Readings for David Getsy Seminar: “Beyond Visibility: Transgender Methods, Queer Methods, and the Case of Abstraction in Art History"
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Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
AIDS Grant Made to UT AIDS Brochures Now Available
..... -� --...'!!.. �-·- d December, 1983 Volume 4, Number 12 .Memphis, li nn Gay Alternative AIDS Grant Made to UT Off The Air The Gay· Alternative .Radio Pro gram has been temporarily silenced by Allen Cook It is asserted that AIDS can be signed November 11, University of for perhaps as long as six months. transmitted through blood trans Tennessee Research Corp. (an inde- The University fo Tennessee and WEVL-FM, which broadcast the pro Technology, Inc., a San fusions from infected persons who ·pendent, non-profit organization Cistron gram, has gone off the air to consol Francisco based firm have signed an are not yet symptomatic. long as helps UT researchers market, copy As idate funds and energy in an effort market a locally de two years may elapse between the patent developments) will agreement to right and to raise enough money to increase veloped test which might serve as a of net sales of the time a person acquires· AIDS and the receive 12% their power from 10 watts to 6300 for AIDS. Plans are screening tool time it manifests itself in one or tests. Dr. Howard Sanberg, assistant watts. This would expand WEVL's market the test to laboratories director of to more of the opportunistic diseases UT vice-chancellor and coverage area from the immediate nationwide. research programs, saidPifer and the which characterize the syndrome. mid-town area to one which would corporation will share equally in the According to the Commercial Williams is quoted as saying Cistron cover a good part of west Tennessee, Appeal, Cistron plans to sell about profits. -
OTHER CAMP: RETHINKING CAMP, the 1990S, and the POLITICS of VISIBILITY
OTHER CAMP: RETHINKING CAMP, THE 1990s, AND THE POLITICS OF VISIBILITY By Sarah Margaret Panuska A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of English—Doctor of Philosophy 2019 ABSTRACT Other Camp: Rethinking Camp, the 1990s, and the Politics of Visibility By Sarah Margaret Panuska Other Camp pairs 1990s experimental media produced by lesbian, bi, and queer women with queer theory to rethink the boundaries of one of cinema’s most beloved and despised genres, camp. I argue that camp is a creative and political practice that helps communities of women reckon with representational voids. This project shows how primarily-lesbian communities, whether black or white, working in the 1990s employed appropriation and practices of curation in their camp projects to represent their identities and communities, where camp is the effect of juxtaposition, incongruity, and the friction between an object’s original and appropriated contexts. Central to Other Camp are the curation-centered approaches to camp in the art of LGBTQ women in the 1990s. I argue that curation— producing art through an assembly of different objects, texts, or artifacts and letting the resonances and tensions between them foster camp effects—is a practice that not only has roots within experimental approaches camp but deep roots in camp scholarship. Relationality is vital to the work that curation does as an artistic practice. I link the relationality in the practice of camp curation to the relation-based approaches of queer theory, Black Studies, and Decolonial theory. My work cultivates the curational roots at the heart of camp and different theoretical approaches to relationality in order to foreground the emergence of curational camp methodologies and approaches to art as they manifest in the work of Sadie Benning, G.B Jones, Kaucyila Brooke and Jane Cottis, Cheryl Dunye, and Vaginal Davis. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Photographs Online-Only Sale
PRESS RELEASE | KING STREET FOR IMMEDIATE RELEASE: 2 J u n e 2014 PHOTOGRAPHS ONLINE-ONLY SALE Mark Seliger (b. 1959) Alfred Eisenstaedt (1898-1995) Mark Seliger (b. 1959) Johnny Depp, Madame Simon Residence France, 2003 Marilyn Monroe, Hollywood, 953 Gwyneth Paltrow, London, 2011 Estimate: £2,000 – 3,000 Estimate: £10,000 – 12,000 Estimate: £2,000 – 3,000 This summer Christie’s is pleased to offer a selection of stunning photographs within our programme of Online-Only sales, to go live from 2 – 11 June. Depicting Hollywood icons from the ‘Golden Age’ until the present day, these works illustrate the famous faces of some of the most talented and glamorous actors of the 20th century. Comprising 70 lots with estimates ranging from £600 to £15,000, this is an opportunity not to be missed by admirers and discerning collectors. GOLDEN AGE OF HOLLYWOOD - WORKS FROM THE JOHN KOBAL FOUNDATION Representing stars from the Golden Age of Hollywood is a group of works from the John Kobal Foundation. A pre- eminent film historian and collector of Hollywood Film photography, John Kobal is credited with rediscovering many of the great Hollywood studio photographers. Highlights from this collection include some of Lazlo Willinger's most recognised portraits among them that of Fred Astaire (estimate £1,500 – 2,500 illustrated left) and Robert Taylor and Vivien Leigh (estimate: £1,000-1,500, illustrated right). THE MANY FACES OF MARILYN MONROE Marilyn Monroe, the most enduring of all Hollywood icons, is represented in this sale at all stages in her career. These include photographs by Bernard of Hollywood, reputedly the first photographer to shoot her, through to Bert Stern who captured the last images of her for Vogue before her untimely death in 1962, (as illustrated by the image below right, estimate: £10,000 – 15,000). -
Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
Scott Burton
SCOTT BURTON COLLECTED WRITINGS ON ART & PERFORMANCE, 1965–1975 EDITED BY DAVID J. GETSY SOBERSCOVE PREss CHICAGO Soberscove Press 1055 N Wolcott, 2F Chicago, IL 60622 USA www.soberscovepress.com All rights reserved. No part of this publication may be reproduced in any form, except for the inclusion of brief quotations and images in review, without prior permission from the publisher or copyright holders. Introduction, transcriptions/annotations, and the selection of texts in Scott Burton: Collected Writings on Art and Performance, 1965–1975 © 2012 David J. Getsy. Library of Congress Control Number: 2012945896 Burton, Scott, 1939–1989 Scott Burton: collected writings on art and performance, 1965–1975 / edited by David J. Getsy. First Printing, 2012 Design by Rita Lascaro ISBN-13: 978-0-9824090-4-6 CONTENTS Introduction: The Primacy of Sensibility: Scott Burton writing on art and performance, 1965–1975 by David J. Getsy 1 I. Beyond Minimalism 33 Tony Smith: Old Master at the New Frontier (1966) 35 Tony Smith and Minimalist Sculpture (1967) 45 Ronald Bladen (1967) 69 When Attitudes Become Form: Notes on the New (1969) 71 Time on Their Hands (1969) 79 II. Abstraction and Allusion 87 David Weinrib: See-Through Sculpture (1967) 89 Ralph Humphrey: A Different Stripe (1968) 94 Al Held: Big H (1968) 103 Adja Yunkers: The Eye’s Edge (1968) 112 Doug Ohlson: In The Wind (1968) 115 Leon Berkowitz: Color It Berkowitz (1969) 121 Willem de Kooning’s Gotham News (1969) 125 Generation of Light, 1945–70 (1971) 128 Plates 141 III. Figurative and Realist Commitments 153 Anne Arnold’s Animals (1965) 155 John Button (1967) 162 Robert Beauchamp: Paint the Devil (1966) 171 American Realism: Letter to the Editors of Artforum (1967) 176 Herman Rose: Telling and Showing (1967) 178 George McNeil and the Figure (1967) 185 Alex Katz (1968) 189 Direct Representation: Five Younger Realists (1969) 195 The Realist Revival (1972) 200 IV. -
A Study in Scarlet 17
Press kit A Study in Scarlet 17. 05–22. 07.2018 Press visit, Wednesday 16th May, at 9.30am Grand opening, Wednesday 16th May, from 6pm to 9pm With Ethan Assouline, Beau Geste Press, Lynda Benglis, Kévin Blinderman : masternantes, Pauline Boudry / Renate Lorenz, Jean-Louis Brau & Claude Palmer, Monte Cazazza, Chris & Cosey, COUM Transmissions, Vaginal Davis, Brice Dellsperger, Casey Jane Ellison, Harun Farocki, Karen Finley, Brion Gysin, Hendrik Hegray, Her Noise Archive, Robert Morris, Ebecho Muslimova, Meret Oppenheim, Pedro, Muriel & Esther, Lili Reynaud-Dewar, Christophe de Rohan Chabot, Louise Sartor, Throbbing Gristle, Cosey Fanni Tutti, Amalia Ulman and Les Vagues. Exhibition curator : Gallien Déjean Action Jusqu’à la Balle Crystal, 9e Biennale de Paris, 1975 © Courtesy Cosey Fanni Tutti et Cabinet, Londres Contacts : Isabelle Fabre, Communication Manager > +33 1 76 21 13 26 > [email protected] Lorraine Hussenot, Press Officer > +33 1 48 78 92 20 > [email protected] +33 6 74 53 74 17 Le frac île-de-France- reçoit le soutien du le plateau, paris Conseil régional d’Île-de-France, du ministère 22, rue des Alouettes de la Culture – Direction Régionale des Affaires 75 019 Paris, France Culturelles d’Île-de-France et de la Mairie de Paris. T +33 (0)1 76 21 13 20 Membre du réseau Tram, de Platform, fraciledefrance.com regroupement des FRAC et du Grand Belleville 1 Press kit Contents 1. Press release —A Study in Scarlet /p. 3-4 2. Cosey Fanni Tutti, Art Sex Music —Extracts /p. 5 3. Notices /p. 6-16 4. Images available /p. 17-19 5. -
Note to Users
NOTE TO USERS This reproduction is the best copy available. UMI' The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties By Nancy McGuire Roche A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University May 2011 UMI Number: 3464539 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3464539 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties Nancy McGuire Roche Approved: Dr. William Brantley, Committees Chair IVZUs^ Dr. Angela Hague, Read Dr. Linda Badley, Reader C>0 pM„«i ffS ^ <!LHaAyy Dr. David Lavery, Reader <*"*%HH*. a*v. Dr. Tom Strawman, Chair, English Department ;jtorihQfcy Dr. Michael D1. Allen, Dean, College of Graduate Studies Nancy McGuire Roche Approved: vW ^, &v\ DEDICATION This work is dedicated to the women of my family: my mother Mary and my aunt Mae Belle, twins who were not only "Rosie the Riveters," but also school teachers for four decades. These strong-willed Kentucky women have nurtured me through all my educational endeavors, and especially for this degree they offered love, money, and fierce support. -
PROGRAM SESSIONS Madison Suite, 2Nd Floor, Hilton New York Chairs: Karen K
Wednesday the Afterlife of Cubism PROGrAM SeSSIONS Madison Suite, 2nd Floor, Hilton New York Chairs: Karen K. Butler, Mildred Lane Kemper Art Museum, Wednesday, February 9 Washington University in St. Louis; Paul Galvez, University of Texas, Dallas 7:30–9:00 AM European Cubism and Parisian Exceptionalism: The Cubist Art Historians Interested in Pedagogy and Technology Epoch Revisited business Meeting David Cottington, Kingston University, London Gibson Room, 2nd Floor Reading Juan Gris Harry Cooper, National Gallery of Art Wednesday, February 9 At War with Abstraction: Léger’s Cubism in the 1920s Megan Heuer, Princeton University 9:30 AM–12:00 PM Sonia Delaunay-Terk and the Culture of Cubism exhibiting the renaissance, 1850–1950 Alexandra Schwartz, Montclair Art Museum Clinton Suite, 2nd Floor, Hilton New York The Beholder before the Picture: Miró after Cubism Chairs: Cristelle Baskins, Tufts University; Alan Chong, Asian Charles Palermo, College of William and Mary Civilizations Museum World’s Fairs and the Renaissance Revival in Furniture, 1851–1878 Series and Sequence: the fine Art print folio and David Raizman, Drexel University Artist’s book as Sites of inquiry Exhibiting Spain at the Chicago Columbian Exposition of 1893 Petit Trianon, 3rd Floor, Hilton New York M. Elizabeth Boone, University of Alberta Chair: Paul Coldwell, University of the Arts London The Rétrospective and the Renaissance: Changing Views of the Past Reading and Repetition in Henri Matisse’s Livres d’artiste at the Paris Expositions Universelles Kathryn Brown, Tilburg University Virginia Brilliant, John and Mable Ringling Museum of Art Hey There, Kitty-Cat: Thinking through Seriality in Warhol’s Early The Italian Exhibition at Burlington House Artist’s Books Andrée Hayum, Fordham University Emerita Lucy Mulroney, University of Rochester Falling Apart: Fred Sandback at the Kunstraum Munich Edward A. -
Miracle White and the 7 Dirties
Volume 1 Issue 1 Article 6 7-15-1981 Miracle White and the 7 Dirties Dolores Espinosa Follow this and additional works at: https://dc.swosu.edu/mythellany Recommended Citation Espinosa, Dolores (1981) "Miracle White and the 7 Dirties," Mythellany: Vol. 1 : Iss. 1 , Article 6. Available at: https://dc.swosu.edu/mythellany/vol1/iss1/6 This Fiction is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythellany by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Once upon a time in a land not far away lived Miracle White and The Seven Dirties. One day, her front door burst open and in trooped her little friends, Oily, Soily, Grassy, Greasy, Muddy, Bloody, and Blueberry. Keywords Mythellany; Mythopoeic; Fiction; Miracle White and the 7 Dirties; Dolores Espinosa This fiction is available in Mythellany: https://dc.swosu.edu/mythellany/vol1/iss1/6 Espinosa: <i>Miracle White and the 7 Dirties</i> 0nce upon a time in a land not far away lived· he gives the impression of being a local deity.: Miracle White and The Seven Dirties. One day. "In the valley of the Jolly -- 'Ho, ho, ho I' -· her front door burst open and in trooped her little Green Giant. -
MAGDA, ZSA ZSA, and EVA GABOR, and the Adult
FOR IMMEDIATE RELEASE: For more info, contact [email protected] (tel. 718/556-9410) Blood Moon Productions is an award-winning, independent, New York City-based publishing venue dedicated to Entertainment About How America Interprets Its Celebrities . (www.BloodMoonProductions.com) In October, it’s coming to Florida, accompanied by MAGDA , Z SA ZSA , AND EVA GABOR , and the Adult Entertainment Industry’s most famous celebrity, LINDA LOVELACE Why? Because The Fort Lauderdale International Film Festival & The World Erotic Art Museum (WEAM) & South Florida’s Favorite Bookstore (Books and Books) & The world famous Boca Raton Resort & Club & The Main Branch of the Broward County Public Library Have invited Blood Moon’s President and Founder, DAnFoRTH PRInCE To present in public forums the secret, previously unpublished aspects of these celebrities’ lives, based on the recent publication of some of Darwin Porter’s critically acclaimed biographies. Here, with respect and appreciation for the passion and enthusiasm of South Florida’s devoted core of Restless, Enquiring, and Celebrity- Worshipping Minds, is the provisional schedule of events that will re-introduce South Florida to Women We Love . Those Glamorous Gabors, Bombshells from Budapest Danforth Prince Magda Zsa Zsa Eva Jolie Tuesday, October 15 GUTS, GLAMOUR, GOULASH, AND GRIT How Those Glamorous Gabors, Bombshells from Budapest , adapted the glittering social rituals of the Hapsburgs Into new lives and new identities in AMERIKA and in Hollywood. At Cinema Paradiso, in cooperation with the Fort Lauderdale International Film Festival 503 SE 6th Street, Fort Lauderdale, FL 33301 (tel. 954/760-9898) 6:30-7:30pm : Courtyard reception, with cash bar available all evening 7:30-8:30pm : A dialogue with Danforth Prince about everything you ever wondered about three of the most alluring women in America, followed by Q&A.