mercredi 12 mars (20 h 30) Samedi 15 mars (20 h 30) NABUCCO Opéra en quatre actes Livret de Temistocle Solerà Musique de Giuseppe VERDI (Editions Amphion-Riccordi) En langue d'origine Abigaël Olivia STAPP Fenena Cleopatra CIURCA Anna Suzy BONET Nabucco Franz GRUNDHEBER Zaccaria Nicola GHIUSELEV Ismaël Beniamino PRIOR 11 sommo sacerdote di Baal Giovanni GUSMEROLI Abdallo Guy GABELLE Chœurs du Théâtre d'Avignon et des Pays de Vaucluse Direction : Nadine CUVILLIER Orchestre Lyrique de Région Avignon-Provence Super Violon-Solo : Thierry STOCKEE Direction musicale Michelangelo VELTRI Mise-en-scéne Michel DUNAND Décors et costumes Opéra de Marseille Maquettes décors et costumes Krystin OSMUNDSEN Régie générale Patrick RICHALET Assistante à la mise-en-scène Jocelyne SEGAL Après le succès cl'"Oberto, conte di San Bonifacio" (novembre 1839) et l'échec de son opéra buffa "Un giorno di regno" (septembre 1840) à la Scala de Milan, Giuseppe Verdi reste silencieux, vivant miséra- blement de quelques leçons de musique, prostré dans la douleur. En effet, le compositeur - alors âgé de vingt-sept ans - a perdu, en quelques mois, ses deux enfants et son épouse Margherita. Ce drame personnel va fournir à la cause du "Risorgimento" son plus grand chantre. En effet, par une sorte de transfert affectif, la Patrie va remplacer la Famille. En décembre 1840, en sortant de la vieille auberge San Romano Verdi rencontre son imprésario Merelli qui se rend à la Scala. Il neige. Tout en mar- chant Merelli lui raconte ses démêlés avec le compositeur allemand Otto Nicolai à qui il a commande un opéra sur le thème biblique de Nabuchodonosor, sur un livret de Solerà, et qui refuse de s'execu- ter. -
SWR2 Musikstunde
SWR2 MANUSKRIPT SWR2 Musikstunde Gaetano Donizetti – Meister des Belcantos (5) Mit Ulla Zierau Sendung: 2. Februar 2018 Redaktion: Dr. Ulla Zierau Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Musikstunde können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de 1 SWR2 Musikstunde mit Ulla Zierau 29. Januar – 02. Februar 2018 Gaetano Donizetti – Meister des Belcantos (5) Mit Ulla Zierau und einem Italiener in Wien. Auch am Kärntnertor-Theater liebt das Publikum den schönen Gesang. Die Wiener tragen Gaetano Donizetti auf Händen. Herzlich willkommen zur letzten Folge über den Meister des Belcantos. (0’15) Titelmusik Mit Mitte 40 will es Gaetano Donizetti noch einmal wissen. Er erobert neues Terrain. Der Theaterintendant und Jugendfreund Bartolomeo Merelli lädt ihn nach Wien ans Kärntnertor-Theater ein. Eine willkommende Abwechslung. Zu Hause in Italien ist es ohnehin ein wenig ungemütlich geworden. In Neapel hat sich Saverio Mercadante in den Vordergrund gedrängt und den Direktorenposten am Konservatorium ergattert. In Mailand macht ein neuer Opernstar von sich reden, der junge Giuseppe Verdi. Mit seinem Nabucco hat er Aufsehen erregt. Bereits in der ersten Spielzeit wird die Oper 40mal gegeben. -
Chamber Orchestra and Concert Choir Glenn Block, Director
Illinois State University ISU ReD: Research and eData School of Music Programs Music 3-29-2013 Student Ensemble: Chamber Orchestra and Concert Choir Glenn Block, Director Karyl K. Carlson, Director Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Block,, Glenn Director and Carlson,, Karyl K. Director, "Student Ensemble: Chamber Orchestra and Concert Choir" (2013). School of Music Programs. 480. https://ir.library.illinoisstate.edu/somp/480 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University Chamber Orchestra Illinois State University College of Fine Arts School of Music Violin I Bassoon Ramiro Miranda, Concertmaster Katie Spitler * Maggie Watts Michael Sullivan Natalie Stawarski Gabrielle VanDril Horn Christine Hansen * Violin II Joshua Hernday Chloe Hawkins * Justin Johnson Illinois State University Chelsea Rilloraza Tyler Sutton Julia Heeren Chamber Orchestra Andrada Pteanc Trumpet Glenn Block, Music Director and Conductor Vallerie Villa Shauna Bracken * Tristan Burgmann Viola Illinois State University Matt White* Trombone Caroline Argenta Riley Leitch * Concert Choir Gillian Borth Jordan Harvey Abigail Dreher Karyl K. Carlson, Music Director and Conductor Bass Trombone Cello Grant Unnerstall* -
The Virginia Opera Booklist 2013-2014
The Virginia Opera Booklist 2013-2014 The Virginia Opera, founded in Norfolk in 1974, is the Official Opera Company of the Commonwealth of Virginia. The company produces five mainstage productions including at the Edythe C. and Stanley L. Harrison Opera House in Norfolk, and in Richmond and Fairfax. Virginia Opera is the only opera company to perform a full season of opera in three separate mainstage venues and to reach more than 150,000 students and community members each year through its innovative Education and Community Outreach Program. The 2013-2014 season runs September 2013 until May 2014. Seasoned operagoers often do a little preparation to become more familiar with an opera before attending. Even when sung in English or with English supertitles, learning a little more will make it all the more enjoyable. So that you are more familiar with the music and stories before attending, this list includes a selection of music CDs, DVDs, scores, and books in NPL’s collections of and about this season’s Virginia Opera performances. Descriptions are from the company’s website and the NPL online catalog. For more selections for other special events and cultural heritage months, see prior years’ booklists on the Library’s webpage under the “Books & More” dropdown menu, click on “Reading Recommendations,” and on “Bibliographies.” Falstaff by Giuseppe Verde He’s rotund, old, lecherous and broke, yet Falstaff is one of the most endearing characters in literature. William Shakespeare’s aging knight comes to life in this effervescent Verdi gem, as his scheme to get rich by simultaneously wooing two wealthy married women backfires…badly. -
Mariella Devia
Mariella Davia soprano Acclamata da pubblico e critica come regina del belcanto, Mariella Devia trionfa da oltre quarant’anni in tutti i più importanti teatri del mondo grazie alle sue doti vocali e interpretative, “la splendida linea vocale, il legato, il sostegno e il controllo del fiato, la morbidezza degli acuti, il gusto e la musicalità come pure la padronanza della coloratura” (Elvio Giudici). Molte sue interpretazioni sono entrate nella storia dell’opera, prima fra tutte la sua Lucia in Lucia di Lammermoor, ma anche Gilda in Rigoletto, Konstanze in Die Entführung aus dem Serrail, Donna Anna in Don Giovanni, Giulietta ne I Capuleti e i Montecchi, Amina ne La sonnambula, Elvira ne I Puritani, Adina ne L’elisir d’amore, Linda in Linda di Chamounix, Amenaide in Tancredi, Violetta ne La traviata, e in anni più recenti le regine della trilogia Tudor di Donizetti e Norma, solo per citare alcuni ruoli. Nel 2016 le è stato conferito a Londra il premio “International Opera Awards 2016” come miglior cantante femminile. Nata a Chiusavecchia d’Imperia, ha studiato canto con Jolanda Magnoni al Conservatorio di Santa Cecilia a Roma, dove si è diplomata. Nel 1973 vince il concorso Toti Dal Monte e debutta nel ruolo di Lucia. Si susseguono i debutti sui palcoscenici più prestigiosi: nel 1979 in Rigoletto al Metropolitan di New York, dove sarà ospite regolare per molti anni; nel 1981 alla Carnegie Hall di New York con Lakmè, nel 1984 alla Wiener Staatsoper sempre come Gilda, nel 1987 all’Opéra National de Paris ne I puritani (Elvira), nel 1988 alla Royal Opera House Covent Garden di Londra in Die Entführung aus dem Serrail. -
Programma 21 22 TSC.Pdf
Soci Fondatori Pubblici Consiglio di Indirizzo Ministero della Cultura Luigi de Magistris Ministro Presidente Dario Franceschini Maria Luisa Faraone Mennella Consigliere Regione Campania Presidente Giuseppe Tesauro Vincenzo De Luca Consigliere Comune di Napoli Maurizio Borgo Sindaco Consigliere Luigi de Magistris Mariano Bruno Consigliere Altri Soci Collegio dei Revisori dei Conti Città Metropolitana di Napoli Carlo Greco Sindaco Presidente in rappresentanza Luigi de Magistris della Corte dei Conti Michela Guarino Componente in rappresentanza del Ministero dell’Economia e delle Finanze Roberto Cappabianca Componente in rappresentanza del Ministero della Cultura Sovrintendente e Direttore Artistico Stéphane Lissner Direttore Generale Emmanuela Spedaliere Coordinatore Area Artistica e Direttore Casting Ilias Tzempetonidis Direttore Musicale Juraj Valcˇuha Maestro del Coro José Luis Basso Direttore del Balletto Clotilde Vayer 22 21 4 Palcoscenici vuoti, le sale dei musei al buio, le piazze dei monumenti storici deserte sono tra le immagini più iconiche dell’anno trascorso, triste testimonianza degli effetti della pandemia. I cosiddetti “luoghi di nutrimento dell’anima”, sono stati luoghi senz’anima, senza il vociare del suo pubblico che li abita, senza i suoi lavoratori che rendono viva l’opera, la musica, la danza. Eppure in questo lungo tempo il San Carlo non è stato inoperoso. Da oltre un anno abbiamo messo in campo diversi progetti, cercato di creare un’alternativa in assenza dello spettacolo dal vivo, elaborando idee coerenti col nostro percorso artistico. Abbiamo utilizzato altri linguaggi, altri strumenti, nuove attività di formazione per raggiungere il nostro pubblico e nuovi spettatori. È stato tempo di incertezza, di ansia, ma anche di riflessione, di azione comune, e l’impegno costante di salvaguardare i diritti dei lavoratori e nel contempo creare una nuova squadra che potesse guardare al futuro con rinnovata fiducia.