I Want to Sing in Opera for Alto Baritone and Piano Mp3 Sheet Music

Total Page:16

File Type:pdf, Size:1020Kb

I Want to Sing in Opera for Alto Baritone and Piano Mp3 Sheet Music I Want To Sing In Opera For Alto Baritone And Piano Mp3 Sheet Music Download i want to sing in opera for alto baritone and piano mp3 sheet music pdf now available in our library. We give you 1 pages partial preview of i want to sing in opera for alto baritone and piano mp3 sheet music that you can try for free. This music notes has been read 1508 times and last read at 2021-09-24 04:39:10. In order to continue read the entire sheet music of i want to sing in opera for alto baritone and piano mp3 you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Voice, Baritone Voice, Voice Solo, Piano Accompaniment Ensemble: Musical Ensemble Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Sing Sing Sing For Saxophone Quartet Sing Sing Sing For Saxophone Quartet sheet music has been read 5930 times. Sing sing sing for saxophone quartet arrangement is for Advanced level. The music notes has 1 preview and last read at 2021-09-23 00:48:13. [ Read More ] Sing Sing Sing For Saxophone Quintet Sing Sing Sing For Saxophone Quintet sheet music has been read 3730 times. Sing sing sing for saxophone quintet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-25 06:45:02. [ Read More ] Sing Sing Sing Vocal Small Band 5 Horns Key Gm Abm Sing Sing Sing Vocal Small Band 5 Horns Key Gm Abm sheet music has been read 6733 times. Sing sing sing vocal small band 5 horns key gm abm arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-25 11:05:49. [ Read More ] I Will Sing The Wondrous Story Piano Accompaniment For Alto Sax Baritone Sax I Will Sing The Wondrous Story Piano Accompaniment For Alto Sax Baritone Sax sheet music has been read 3477 times. I will sing the wondrous story piano accompaniment for alto sax baritone sax arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-23 20:53:45. [ Read More ] The Turing Test A Chamber Opera In One Act Libretto And Full Orchestral Score The Turing Test A Chamber Opera In One Act Libretto And Full Orchestral Score sheet music has been read 3081 times. The turing test a chamber opera in one act libretto and full orchestral score arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-24 22:33:05. [ Read More ] Anastasia An Opera In One Act Anastasia An Opera In One Act sheet music has been read 2575 times. Anastasia an opera in one act arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-21 00:18:04. [ Read More ] The One Upstairs A Comic Opera In One Act Full Orchestral And Individual Parts The One Upstairs A Comic Opera In One Act Full Orchestral And Individual Parts sheet music has been read 3345 times. The one upstairs a comic opera in one act full orchestral and individual parts arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-24 15:44:23. [ Read More ] Georges Bizet Les Toradors Prelude To Act I From Opera Carmen Georges Bizet Les Toradors Prelude To Act I From Opera Carmen sheet music has been read 5952 times. Georges bizet les toradors prelude to act i from opera carmen arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 10:02:43. [ Read More ] Georges Bizet Aragonaise Prelude From Opera Carmen Georges Bizet Aragonaise Prelude From Opera Carmen sheet music has been read 3499 times. Georges bizet aragonaise prelude from opera carmen arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 11:36:59. [ Read More ] I Will Sing The Wondrous Story Trio Alto Sax Baritone Sax With Piano And Parts I Will Sing The Wondrous Story Trio Alto Sax Baritone Sax With Piano And Parts sheet music has been read 3301 times. I will sing the wondrous story trio alto sax baritone sax with piano and parts arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-09-25 03:22:12. [ Read More ] Breathe Freely Chamber Opera In 2 Short Acts Full Score And Parts Breathe Freely Chamber Opera In 2 Short Acts Full Score And Parts sheet music has been read 3389 times. Breathe freely chamber opera in 2 short acts full score and parts arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-22 15:42:28. [ Read More ] Prelude Dawn Over The Moscow River From The Opera Khovanshchina Prelude Dawn Over The Moscow River From The Opera Khovanshchina sheet music has been read 2872 times. Prelude dawn over the moscow river from the opera khovanshchina arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-25 08:05:02. [ Read More ] An American Story George Gershwin One Act Opera An American Story George Gershwin One Act Opera sheet music has been read 3422 times. An american story george gershwin one act opera arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-25 03:52:24. [ Read More ] Tace La Notte From The Opera Il Trovatore Tace La Notte From The Opera Il Trovatore sheet music has been read 2861 times. Tace la notte from the opera il trovatore arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-25 08:11:20. [ Read More ] Procession Of The Nobles From The Opera Mlada Act 2 Scene 3 Procession Of The Nobles From The Opera Mlada Act 2 Scene 3 sheet music has been read 2949 times. Procession of the nobles from the opera mlada act 2 scene 3 arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-25 04:57:57. [ Read More ] Der Kleine Hund Song From The Opera Breathe Freely Der Kleine Hund Song From The Opera Breathe Freely sheet music has been read 3697 times. Der kleine hund song from the opera breathe freely arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 21:11:08. [ Read More ] The Turing Test A Chamber Opera In 1 Act Libretto And Piano Vocal Score The Turing Test A Chamber Opera In 1 Act Libretto And Piano Vocal Score sheet music has been read 3169 times. The turing test a chamber opera in 1 act libretto and piano vocal score arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-24 23:03:43. [ Read More ] Menkaure An Opera In 3 Acts Full Orchestral Score Menkaure An Opera In 3 Acts Full Orchestral Score sheet music has been read 3400 times. Menkaure an opera in 3 acts full orchestral score arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-25 04:47:45. [ Read More ] Overture From The Opera The Marriage Of Figaro For Saxophone Quartet Satb Overture From The Opera The Marriage Of Figaro For Saxophone Quartet Satb sheet music has been read 5798 times. Overture from the opera the marriage of figaro for saxophone quartet satb arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-25 01:12:06. [ Read More ] Anvil Chorus From The Opera Il Trovatore For Saxophone Quartet Satb Anvil Chorus From The Opera Il Trovatore For Saxophone Quartet Satb sheet music has been read 3257 times. Anvil chorus from the opera il trovatore for saxophone quartet satb arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-23 20:51:20. [ Read More ] Lascia Ch Io Pianga From Opera Rinaldo G F Handel 2 Baritone Saxophones And Piano Lascia Ch Io Pianga From Opera Rinaldo G F Handel 2 Baritone Saxophones And Piano sheet music has been read 2905 times. Lascia ch io pianga from opera rinaldo g f handel 2 baritone saxophones and piano arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-24 18:21:11. [ Read More ] Habanera From The Opera Carmen Saxophone Quartet Satb Habanera From The Opera Carmen Saxophone Quartet Satb sheet music has been read 3477 times. Habanera from the opera carmen saxophone quartet satb arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-09-25 09:12:25. [ Read More ] Soldiers Chorus From The Opera Il Trovatore For Saxophone Quintet Soldiers Chorus From The Opera Il Trovatore For Saxophone Quintet sheet music has been read 3136 times. Soldiers chorus from the opera il trovatore for saxophone quintet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 11:53:37. [ Read More ] Overture From The Opera Light Cavalry For Saxophone Ensemble Overture From The Opera Light Cavalry For Saxophone Ensemble sheet music has been read 3092 times. Overture from the opera light cavalry for saxophone ensemble arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-24 08:00:07.
Recommended publications
  • MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; Died March 28, 1881 in St
    MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; died March 28, 1881 in St. Petersburg A Night on Bald Mountain (1867; arranged in 1886) Arranged by Nikolai Rimsky-Korsakov (1844-1908) PREMIERE OF WORK: St. Petersburg, October 15, 1886 Russian Symphony Orchestra Nikolai Rimsky-Korsakov, conductor APPROXIMATE DURATION: 12 minutes INSTRUMENTATION: woodwinds in pairs plus piccolo, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp and strings In the 1860s, Russian music was just beginning to find its distinctive voice. A number of composers — Balakirev, Cui, Borodin, Rimsky-Korsakov and Mussorgsky — explored native musical and folkloric sources as the basis of a national art, and became loosely confederated into a group known as “The Mighty Handful” in Russia and “The Five” in the West. Since their works took their inspiration largely from indigenous legends and folk music, Mussorgsky considered himself lucky to receive a commission in 1861 (when he was just 21) for a dramatic musical composition based on a specifically Russian subject. On January 7th, he wrote to his mentor, Balakirev, “I have received an extremely interesting commission [for music for a drama titled The Witch by his friend Baron Georgy Fyodorovitch Mengden], which I must prepare for next summer. It is this: a whole act to take place on Bald Mountain … a Witches’ Sabbath, separate episodes of sorcerers, a solemn march for all this nastiness, a finale — the glorification of the Sabbath into which is introduced the commander of the whole festival on the Bald Mountain. The libretto is very good. I already have some material for it; it may turn out to be a very good thing.” The mountain to which Mussorgsky referred, well known in Russian legend, is Mount Triglav, near Kiev, reputed to be the site of the annual witches’ sabbath that occurs on St.
    [Show full text]
  • Mallory Troyer Final Version Master's Report
    The Report Committee for Mallory Maria Troyer Certifies that this is the approved version of the following report: Life and Art in Paris: Stravinsky’s Le Sacre du printemps APPROVED BY SUPERVISING COMMITTEE: Supervisor: Elliott Antokoletz Marianne Wheeldon Life and Art in Paris: Stravinsky’s Le Sacre du printemps by Mallory Maria Troyer, B.Music Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of Texas at Austin May 2014 Abstract Life and Art in Paris: Stravinsky’s Le Sacre du printemps Mallory Maria Troyer, M.Music The University of Texas at Austin, 2014 Supervisor: Elliott Antokoletz At the turn of the twentieth century, Paris was an international center for music, art, and fashion. It fostered the creation of a variety of innovative artistic developments and is widely considered to be the birthplace of Modernism. Stravinsky’s Le Sacre du printemps, the epitome of modernist innovation, could only have happened in this unique cultural climate in the context of the Franco-Russian alliance. Stravinsky’s early musical development reached its peak in his early ballets, most notably Le Sacre du printemps. This work is a culmination of the multiplicity of cultural activities that include art, scenario, choreography, and music that came together in Paris. In this essay, I will explore the various ways in which the city of Paris in the beginning of the twentieth century influenced Stravinsky’s musical voice. My discussion moves from an overview of the city to Stravinsky, exploring the ways in which the Parisian environment shaped his compositional style.
    [Show full text]
  • 2021 Cirriculum Guide
    2021 CIRRICULUM GUIDE Thank you for your interest in the 2021 Symphony of Color Art Contest sponsored by the Evansville Philharmonic Orchestra. We are delighted that you will be participating this year and anxiously await the always inspiring art to come. This year we commemorate Disney’s beloved classic, Fantasia with a selection of favorite music selections from the move. Specifically, artwork will focus on selections from Stravinsky’s The Firebird – there will be 3 programmatic movements performed from which your students may choose to base their artwork. PURPOSE We believe that the arts in all their forms are essential to a complete education. We further believe that the arts are a necessary and equal part of the total school curriculum and have produced this guide with those beliefs as our guiding principle. Students will receive the maximum benefit from their contest experience if the abundant connections between music and the other parts of the curriculum are emphasized. We hope you will take full advantage of this guide and recordings so your students can, in turn, become knowledgeable and eager participants in the Symphony of Color contest. Sponsored by the Evansville Philharmonic Crescendo Club and in cooperation with: HOW TO USE THIS GUIDE 1) Teacher preparation: Read all materials thoroughly. 2) Have your students listen to the musical selections. Selections may be found at https://www.youtube.com/watch?v=jmRU6cJeVDs https://www.youtube.com/watch?v=YWvOgda1g2E 3) Review the listening and discussion topics for each piece of music found within this guide and introduce the class to the background resource information.
    [Show full text]
  • Performances from 1974 to 2020
    Performances from 1974 to 2020 2019-20 December 1 & 2, 2018 Michael Slon, Conductor September 28 & 29, 2019 Family Holiday Concerts Benjamin Rous, Conductor MOZART Symphony No. 32 February 16 & 17, 2019 ROUSTOM Ramal Benjamin Rous, Conductor BRAHMS Piano Concerto No. 2 in B-flat Major RAVEL Pavane pour une infante défunte RAVEL Piano Concerto in G Major November 16 & 17, 2019 MOYA Siempre Lunes, Siempre Marzo Benjamin Rous & Michael Slon, Conductors KODALY Variations on a HunGarian FolksonG MONTGOMERY Caught by the Wind ‘The Peacock’ RICHARD STRAUSS Horn Concerto No. 1 in E-flat Major March 23 & 24, 2019 MENDELSSOHN Psalm 42 Benjamin Rous, Conductor BRUCKNER Te Deum in C Major BARTOK Violin Concerto No. 2 MENDELSSOHN Symphony No. 4 in A Major December 6 & 7, 2019 Michael Slon, Conductor April 27 & 28, 2019 Family Holiday Concerts Benjamin Rous, Conductor WAGNER Prelude from Parsifal February 15 & 16, 2020 SCHUMANN Piano Concerto in A minor Benjamin Rous, Conductor SHATIN PipinG the Earth BUTTERWORTH A Shropshire Lad RESPIGHI Pines of Rome BRITTEN Nocturne GRACE WILLIAMS Elegy for String Orchestra June 1, 2019 VAUGHAN WILLIAMS On Wenlock Edge Benjamin Rous, Conductor ARNOLD Tam o’Shanter Overture Pops at the Paramount 2018-19 2017-18 September 29 & 30, 2018 September 23 & 24, 2017 Benjamin Rous, Conductor Benjamin Rous, Conductor BOWEN Concerto in C minor for Viola WALKER Lyric for StrinGs and Orchestra ADAMS Short Ride in a Fast Machine MUSGRAVE SonG of the Enchanter MOZART Clarinet Concerto in A Major SIBELIUS Symphony No. 2 in D Major BEETHOVEN Symphony No. 7 in A Major November 17 & 18, 2018 October 6, 2017 Damon Gupton, Conductor Michael Slon, Conductor ROSSINI Overture to Semiramide UVA Bicentennial Celebration BARBER Violin Concerto WALKER Lyric for StrinGs TCHAIKOVSKY Symphony No.
    [Show full text]
  • EMR 11728 Caccini Amarilli
    Amarilli, mia bella From ’’Le nuove Musiche’’ Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: Jan Valta Giulio Caccini EMR 11728 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd 4 2 Flute 2 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass st 5 1 B Clarinet 2 Tuba 4 2nd B Clarinet 1 String Bass (optional) 4 3rd B Clarinet 1 Timpani 1 B Bass Clarinet (optional) 1 Percussion (Triangle / Suspended Cymbal) 1 B Soprano Saxophone (optional) 2 1st E Alto Saxophone 2 2nd E Alto Saxophone Special Parts Fanfare Parts 2 B Tenor Saxophone st 1 1st B Trombone 2 1 Flugelhorn 1 E Baritone Saxophone (optional) nd 1 2nd B Trombone 2 2 Flugelhorn 1 E Trumpet / Cornet (optional) rd 1 B Bass Trombone 2 3 Flugelhorn 2 1st B Trumpet / Cornet 1 B Baritone 2 2nd B Trumpet / Cornet 1 E Tuba 2 3rd B Trumpet / Cornet 1 B Tuba 2 1st F & E Horn 2 2nd F & E Horn 2 3rd F & E Horn Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Baroque Splendour Volume 1 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Alla Hornpipe (Händel) 4’13 EMR 11958 EMR 9595 2 Amarilli, mia bella (Caccini) 3’37 EMR 11728 EMR 9596 3 Pastime With Good Company (Henry VIII) 3’55 EMR 11747 EMR 9597 4 Tambourin (Gossec) 3’30 EMR 11479 EMR 9598 5 Canzon ’’Bergamasca’’
    [Show full text]
  • PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES PROGRAM SHORELINE SYMPHONIC WINDS Greg Flores—Conductor
    PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES PROGRAM SHORELINE SYMPHONIC WINDS Greg Flores—conductor Night On Bald Mountain (1867).........................................................................................................................................................................................................................Modest Mussorgsky (1839- 1881) trans. William A. Schaefer Harry’s Wondrous World (2001) .................................................................................................................................................................................................................................................................... John Williams (b. 1932) from Harry Potter and the Sorcerer’s Stone trans. Paul Lavender Sean Yeutter—guest conductor The Imperial March (1980) ....................................................................................................................................................................................................................................................................................................................................John Williams from Star Wars: The Empire Strikes Back trans. Stephen Bulla Our Costume Contest Winner—guest conductor Symphony Fantastique: An Episode in the Life of an Artist, Op. 14 (1830) ......................................................................................................................Hector Berlioz Movement V: Dream Of A Witches’ Sabbath (Song d’une nuit du Sabbat) (1803-
    [Show full text]
  • RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works
    RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works Occupying a vast land mass that has long been a melting pot of home-spun traditions and external influences, Russia’s history is deeply encrypted in the orchestral music to be found in this catalogue. Journeying from the Russian Empire through the Soviet era to the contemporary scene, the music of the Russian masters covers a huge canvas of richly coloured and immediately accessible works. Influences of folklore, orthodox liturgy, political brutality and human passion are all to be found in the listings. These range from 19th-century masterpieces penned by ‘The Mighty Five’ (Balakirev, Rimsky-Korsakov, Mussorgsky, Borodin, and Cui) to the edgy works of Prokofiev and Shostakovich that rubbed against the watchful eye of the Soviet authorities, culminating in the symphonic output of one of today’s most noted Russian composers, Alla Pavlova. Tchaikovsky wrote his orchestral works in a largely cosmopolitan style, leaving it to the band of brothers in The Mighty Five to fully shake off the Germanic influence that had long dominated their homeland’s musical scene. As part of this process, they imparted a thoroughly ethnic identity to their compositions. The titles of the works alone are enough to get the imaginative juices running, witness Borodin’s In the Steppes of Central Asia, Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh, and Mussorgsky’s St John’s Night on the Bare Mountain. Supplementing the purely symphonic works, instrumental music from operas and ballets is also to be found in, for example, Prokofiev’sThe Love for Three Oranges Suite, Shostakovich’s four Ballet Suites, and Stravinsky’s Firebird Suite.
    [Show full text]
  • First Half Program Notes
    First Half Program Notes Procession of the Nobles from century. In the second act, a condensed the mixed-voice choral Mlada Act II, Scene III by midsummer festival’s dancing and parts into parts for our men’s voices. Rimsky-Korsakov singing is punctuated by the Procession of the Nobles, wherein In spite of the irony of the situation Mlada has a long and convoluted the locals welcome their rulers: at this point in the libretto, and the history. It began with a ballet by tragedy that is to follow, Procession Filippo Taglioni entitled The All hail Princess Voyslava! of the Nobles is a regal and stirring Shadow, which premiered in 1839 in Hail to Yaromir, mighty ruler of work. We will do our best to honor Saint Petersburg. In 1870, Stepan Arkon! Mlada’s spirit as we welcome you to Gedeonov, director of the Russian Glory! Glory! Glory! our Spring Concert. Imperial Theatres, conceived an Hail Mstivoi, Prince of Retra! TW adaptation of Taglioni’s work, with Noble Polabians, all hail! the plot moved to a new time and Glory! Glory! Glory! The Verdi and Wagner place. It was to be a ballet Sing in praise of all our nobles! Bicentennial Year choreographed by Marius Petipa Hail to all Slavonic people! with music by Aleksandr Serov. Glory! Glory! Glory! It is a strange coincidence, one in However, Serov died in 1871 before which some ways mirrors the composing anything for the work. Unfortunately, the praising locals implausibility of many opera plots, are unaware that Yaromir’s bride but 2013 is shared as a birth year by Gedeonov revised his conception as Mlada has been murdered by two 19th century musical titans who an opera-ballet, with a libretto by Voyslava, who has entranced define the world of grand opera Viktor Krïlov, and in 1872 proposed Yaromir with the help of Morena, today.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 41,1921
    SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY Thursday Evening, January 12, at 8.00 v# ^, '-vxw <*rv «<*=" BOSTON SYAPHONY ORCHESTRA INCORPORATED . FORTY-FIRST SEASON J92I-J922 PR3GRTOVIE 4 I 3M& Steinway Jewett PIANOS rSteinert Woodbury M. Steinert &- Sons nmi Victrolas and Duo Art and Victor Records Pianola Pianos STEINEKT HALL 62 BOYLSTON ST. SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY FORTY-FIRST SEASON, 1921-1922 INCORPORATED PIERRE MONTEUX, Conductor SEASON 1921-1922, THURSDAY EVENING, JANUARY 12, at 8.00 o'clock WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1922, BY BOSTON SYMPHONY ORCHESTRA, INCORPORATED THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer ALFRED L. AIKEN FREDERICK E. LOWELL FREDERICK P. CABOT ARTHUR LYMAN ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager — — 'CHE INSTRUMENT OF THE IMMORTALS the old house where Franz Liszt as Rubinstein, dePachmann, Joseffy ! Many INpassed his last years, still stands a young genius set fingers to a Steinway for his Steinway. Here the master of the first time in this house of Liszt's. Weimar played for the rulers of the earth And it is worthy of note that almost without who came to do him homage. And here, exception they, too, chose the Steinway too, played other masters of the piano just as Liszt had done before them, just as friends and disciples of Liszt's—men such the masters of today have done after them.
    [Show full text]
  • Nikolai Rimsky-Korsakov (1844 – 1908) Was a Russian Composer, and a Member of the Group of Composers Known As the Five
    Nikolai Rimsky-Korsakov (1844 – 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Mlada is an opera-ballet in four acts, composed between 1889 and 1890 by Rimsky-Korsakov, to a libretto by Viktor Krylov that was originally employed for an aborted project of the same name from 1872. "Procession of the Nobles" (from Act 2, Scene 3) is used as the theme for the PBS public affairs program Inside Washington and was used between 1957 and 1969 as the opening theme for the UK television program "What the Papers Say." Dr. Michael Pratt has degrees in music education and music composition from The University of Toledo, The University of Michigan, and Boston University. He studied composition with Pulitzer Prize winning composers Ross Lee Finney and Leslie Bassett at The University of Michigan, and taught music in the public schools for many years in Michigan. He has sung with The Toledo Choral Society, Toledo Symphony Chorale, Opera!Lenawee, and The University Musical Society Choral Union of The University of Michigan with whom he has performed with The Detroit Symphony Orchestra, The San Francisco Symphony, The Kirov Orchestra, The Russian National Orchestra, The Ann Arbor Symphony, The Lansing Symphony, The Grand Rapids Symphony, The Toledo Symphony, The Birmingham Symphony, The Gabrieli Consort, and The Tallis Scholars.
    [Show full text]
  • Dda25104 Booklet.Indd
    dda25104 With CDs approaching forty in number and a busy concert schedule stretching back more than a quarter of a century, the Briti sh piano duo Goldstone and Clemmow is fi rmly established as a leading force. Described by Gramophone as ‘a dazzling husband and wife team’, by Internati onal Record Review as Evocative Symphonic Poems ‘a Briti sh insti tuti on in the best sense of the word’, and Theby Herald, Glasgow, as ‘the UK’s pre-eminent Siberia two-piano team’, internati onally known arti sts Anthony Goldstone and Caroline Clemmow formed their duo in 1984 and married in 1989. for Piano Duet Their extremely diverse acti viti es in two-piano and piano-duet recitals and double concertos, taking in major festi vals, have sent them all over the Briti sh Isles as well as to Europe, the Middle East and several ti mes to the U.S.A., where they have received standing ovati ons and such press accolades as ‘revelati ons such as this are rare in the concert hall these days’ (Charleston Post and Courier). In their refreshingly Stockholm presented concerts they mix famous masterpieces and fascinati ng rariti es, which they frequently unearth Archipelago themselves, into absorbing and hugely entertaining programmes; their numerous B.B.C. broadcasts have Mussorgsky oft en included fi rst hearings of unjustly neglected works, and their equally enterprising and acclaimed commercial recordings include many world premières. Alfvén Aldeburgh Ibert Jersey Kiev Caroline Clemmow Lyadov & Anthony Goldstone Britten Ireland Rome Valencia Having presented the complete duets of Mozart for the bicentenary, they decided to accept the much greater challenge of performing the vast quanti ty of music writt en by Schubert specifi cally for four hands Palermo at one piano.
    [Show full text]
  • Empire Brass Empire Brass
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 9-7-1990 Concert: Empire Brass Empire Brass Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Empire Brass, "Concert: Empire Brass" (1990). All Concert & Recital Programs. 5852. https://digitalcommons.ithaca.edu/music_programs/5852 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College ITHACA School of Music ITHACA COLLEGE CONCERTS 1990-91 EMPIRE BRASS ROLF SMEDVIG, Trumpet JEFFREY CURNOW, Trumpet ERIC RUSKE, French Horn SCOTI A. HARTMAN, Trombone J. SAMUEL PILAFIAN, Tuba Assisted by Bob Leidhecker, Percussion PROCESSION OF THE NOBLES Nikolai Rimsky-Korsakov fromMlada (1844-1908) POLOVTSIAN DANCE Alexander Borodin from Prince Igor (1833-1887) DANCE OF THE COMEDIANS Bedrich Smetana from The Bartered Bride (1824-1884) SEGUIDILLA Joaquin Turina (1882-1949) LAFLORISTA Joaquin Turina PAV ANE FOR A DEAD PRINCESS Maurice Ravel (1875-1937) ANITRA'S DANCE Edvard Grieg from Peer Gynt (1843-1907) MORNING DANCE Sergei Prokofiev from Romeo and Juliet (1891-1953) HUNGARIAN DANCE No. 5 Johannes Brahms (1833-1897) SLAVONIC DANCE No. 8 Antonin Dvotak (1841-1904) WEDDING DANCE AND TROIKA Sergei Prokofiev from Lt. Kije (1891-1943) INTERMISSION BUCKAROO HOLIDAY Aaron Copland from Rodeo (b.1900) SIMPLE GIFI'S Aaron Copland STREET SONG (1988) Michael Tilson Thomas commissioned by the EMPIRE BRASS (b. 1944) SUMMERTIME George Gershwin from Porgy and Bess (1898-1937) AMERICA Leonard Bernstein from West Side Story (b.1918) THE ELLINGTON SUITE Caravan Edward Kennedy "Duke" Ellington Sophisticated Lady (1899-1974) Take the "A" Train Duke Ellington/Billy Strayhorn Walter Ford Hall Auditorium Friday, September 7, 1990 8:15 p.m.
    [Show full text]