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≥ Elgar Sea Pictures Polonia Pomp and Circumstance Marches 1–5 Sir Mark Elder Alice Coote Sir Edward Elgar (1857–1934) Sea Pictures, Op.37 1
≥ ELGAR SEA PICTURES POLONIA POMP AND CIRCUMSTANCE MARCHES 1–5 SIR MARK ELDER ALICE COOTE SIR EDWARD ELGAR (1857–1934) SEA PICTURES, OP.37 1. Sea Slumber-Song (Roden Noel) .......................................................... 5.15 2. In Haven (C. Alice Elgar) ........................................................................... 1.42 3. Sabbath Morning at Sea (Mrs Browning) ........................................ 5.47 4. Where Corals Lie (Dr Richard Garnett) ............................................. 3.57 5. The Swimmer (Adam Lindsay Gordon) .............................................5.52 ALICE COOTE MEZZO SOPRANO 6. POLONIA, OP.76 ......................................................................................13.16 POMP AND CIRCUMSTANCE MARCHES, OP.39 7. No.1 in D major .............................................................................................. 6.14 8. No.2 in A minor .............................................................................................. 5.14 9. No.3 in C minor ..............................................................................................5.49 10. No.4 in G major ..............................................................................................4.52 11. No.5 in C major .............................................................................................. 6.15 TOTAL TIMING .....................................................................................................64.58 ≥ MUSIC DIRECTOR SIR MARK ELDER CBE LEADER LYN FLETCHER WWW.HALLE.CO.UK -
LIVE from LINCOLN CENTER December 31, 2002, 8:00 P.M. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert
LIVE FROM LINCOLN CENTER December 31, 2002, 8:00 p.m. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East.Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East. Celebrating the New Year with music is nothing new for Maazel: he holds the modern record for most appearances as conductor of the celebrated New Year’s Day concerts in Vienna by the Vienna Philharmonic Orchestra. There, of course, the fare is made up mostly of music by the waltzing Johann Strauss family, father and sons. For his New Year’s Eve concert with the New York Philharmonic Maazel has chosen quintessentially American music by the composer considered by many to be America’s closest equivalent to the Strausses, George Gershwin. -
Estival Lourdes
DIMANCHE 14 AVRIL - 15H30 TARIFS INFOS PRATIQUES DU 13 AU 22 AVRIL 2019 en OFF… Casino de Cauterets Fantômes et sortilèges (contes japonais) Tarif Cat.1 : 35€ / Groupe* : 32€ Billetterie Concerts en OFF gratuits avec libre participation Trio Des cordes et des vents Pass Festival Cat.1 (3 concerts) : 80€ Dans les offices de Tourisme : Pass Festival Cat.1 (5 concerts) : 140€ SAMEDI 13 AVRIL - 20H30 Nathalie Amat, flûte - Caroline Bazire, alto, récitante LOURDES - Place Peyramale - tél. 05 62 42 77 40 € / € / € Denis Abbate, guitare - Patrick Mahot, récitant Tarif Cat.2 : 25 Groupe* : 22 Tarif réduit** : 12 TARBES - 3, cours Gambetta - tél. 05 62 51 30 31 Hall départ de l’Aéroport Tarbes Lourdes Pyrénées* Pass Festival Cat.2 (3 concerts) : 50€ PAU - Place royale - tél. 05 59 27 27 08 Requiem de Mozart Pass Festival Cat.2 (5 concerts) : 100€ LUNDI 15 AVRIL - 20H30 Sur le web : www.festivaldelourdes.fr ou www.festik.net Révision Pierre-Henri Dutron Le tarif catégorie 1 permet d’avoir une place réservée Hall du Palais des Congrès de Lourdes dans les premiers rangs. Les soirs de concerts : vente de billets, dans la limite des Orchestre du Conservatoire Henri Duparc places disponibles, à l’entrée une heure avant le début du Chœur de Chambre de Lourdes Francis Poulenc, musique de chambre Concerts gratuits pour les enfants de moins de 12 ans. concert (espèces - chèque - CB). * Tarif groupe à partir de 10 personnes. Alain Perpétue, direction Nathalie Amat, flûte - Laurent Bouchadeill, clarinette Aurélie Samani, piano - Marie Tardieu, récitante ** moins de 18 ans, étudiants, demandeurs d’emploi, Lourdes estival Le Requiem de Mozart est sublime, mais nous ne l’entendrons bénéficiaires des minima sociaux. -
ONYX4206.Pdf
EDWARD ELGAR (1857–1934) Sea Pictures Op.37 The Music Makers Op.69 (words by Alfred O’Shaughnessy) 1 Sea Slumber Song 5.13 (words by Roden Noel) 6 Introduction 3.19 2 In Haven (Capri) 1.52 7 We are the music makers 3.56 (words by Alice Elgar) 8 We, in the ages lying 3.59 3 Sabbath Morning at Sea 5.24 (words by Elizabeth Barrett Browning) 9 A breath of our inspiration 4.18 4 Where Corals Lie 3.43 10 They had no vision amazing 7.41 (words by Richard Garnett) 11 But we, with our dreaming 5 The Swimmer 5.50 and singing 3.27 (words by Adam Lindsay Gordon) 12 For we are afar with the dawning 2.25 Kathryn Rudge mezzo-soprano 13 All hail! we cry to Royal Liverpool Philharmonic the corners 9.11 Orchestra & Choir Vasily Petrenko Pomp & Circumstance 14 March No.1 Op.39/1 5.40 Total timing: 66.07 Artist biographies can be found at onyxclassics.com EDWARD ELGAR Nowadays any listener can make their own analysis as the Second Symphony, Violin Sea Pictures Op.37 · The Music Makers Op.69 Concerto and a brief quotation from The Apostles are subtly used by Elgar to point a few words in the text. Otherwise, the most powerful quotations are from The Dream On 5 October 1899, the first performance of Elgar’s song cycle Sea Pictures took place in of Gerontius, the Enigma Variations and his First Symphony. The orchestral introduction Norwich. With the exception of Elizabeth Barrett Browning, all the poets whose texts Elgar begins in F minor before the ‘Enigma’ theme emphasises, as Elgar explained to Newman, set in the works on this album would be considered obscure -
Mio Chris Thile Playlist
MIO CHRIS THILE PLAYLIST Cazadero Chris Thile CD: How to Grow a Woman From the Ground Improvisation Chris Thile Live -- New Orleans Carolina Drama Jack White A Prairie Home Companion Gone for Good The Shins A Prairie Home Companion Youtube Older and Taller Regina Spektor A Prairie Home Companion Youtube Kashmir Chris Thile and the Prairie Home Companion Band Youtube My Oh My Chris Thile Live -- New Orleans Monologue Chris Thile A Prairie Home Companion Eureka! Chris Thile CD: Not All Who Wander Are Lost Girl From Ipanema Joao & Astrud Gilberto and Stan Getz Single Don’t Try This At Home Bluegrass, Etc. CD: Bluegrass Etc. Tarnation Edgar Meyer & Chris Thile CD: Bass & Mandolin Quarter Chicken Dark Stuart Duncan, Chris Thile, Edgar Meyer, Yo-Yo Ma CD: The Goat Rodeo Sessions Kid A Punch Brothers CD: Who’s Feeling Young Now? Reckoner Chris Thile LIVE -- New Orleans Reckoner Radiohead CD: In Rainbows Rite of Spring Part I The Adoration of the Earth: I. Introduction Igor Stravinsky and the Columbia Symphony Orchestra CD: Igor Stravinsky Conducts Le Sacre Du Printemps (The Rite of Spring) For Free (Interlude) Kendrick Lamar CD: To Pimp A Butterfly Toxic Brittany Spears CD: In the Zone Gut Bucket Blues Don Vappie and the Creole Serenaders CD: Blues Routes: Heroes and Tricksters — Blues and Jazz Work Songs and Street Music I Made This For You Chris Thile Live -- New Orleans Joy Ride in a Toy Car/Hey Ho Mike Marshall & Chris Thile CD: Live Duets . -
March 2020, Vol
What’s Inside Published by the City of Richardson www.cor.net — 972-744-4104 March 2020, Vol. 32, No. 6 Progress made, but work remains on storm recovery Driving down most Richardson streets would not leave you with the impression that this is a community on the mend. However, that is not the case for many people living in neighbor- hoods that were in the path of last October’s tornado. For people in southeast Richardson, the impact of the tornado is still evidenced by the remains of destroyed homes, missing trees Richardson Maintains and debris left on properties still waiting for in- Triple A Ratings surance claims to be settled. These are areas where recovery work continues daily and the Page 5 City continues to work with residents to ensure The City of Richardson has the process goes as smooth as possible. maintained the highest credit David Auren lives in one of those areas. A rating from Moody’s and S&P. Richland Park resident, he took shelter in a closet with his wife and small child shortly be- fore the tornado passed over his house. “I came out and saw that my entire kitchen roof was gone and everything was on the floor,” Photo taken last month of a home in the tornado impact area. he said. “It was like a movie. Two minutes be- fore I was outside pulling in my car and within a the building inspection staff is offering express hopes to be moved back in by the end of the second the entire neighborhood changed. -
Bonfire Country Song List
BONFIRE COUNTRY SONG LIST ALL ABOUT TONIGHT - BLAKE SHELTON ALL THAT MATTERS TO ME - ORIGINAL AMARILLO BY MORNING - GEORGE STRAIT AN EMPTY GLASS - GARY STEWART ANGEL - SHAGGY BRASS MONKEY - BEASTIE BOYS BREAK MY HEART - RECKLESS KELLY BROWN EYED GIRL - VAN MORRISON BUD LIGHT TAKE ME AWAY - ORIGINAL CENTERFOLD - J. GEILS BAND CHICKEN DANCE - TRADITIONAL COTTON EYED JOE - TRADITIONAL COWBOY RIDES AWAY - GEORGE STRAIT DANCE HER HOME - CODY JOHNSON BAND DID IT FOR THE GIRL - GREG BATES DRINKIN' MY BABY GOODBYE - CHARLIE DANIELS BAND DRUNK LAST NIGHT - ELI YOUNG BAND DRUNK ON YOU - LUKE BRYAN EVERY ROSE HAS IT'S THORN - POISON FAMILY TRADITION - HANK WILLIAMS JR FOLSOM PRISON BLUES - JOHNNY CASH FOOL HEARTED MEMORY - GEORGE STRAIT FRAULEIN - TRADITIONAL GETTING YOU HOME (THE BLACK DRESS SONG) - CHRIS YOUNG GIVE IT ALL WE GOT TONIGHT - GEORGE STRAIT GOOD DIRECTIONS - BILLY CURRINGTON HONKY TONK WOMAN - ROLLING STONES HURT SO GOOD - JOHN MELLENCAMP IN COLOR - JAMEY JOHNSON INTERSTATE - RANDY ROGERS BAND KEEP YOUR HANDS TO YOURSELF - GEORGIA SATELLITES KISS ME IN THE DARK - RANDY ROGERS BAND LET ME DOWN EASY - BILLY CURRINGTON LITTLE TOO LATE - ZANE WILLIAMS LOOKING FOR LOVE - JOHNNY LEE LOOSE, LOUD & CRAZY - KEVIN FOWLER MARGARITAVILLE - JIMMY BUFFETT MIAMI, MY AMY - KEITH WHITLEY MONEY FOR NOTHING - DIRE STRAITS MY GIRL - TEMPTATIONS MY HOMETOWN - CHARLIE ROBISON NEON - CHRIS YOUNG NEON MOON - BROOKS & DUNN NOCKENUT ROAD - ORIGINAL NO ONE LEFT TO BLAME - JASON BOLAND & THE STRAGGLERS QUARTERS - BART CROW BAND REDNECK GIRL - BELLAMY BROTHERS -
"Attractively Packaged but Unripe Fruit"; the UK's Commercialization of Musical History in the 1980S Colin Lawson
Performance Practice Review Volume 13 | Number 1 Article 4 "Attractively Packaged but Unripe Fruit"; the UK's Commercialization of Musical History in the 1980s Colin Lawson Follow this and additional works at: http://scholarship.claremont.edu/ppr Part of the Music Practice Commons Lawson, Colin (2008) ""Attractively Packaged but Unripe Fruit"; the UK's Commercialization of Musical History in the 1980s," Performance Practice Review: Vol. 13: No. 1, Article 4. DOI: 10.5642/perfpr.200813.01.04 Available at: http://scholarship.claremont.edu/ppr/vol13/iss1/4 This Article is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “Attractively Packaged but Unripe Fruit”; the UK’s Commercialization of Musical History in the 1980s Colin Lawson Copyright © 2008 Claremont Graduate University The decade from 1980 proved to be truly significant in the development of historical performance, as recreations of post-Baroque repertory gradually became the norm. At its close, three complete cycles of Beethoven Symphonies had been recorded on “period” instruments, implicitly demonstrating the complexity of the spectrum between practical expediency and historical accuracy. By 1991, Clive Brown was issuing a timely warning that the pedigree of many of the instruments on these recordings was of doubtful authenticity. The commercially-motivated -
MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; Died March 28, 1881 in St
MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; died March 28, 1881 in St. Petersburg A Night on Bald Mountain (1867; arranged in 1886) Arranged by Nikolai Rimsky-Korsakov (1844-1908) PREMIERE OF WORK: St. Petersburg, October 15, 1886 Russian Symphony Orchestra Nikolai Rimsky-Korsakov, conductor APPROXIMATE DURATION: 12 minutes INSTRUMENTATION: woodwinds in pairs plus piccolo, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp and strings In the 1860s, Russian music was just beginning to find its distinctive voice. A number of composers — Balakirev, Cui, Borodin, Rimsky-Korsakov and Mussorgsky — explored native musical and folkloric sources as the basis of a national art, and became loosely confederated into a group known as “The Mighty Handful” in Russia and “The Five” in the West. Since their works took their inspiration largely from indigenous legends and folk music, Mussorgsky considered himself lucky to receive a commission in 1861 (when he was just 21) for a dramatic musical composition based on a specifically Russian subject. On January 7th, he wrote to his mentor, Balakirev, “I have received an extremely interesting commission [for music for a drama titled The Witch by his friend Baron Georgy Fyodorovitch Mengden], which I must prepare for next summer. It is this: a whole act to take place on Bald Mountain … a Witches’ Sabbath, separate episodes of sorcerers, a solemn march for all this nastiness, a finale — the glorification of the Sabbath into which is introduced the commander of the whole festival on the Bald Mountain. The libretto is very good. I already have some material for it; it may turn out to be a very good thing.” The mountain to which Mussorgsky referred, well known in Russian legend, is Mount Triglav, near Kiev, reputed to be the site of the annual witches’ sabbath that occurs on St. -
Boston Symphony Orchestra Concert Programs, Summer, 2000
DALE CH I HU LY INSTALLATIONS AND SCULPTURE ;.,^AU(((^ HOLSTE N GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 41 3.298.3044 www.holstengalleries.com Outlet shopping never looked so eood up to 70% off regular retail prices CVCry Q3.y GIORGIO ARMANI BROOKS (general Otore BROTHERS VERSACE COMPANY STORE ^accoAat CCX^CH ) Polo lr Ralph Lauren Calvin Klein :OLE-HAAN JJ.CREWFACTORY STORE MICK HILTON Men COLLECTION The Cosmetics Edmonds Company Store Company Shoe Store ® MOVADO. ESCADA COMPANY STORE GODIVA THE HICKEY-FREEMAN FACTORY STORE limberiand^ kipliNqVr JE3J3 OyiLe* DANSK TSE JQAN QshKosh IrOvfi TOD Outlet SEIKO COMPANY STORE JONES NEW YORK CRABTREE & E V E L Y N maidenforrrr PERUVIAN CONNECTION Garnet Hill JOHNSTON SWVlURPHY CATALOG OUTLET Manchester Designer Outlets Style has a country home routes 7A and 11/30 manchestervermont.com 1-800-955-SHOP OfllGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship, fullyfunded in perpetuity Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairmn Ray Stata, Vice-Chairman Harlan E. Anderson William F Connell George Krupp Robert P. O'Block, Diane M. Austin, Nancy J. Fitzpatrick R. Willis Leith, Jr. -
Nr. 119-120/08
Nr. 119/120 · August/September 11 · Euro 5,82 P. b. b. GZ 02Z032603M Verlagspostamt 9020 Klagenfurt Erscheinungsort Klagenfurt am Wörthersee KÄRNTEN KUNST KULTUR Kultur-Sinfonien im Sommer DIE BRUECKE ZWISCHEN KLEINEN KUNSTSCHÄTZEN UND GROSSEN KULTURFEIERN mit allen terminen und galerien www.bruecke.ktn.gv.at EDITORIAL Foto: Tü(r)kische* Brücke/FS1 Sommerzeit – Saure-Gurken-Zeit?! Ohne hier auf die (möglicherweise) durch Genmanipulationen und andere menschenverachtende Täuschungs manöver verursachte „Gurken-Misere“ (wobei wir inzwischen glücklicherweise wissen, dass dieses wertvolle Grünzeug für all diese schrecklichen Szenarien eigentlich gar nichts dafür kann) eingehen zu wollen, sei hier festgehalten: DAS gilt keinesfalls für Kultur-Freunde! Und Ihr geneigter Bruecken.Bauer will hier nicht nur eine Lanze für das „unschuldige Gemüse“ brechen, sondern auch Partei für seinen brillanten Schreiberling dal Ponte ergreifen. Denn während unser Star-Kolumnist O.W. (sprich: Oh-Weh) sich über mangelnde Anreize für Aktivitäten, Themen und Trends der Sommermonate beschwert (wahrscheinlich wohl noch ausgebrannt von den – fast unmenschlichen – Anstrengungen nach dem genialen kafkaesken Naked Lunch-Amerikatrip bzw. dem erstmaligen und „glaubwürdig bleibenden“ Versuch einer Kirchen-Oper zur Landesaus stellung011), weiß unser hochgeschätzter Guerrino gar nicht, wie er alles schaffen soll vor lauter spannender Kulturtermine rund um die Uhr, quer durchs Land ... Ihre Bruecke will wie immer ein Orientierungswegweiser und eine Entscheidungshilfe sein bzw. einen Motivationsschub bringen – mit dieser Nummer erstmals und unüblich nicht über die klassischen (bisherigen) zwei Monate verteilt, sondern nach der den Sommerbegriff weiter (vor)spannenden Juni/Juli- Ausgabe jetzt schon in den Herbstbeginn hinein reichend (August-September-Doppel). Bevor ich aber hier mit dem Aufzählen und den Berichten anfange – und dann nicht mehr KULTUR aufhören kann: Was genau Sie erwarten wird, darüber können Sie sich vorab in Ihrer Bruecke ein Bild machen und dann.. -
Mallory Troyer Final Version Master's Report
The Report Committee for Mallory Maria Troyer Certifies that this is the approved version of the following report: Life and Art in Paris: Stravinsky’s Le Sacre du printemps APPROVED BY SUPERVISING COMMITTEE: Supervisor: Elliott Antokoletz Marianne Wheeldon Life and Art in Paris: Stravinsky’s Le Sacre du printemps by Mallory Maria Troyer, B.Music Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of Texas at Austin May 2014 Abstract Life and Art in Paris: Stravinsky’s Le Sacre du printemps Mallory Maria Troyer, M.Music The University of Texas at Austin, 2014 Supervisor: Elliott Antokoletz At the turn of the twentieth century, Paris was an international center for music, art, and fashion. It fostered the creation of a variety of innovative artistic developments and is widely considered to be the birthplace of Modernism. Stravinsky’s Le Sacre du printemps, the epitome of modernist innovation, could only have happened in this unique cultural climate in the context of the Franco-Russian alliance. Stravinsky’s early musical development reached its peak in his early ballets, most notably Le Sacre du printemps. This work is a culmination of the multiplicity of cultural activities that include art, scenario, choreography, and music that came together in Paris. In this essay, I will explore the various ways in which the city of Paris in the beginning of the twentieth century influenced Stravinsky’s musical voice. My discussion moves from an overview of the city to Stravinsky, exploring the ways in which the Parisian environment shaped his compositional style.