Scott Burton

Collected Writings on Art & Performance, 1965–1975

Edited by David J. Getsy

Soberscove Press Chicago Soberscove Press 1055 N Wolcott, 2F Chicago, IL 60622 USA www.soberscovepress.com

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Introduction, transcriptions/annotations, and the selection of texts in Scott Burton: Collected Writings on Art and Performance, 1965–1975 © 2012 David J. Getsy.

Library of Congress Control Number: 2012945896 Burton, Scott, 1939–1989 Scott Burton: collected writings on art and performance, 1965–1975 / edited by David J. Getsy.

First Printing, 2012 Design by Rita Lascaro ISBN-13: 978-0-9824090-4-6 Contents

Introduction: The Primacy of Sensibility: Scott Burton writing on art and performance, 1965–1975 by David J. Getsy 1

I. Beyond 33 : Old Master at the New Frontier (1966) 35 Tony Smith and Minimalist Sculpture (1967) 45 Ronald Bladen (1967) 69 When Attitudes Become Form: Notes on the New (1969) 71 Time on Their Hands (1969) 79

II. Abstraction and Allusion 87 David Weinrib: See-Through Sculpture (1967) 89 Ralph Humphrey: A Different Stripe (1968) 94 Al Held: Big H (1968) 103 Adja Yunkers: The Eye’s Edge (1968) 112 Doug Ohlson: In The Wind (1968) 115 Leon Berkowitz: Color It Berkowitz (1969) 121 Willem de Kooning’s Gotham News (1969) 125 Generation of Light, 1945–70 (1971) 128

Plates 141

III. Figurative and Realist Commitments 153 Anne Arnold’s Animals (1965) 155 John Button (1967) 162 Robert Beauchamp: Paint the Devil (1966) 171 American Realism: Letter to the Editors of Artforum (1967) 176 Herman Rose: Telling and Showing (1967) 178 George McNeil and the Figure (1967) 185 (1968) 189 Direct Representation: Five Younger Realists (1969) 195 The Realist Revival (1972) 200

IV. Sculpture as Theater: Performance Art Statements 213 Three Street Works (1969) 215 Literalist Theater (1970) 217 From Literature to Performances (1970) 222 The Group Behavior Tableaux, early texts (1971–72) 225 Sculpture as Theater: The Lecture on Self (1973) 227 A Political Statement (1974) 244 Odd Years (1975) 246

Acknowledgements 248 Index 250 Index

0 to 9 (magazine), 215 Ashton, Dore, 174 Art and Literature, 6 , 6, 46–47, Art in America, 1, 7 75, 80, 91, 103–04, 121, 128, 165, “Art in the Urban Environment: 167, 172–73, 189, 204, 210 Theory and Practice of Post- Acconci, Vito, 215, 227, 234; see also Studio Art” (course), 217 Learning Piece Art Students League (), The Actor, Leslie Barrett (Rose), 36 182–83 Artaud, Antonin, 245 Addams Family, 245 Artforum, 13, 45, 176 “Aegean Series” (Yunkers) 112 Artists Space, 30 Agostini, Peter, 36, 46 ARTnews, 1, 7–8, 29–30, 45, 128 Albee, Edward, 5 Artschwager, Richard, 71–72 Albers, Josef, 100 Asher, Michael, 83 Alloway, Lawrence 23 Autumn Rhythm (Pollock), 136 Amaryllis (Smith), 40, 61–63 American Federation of Arts (AFA), Bailey, William, 206 18 Bacon, Francis, 160 American Theater Lab, 225 Baker, Elizabeth, 27 Anderson, Lennart, 176 Balanchine, George, 69 Andre, Carl, 9, 10, 12, 14, 45, 57, 61, Balthus, 207 64, 71–73, 96 Barry, Robert, 80, 83 Angela (McNeil), 188 Baskin, Leonard, 160 Anthology (Perrault), 224 Bathers (Burton), 238 Anti-Illusion: Procedures/Materials Baudelaire, Charles, 101 (exhibition), 16, 79 Beal, Gifford, 206 Apollinaire, Guillame, 59 Beauchamp, Robert, 7, 171–75; 185 Archipenko, Alexander Porfyrovych, Bechtle, Robert, 196, 199, 208 37 Beckett, Samuel; see Happy Days, Architectural League (New York), 18 Molloy, Waiting for Godot Arnold, Anne, 155–161 Behavior Tableaux (Burton), 1, 20, Arp, Jean (Hans), 76, 90, 156 25, 217, 240– 41 “Art and Objecthood” (Fried), 13–14, Bell, Larry, 45, 52–53 45, 59, 60 Bell, Leland, 176 Art-Rite (magazine), 244 Berkowitz, Leon, 4, 121–24; see also

250 Scott Burton Cathedrals, Chasubles, Coronas, Sculpture,” et al. Obliques, Verticals Button, John, 5, 6, 15, 18, 31, 121, Berkson, Bill, 7 139–40, 162– 70, 176; see also Bernini, Gian Lorenzo, 62, 69 Coney Island, Summer, Downtown Bernstein, Richard, 209 Street, Garage Space, Grand Berrigan, Ted, 7 Central, Grand Tetons, Great Beuys, Joseph, 226, 233, 244 Salt Lake (Self Portrait), Blue The Big D (Held), 106 Windows, Three Serious Ladies The Big N (Held), 109 The Black Box (Smith), 38, 79 Cajori, Charles, 185 Black, White and Grey (exhibition), Calder, Alexander, 54–55, 90, 160 35 Cage, John, 75 Bladen, Ronald, 12, 45, 51, 69–70 California School, 164 Blaine, Nell, 164, 176 Canaletto, 166 Blake, William, 124, 160 Cathedral (Pollock), 137 Blue and White (Yunkers), 114 Cathedrals (Berkowitz), 122–23 Blue Windows (Button), 163 Caucasian Dance (McNeil), 188 Bollinger, Bill, 75, 80, 82–84 Cézanne, Paul, 62 Bosch, Hieronymus, 171 “Cézanne’s Doubt” (Merleau-Ponty), Brancusi, Constantin, 63, 91, 156 6–7 Brooks, James, 135, 187 Chasubles (Berkowitz), 122 Breughel, Pieter the Elder, 171 Cigarette (Smith), 39, 52, 58, 63, Bronze Chair (Burton), 24–25, 30, 65 32, 149 (image) Circle and the Triangle (Held), 108 Bruder, Harold, 206 Civitico, Bruno, 198–99, 206 Burroughs, William, 63 Clarke, John Clem, 210 Burton, Scott; see individual Close, Chuck, 210 lectures, works, & publications Collage: Blue, White, Yellow Behavior Tableaux, Bronze (Yunkers), 114 Chair, Compositions, Direct , 5 Representation, Disguise Compositions (Burton), 223 Piece, Dream Sex, Ear-Piece, Coney Island (Button), 168 “Generation of Light,” Group Copland, Aaron, 6 Behavior Tableaux, Lecture on Corcoran Gallery, 121 Self, “Literalist Theater,” Low Coronas (Berkowitz), 122 Piece (Bench), “Make a Political Cornell, Joseph, 193 Statement,” “Notes on New,” Costa, Eduardo, 18; see also You See “Odd Years,” The Realist Revival, a Dress Seating for Eight, Self-Work: Courbet, Gustave, 155 Dream, Self-Works, Ten Tableaux: Cummings, E[dward] E[stlin], 59 Theater as Sculpture, Three Street Cunningham, Merce, 75 Works, Time on Their Hands, Cythera (Ohlson), 116–17, 144 “Tony Smith and Minimalist (image)

INDEX 251 Da Bologna, Giovanni, 63, 65, 69 Eakins, Thomas, 131, 176 Dalí, Salvador, 211, 241 Ear-Piece (Burton), 18–19, 242 Dancer, 6 (McNeil), 188 Eddy, Don, 208 Davis, Stuart, 166 Egan, Charles, 186 Day, Francis, 206 Elegy (de Kooning), 131 De Andrea, John, 211 The Elevens Are Up (Smith), 35, 38, De Chirico, Giorgio, 207 66 De Kooning, Elaine, 185 Eliot, T[homas] S[tearns], 165 De Kooning, Willem, 21, 81, 101, Elmslie, Kenward, 7 104, 125–27, 129, 175, 185–86, Endicott (Humphrey), 95 192; see also Elegy, Gotham News, Ensor, James, 171 Night Square, Pink Angels, Rosy- Estes, Richard, 140, 209 Fingered Dawn at Louse Point, Woman as Landscape, One Flight Femme Egorgée (Giacometti), 90, 155 Up Ferber, Herbert, 46 De Niro, Robert, 176 Ferrer, Rafael, 82 De Rivera, José, 46 File, Arthur, 38 Deitch, Jeffrey, 246; see also Lives Finch College, 226 (exhibition) Fine Arts Building (New York), 246 Delacroix, Eugene, 155 Finnegans Wake (Joyce), 40 Denby, Edwin, 5, 120 Fiore, Joseph, 176 Descartes, René, 75 Fischbach Gallery, 35, 115 Di Suvero, Marco Polo (“Mark”), 36 Fish, Janet, 203, 206 Diane: Sitting (Miller), 211 Fitzgerald, F[rancis] Scott [Key], 105 Die (Smith), 8-9, 10, 12, 13, 14, 15, Flack, Audrey, 210 16, 27, 42, 57, 68 Flannagan, John B[ernard], 160 Direct Representation (exhibition), Flavin, Dan, 45, 47 22, 195–99 Fluxus, 233 Disguise Piece (Burton), 18–19, 236, Fox, Ida, 4, 121 242 Frankenstein (Warhol), 245 Documenta VI, 1 Free Ride (Smith), 38, 41, 52, 66 Dodd, Louis, 156, 176 Freilicher, Jane, 164, 176 The Dowager Empress (Held), 108, Fried, Michael; see “Art and 110 Objecthood” Friedrich, Caspar Downtown Street (Button), 167 David, 74, 83 Dream Sex (Burton), 18–19, 242, Furniture Landscape (Burton), 236 246 Furniture Pieces (Burton), 236 Droll, Donald, 32 Drummond, Sally Hazelet, 135 Gabo, Naum (Naum Neemia Dubuffet, Jean, 171 Pevsner), 89 Duchamp, Marcel, 19, 21, 76, 78, 83, Garage Space (Button), 165 210–11, 241 The Gates (Ohlson), 116–17 Duchamp-Villon, Raymond, 89 Gauguin, Paul, 109, 171

252 Scott Burton Gaurdi, Francesco, 166 Held, Al, 12, 101, 103, 174; see also “Generation of Light” (Burton), 15, The Big D, The Big N, Circle 21 and the Triangle, The Dowager Genesis (Held), 106 Empress, Genesis, Greek Garden, George Washington University, 5 I-Beam, Ivan the Terrible, Mao, Georges, Paul, 16, 176 The Red Gall, Siegfried Gianakos, Steve, 18 Henry, Gerrit, 7 Giacometti, Alberto; see Femme Hess, Thomas B., 7, 35, 126 Egorgée Hesse, Eva, 11, 71, 73 Gilbert & George, 227, 234; see also Hofmann, Hans, 4, 135, 171–73, 186 Singing Sculpture Homer, Winslow, 131 Godard, Jean-Luc, 64 Hopper, Edward, 15, 21, 100, Goddard College, 5 128–29, 166–67, 201, 210; see also Goings, Ralph, 208 House by the Railroad, Seven A.M. Gorky, Arshile, 90, 135 Hornak, Ian, 209 Gotham News (de Kooning), 125–27 House by the Railroad (Hopper), 209 Grace Hoper (Smith), 39 Huebler, Douglas, 71–72 Grand Central (Button), 167–68 Humphrey, Ralph, 16, 94–102, 132; Grand Tetons (Button), 169 see also Endicott, Warner Great Salt Lake (Self Portrait) (Button), 144 (image) I-Beam (Held), 108 Greek Garden (Held), 103, 105 Institut Valencià d’Art Modern, 31 Green, Eleanor, 103 Institute of Contemporary Art Green Gallery, 99 (University of Pennsylvania), 35 Greenberg, Clement, 58–59, 229; see Ivan the Terrible (Held), 108–09 also “Modernist ” Grippe, Peter, 46 Jacquette, Yvonne, 22, 197, 199, 206 Grosz, George, 36 Jenney, Neil, 71, 82 Group Behavior Tableaux (Burton), Jewish Museum (New York), 8 26, 147 (image), 225–26 Johns, Jasper, 209–10 Guerlin (perfume), 215 Johnson, Lester, 174, 185 Guest, Barbara, 7 Johnson, Ray, 244 Guston, Philip, 128, 134–35, 139 Johnston, Jill, 7 Gutter Corner Splash: Night Shift Joyce, James; see Finnegans Wake, (Serra), 142 (image) Portrait of the Artist as a Young Man, Ulysses Hague, Raoul, 36, 46, 159 Judd, Donald, 2, 9–14, 36, 43, 45, Hanson, Duane, 211 47, 49, 51–52, 57, 60–61, 64–65, Happy Days (Beckett), 39 96, 101 Hart, Gordon, 138 Hartigan, Grace, 185 Kacare, John, 209 , 3, 5 Kachur, Lewis, 28 Heizer, Michael, 71, 82 Kaltenbach, Stephen, 71

INDEX 253 Kaprow, Allan, 227, 232–33 Low Piece (Bench) (Burton), 150 Katz, Alex, 2, 6, 22, 23, 139, 164, 176, (image) 189, 210; see also The Lawn Party, Lubbock, Percy, 184 Red Smile, Smile Again, Swamp Maple, 4:30, Vincent and Sunny, Magritte, René, 162, 207 Violet Daisies #2, White Petunia Mahaffey, Noel, 209 Kaufman, Jane, 18 Malevich, Kazimir, 48 Kelly, Ellsworth, 94, 98, 137 Mallarmé, Stéphane, 59, 101 The Keys to. Given! (Smith), 40, 64 Mallary, Robert, 46 Kepes, György, 37 “Make a Political Statement” Kienholz, Edward, 71, 211, 241 (Burton), 30 Kirstein, Lincoln, 5 Marlboro (cigarette), 169 Klein, Yves, 74, 98 Manet, Édouard, 63 Kline, Franz, 102, 104, 129, 131 Mangold, Sylvia Plimack, 22, 197– Kosuth, Joseph, 71, 215 99, 203; see also Untitled Kunsthalle Bern; see Live in Your Mao (Held), 104, 107 Head: When Attitudes Become Marin, John, 166 Form (exhibition) Marini, Marino, 155 Marquise (McNeil), 188 Lachaise, Gaston, 156 Marriage (Smith), 39, 40, 58, 64, 66, Laderman, Gabriel, 203 68, 141 (image) Lassaw, Ibram, 46 Marsicano, Nicholas, 185 Lavender Mist (Pollock), 136 Martin, Agnes, 12, 101, 133 The Lawn Party (Katz), 190 Mâtho (Ohlson), 116 Learning Piece (Acconci), 223 Mayer, Bernadette, 215 Lecture on Self (Burton), 25, 26, 31, McGinnes, Mac, 18 148 (image), 217, 227–43, 246 McCracken, John, 45, 47, 51, 54, Lehmbruck, Wilhelm, 156 57, 64 Leslie, Alfred, 210 McLean, Richard, 210 LeWitt, Sol, 45, 52, 71–73, 81 McLuhan, Marshall, 49 Lichtenstein, Roy, 167 McNally, Terrence, 5 Lippard, Lucy, 101 McNeil, George, 185–88; see also Lippold, Richard, 46 Angela, Caucasian Dance; Dancer, Lipton, Seymour, 46 6; Marquise “Literalist Theater” (Burton), 18, McShine, Kynaston; see Primary 20, 217 Structures Live in Your Head: When Attitudes Merleau-Ponty, Maurice; see Become Form (exhibition), 17, 143 “Cézanne’s Doubt” (images) Metropolitan Museum of Art (New Lives (exhibition), 246 York), 181 Living Tableau (Burton), 237 Michelangelo, 59 Long, Richard, 71, 82 Miller, Richard, 211; see also Diane: Louis, Morris, 124, 136, 138 Sitting

254 Scott Burton Minimalism; and group identity, No. 8, 1952 (Rothko), 132 13; and heterosexual artists, 6; Nochlin, Linda, 201 and impersonality, 24–25, 49; as Noguchi, Isamu, 46 Primary Structurists, 8, 32, 36, Noland, Kenneth, 2, 94, 101, 124, 42, 45, 47, 51, 56, 60, 64–65; and 137–38 resemblance, 55; and theatricality, “Notes on New” (Burton), 17, 21 24; and traditional sculpture, 62; Novalis, 84 as a dominant form of postwar Nude (Burton), 243 sculpture, 22, 45, 52; Burton’s critical relationship to, 2, 3, 10, O’Brown, Norman, 174 239; common themes of, 11, 195 O’Hara, Frank, 5, 6 Miró, Joan, 90 O’Neill, Eugene, 14, 67, 68 “Modernist Painting” (Greenberg), 6 Oberlin College, 27, 226 Moholy-Nagy, László, 37 Obliques (Berkowitz), 122 Molloy (Beckett), 71 “Odd Years” (Burton), 27, 30, 246 Mondrian, Piet, 48, 50 Ohlson, Doug, 12, 16, 101, 115–20; Monet, Claude, 129, 167 see also Cythera, The Gates, Moore, Henry, 155 Mâtho, Sterne Moore, John, 198–99, 206 Oldenburg, Claes, 71, 167 Moreau, Gustave, 171 Olitski, Jules, 135 Morley, Malcolm, 210 One Flight Up (de Kooning), 193 Morris, Robert, 9, 13, 36, 45, 50–51, Oppenheim, Dennis, 71, 76, 82 54, 57–58, 60, 71, 74, 80, 84, 91 Muller, Otto, 173 P-1 (Weinrib), 90 Munch, Edvard, 171 Parker, Ray, 133 Museum of Fine Arts (Boston), 226 Parrish, Maxfield, 208 Museum of (MOMA), Pavia, Philip, 46 29, 31–32 Pearlstein, Philip, 5–6, 22–23, 139, 163, 176, 203 Nakian, Reuben, 36, 46, 50, 58, 155 Perlis, Don, 203 Nadelman, Elie, 155–56 Perreault, John, 18, 215, 218; see Nauman, Bruce, 73–74, 80, 83 also Anthology Nevelson, Louise, 46 Philip Golub Reclining (Sleigh), New Bauhaus, 37 203 New Decade (catalog), 187 Picasso, Pablo, 207 New Piece (Smith), 63 Pincus-Witten, Robert, 2 Ballet, 6 Pindell, Howardena, 244 , 5 Pink Angels (de Kooning), 131 Newman, Barnett, 43, 44, 101–02; Pink Center (Weinrib), 90 see also Vir Heroicus Sublimis Piper, Adrian, 244 Night Square (de Kooning), 130 Playground (Smith), 41 Nine Young Americans (exhibition), Pollock, Jackson, 43, 66, 81, 98, 16, 79, 81, 83 102, 104, 135, 175, 185, 192; see

INDEX 255 also Autumn Rhythm, Cathedral, Salt, John, 208 Lavender Mist, White Light San Francisco Museum, 103 Polychrome, 1 (Weinrib), 90 Sandbeck, Fred, 71, 74 Poons, Larry, 101, 133, 187 Satie, Erik, 65 Porter, Fairfield, 5, 162, 164, 174, Schjeldahl, Peter, 7 176, 204 School of Visual Arts (New York), 7 Portrait of the Artist as a Young Man Schuyler, James, 7, 163–64 (Joyce), 84 Schapiro, Meyer, 48 Poses (Burton), 239 Schwitters, Kurt, 215 , 37 Sculpture/Theater (Burton), 235 Primary Structures (exhibition), 35, Seating for Eight (Burton), 150 69 (image) Primary Structurists, see Self-Work: Dream (Burton), 146 Minimalism (image), 221 Provincetown (), 4 Self-Works (Burton), 18–19, 24, 27, 242, 246 Ratcliff, Carter, 7; see also The Segal, George, 185, 211, 241 Turkish Bath Serra, Richard, 15, 20, 71–73, 76, Rauschenberg, Robert, 210 80–81; see also Splashing, Gutter Realist Revival, The (exhibition), 22, Corner Splash: Night Shift 200–12 Seven A.M. (Hopper), 129 The Red Gall (Held), 107 Shakespeare Memorial Theater, 5 Red Smile (Katz), 190–91 Sheeler, Charles, 166, 211 Redon, Odilon, 100, 171 Shelley, Percy Bysshe, 73, 84 Reinhardt, Ad, 56, 80, 101–02, 134 Siegfried (Held), 104 Richier, Germaine, 160 Singing Sculpture (Gilbert & Rivers, Larry, 155, 164, 185 George), 234 Robbins, Jerome 5 Sleigh, Sylvia, 5, 23, 203; see also Robinson, Boardman, 172 Philip Golub Reclining Rodin, Auguste, 59, 241 Slide Novella (Burton), 237 Rose, Barbara, 43, 176–77 Smile Again (Katz), 190 Rose, Herman, 176, 178–84; see also Smith, Anthony Peter, 36 The Actor, Leslie Barrett Smith, David, 36, 42, 46, 48–49, 58, Rosenblum, Robert, 23, 89 159 Rosenquist, James, 210 Smith, Tony, 2, 7, 37–44, 45–68, Rosy-Fingered Dawn at Louse Point 94, 98, 101; see also Amaryllis, (de Kooning), 131 The Black Box, Cigarette, Die, Roszak, Theodore, 46, 102 The Elevens Are Up, Free Ride, Rothko, Mark, 43, 102, 127, 134; see Grace Hoper, The Keys to. Given!, also No. 8, 1952 Marriage, New Piece, Playground, Royal Marks Gallery (New York), 89 Snake, Spitball, Throne, The Wall, Ruscha, Edward, 205 We Lost, Willy Ryman, Robert, 71, 76, 128, 139 Smithson, Robert, 45, 244

256 Scott Burton Solomon R. Guggenheim Museum, “Tony Smith and Minimalist 1; see also Nine Young Americans Sculpture” (Burton), 27 (exhibition) “Tragic Priapic Modern American Sonnier, Keith, 71 Artist,” 226 Snake (Smith), 41 Turner, J[oseph] M[allard] Spencer, Niles, 166 W[illiam], 83, 100 Spitball (Smith), 41, 64 The Turkish Bath (Ratcliff), 23 Splashing (Serra), 16, 142 (image) Tuttle, Richard, 71, 76, 80, 84–85, Stankiewicz, Richard, 46 128, 138 Statium (Weinrib), 90 Tworkov, Jack, 185 Stella, Frank, 94, 101, 124, 137 Sterling Lord Literary Agency, 5 Ulysses (Joyce), 63 Sterne (Ohlson), 117 University of Iowa, 18 Stevens, May, 244 Untitled (Mangold), 145 (image) Still, Clyfford, 43, 134 Stravinsky, Igor, 63 Verticals (Berkowitz), 122 Street Works, 18–19 Village Voice, 215 Street Works II, 18–19 Vincent and Sunny (Katz), 190 Street Works IV, 220 Viner, Frank, 71 Strider, Marjorie, 18, 217–218 Violet Daisies, #2 (Katz), 192 Sugarman, George, 36 Vir Heroicus Sublimis (Newman), Summer (Button), 168 133 Swain, Robert, 138 Vytlacil, Edward, 36 Swamp Maple, 4:30 (Katz), 191 Wagstaff, Samuel J.; see Black, Tanager Gallery, 172 White and Grey Tatlin, Vladimir, 244 Waiting for Godot (Beckett), 14, 60 Ten Tableaux: Theater as Sculpture Walker Art Center, 10, 12, 45 (Burton), 20, 147 (image), 238 The Wall (Smith), 55 Theatre Project for Whitney Warhol, Andy, 234, 245; see also Museum/Application to Jerome Frankenstein Robbins Fund (Burton), 226 Warner (Humphrey), 97 Thirty Compositions (Burton), 238 Washington Workshop Center of the Three Serious Ladies (Button), 165 Arts, 121 Three Street Works (Burton), 215–17, We Lost (Smith), 41 218, 220 Weiner, Hannah, 18, 218 Three-Minute Sculpture (Burton), Weiner, Lawrence, 71, 244 235 Weinrib, David, 89–93; see also Throne (Smith), 51 P-1; Pink Center; Polychrome, 1; Tibor de Nagy Gallery, 98, 164 Statium Tillim, Sidney, 174, 206 White Light (Pollock), 137 Time on Their Hands (Burton), 15 White Petunia (Katz), 192 Tinguely, Jean, 80 Willy (Smith), 39

INDEX 257 Wilson, Jane, 164, 176 Winnie the Pooh, 160 Whitney Museum of American Art, 1, 69, 81–84, 176–77, 187, 225; see also Anti-Illusion: Procedures/ Materials (exhibition) Winsor, Jackie, 11 Woman as Landscape (de Kooning), 125 Wynn, Donald, 203

You See a Dress (Costa), 223 Yunkers, Adja, 112–14; see also “Aegean Series”; Blue and White; Collage: Blue, White, Yellow

Zabriskie Gallery, 178

258 Scott Burton