March, April, May 2013 Vol. 31 No. 1 March
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Study Guide for Teachers
Study Guide For Teachers The Doo -Wah Riders In Country Coast to Coast Presented by: Young Audiences (866) 500-9265 www.yanj.org www.yaep.org ABOUT THE PROGRAM For twenty years, the Doo-Wah Riders have been riding their own patch of the musical range throughout the west. The Doo-Wahs are an amazing band with a unique, original sound using guitars, fiddles, harmonica, accordion and of course, their voices! They define their sound as "high energy country with a cajun twist". Their tight musicianship and powerful arrangements of classic and original songs have made them favorites everywhere they go! BACKGROUND INFORMATION FOR STUDENTS Country Music has its origins in the folk music of Great Britain and Ireland. The music changed and grew in America because of the influence of music brought from other parts of Europe, Latin America and Africa. Country Music moved from the farm to modern America due to radio. Artists became professionals, but the simple harmonies and themes of writing about working people has never changed. In the 1950’s country Music started to become strongly influenced by cross over artists like Johnny Cash and Elvis Presley. Today, Country Music is being strongly influenced by pop music. VOCABULARY WORDS Cajun music The music of Louisiana. Strongly influenced by the local French descendants. The predominant instruments of Cajun music are the fiddle and the accordion. Country music An American musical style with roots in the South. It is also strongly influenced by Western cowboy music and folk music. Most of the instrumentation country music is in string instruments such as banjos, guitars and violin, and a non-string instrument such as the harmonica. -
Passport to Global Music and Dance
ChantillyChantilly Passport to FairFair OaksOaks ❖❖ FairFair LakesLakes Global Music and Dance News, Page 4 Dressed for the cha cha number are WellbeingWellbeing (Back row, from left) Monica Brown, Renee Griese, Alia Artieda; (third row, Page 9 from left) Jenna Frisby, Emma Konnick, Claire Griese; (Second row, from left) Jessy Dawson, Mariana Artieda, Sara Avery, Logan Floyd, and Sports, Page 8 (in front) Mikaela Vasconez. ❖ Classifieds, Page 10 Classifieds, ❖ Entertainment, Page 7 Born to Run Memorial 5K Race News, Page 2 Remembrance 6-6-2014 in home in Cabaret Requested material. Time sensitive Time Postmaster: For Reema Attention PERMIT #322 PERMIT Samaha MD Easton, PAID News, Page 3 Postage U.S. Photo Courtesy of Raynor van der Merwe STD PRSRT www.ConnectionNewspapers.comJune 5-11, 2014 online at www.connectionnewspapers.comChantilly Connection ❖ June 5-11, 2014 ❖ 1 News Born to Run Memorial 5K Race Is June 14 Gibbs. “Since November, our Fundraiser for deceased school community continues to collectively heal from her loss. An Homage to Jannine Parisi teacher’s two daughters. We want to make this special At Franklin, Jannine Parisi was a hardworking and cherished staff event a successful tribute to member; to me personally, she was a good friend. She is best By Bonnie Hobbs Jannine and her spirit.” known for her beautiful smile and positive attitude that would The Connection The 5K starts at 8:30 a.m., improve anyone’s day. She inspired her students to reach the po- followed shortly afterward by tential she saw in each of them. She was patient with them; and n November 2013, Franklin Middle School the 1K fun run. -
“Bowlegged H” Magazine
“BOWLEGGED H” MAGAZINE summer 2013 • Vol. XXI No. 2 • HoustoN lIVestock sHow aNd rodeoTM Summer 2013 INSIDE Volume XXI • No. 2 “Bowlegged H” Magazine is published WHAT’S quarterly by the Houston Livestock FEATURES Show and Rodeo™. Copyright © 2013 MAGAZINE COMMITTEE 2 It’s a Wrap! The 2013 Houston Livestock Show and Rodeo™ concluded Robert Kneppler, Officer in Charge Kenneth C. Moursund Jr., Chairman with more records broken than ever before, including more than 2.5 million visitors to the grounds, 1.3 million Vice Chairmen Samantha Fewox, Copy Editor RodeoHouston® fans and the largest crowd Reliant Katie Lyons, Assignments Editor Stadium has ever seen! Check out the action in this wrap-up Editorial Board of notable events. Becky Lowicki 10 THE COWBOY RIDES AwAY WITH Melissa Manning OUR HEARTS Nan McCreary “The King of Country Music” has come and gone, and Kate Gunn Pagel his 80,020-attendance record left Rodeo fans with mixed Ken Scott emotions. Take a look through this review of George 12 Marshall R. Smith III Todd Zucker Strait’s final performance at the Houston Livestock Show and Rodeo. Photographers Lisa Norwood 12 DAY IN THE LIFE Debbie Porter Ever wondered what the chairman of the board does? Lisa Van Etta Here is your chance to find out. We followed R.H. “Steve” Reporters Stevens Jr. throughout one of his busiest — and most Sonya Aston surprising — days of the 2013 Show. Stephanie Earthman Baird TwO DECADES OF STORYTELLING Allyson Bandy 20 Scott Hill Bumgardner “Bowlegged H” Magazine celebrates its 20th year in Brandy Divin anniversary. -
Southeast Texas: Reviews Gregg Andrews Hothouse of Zydeco Gary Hartman Roger Wood
et al.: Contents Letter from the Director As the Institute for riety of other great Texas musicians. Proceeds from the CD have the History of Texas been vital in helping fund our ongoing educational projects. Music celebrates its We are very grateful to the musicians and to everyone else who second anniversary, we has supported us during the past two years. can look back on a very The Institute continues to add important new collections to productive first two the Texas Music Archives at SWT, including the Mike Crowley years. Our graduate and Collection and the Roger Polson and Cash Edwards Collection. undergraduate courses We also are working closely with the Texas Heritage Music Foun- on the history of Texas dation, the Center for American History, the Texas Music Mu- music continue to grow seum, the New Braunfels Museum of Art and Music, the Mu- in popularity. The seum of American Music History-Texas, the Mexico-North con- Handbook of Texas sortium, and other organizations to help preserve the musical Music, the definitive history of the region and to educate the public about the impor- encyclopedia of Texas tant role music has played in the development of our society. music history, which we At the request of several prominent people in the Texas music are publishing jointly industry, we are considering the possibility of establishing a music with the Texas State Historical Association and the Texas Music industry degree at SWT. This program would allow students Office, will be available in summer 2002. The online interested in working in any aspect of the music industry to bibliography of books, articles, and other publications relating earn a college degree with specialized training in museum work, to the history of Texas music, which we developed in cooperation musical performance, sound recording technology, business, with the Texas Music Office, has proven to be a very useful tool marketing, promotions, journalism, or a variety of other sub- for researchers. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
Reclaming Compassion: How Compassion Moved from Virtue to Benefit, and How to Move It Back Jon Talbert George Fox University
Digital Commons @ George Fox University Doctor of Ministry Theses and Dissertations 12-1-2016 Reclaming Compassion: How Compassion Moved from Virtue to Benefit, and How to Move it Back Jon Talbert George Fox University This research is a product of the Doctor of Ministry (DMin) program at George Fox University. Find out more about the program. Recommended Citation Talbert, Jon, "Reclaming Compassion: How Compassion Moved from Virtue to Benefit, and How to Move it Back" (2016). Doctor of Ministry. 209. http://digitalcommons.georgefox.edu/dmin/209 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Digital Commons @ George Fox University. It has been accepted for inclusion in Doctor of Ministry by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. GEORGE FOX UNIVERSITY RECLAIMING COMPASSION HOW COMPASSION MOVED FROM VIRTUE TO BENEFIT, AND HOW TO MOVE IT BACK A DISSERTATION SUBMITTED TO THE FACULTY OF GEORGE FOX EVANGELICAL SEMINARY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF MINISTRY BY JON TALBERT SAN JOSE, CALIFORNIA DECEMBER 2016 George Fox Evangelical Seminary George Fox University Portland, Oregon CERTIFICATE OF APPROVAL ________________________________ DMin Dissertation ________________________________ This is to certify that the DMin Dissertation of Jon Talbert has been approved by the Dissertation Committee on October 28, 2016 for the degree of Doctor of Ministry in Semiotics and Future Studies. Dissertation Committee: Primary Advisor: Ron Clark, DMin Secondary Advisor: AJ Swoboda, PhD Lead Mentor: Leonard I. Sweet, PhD Expert Advisor: Kimberly Shumate Copyright © 2016 by Jon Talbert All rights reserved worldwide. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
14Th Annual ACM Honors Celebrates Industry & Studio Recording Winners from 55Th & 56Th ACM Awards
August 27, 2021 The MusicRow Weekly Friday, August 27, 2021 14th Annual ACM Honors Celebrates SIGN UP HERE (FREE!) Industry & Studio Recording Winners From 55th & 56th ACM Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 14th Annual ACM Honors Beloved TV Journalist And Producer Lisa Lee Dies At 52 “The Storyteller“ Tom T. Hall Passes Luke Combs accepts the Gene Weed Milestone Award while Ashley McBryde Rock And Country Titan Don looks on. Photo: Getty Images / Courtesy of the Academy of Country Music Everly Passes Kelly Rich To Exit Amazon The Academy of Country Music presented the 14th Annual ACM Honors, Music recognizing the special award honorees, and Industry and Studio Recording Award winners from the 55th and 56th Academy of Country SMACKSongs Promotes Music Awards. Four The event featured a star-studded lineup of live performances and award presentations celebrating Special Awards recipients Joe Galante and Kacey Musgraves Announces Rascal Flatts (ACM Cliffie Stone Icon Award), Lady A and Ross Fourth Studio Album Copperman (ACM Gary Haber Lifting Lives Award), Luke Combs and Michael Strickland (ACM Gene Weed Milestone Award), Dan + Shay Reservoir Inks Deal With (ACM Jim Reeves International Award), RAC Clark (ACM Mae Boren Alabama Axton Service Award), Toby Keith (ACM Merle Haggard Spirit Award), Loretta Lynn, Gretchen Peters and Curly Putman (ACM Poet’s Award) Old Dominion, Lady A and Ken Burns’ Country Music (ACM Tex Ritter Film Award). Announce New Albums Also honored were winners of the 55th ACM Industry Awards, 55th & 56th Alex Kline Signs With Dann ACM Studio Recording Awards, along with 55th and 56th ACM Songwriter Huff, Sheltered Music of the Year winner, Hillary Lindsey. -
March 2020, Vol
What’s Inside Published by the City of Richardson www.cor.net — 972-744-4104 March 2020, Vol. 32, No. 6 Progress made, but work remains on storm recovery Driving down most Richardson streets would not leave you with the impression that this is a community on the mend. However, that is not the case for many people living in neighbor- hoods that were in the path of last October’s tornado. For people in southeast Richardson, the impact of the tornado is still evidenced by the remains of destroyed homes, missing trees Richardson Maintains and debris left on properties still waiting for in- Triple A Ratings surance claims to be settled. These are areas where recovery work continues daily and the Page 5 City continues to work with residents to ensure The City of Richardson has the process goes as smooth as possible. maintained the highest credit David Auren lives in one of those areas. A rating from Moody’s and S&P. Richland Park resident, he took shelter in a closet with his wife and small child shortly be- fore the tornado passed over his house. “I came out and saw that my entire kitchen roof was gone and everything was on the floor,” Photo taken last month of a home in the tornado impact area. he said. “It was like a movie. Two minutes be- fore I was outside pulling in my car and within a the building inspection staff is offering express hopes to be moved back in by the end of the second the entire neighborhood changed. -
Bonfire Country Song List
BONFIRE COUNTRY SONG LIST ALL ABOUT TONIGHT - BLAKE SHELTON ALL THAT MATTERS TO ME - ORIGINAL AMARILLO BY MORNING - GEORGE STRAIT AN EMPTY GLASS - GARY STEWART ANGEL - SHAGGY BRASS MONKEY - BEASTIE BOYS BREAK MY HEART - RECKLESS KELLY BROWN EYED GIRL - VAN MORRISON BUD LIGHT TAKE ME AWAY - ORIGINAL CENTERFOLD - J. GEILS BAND CHICKEN DANCE - TRADITIONAL COTTON EYED JOE - TRADITIONAL COWBOY RIDES AWAY - GEORGE STRAIT DANCE HER HOME - CODY JOHNSON BAND DID IT FOR THE GIRL - GREG BATES DRINKIN' MY BABY GOODBYE - CHARLIE DANIELS BAND DRUNK LAST NIGHT - ELI YOUNG BAND DRUNK ON YOU - LUKE BRYAN EVERY ROSE HAS IT'S THORN - POISON FAMILY TRADITION - HANK WILLIAMS JR FOLSOM PRISON BLUES - JOHNNY CASH FOOL HEARTED MEMORY - GEORGE STRAIT FRAULEIN - TRADITIONAL GETTING YOU HOME (THE BLACK DRESS SONG) - CHRIS YOUNG GIVE IT ALL WE GOT TONIGHT - GEORGE STRAIT GOOD DIRECTIONS - BILLY CURRINGTON HONKY TONK WOMAN - ROLLING STONES HURT SO GOOD - JOHN MELLENCAMP IN COLOR - JAMEY JOHNSON INTERSTATE - RANDY ROGERS BAND KEEP YOUR HANDS TO YOURSELF - GEORGIA SATELLITES KISS ME IN THE DARK - RANDY ROGERS BAND LET ME DOWN EASY - BILLY CURRINGTON LITTLE TOO LATE - ZANE WILLIAMS LOOKING FOR LOVE - JOHNNY LEE LOOSE, LOUD & CRAZY - KEVIN FOWLER MARGARITAVILLE - JIMMY BUFFETT MIAMI, MY AMY - KEITH WHITLEY MONEY FOR NOTHING - DIRE STRAITS MY GIRL - TEMPTATIONS MY HOMETOWN - CHARLIE ROBISON NEON - CHRIS YOUNG NEON MOON - BROOKS & DUNN NOCKENUT ROAD - ORIGINAL NO ONE LEFT TO BLAME - JASON BOLAND & THE STRAGGLERS QUARTERS - BART CROW BAND REDNECK GIRL - BELLAMY BROTHERS -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
S 0620 State of Rhode Island
2017 -- S 0620 ======== LC002208 ======== STATE OF RHODE ISLAND IN GENERAL ASSEMBLY JANUARY SESSION, A.D. 2017 ____________ S E N A T E R E S O L U T I O N CONGRATULATING RHODE ISLAND NATIVE BILLY GILMAN ON HIS SINGING CAREER AND FINISHING AS RUNNER-UP ON THE VOICE Introduced By: Senators Morgan, Algiere, Kettle, Gee, and Paolino Date Introduced: March 16, 2017 Referred To: Recommended for Immediate Consideration 1 WHEREAS, William Wendell Gilman, III, known professionally as "Billy Gilman", was 2 born on May 24, 1988, in Westerly, Rhode Island, the son of Frances "Fran" Woodmansee and 3 William Wendell Gilman, Jr. Billy was raised in the Town of Richmond along with his younger 4 brother Colin; and 5 WHEREAS, Billy was a precocious youngster who loved singing from an early age. As a 6 toddler, Billy would sing for friends and family using his toy karaoke machine, wowing them 7 with his incredible voice and natural ability. By the age of 5, Billy would delight in shopping with 8 his mom at a Westerly supermarket, and would stick his head inside the door of a frozen food 9 case, and sing to see if the echo would make him sound like he was on a stage. He liked what he 10 heard and he scribbled on the condensation of the glass door the words, "Now Starring: Billy 11 Gilman!"; and 12 WHEREAS, Billy gave his first public performance on a stage at the age of seven. Billy 13 Gilman later performed at the Washington County Fair in Richmond and other local fairgrounds 14 in the New England area.