<:> '";;!i IlJ ,Jd'" 0 ...u 0 ~ IlJ'" "S .l!i Po, IlJ Cfl N W 5 tn... IlJ 1 CAA to z ~ IlJ Tour 5 .E Baltimore ~ J:: 0 .....''=... u <:> ..r:"''"

s a complement to the 1991 ~ IlJ Wqshington conference sessions OJ) IlJ Aand special events, eAA is .-< pleased to offer a day-long tour of the -<:> museums and culhlral institutions of U Baltimore, Maryland. This postconfer- IlJ >:S ence tour will include visits to the National Aquarium ..... Baltimore Museum of Art; the Walters <:> Art Gallery; historic properties, with ... extensive art collections, on the campus ~ IlJ ofjohns Hopkins University; and the '" internationally acclaimed National -~ Aquarium, designed by Cambridge Z Seven Associates. The tour is scheduled IlJ for Sunday, February 24. The cost of the tour is $50 per person, which includes tl lunch, round-trip transportation, and all fees. Buses will depart from the Sheraton Hotel in Washington at 8:15 A.M. and return by 7:00 PM. The first stop will be at the National Aquarium, one of the largest and most sophisticated aquari­ ums in the world. Nicholas Brown, its director, will welcome the group. The aquarium's collection includes over 5,000 aquatic animals. While it is perhaps an unusual stop for CAA members, Paul Claudel, the early 20th- century poet, recognized the relevance Walters Art Gallery of aquariums to the art world. He structure is in its original form, includ­ dent on the continuing support and From the Executive Director Contents explained, IIAuqariums are the link ing the horse stalls and wood panels. involvement of CAA's increasing mem­ Annual between art and science." After lunch, the group will visit Ev­ bership. CAA has already begun the essential Volume 15, Number 5 After leaving the aquarium, we will ergreen House, bequeathed to the uni- travel a short distance to the Walters Art versity in 1942 by John Work Garret, ( steps to ensure that the goals set forth in SeptemberlOctober 1990 Entering Conference Gallery, where we will be greeted by the whose family were the original inhabi­ the plan are met. Among the actions director, Robert Bergman. The museum tants. The estate, built in the 1850s in the taken thus far: (1) the on-going Long­ CAAtoTour was founded when Henry Walters classical style, is on the National the 21st Range Plan Implementation Committee Update is developing an action/implementation 1 Baltimore bequeathed his collection of 22,000 Register of Historic Places. The house works of art to his native city of Balti­ includes a theater wing! which has a plan; (2) the Governance Committee is From the more. The permanent collections include theater and stage decorated by Leon Century preparing a comprehensive organiza­ 3 Executive Diredor ancient art, medieval art, Renaissance Bakst, the costume and set designer of tional handbook, reviewing and formal­ and Post-Renaissance sculpture and the Ballets Russes, and collections of izing definitions, charges, and guidelines Annual Conference decorative arts, old-master paintings, early 20th-<:entury paintings; Chinese for all CAA committees and editorial 3 Update 19th-<:entury painting and sculpture, blue-and-white porcelain; Tiffany boards, the procedures for filling these Session Asian art, arms and armor, and one of chandeliers; Japanese netsuke, inro, and committees and boards, and terms of ser­ Information the nation's most important collections lacquer; and rare books. vice; and (3) the Development Committee The deadline for all session and panel Legal Update 5 of illuminated manuscripts. A special Our final stop will be the Baltimore is addressing CAA funding needs. proposals for the 1992 conference is exhibition, "The Gothic Revival: The Museum of Art, where Arnold Lehman, The Development Committee's role October 1, 1990. e at the College Art Associa­ will be to increase the contributed income CAANews Illuminated Manuscript in Medieval the museum's director, will greet us. The tion national headquarters New address for John Wilson, chair, 6 of CAA so that our goals can be realized. and Modem Times,· will also be on museum's permanent collection is are both part of and witness British portraiture session: Curator of Directory of W There already exists a history of giving to Painting and Sculpture, Cincinnati Art display. The museum is generously extensive, including the Cone Collection, to changes in the association and the pro­ CAA. Foundations, foremost among Affiliated Societies offering a 10 percent discount at its comprising paintings and sculpture by fessions it serves. As we embark on the Museum, Eden Park, Cincinnati, 7 them the Carnegie Foundation, the Sa­ bookstore to our group. Matisse, Picasso, Renoir, Cezanne, van new CAA fiscal year as well as a neW OH 45202-1596; 513/721-5204; fax 513/ muel H. Kress Foundation, and the Getty Solo Exhibitions From the Walters the group will go Gogh, Gauguin, and other Postim pres­ academic year, our office staff is under­ 721-0129. Grant Program, have given generously to by Artist Members to Johns Hopkins University for lunch sionists; the American wing with taking the usual seasonal activities, 9 CAA over the years, especially to support and a tour of two historic properties. furni ture, decorative arts, paintings, among them, gearing up to send out publications. Distinguished art historian Lunch will be served in the late 19th­ miniature rooms, and period rooms; art membership renewals and process new Affiliated Society Millard Meiss bequeathed an endowment 10 People in the News century carriage house, one of the few from Africa, Oceania, and the Americas; and renewed memberships; working Calls for Papers to CAA that, in perpetuity, grants publi­ existing carriage houses that is still Asian art; European old masters; and a with editors to assure timely publication NAHIA (North American Historians of cation subventions for scholarly books. Programs, completely intact. Everything within the print and drawing collection. The of CAA journals, Positions Listings, and Islamic Art) will hold a majlis (meeting) CONTINUED ON PAGE 4 Institutions and individuals have been 11 New & Revised this newsletter; and organizing the an­ at the CAA Washington conference. giving to the Art Bulletin since 1925; a nual conference. In short, the day-to-day Planned are (1) an epigraphy workshop total of $48,000 was given in 1990 alone. activities of the association continue. But with Sheila Blair; register before Septem­ Grants, Awards, Members also give to the CAA through this is not all we do, and it is but a small ber 20 with NAHIA, c/o Susan Sims, 12 & Honors the sustaining and the newly created part of the activities and services that UCLA, Dept. of Art History, 405 Hilgard sponsoring memberships. Also, since many members would like us to sponsor Ave., Los Angeles, CA 90024-1417; and 1989, members have been giving volun­ Conferences & in the future. (2) a session on new research; send tary contributions along with their 13 Symposia At the beginning of the next millen­ abstracts for 20-minute papers to: D. annual dues. The Development Commit­ nium, CAA will be made up of an eX­ Fairchild Ruggles, CASV A, National tee will strive aggressively to build upon tremely active membership who will Gallery of Art, Washington, IX 20565. the existing tradition of giving. 14 Opportunities benefit from enriched programs and a DF (Design Forum) is organizing a It is important for all CAA members fortified governance structure. The long­ session for the CAA Wasrungton to remember that the Board of Directors Classified Ads range plan is the foundation for the posi­ conference. Send proposals to: Richard is elected from the membership and by tive growth we anticipate during the Martin, Shirley Goodman Resource 16 Information Wanted the membership. The six people newly 1990s (see CAA News, May/June 1990). It Center, Fashion Institute of Technology, Datebook elected will join the Board as your was prepared over the course of three Seventh Ave. at 27th St., New York, NY representatives; they will be making CAA News, a publication of the years by a large committee whose mem­ 10001-5992. Deadline: October 15, 1990. policy decisions on your behalf. A major College Art Association, is published bers represented. the various constituen­ reform in the voting process was put into six times a year. Materialfor cies ofCAA-professional, geographic, inclusion should be addressed to: effect last year: the results of the ballot gender, racial, and ethnic. During those are now binding, as opposed to "prefer­ Editor three years many members responded to CAANews ential" (previous nominating committees appeals in the newsletter for comments 275SeventhAvenue were"guided by the results of the prefer­ and suggestions; the CAA Board of Di­ NewYork,NewYork 10001 ential ballon. Mailed with this newslet­ rectors and dozens of other CAA com­ Telephone: 212/691-1051 ter are the list of candidates for election mittee members also had significant in­ to the Board for the term 1991-95 and a Editor~in-Chjef Susan Ball put. The resulting plan is intended to separate ballot. Make your voice count! Managing Editor Virginia Wageman position CAA to enter the 21st century Editor Nancy Boxenbaum Please cast your votes and return the as a prominent and powerful association. prepaid card.-Susan Ball Theater, Evergreen House, It is an ambitious plan, one that is depen- © 1990CollegeArtAssoclanon, Inc. Johns Hopkins University

CAA NEWS SHPTEMBER/ocroBER 1990 2 CAANHWS SEPTEMBER/OCTOBBR 1990 3 CAA TO TOUR BALTIMORE Legal Update CONTINUED FROM PAGE2 museum also has two sculpture gar­ L Whose dens. At the time of our visit a special exhibition of prints, lithographs, and drawings by Baltimore artist Grace Image Hartigan will be on view, as well as drawings by another Baltimore artist, Is It? Aaron Sopher. The Baltimore Museum is graciously extending a 10 percent discount (the museum members' discount) at its bookstore to our group. To reserve a space on the tour, complete the registration form and ontemporary artists often use return it with your payment by Decem­ appropriation-the copying of ber 21, 1990. Additional information Cexisting imagery-as the basis of their artistic expression. Such use of and confirmation notices 'Will be mailed preexisting images as a source for new to all participants by January 4, 1991. artwork has created conflicts with the Space is limited, so reserve early. The owners of the rights to the existing tour will be canceled if there is not a material under federal copyright and minimum number of participants. trademark law. Several artists have been sued for copyright and trademark Baltimore Museum of Art infringement for the use of appropriated images-but since the cases were settled Art Rogers, Puppies, 1980, out of court, no judicial opinions have photograph considered appropriation per se. Two 1------1 cases, however, both against New Reservation Form I York-based artist Jeff Koons, are I presently being argued in the federal Postconference II ~. district court in New York. In Art Rogers v. Jeff Koons and Tour of Baltimore, I Sonnabend Gallery, Inc., Art Rogers, a February 24, 1991 I professional California-hased photogra­ I pher and artist, created and copyrighted Yes, II we wish to join I a photograph titled Puppies. During 1988 the tour. Please make--­ and 1989 Koons created wood poly­ reservation(s) at $50/person. I chrome sculptures titled String of Puppies I that Rogers claims infringed on the Participants: I copyrighted Puppies and represent a I false designation of origin of the goods. NAME NAM€ I In another case, United Feature Syndicate v. Jeff Koons, United Feature, I the owner of the copyright in the ADDRESS ADDRESS I #Garfield# comic strip and the character Odie, who has been featured continually CITY STATE liP CODE CITY STATE ZIP CODE in the strip, sued Koons for violation of federal copyright law, among other TELEPHONE TELEPHONE claims. United Feature claims that Koons Enclosed is myI our check Mail reservations to: Deadline: infringed on its copyright by creating for: $ ______College Art Association December 21,1990 and selling a sculpture that pictures a dog that is copied from and bears a sub­ Please make checks payable Department T stantial similarity to the character Odie. to College Art Association. 275 Seventh Avenue The Copyright Act of 1976 provides Checks must be drawn on a New York, NY 10001 in section 106 that the owner of copy­ U.S. bank. right has the exclusive right to repro­ Jeff Koons, String of Puppies, 1988, polychromed wood, edition of three duce the copyrighted work and to COURTESYOFSONNABENDGAUERY L ______~ prepare derivative works; it also

4 CAANHWS SEPJ"EMBHR/OCTOBHR 1990 CAA NEWS SBPTEMBER/ocroBBR 1990 5 • provides that the copyright owner has the report that accompanied the copy­ may suggest only that the defendant has Affiliated interests and goals of all professionalsinvolved the exclusive right of publication, right law specifically included the gone beyond mere style to utilize Society News with the organization and retrieval of art infor­ performance, and display. example of parody. The section further elements that are lIexpressive." What­ Directory The Art Libraries Society of North mation. The society holds an annual conference, To prove copyright infringement, a provides that in any determination, the ever one thinks of Koons's art, should sponsors two annual awards for exceJlencein America (ARLIS/NA) is undergoing a copyright holder (plaintiff) must show court shall consider the follOwing the concept of fair use incorporate the art-related activities.. and publishes Art process of strategic planning in order to of Affiliated that the alleged infringer (defendant) factors, summarized as: (1) the purpose lIappropriation" concept? ~( Documenlalionquarierly,ARLIS/NAUpdafe better meet the needs of its members quarterly, an annual Handbook and List of copied the work. Copying may consist and character of the secondary use, (2) There are no simple answers to and to identify future directions for the Members, and a series of occasional papers. of a defendant's admission that he the nature of the copyrighted work, (3) resolve potential conflicts that result society. The process is continuing Societies Executive director: Pamela Jeffcott Parry,3900 E. copied or circumstantial evidence, amount and substantiality, and (4) the from artistic appropriation, and the throughout the year, with the current Timrod St., TUC8on,AZ 85711; 602/881-8479. usually access, which permits an effect on the market or value. Judges do space considerations of this newsletter focus on discussing draft objectives and inference of copying. The plaintiff must not have a consensus on the meaning of preclude any complex answer or sub­ specific courses of action. A nine­ prove that the copying went so far as to fair use, and judicial opinions reflect stantial analysis. Arts Council of member strategic-planning task force constitute improper appropriation. To Widely different notions. Thus, despite Suffice it to say that wherever the his directory is published the African Studies chaired by Lynette Korenic, president of this end, the copyright owner must the listing of the four factors. no clear line is drawn (and my instinct is that, if annually on the basis of ARLIS/NA, met at a two-day retreat in Association demonstrate substantial similarity guidelines have developed. at all, it should be within fair use) it information provided by Santa Barbara, Calif., in April. With the T ACASA founded 1982. Membership: 209. relating to protected material. Substan­ Koons argues that no infringement should take account of the goal of the CAA's affiliated societies. The societies assistance of a planning consultant/ Annual dues: $20regular and institutionaI;$5 tial similarity must go to copyrightable has taken place. Relying on the proposi­ copyright law: to stimulate activity and listed below have met specific standards student, retired, and unemployed. Purpose: to facilitator, the task force developed the expression and not to the idea or facts tion that facts and ideas are not copy­ progress in the arts for the intellectual for purpose, structure, range of activi­ encourage and promote the highest standards of following draft mission statement: to that are noncopyrightable elements. The rightable, he argues that even though a enrichment of the public by permitting ties, and membership enrollment ethical and professional behavior in the foster excellence in art librarianship for expansion of research and scholarship about line, however, between idea and person might witness an event and authors to reap the rewards of their reqUired for formal affiliation. expression is often elusive. The real record that event, this does not give that the advancement of the visual arts. Africanarts. ACASA holds periodic meetings creative efforts.-Barmra Hoffman, within the framework provided by meetings of battleground is which factors and what person any proprietary rights to it. As CAA Honorary Counsel The draft goal areas seek to (1) increase the effectiveness of art librari­ learned societies and other organizations for the test go into a finding of substantial applied to the Rogers case, the argument American purpose of reporting and discussing research ans and visual-resource curators; (2) similarity. is that Koons has taken the image of the Committee for and other matters affecting the field and For example, in the 1987 case of nonprotected event and thus does not increase the profession's effectiveness in publishes the ACASA Newsletter. Thearts Kisch v. Ammirati and Paris, Inc., the infringe on Rogers's copyright. Since the managing a constantly changing South Asian Art council also organizes the Triennial Symposium plaintiff had made a photograph of a expression and the fact converge, the environment; (3) expand cooperative ACSAAfounded 1966. Membership: 400. on African Art. Secretary-treasurer: Lisa woman seated in the Village Vanguard; photograph is entitled only to limited relations with other regional, national, Annual dues: $25 regular; $10student and Aronson, Art Dept.,SkidmoreCollege,Saratoga unemployed; $30 institutional; $50 contributing; Springs, NY 12866; 518/584-5000, ext. 2741. the woman Was holding a concertina protection. By selecting a different and international organizations; (4) exert a stronger, more influential role on $l00sustaining. Purpose: to promote the and behind her was a large mural On the medium of expression, most of the understanding of the arts of South Asia and matters affecting the organization; and Association of wall. The defendant was a photographer "photographic" and thus protected related areas, including India, Pakistan, NepaL hired by an ad agency who had made a elements are gone. (Normally, the (5) ensure the continued strength and Bangladesh, Sri Lanka, and SoutheastAsia. Research Institutes photograph of a man seated in front of change in the medium of expression vitality of ARLIS/NA. ACSAA publishes a biannual newsletter, in Art History At its 18th annual conference in supports a continuing slide project, and holds a the same mural in the Village Vanguard, does not preclude infringement, Le., a ARIAH incorporated in 1988. Full members: 10 major symposium every two years. Secretary: holding a saxophone, with a bottle of photograph of a painting.) CAA New York in February 1990, ARLIS/NA (American Academy in Rome; Center for Chandra L. Reedy, ArtConservationProgram, voted overwhelmingly to affiliate with Advanced Study in the Visual Arts, National lime juice on a table nearby. The EVidently this argument is difficult 303 Old College, University of Delaware, the Visual Resources Association (VRA). Gallery ofArt;CentreCanadien d'Architecture/ defendants conceded access. The court to apply in the United Feature case, Newark, DE 19716. in refuSing to dismiss the claim for where the source of the image is not fact News ARLlS/NA hopes to continue to work Canadian Centre for Architecture; Dumbarton Oaks; Getty Center for the History of Art and copyright infringement on a motion for but the imagination. John Koegel, closely with VRA, CAA, and other affiliate organizations on specific American Society the Humanities; Huntington Library, Art summary judgment noted that camera Koons's lawyer, has preViously argued for Hispanic Art Collections, and Botanical Gardens; J. Paul Getty angle, lighting, etc., might be protected that the appropriate test is IIwhether an projects and activities that will address Museum; Metropolitan Museumof Art; elements. The court stated: " ... with ordinary lay observer would regard the the issues and concerns arising from the Historical Studies Smithsonian Institution; Yale Center for British respect to the issue of unlawful appro­ aesthetic appeal of the two works to be the rapidly changing professional and ASHAHS founded 1975. International member­ Art). Affiliate member: 1 {American School of priation under the ordinary observer same." Koons has also raised other technologicalenvironments. ship: 150. Annual dues: $12 ..50 regular; $7. .50 Classical Studies at Athens). Purpose: to students;$17.50 institutional. Purpose: the advance education and scholarly research by test, the court is unable to conclude that defenses including fair use and the First NewCAA Recently ARLIS/NA also extended its support to the NEA for reauthoriza­ encouragement and advancement of studies and institutes of advanced research in art history and a rational trier of fact would not be Amendment. Committee related disciplines; to prOvide general and tion with full funding and without research in the history of the arts ofSpam and permitted to find substantial Similarity In Harper and Row Publishers v. CAA is pleased to announce the Portugal, promoting interchange of information continuing information about the scholarly content restrictions. ARLIS/NA hopes relating to protected material. Signifi­ Nation Enterpn"ses, the Supreme Court forma tion of the Commi ttee of Mem bers and ideas among members through meetings, activities and contributions of themember cantly, a rational trier of fact would be instructed that the effect upon the with Disabilities for Accessible Pro­ to be an advocate for other such issues publications, and other means it deems ap­ centers and to exchange administrative.. permitted to find that the underlying potential market for the work is "un­ grams and Places. The committee is that directly affect the profession and propriate. Newsletterpublished each spring and scholarly, and research information; to encourage cooperation among themember tone or mood of defendant's photograph doubtedly the single most important chaired by Jaqueline Ann Clipsham, and the society's ability to carry out its fall. General secretary: Janis Tomlinson, Dept. of Art History,Schermerhorn Hall, Columbia Uni­ institutions in the development of joint research was similar to the original conception element of fair use." Koons no doubt includes Judith Brodsky, Robert Harris, mission. The 19th annual ARLIS INA confer­ versity, New York, NY 10027. projects and other programs such as fellowships expressed in plaintiff's work." will rely on the fact that his sculptures Lois Kaggen, and Robert Kaufmann. and lecture series; and to help fund cooperative The basic defenses to infringement were not in competition with the The committee was, regrettably, de­ ence is scheduled for March 7-14,1991, Art Libraries projects and programs among the member are fair use and freedom of expression. plaintiff's works. prived of the valuable input of member in Kansas City, Mo. For information: Pa­ institutions. ARIAH meets twice yearly, in In 1976 Congress enacted the doctrine of While Koons's argument with Guy McElroy as a result of his untimely mela Parry, ARLIS INA Headquarters, Society of October and during theCAAannual conference fair use, which had been a judicial respect to the test for substantial 3900 E. Timrod St., Tucson, AZ 85711. in February. Chair: Herbert H. Hymans, Getty death in June of this year. North America Center for the History of Art and the Hu­ creation, as part of the copyright law. similarity offers almost no protection to People with disabilities with ARLIS/NAfounded 1972. Membership: 1,300. manities,401 Wilshire Blvd., Suite400, Santa Section 107 provides that reproductions the photographer, reliance on an concerns, ideas, etc., for the committee Annual dues: $55 individual; $35 student; $75 Monica,CA90401-1455;213/458-9811;fax213/ of copyrighted work for the purpose of lIappropriation" or "conceptand feeY' are asked to address them to: Jaqueline institutional and business affiliate. Purpose: to 458-6661. Secreiary: Anne-Marie Logan, Yale promote the development, good management, criticism, comment, news reporting. and test may result in protecting noncopy­ Clipsham, Aspidastra Studio, PO Box Center for British Art, 1080 Chapel St., New and enlightened use of all art libraries and teaching shall be fair use. In addition, rightable ideas. On the other hand, this 387, Califon, NJ 07830. t' Haven, Cf06520;203/432-2846; fax 203/432- visual-resource collections and to further the 9695. Bitnet: Britishl&YALEADS.

6 CAA NEWS SEPTEMBBR/OCTOBER 1990 CAA NEWS SEPTEMBBR/ocroBBR 1?90 7 'i

Design Forum: Historians of and education in the profession of visual resour­ Donald Lipski and Buzz Spector. Corcoran NORTHEAST/ ces administration. VRA publishes a quarterly Gallery of Art, Washington, D.C., December 8, Mary Abbott.BentonGallery,Southampton, History, Criticism Netherlandish newsletter, the VRA Bulletin; a schol:arly journal, Solo 1990-February 10, 1991. "TransgresSions." N.Y.,September29-Dctober 18, 1990. and Theory Art Visual Resources: An InlernJltionaJ Journal ofDocu­ menuuion; and a wideserles of special guides Catherine M. Allen. Soh020 Gallery, New York, DF founded 1983. Membership: 200. Annual HNA founded 1983. Membership: 300. Annual that cover the many changes and developments Exhibitions May 1989. dues: $10. Purpose: to nurture and encourage dues: $10 student; $20regular; $75supporting; MIDWEST/ laking place in the visual resource field, includ­ the study of design history, criticism, and theory $200benefactor;$100institutional. Purpose: to BarbaraAubin. Fairweather Hardin Gallery, PriDa Smith Brackett. Bunting Institute Gallery, ing technology, cataloguing standards, and and to prOvide, through its various events, foster communication and collaboration among Chicago,JuneS-July7,l990. "Personal Visions," RadcliffeCollege, Cambridge, Mass., March latest equipment and supplies. The association by 3O-April26, 1990. "In the Forest of the Night: better communication among its members, the Artist mixed-media works on paper. historians of Northern European art. HNA sponsors and organizes workshops and an Drawings and Paintings from the Amazon." academic and design community, and the public holds an annual meeting and program in annual conference. President: Carla Freeman, Rita Dibert Space Gallery, Western Michigan Saho Invitational Space, New York, September at large. DF holds an annual meeting in conjunction with theCAA annual conference, New York State College of Ceramics,Alfred University,Kalamazoo,Septemberl4-October 4-29,1990. "Reaching for the Light: Visions of a conjunction with theCAAannual conference publishes two newsletters per year and a Members University, Scholes Library, Alfred, NY 14802. 22,1990. Installation. International Fine Arts Lowland Rain Forest," paintings and drawings. and an autonomous symposium on design. DF DirectnryofMembers, and holds scholarly confer­ Gallery, Chicago, October 12-November 9, 1990. publishes a newsletter twice a year. 1989 chair: ences every 3 to 5 years. Secretary-treasurer: Photography. OrangeCoastCollege Photogra­ Toby Buonagurio. BerniceSteinbaum Gallery, Jon Montague,SUNY, College at Buffalo; 1990 DianeG. Scillia,School of Art, Kent State Women's Only artists who are CAA members are included New York,October 27-November 24, 1990. in this listing. Whensubmittinginformation, phy Gallery, Costa Mesa, Calil., October chair: Clayton Lee, UCLA; 1991 co-chairs: University, Kent, OH 44242. Caucus 15-November9, 1990. Photography. "Sculpturama:SunkenTreasuresGilded Richard Martin, FIT, SUNY, and Joseph Ansell, include name of artist,gallery or museum name, Pleasures." University of Maryland, College Park. Member­ International for Art city, dates of exhibition, medium. Please indicate Suzanne Evenson. MethodistTheological ship and publications coordinator: Clayton Lee, WCAfounded 1972. Membership: 3,700. Annual CAAmembership. School Gallery, Delaware, Ohio, June I-July 10, 1990. '''The Emotion SeriE'S: A Visual Journal," art Dept. of Design, UCLA, 405 Hilgard Ave., Los Center of dues: $20-$40 individual (sliding scale), with Photngraphs are welcome but will be used only quilts. Angeles, CA 90024--1456; fax 213/206-6676; e­ Medieval Art optional chapter dues; $50 institutional. Purpose: ifspace all(JWs. Photographs cannot be returned. mailinx5HAL@UCLAMVS. to win parity in the valuation of creative and SondraFreckelton. University of Michigan ICMAfounded 1956. Membership: 1,000. scholarly work by women; to create new oppor­ Museum of Art, Ann Arbor, July 6-September 2, Annual dues: $30 active.(U.5. only); $35 (all tunities for women to document, produce, and 1990. Prints and. watercolors. other countries); $15students (all countries); $50 Foundations in exhibit works; and to assemble for the exchange institutional; $1 00 contributing; $500 sustaining; ABROAD/ Benita Goldman. Saginaw ValleyState of ideas, experience, and constructivecriticism. Art: Theory and $1,000 benefactor. Purpose: to promote the study Graham Cantieni. MuseedE'S Beaux-Arts, University, University Center, Mich., Members include artists, art historians, writers, Angouleme, France, May30-June30, 1990. of medieval art and civilization from A.D. 325 to March-April 1990. Paintings. Education museum and gallery personnel, art agents, art 1500. ICMA publishes a scholarly journal, Gesta; Sculpture. Galerie Madeleine Lacerte, Quebec, FATE founded 1977. Membership: 300. Annual librarians, publishers, administrators, conserva­ John Gutmann. Allen Memorial Art Museum, a newsletter, which includes lists of dissertations Canada,Junel0-26,1990.Paintings. dues: $15. Purpose: a national organization tors, educators, collectors, students, and friends Oberlin College, Oberlin, Ohio, August on medieval art; and two continuing series, The concerned with introductory college-Ievelart of art. WCA offers a national network of 35 14-0ctober14,1990.Photographs. Census of Romanesque Sculpture in North American courses in both studio art and art history. FATE chapters, exhibitionsI national publications, an MID-ATLANTIC/ Collections and TheCensus of Gothic Sculpture in Susan G. Maakestad. Eureka College, Eureka, aims to promote discussion, analysis, focus, annual exhibition and catalogue of honor Paul Amold.JaneHaslemGallery, Washington, North American Collections. ICMA also organizes Ill., September 7-October 5, 1990. Paintings. strategies, goals, and understanding in this area awards, a quarterly newsletter (UPDATE), and D.C., June 13-July 7,1990. "40 Year Retrospec­ symposia and supports the publication of the Monmouth College, Monmouth, Ill., October of the art curriculum. A further objective is the an annual conference scheduled just prior to tive," woodcuts and intaglios. resultingpape:rs. Address inquiries to the 14-November14, 1990. Paintings. promotion of excellence in the initial under­ CAA's conference, which provides an occasion administrative assistant, Margaret Lubel, ICMA, Sydney K.Hamburger.Gallery 10, Washington, Therese Zemlin.Artemesia Gallery, Chicago, graduate learning experience in art and to help to teach, learn, present work, and celebrate The Cloisters, FortTryon Park, New York, NY D.C., july 17-August 11, 1990. September 1-29, 1990. Sculpture. foster the creative process. The FATE newsletter, scholarly and creative achievements by women. 10040;212/921>-1146. journal (FATE in Review), and regional confer­ President: lona Deering, 8306 Triton Lane, ences provide a platform and vehicle for Dallas, TX 75227;214/381-6443. National office: exchange and publication. Services also include North American WCA, MooreCollege of Art,20th& the sessions and participation at national confer­ Historians Parkway, Philadelphia, PA 19103;215/854-0922. ences and a national information exchange network. President: Stephen Sumner, Faculty of of Islamic Art Toby Buonagurio, Pirates and Art, University of Tulsa, 600 S. College Ave., NAHIAfounded 1983. Membership: 125. CAA welcomes as affiliated socie­ Pearls Treasure Chest, 1990, Tulsa,OK74104;918/631-2202. Annual dues: $15. Purpose: to promote high ceramic with glazes, lusters, standards of scholarship and instruction in the ties groups of artists or scholars whose acrylic paln~ flocking, gIlller, Gay and history of Islamic art; to facilitate communica­ goals are generally consonant with those glass gems Lesbian tion among its members through meetings and of CAA, with a view to facilitating en­ through the NAHlA Newsletter; and to promote hanced intercommunication and mutual Caucus scholarly cooperation among persons and Randall Carlson. Dartmouth College,Hanover, organizations concerned with the study of enrichment. It is assumed that a sub­ GLC founded 1989. Membership: 90. Annual N.H.,july17-August23,1990. Islamic art. NAHIA holds periodic mRjlis, or stantial number of the members of such dues: $20 employed; $510w income and meetings, of its members, often in conjunction groups will already be CAA members. Ed Colker. University Art Gallery, University at students. Purpose: to encourage, nurture, and Albany,State University of New York, June with meetings of CAA or MESA (Middle East To be recognized by CAA as an affilia­ publicize the study of gay and lesbian art 26-August 3,1990. "Prints for Poetry and Studies Association). President: Walter B. history, theory, criticism, and studio practice. ted society, a group must be national in Prose." Denny, UniversityofMassachusetts,Amherst. The caucus serves as a conduit of infonnation scope and must present evidence that it Secretary-treasurer: Renata Holod, Dept. of the Karen Finley. Brooklyn Bridge, N.Y., sponsored and ideas, a sponsor of academic exchange, a is primarily, or in large part, committed History of Art, University of Pennsylvania, by Creative Time, September28, 1990. ''impru­ means of social contact, and, through all of Philadelphia,PA 19104. to the serious practice and advancement dently Zealous," performance. these, works for the greater visibility of lesbian of the visual arts or to the study of some Babette Martino. Douglass College, Rutgers and gay people in the arts and, above all, the broad, major area of the history of art, greater equality of gays and lesbians in our Visual University, New Brunswick, N.J., October and that it possesses a formal organiza­ society. The caucus publishes a regular Resources 12-November 16, 1990. Paintings and drawings. newsletter and will be hosting a panel at the tional structure, Le., elected officers, an Rosalind-Kim ball Moulton. Burchfield Art CAA annual conference. Co-chairs:Tee A. Association identifiable membership, and such signs Center, State University College at Buffalo, N.Y., Corinne, 1199SunnyValley Loop, SUIUlyValley, VRA founded 1982. Membership: 759. Annual of ongoing activity as a newsletter, peri­ August l1-September23, 1990. Photographs and OR 97497, and Edward J. Sullivan, Dept. of Fine dues: $25 North America; $40 foreign; $50 con­ odical, exhibition record, or other docu­ Benita Goldman light drawings. Arts, New York University, 100 Washington Sq. tributing; $300 patron. Purpose: to establish a mentation. Information and guidelines E., Rm. 303, New York, NY 10003; 212/991>-8191. continuing forum for communication of are available from the CAA office. Secretary: Jonathan Weinbt?rg. information and ideas and to further research

8 CAA NEWS SEPfEMBHR/OCI'OBHR 1990 CAA NEWS SHJ7I'HMBHR/ocroBHR 1990 9

J curator of American decorative arts and Marjorie Moore. Portland Museum of Art, student's sensitivity to his or her curiosity. He James Klueg has been named assistantprofessor Stephanie Frenchhas been appointed vice­ Portland, Maine, July 19-5eptember23, 1990. had an ability to penetrate a student's process, in ceramics, jewelry and metals, and contempo­ sculpture at the Museum of Fine Arts, Boston. president for corporate contributions and People in dispel dogmatic thinking, suspend theweight of rary survey at the University of Minnesota, cultural affairs for Philip Morris Management "Perspectives," works onpaper and video. common logic, and ignite potency, which, for De1uth. Laura R. Fattal has been named. curator of Corporation. With the organization since 1981, Allen Schill. Esoterica Bookstoreand Gallery, whatever reasori, lay dormant. To this extent he education at the Jane Voorhees Zimmerli Art she had been their director of cultural and New York, summer 1990. "Mandalas and the News was aided by his vulnerability and a large Babalunde lawaI has been appointed to the Museum,Rutgers University. Fattal recently contributions programs. Related Works." measure of a sense of the ridiculous. He often Chair of Excellence in Art History at Memphis served on the faculty of the University of the Carol Sun. Bronx Museum of the Arts, Bronx, quoted a line of interior designer Maerose Prizzi State University. He comes to the university ArtsinPhlladelphia. Michael Kendall and Mary Ann Stankiewicz N.Y.,July 19-5eptember3, 1990. Paintings. from themovie Prizzi'sHonor, which illustrates from ObafemiAwolowo University, Ile-Ife, Dyo have been named program officers for the his sense of humor as well as a Wittgenstein-like Harriet W. Fowler has been appointed director Getty Center for Education in the Arts. Kendall ElizabethTracy. Watson Gallery, Wheaton State, Nigeria. In Memoriam sense of mystery: "The colors are right. ... of the University of Kentucky Art Museum. She College, Norton,Mass.,August3O-September was previously assistant professor in the That's what counts you know. Everybody sees previously was its acting director. Department of FineArts and art education 30,1990. "EleusisSeries," paintings. David L. Jacobs has been appointed chairman of Jimmy DeSana, photographer, died July27, shapes differently, but colors are forever." the Department of Art at the University of program advisor at MontclairStateCollege, N.J. JoycemarieWashbum.GraphicPlea.sures 1990. He was 40. Born in Detroit, he moved to Wherever Ralphis, the colors are right. Houston. Jacobs was formerly assistant and then Jonathan Green has been named director of the Stankiewicz was associate professor in the Gallery, Larchmont, N.Y.,September9-29, 1990. New York in 1973. He had his first New York -Susan Ebersole associate dean in the College of Liberal Arts at California Museum of Photography at the Departmentof Artat California State University, Oils and silks. exhibition in 1979 at theStefanotti Gallery. His the University of Texas, Arlington. University of California, Riverside. Green was Long Beach, and chair for art education. works provide artificial alternatives to the real Craig Owens, art critic and editor, died of AIDS, professor of photography and founding director world and have a surrealist nature. Most July 4, 1990, at the age of 39. Owens graduated Susan Rankaitis has accepted the Fletcher Jones of the Wexner Center for the Visual Arts at Ohio SOUTH/ recently he created images executed exclusively from Haverford Collegeand attended. the Chair in Painting at Scripps College in State University. Jack Girard. Merlan Gallery, Transylvania in a darkroom by suspending objects over graduate school at CUNY. From 1980 to 1986 he Claremont, Calif. Shewas formerly the Agnes University, Lexington, Ky., September radiant fields of color. His most recent exhibition was a senior editor at Art in America. He also Boumefellow in painting and photography at Donald E. Jones has been appointed director of 23-0ctober19,199O.Constructions,drawings, was at the Pat HeamGallery, New York, in 1988. wrote art criticism, most often for October and the DjerassiArt Foundation and a resident artist development at the Portland Museum of Art, installation, and performance. Art in America, and helped to formulate the art at La NapouleArt Foundation in France. Maine. He comes to the museum from the Richard Hamwi. University of Kentucky Art John F. Fitchen IU, professor emeritus of fine world's definition of postmodernism. Over the Detroit Institute of Arts, where hewas associate Museum, Lexington,August 12-October 7,1990. arts at Colgate University, died June 3, 1990, at years he taught at many institutions, including Robert E. Simon has been made interim director of development. the age of 85. Filchen graduated from Yale Programs, Watercolor collages and drawings. University of Hunter College, the School of the Art Institute of administrator of the Art Institute of Boston. IndianapolisArtGallery,November10-Decem­ University in 1927 and received his M.Arch. Chicago, Yale, Barnard, the University of Simon, who is currently the school's dean of Marge Lee is the new public information her 7, 1990. Watercolor collages and drawings. from Harvard in 1931. He joined the Colgate Virginia, SUNY Rochester, and the Whitney academic and faculty affairs, replaces outgoing director at the Baltimore Museum of Art. She faculty in 1934 and retired in 1971 after having formerly held the same position at the Saint New Museum of American Art. president William H. Willis, Jr. & served for several years as head of the fine arts Louis Art Museum. SOUTHEAST/ department. In 1979 Colgate awarded him an Jan Stussy, a West Coast artist, died July 31, Frederieke Taylor is the new executive director Paula Braswell. 621 Gallery, Florida State honorary doctorate of fine arts. Fitchen was a 1990. Hewas 68. Stussy was a former chairman for administration at the Skowhegan School of Leslie Luebbers has been appointed director of Revised University, Tallahassee, April20-27, 1990. widely published author and an authority on of the UCLA Art Department and the first artist Painting and Sculpture. Shewas formerly the University Gallery at Memphis State Installationsandsculpture. Gothicarchitecture. to be appointed senior professor. Best known as director of the MacDowell Colony and served as UniverSity. She is the former director of the World Print Council in San Francisco and co­ Ann ElizabethP. Nash. Lamar Dodd Art a painter,Stussy also worked in other media. In. a consultant and curator for numerous art Gerald Hedley, art restorer, died July 24, 1990, director of International Art Projects in San Center, laGrange College, laGrange, Ga., 1977 he won an Academy Award for best institutions. in a mountaineering accident in the French Alps. documentary for which he Francisco and New York. September 15-0dober31, 1990. "Second Room." Gravity Is My Enemy, The American Association of Museums has Hewas 41. Hedley was a leading expert in art Sarah Wagner has been named executive produced. announced a new standing professional conunit­ HowardenaPindell. Heath Gallery, Atlanta, restorationandadvisedmuseumsthroughout director of development and alumni affairs for Alison Petre is the new education coordinator at tee-theCommitteeon Museum Professional Ga., July 10-August 4, 1990. "Autobiography." the world. He also lectured at the Courtauld Gary A. Reynolds, 40, curator of painting and the School of the Art Institute of Chicago. the Knoxville Museum of Art. She is a former art Training. This committee is charged with the de­ Institutein London. sculpture at the Newark Museum since 1983, Wagner was previously assistant director of instructor and artist-in-residence. velopment and promotion of training standards died July 23, 1990, from AIDS-related causes. development at the Museum of Science and for all museum profesSionals and will concern WEST/ Ralph Humphrey, professor of art at Hunter Reynolds was a specialist in 19th-and 20th­ Industry in Chicago. Michael B. Reed has been named museum itself with the entire spectrum of training Beth Bachenheimer. El Camino College, College of the City University of New York, died. century American painting and wrote exten­ manager at the Contemporary Arts Museum in Torrance, Calif., October 1990. Brand Art options/opportunities available to aspiring or July 15, 1990, at the age of 58. He is survived by sively on early American art. He was also New York. Hewas most recently production current museum professionals in the United Library,Glendale, Calif., February 1991. his wife, Karen, and his daughter, Beth. curator of the Alex Hillman Family Foundation, technician at the Science Museum of Minnesota. Museums and Galleries States. COMPT is open to all AAM members. Pamela Leeds. Claremont Graduate School Humphrey was born in 1932 in Youngs­ which has an Impressionistand Postimpression­ For information: Bryant F. Tolles, Jr., COMPT, Gallery, Claremont, Calif., September 1-14,1990. town, Ohio, and studied at Youngstown State ist collection. In 1972 he graduated from Trinity David S. Rubin has been named associate Kenneth Ames is the new chief of history at the c/o Museum Studies Program, 301 Old College, "Detonations on the Battlefield of Memory," University. h Roberta Smith stated. in his University, and in 1977 he received a master's director/chief curator at theCleve1and Center New YorkState Museum. Ames was formerly University of Delaware, Newark, DE 19716; photography and installation. obituary for the New York Times, Ralph degreefrom Brooklyn College. Hewasformerly for Contemporary Art. Prior to this appoint­ historian and administrator at the Winterthur 302/451-1251. Humphrey was "an abstract painter whose ment, Rubin served. as director of the Freedman Pam Longobardi. San Francisco Museumof curator of the Grey Art Gallery and Study MuseuminDelaware. works were a link between Abstract Expression­ Center at New York University and curatorial Gall",)" Albright College, Readlng,Pa. Modern Art, May S-Junel, 1990. Paintings and The Asia Art Museum of San Francisco has ism and Minimalism." A superb colorist, in the assistant at the Brooklyn Museum. works on paper. Knoxville Museum of Art, Barbara R. Butts has been appointed curator of opened its newly installed Richard Gump Gal­ past two decades Humphrey constructed RichardJ. Wattenmakerhas been appointed di­ Knoxville, Tenn.,Junel-August 12, 1990. "States prints, drawings, and photographs at the Saint lery of Indian Art. Thereinstallation had been architecturally assertive works that projected rector of the Archives of American Art, Wash­ of Matter," installation. Louis Art Museum. She was formerly assistant delayed due to the 1989 earthquake. The space into the viewer's space. ington, D.C. He was formerly director of the Academe curator of prints, draWings, and photographs at has been expanded. to accommodate more works Robert C. Schick.ArtScapes Gallery,Saratoga, Humphrey had numerous solo exhibitions Flint Institute of Arts in Michigan, and recently the Museum of Fine Arts, Boston. including miniature paintings, decorative arts, Calif.,July 9-August31, 1990. Drawings. in New York, Los Angeles, Boston, and Chicago. he has pursued his own research and writing. His most recent exhibition was at the Mary Edward Bleiberg, assistant professor of art sculpture, colored aquatints, and jades. James B. Thompson. Hallie Brown Ford Art Madelyn Crawford and Robin Smith have new Boone Gallery in March of this year. A show of history at Memphis State University, has been John Human Wilson IUhas been appointed Gallery, Willamette University, Salem, Oreg., positions at the San Jose Museum of Art in A Day without Artis being planned for his early paintings will be exhibited at Mary appointed director of its Institute of Egyptian curator of paintings and sculpture at the Cincin­ Octoherl990. Western Oregon College Art California. Crawford is the curator of education. December I, 1990, as a national day of action BooneinSeptember 1990. His work is repre­ Art and Archaeology. nati Art Museum. Wilson was most recently at Gallery,Monmouth,Januaryl991. She was formerly the historical and arts and mourning in response to theAIDS crisis. sented in numerous public and private the Spencer Museum of Art in Lawrence, Kans. collections, including the Museum of Mod ern Lorelei Corcoran has been named assistant coordinator for the town of Los Gatos. Smith is The day is designed to celebrate the achieve­ Art and the Whitney Museum of American Art. professor of art history and assistant director of the associate director of development. Previ­ ments and the lives of colleagues and friends His legacy as a teacher is unparalleled. the Institute of Egyptian Art and Archaeology, ously shewas assistant director of development Organizations while mourning the losses sustained by the Humphrey was gifted with a wide emotional both at Memphis State UniverSity. She was with the Denver Symphony Orchestra. creative community, to encourage action to cure spectrum as well as a probing intellect and formerly assistant curator at the Oriental and care for all people with AIDS, and to taught by the force ofhis indefatigueable Institute Museum at the University of Chicago. Lauretta Dimmickhas been appointed the Gates Ellsworth H. Brown is the new president of the educate people about the HIV infection. Groups American Association of Museums. He is presi­ enthusiasm. He transmitted a belief that Foundation curator of American art and curator and individuals are encouraged to participate by dent and director of the Chicago Historical inspiration is everywhere. Asensualist by Christopher Fulton is a visiting instructor in art of painting and sculpture at the Denver Art producing an effective activity designed to nature, Humphrey focused on heightening a history at the University of Minnesota, Deluth. Museum. Dimmickwas previously assistant Society. increase awareness and elicit active concern and

CAA NEWS SEYmMBER/OCfOBBR 1990 10 CAA NEWS SIWfBMBBR/OCIOBHR 1990 11 on an art-planning team with Caltrans Nadine M. Orenstein, New York University, and domestic economYilandscapeand The Weatherspoon Art Gallery, in Greensboro, Fund for 12 days of drawing and photography Architects for 8 bus stations 1n Los Angeles. Instituteof Fine Artsi D. Fairchild Ruggles, architecture;andindustrialarchaeo1ogy. N.C., opens a new facility designed by Mitchell/ in a jungle in Costa Rica. UniversityofPenmylvania;BarbaraElien Proposals should be 250 words, indicating the GiurgolaArchitectsand Boney Architects. Janet Charlotte Smith was awarded the Andrew Shapiro, Harvard University; Frederic J. subject of thepaper and its relevance to the Named the Anne and Benjamin Cone Building, Gloria DeFiJipps Brush, professor and head of W. MellonPostdoctoralFellowship atNew York Schwartz, Columbia UniversityiPhUip themes of both the conference and the particular session for whichit is suitable. Send proposals it features exhibition space, a sculpture the Department of Art at the University of University. Hotchkiss Walsh,Harvard University; Ethel courtyard, art storagespace, and study areas. Minnesota-Deluth,hasreceived a 1990 Fi1min Sara Wolper, University of California, Los to: Lu Ann DeCunzoand Bernard Herman.. theCities/McKnightFoundationPhotography David Tatham, a professor offme arts at Angeles. Officeof Advanced Studies, Winterthur Museum, Garden, and Library, Winterthur, DE The Zimmerman House, designed in 1950 by Fellowship. Syracuse University, has received that Frank lloyd Wright, will open to the public institution's William WasserstromAward for The Getty Grant Program has presented the 1m.;. Deadline: December 31,1990. starting October 18, 1990. The house, whose Carmen Bambach Cappel, assistant professor of Exce1lencein GraduateTeaching. following honors in their programs: furniture, textiles, and gardens werealso art history at Fordham University,N.Y.,has re­ conservation:Consejo Nacional para la designed by Wright, is in Manchester, N.H., and ceived an Andrew W. Mellon Postdoctoral Fel­ EleanorTufts, professor atSouthem Methodist Proteccion dela Antigua Guatemala; United To Attend is listed on the National Registerof Historic lowship from the Metropolitan Museum of Art. University, Dallas, Tex., was elected acorreo­ Kingdom InstituteforConservation: United Places. Thehousewill remainopen under the sponding member of the Hispanic Society of Society ofShakersiari museums:Asian Art The Corning Museum of Glass, Corning, N.Y., auspices of the Currier Gallery of Art, which Giovanna M. Doyle, a teacher at San Antonio America in recognition of her Spanish scholar­ Museum Foundation of San Francisco: Walters will host lectures on Russian glassmaking as headed the extensive restoration project. College and St. Mary's University, was awarded ship.She has also been elected a corporator of ArtGallery;scholarship:Academie partof its 30th annual seminar on glass, October a grant through San Antonio College to present the International Institute in Spain. d'Architecture;Gerard Nicolini, Techniques des 10-13,1990. Lecture topics will alsoinclude a paper and chair a panel at the 22nd annual Drs Antiques: LA Bijouterie Ibirique du VIle au V111e Pittsburgh lampmakers of the kerosene era, Southwestern Council of Latin American Studies The American Council ofLearned Societieshas SiecleiSmithsonlan Institution; University of giassmaking in New Jersey, glassmaker Harry Conference in Monterrey, N.L, Mexico. awarded grants and fellowships for postdoctoral California Press. Northwood,and Blaschkas. Forinfonnation: research to the following CAAmembers: Janet Seminar,ComingMuseumofGlass, 1 Museum WITHOUT ART Sheila Edmunds has been awarded a travel Abramowicz,Harvard Universityi Samuel D. Way,Coming,NYl4830-2253. grant through the American Council of Learned Albert, Yale University;Elizabeth C. Childs, Grants, Societies to attend Colloquelnternationale SUNY Purchase: S. Hollis dayson, Northwest­ Czech ArtisticPatronage 1250-1980, a Amoo.~/Felix V in Lausanne, Switzerland. ern University; Linda J. Docherty, Bowdoin Col­ symposium sponsored by the International legei Samuel C. Morse, Amherst Collegei Ro­ Research Exchanges Board and the Art Awards, & Rochelle Feinstein and Douglas Ritter have berta Olson, Wheaton College; Susan Wright Conferences Historical Instituteof the Czechoslovak received Mid AtlanticArts Foundation/NEA A Day without Art, Rather, UniversityofTexas,Austin; Wendy Academy of Sciences in Prague, will be held at Visual AIDS Visual Arts Regional Fellowships in painting. Wassyng Roworth, University of Rhode Island. Princeton University,Octoberl4-15, 1990. Honors Papersonmedieval,Renaissance,Baroque,and Creighton E. Gilbert, professor of art history at The Center for Advanced Study in the Visual & Symposia modem topiCS will be presented by art support. For lnformation: Patrick O'Connell, Yale University, received an honorary doctora te Arts, at the National Gallery of Artin Washing­ historians from Prague. For information: IREX, VlSualAIDS, 108 Leonard St., 13th fl., New York, PubliClltion policy: Only grants,tlWllrds,or honors ofhumaneleUersfromAdelphi University, ton, D.C., has announced. thefollowlng visiting 609/68>-9500. NY11lO13;212/513-0303. received by individual or institutional members of the Garden City, N.Y. fellows: Samuel H. KressProfessor.Per CoUege Art As.sociJ

CAA NEWS SHPTHMBBR/OCIUBBR 1990 13 12 CAA NEWS SEPTHMBBR/OCIOBER 1990 made through the chair of the appropriate grad­ field and time period but should be concerned least threeprofessionally organized visual or uatedeparbnent. Forinformation: Fellowship with problems and questions of human life. For Cleo Meets Medusa: ContendingwithHistory librarianship. Entrants must he in an accredited For information: Ann Holcomb, Nexus media arts exhibitions each year, and is an artist­ Program, Center for Advanced Study in the infonnation: Newcombe Dissertation Fellow­ and the Visual is a conference sponsored by the graduatelibraryprogram, a post-MIS graduate Contemporary ArtCenter,PO Box54661, run or small to mid-sized contemporary arts VisualArts,NationalGallery of Art, Washing­ ships, Woodrow Wilson National Fellowship University of British Columbia, Vancouver, program in art history, or a related discipline for AUanta,GA30308;404/688-2500. organization. For information: Mid AtlanticArts ton, DC 20565;202/842-648O;lax202/40S-8531. November 15-17, 1990. Speakers will focus on theyear 1990. Papers should be no less than Foundation, PO Box 642, Princeton, NJ 08542. Foundation, 11 E. Chase St., Suite 2A, Baltimore, Deadline: November 15,1990. Deadline: December 14,1990. aspects of thepoststructuralist legacy for art 2,000 words, with an abstract of250 words. The Whose Choice? an exhibition open to male and MD21202;301/539-6656. history and art criticism. For information: Dept. winner receives a one-year membership in female artists in all media on both sides of the The Whitney Humanities Center, Yale The Smithsonian Institution offers a variety of of Fine Arts, University of British Columbia, ARUS/NA, a $200 cash award plus $300 for abortion issue, will be sponsored by the University, offers annual fellowships through fellowships. Senior postdoctoral fellowships are Vancouver,BC, V6TIW5;604/22g..2757. travel reimbursement if the winner attends the Peninsula chaplerof the Women's Caucus Call for Manuscripts the Anne S. Richardson Fund and the Horace W. offered to scholars who have held the degree for ARLIS/NAannual conference. For information: for Art in Belmont, Calif., February 1991. For Goldsmith Foundation for junior faculty in the more than 7 years. Postdoctoral fellowships are The Future of Jewish Monuments, a conference Deirdre D. Spencer, Gerd Muehsam Award information: 1870 Ralston Ave., Belmont, Exposure, the journal for the Society for humanities. Candidates are expected to have offered to scholars who have held the degree for organized by the JewishHeritageCouncil of the Committee, PO Box 3292, Ann Albor, MI 48106; CA94002. Photographic Education, will publish thematic taught for at least 2 years since the receipt of less than 7 years. Each fellowship applicant must World Monuments Fund, will be held at the 313/764-5405; lax 313/763-5080. Doulline: issues over thenext two years, exploring topics their doctorate; to present a project for original submit a detailed proposalincl uding a justifica­ BrookdaleCenter in New York, November Decemberl,1990. vital to the field of photographic education. scholarly research or for significant redesign of tion for conducting research in residence at the 17-19,1990. The conference willaddress the Issues currently planned include recent books Grants and Fellowships curriculum in the humanities; to teach one institution. Predoctoral fellowships are offered issues of preserving monuments of Jewish on photography, representations of Native course; and to participate in the intellectual life to doctoral candidates who have completed heritage. For information:Samuel Gruber, Americans: past and present, and photographic Calls for Entries The SolOS Visiting Senior Research Fellowship of the center. Stipends range from $20,000 to preliminary course work and examinations and Jewish HeritageCouncil, WorldMonuments history reconsidered. To propose articles or book Program is administered by the Center for $30,000. Forinformation: Peter Brooks, Whitney are engaged in dissertation research. Candidates Fund, 174E. SOthSt., New York,NY10021. reviews for one of these issues, send an abstract Listings ha'Qe not been screened, soartists should Advanced Study in the Visual Arts forscholars Humanities Center, Yale University, POBox must have the approval of their universities to from Central Europe and the U.S.S.R. The 2968, Yale Station, New Haven,CT06520. oroompleted manuscript to: Patricia Johnston, The National Council of Art Administrators consider making inquiries before submitting conduct doctoral research at the Smithsonian. fellowships include 2 months at the center for Deadline: NO'Qember 15, 1990. Exposure,Art Dept.,SalemState College, 352 will hold its annual conference in E1 Paso, Tex., materials, ptuticulRrly when a Luge fee is required. Graduate student fellowships are offered to research and 2 months of travel to visit other LafayetteSt., Salem, MA 01970. November29-December2, 1990. Theconference Due to limited sptJa, t~ Mmes of jurors ha'Qe not students to study and conduct research under institutions. Eligibility is limited to those who The Women's Studio Workshop has book will address funding, freedom, responsibility, been listed. the guidance of Smithsonian staff members. have held a PhD for more than 5 years and have production grants designed for artists who and the multicultural challenge, with a focus on Students actively engaged ingraduatestudy at a record of professional accomplishment. For cannot work in residence and who arepra­ Publications Hispanic demographics, recruitment, and any leve1must submit a proposal for research in information: Center for Advanced Study in the related minority issues. For information: Gaty The Farrington-Keith Creative Arts Centeris dueing a small,low-tech project. For informa­ a discipline pursued at the Smithsonian. For Visual Arts, NationalGallery of Art, Washing­ Edson, NCAA, The Museum, TexasTech sponsoring a print exhibition December I, tion: WSW, PO Box 489, Rosendale, NY 12472; information: Office of Fellowships and Grants, Current NEHExhibitions provides a list ton, DC 20565; 202/842-648O;lox202/408-8531. University, PO Box 4499, Lubbock, TX 79409; 1990-Januaty 12, 1991. The exhibition will be 914/658-9133. Delldline: November 15, 1990. Smithsonian Institution, Washington, OC20560j reflecting the scope and variety of exhibitions Delldlines: September 21,1990;March 21, 1991:and 806/742-2242. held at the Clara Kottvon Storch Gallery, Dex­ 202/287-3271. DMdline: January15, 1991. and permanent installations funded by the NEH ter, Mich. For information, send 25¢ SASE: Na­ September2I,1991. The Getty Center for the History of Art and the Programs for Humanities Projects in Museums The 12th Annual Barnard Medieval and tional Print Exhibition, 8099 Main St., Dexter, MI Humanities has an annual residential fellowship Fulb.right Grants for U.S. scholars to lecture, and Historical Organizations. For a free copy: The Richard A. Florsheim Fundis intended to Renaissance Conference will take place 48130; 313/426--0236. Deadline: Oerober 31,1990. program for 1991-92 students who will complete conduct research, or both at universities in Humanities Projects in Museums and Historical assist older living American artists of merit in their doctoral dissertations within 1 yearor Organizations, Rm.420, Div. of General December 1, 1990. The topics of new history and Canada and for Canadian scholars to work at any of the follOWing ways: exhibition funding, those who have received their doctorates within Programs, National Endowment for the criticisms of new history under the title 'The The 5th Parkside National Small Print universities in the United States are now catalogue production, purchase and donation of the past 3 years. For infonnation: Herbert H. Humanities, 1100 Pennsylvania Ave., NW, Future of History in Medieval and Renaissance Exhibition will be held January 13-February 24, available. Applications will beaccepted in any works, and/or partial funding of monographs or Hymans, VisitingScholars and Conferences, Washington,OC20506;202/786-0284. Studies" willbeaddressed. Forinformation: 1991.All printmed.ia, includingmonoprints, discipline within the social sciences and books. Artists and institutions may apply. For Getty Center for the History of Art and the Jean McCurry, Medieval and Renaissance will beconsidered. Maximum 18" height or humanities. Forinformation: CouncUfor information: August Freundlich, FlorsheimArt ~-Iumanities,401 Wilshire Blvd.,Suite400,Santa Conference, Barnard College,3009 Broadway, width. For information: Doug DeVinny, International Exchange of Scholars, 3400 The Handicapped Funding Directory lists over Fund Board of Trustees, c/o Univet'SityofSouth New York,NY 10027. Parkside NationalSmall Print Exhibition, Art Monica,CA90401-1455. International Dr., NW, Suite M-500, Box NEWS, 1,200 funding sources of programs and services Dept., UniversityofWisconsin-Parkside, Florida,3033, Tampa, FL33620-3033. Delldlines: i Wasrungton, DC2000B-3097;202/6B6-6245. f~r the disabled. The directory provides profiles October 1, 1990,and March 1,1991. The American Committee for South Asian Art Kenosha, WI 53141;414/553-2581. Delldline: The Stanford Humanities Cenleroffers Deadline: JanUllry15, 1991. on foundations,corporations, government will hold its 5th annual symposium at the November 24,1990. fellowships to postdoctoral scholars and agencies, and associations, and guidance on The Getty Grant Program offers research grants Arthur M. SacklerGallery and the Freer Gallery teachers in the humanities or those in other The American Antiquarian Society offers securing a grant. To order, send $39.50 plus $4 in the history of art. Postdoctoral fellowships are of Art of the Smithsonian Institution, Washing­ Gallery on the Circle, through the Maryland fields working on related projects. The several research fellowships for library handling to: Research Grant Guides, Dept. 3A, available to scholars with a PhD, or foreign ton, D.C.,April 19-21, 1991. The theme of the Federation of Art, will host an exhibition of fellowships are intended to enable fellows to collections of American history and culture PO Box 4970, Margate, FL 33063. equivalent, received between January 1,1985, sYmposium is current research, with papers photography,January3-27, 1991. For infonna­ pursue research and writing, but they must also through 1876. Stipends are available. For and January 1, 1991. Senior research grants are related to the history of South and Southeast tion, send SASE to: Gallery on the Circle, devote time to teaching or in some other way information: John B. Hench,American TheOverviewofEndowmentProgramsisfree available in interpretive research and planning, Asian art, archaeology, conservation, and folk Maryland Federation of Art, 18 State Cir., contribute to the intellectual life at Stanford Antiquarian Society, 185SalisburySt., Worc­ to those interested in applying for grants in over and study, to mid~career and senior-level arts. For information: Arthur M. Saclder Gallery, Annapolis,MD21404;301 1268-4566. Deadline: University. For information: Fellowship ester, MA 01609; 508/752-5813 or 755-5221. 30 programs at the National Endowment for the scholars. Forinformation: Research Grants, Freer Gallery of Art, Smithsonian Institution, NO'Qember27,1990. Program,Stanford HumanitiesCenter, Mariposa DMdline: JanUllry15,1991. Humanities. Thebooklet also explains how to Getty Grant Program, 401 Wilshire Blvd.,Suite Wasrungton,DC20560;202/357-1924. House, Stanford University, Stanford, CA 94305- get application forms, when to apply for grants, Women's Art Works, a national exhibition of 1000,Santa Monica, CA 90401-1455;213/39:>- 8630. Deadline: December 1, 1990. The American Society for Hispanic Art and who to contact for help or infonnation. For works on paper, will beheld March 1-31, 1991. 4244. Delldline: NO'Qember 9,1990. Historical Studies has a grant program for the a copy: NEH Overview, Rm. 406, ll00Pennsyl­ Sponsored by the Greater Rochester Women's Winterthw Museum, Garden, and Library acquiSition ofphotographs for graduate vania Ave., NW, Washington, IX 20506; 202/ Fund, the exhibition is open to all women. $15 The American Academy in Romeannounces offers a variety of research fellowships in the students who arepreparingdoctoral disserta­ 786-0438. for 2 slides. For infonnation, send SASE to: 1991-92 Rome Prize Fellowships in the Fine Arts humanities related to advanced study in tions on topics in the history of Spanish or and Art History. Awardees receive a stipend, Greater Rochester Women's Fund, c/o Botmie American artistic, cultural, social, and inteDec­ Portuguese art and architecture. For informa­ travel allowance to and from Rome, travel McDonald, 335 Main St. E., Suite 402, Rochester, tualhistory. For information: Katharine tion: Janis A. Tomlinson, Dept. of Art History funds, housing, mostmeais, and studio/study Workshop Opportunities NY 14604. Martinez, ResearchFeIlowship Program, and Archaeology, Schermerhom Hall 826, space. Forinformation: Fellowships Coordina­ Winterthur Museum, Garden, and Libraty, Columbia University, New York,NY 10027. tor, American Academy in Rome,41 E. 65th St., Xian liaotong University, in cooperation with The Drawing Center invites artists to participate Winterthur, DE 19735j302/888-4649. Delldline: Delldline: JanUllry15, 1991. NewYork,NY10021-650B;212/517-4200. the Fundan Museum Foundation,offers summer in their viewing program and have work December 1, 1990. Delldline: November 15, 1990. excavation practicums in combination with a 2- considered for group exhibitions. Any artist not The Visual Arts Travel Fundis anew program week tow of China. For infonnation: Alfonz Charlotte W.Newcombe Dissertation Year represented by a commercial gallery in New The National Gallery of Art, Center for Ad­ sponsored by the Mid Atlantic Arts Foundation. Lengyel, 1522 Schoolhouse Rd., Ambler, PA York City is welcome. For information: 212/219- vanced Study in the VisualArhi, has predoctoral Fellowships are available to doctoral candidates The grants assist curators and administrators 19002;215/699-6448. Award 2166. fellowships for scholarly work in art history, ar­ at graduate schools in the United States. from small to mid-sized organizations in chitecture, and urban fonn. Fellowships range Applicants must expect to complete disserta­ attending conferences, workshops, and special Nexus Gallery isaccepUng applications for from 1 'to 3 years and are intended to support tions by August 1992. The award is intended to exhibitions. Applicants must beemployed as The Art Libraries Society ofNorlh America artists to participate in the PoplarStreei Window doctoral dissertation research. Applicants must aid the last full year of dissertation writing. administrators or curators of a visual arts or announces its 1990Gerd. MuehsamAward, Series. Works in all media will be considered. To havecompleted theirresidencerequ1rements ""roposals must have ethical or religious values media arts organization that is a nonprofit given annually to a student for the most apply, send a proposal, slides of current work, a and course work for the PhD and general or pre:­ JS a central focus. Dissertations may be in any organization in the mid-Atlantic states, offers at outstanding paper on art or visual-resource resume, SASE, and other supportive material. liminaryexaminations.Applicationsmustbe \,

CAA NEWS SHPTHMBHR/ocroBER 1990 15 14 CAA NEWS SIWfEMBER/OCIOOER 1990 Create an InstantArt-Reference Library. Correction Complete orvery long runs of MaMA cata­ Datebook logues, Wittenborn Documents of Mod em Art, AB an addendum to the list of sponsoring and Pelican History of Art, McGraw-Hill Encyclope­ September 21 sustaining members that appeared in the last dia of World Art, Perspecta,more. Sold as sets Deadline for submitting material for the newsletter,CAAgratefullyacknowledgesthe onlYisomeodd volumes also available. Ust from October 18 Positions Listings contribu lions of the following members: Robin Bledsoe, Bookseller, 1640 Massachusetts sponsoring: Ronald R. Atkins, S. Gilliam, Frank Ave., Cambridge, MA02138j 617/576-3634. October 1 R. Horlbeck,sustaining: Virginia Caprio, Roger Deadline for submitting material for the MandIe, Jean M. Massengale, Cathy Directory of Fine Art Representatives and November/Decembernewsletter Montenegro, Barbara D. Nosanow, Alfred R. Corporations Collecting Art.. Second Edition, Deadlinefor Millard Meiss Publication Fund Schmidt, Linda Seidel, John Wilton-Ely, Joyce includes over 2,000 entries with information as applications Zemans. to style,medium, target market, review Deadline for nominations for CAA awards procedures, etc. Amust for all artists seeking representation. $44.95. Order with your Am Ex/ October 16 MC/Visa at 1-800-383--0677 ,or send SASE for Deadline for submltting material for the more information to: PO Box369-CAA, November 15 Posi lions Listings Classified Ads Renaissance,CA 95962. November 1 Art Calendar. Themonthly marketing and Full-Color Reproduction. 200-lineseparations, Deadline for mailing Board of Directors career management journal for visual artists. coated 12 pt. stock, and varnished. Write for ballot Articles: marketing; art law; federal updates; samples: Imagesfor Artists, 2543 Oeinview, Deadline for submission of travel-grant other issues affecting artists; the psychology of Cincinnati, OH 45206. applications for 1991 eAA conference creativity; interviews with arts professionals, ie., Deadlinefor session/panel chairs to submit curators, gallery directors. listings: thorough requests for A V equipment other than the coverage of upcoming exhibitions, grants, standardset~up public-art competitions, residencies, many other opportunities. $29 /year. PO Box 1040, Great November29 Falls, VA22066;703/4:J0.6610. Information Deadline for submitting material for the Wanted January /Februarynewsletter China: Visual Artists' Studio Program. Zhejiang NationalAcademy afFine Art, Anyonewith knowledge of any paintings by December21 Hangzhou, China. Brush painting,calligraphy, the 19th~century American painter who signed Deadlinefor registering for the eAA postconfer­ printmaking, art his tory, scroll mounting, seal enoo Baltimore tow (registration form, p. 4) carving, ceramics, paper, tai-chi. 3rd annual. his work "E. Teagle" or "E. T." is asked to contact: Ann C. Madonia, MuscareUe Museum Springl991.Contact:J.Sugarman,China February 20-23 Educational Tows, 1110 Washington St., Boston, of Art, College of William and Mary, Wil­ Annual conference, Washington, D.C. MA02124;800/22S-4262. liamsburg, VA23185.

N E w s

College Art Association 275SeventhAvenue NewYork,NewYork 10001

College Art Association BoardofDirectors

Ruth Weisberg,President Larry Silver, Vice-President Judith K. Brodsky, Secrettuy John W. Hyland, Jr.,Honorary TreRSurer Barbara Hoffman,HonoraryCounsel Susan Ball, Executive Director

Suzanne Preston Blier Marcia Hall Elizabeth Boone Samella Lewis Phyllis Bramson Catherine Lord WhitneyChadwick James Melchert Van Deren Coke Debra Pincus ThomasCrow MariCarmen Murry DePillars Ramirez-Garcia Sam Edgerton DanielleRice Ruth Fine Faith Ringgold Audrey Flack UndaSeidei Thalia Gouma- YoshiakiShlmizu Peterson KennethSilver