PRETTY RAW: After and Around Helen Frankenthaler February 11-June 7, 2015

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PRETTY RAW: After and Around Helen Frankenthaler February 11-June 7, 2015 Organized by the Rose Art Museum at Brandeis University Curator: Katy Siegel, Curator at Large, Rose Art Museum Pretty Raw interweaves Helen Frankenthaler’s work and that of related artists in the 1950s and 1960s with broader artistic effects we might gather under her name. The stage is set in the second generation of the New York School, with figures including Frankenthaler, Grace Hartigan, Frank O’Hara and others in the Tibor de Nagy Gallery— artists and writers who matched the experimentalism of Abstract Expressionism with a light spirit and references to everyday feelings and experiences. These artists located personal freedom within a seemingly impersonal abstraction, expanding the expressive possibilities of a formalist mode. Working outwards from this moment, the exhibition/book traces several related phenomena: the artistic innovations of poured paint and stained raw canvas; the social implications of decoration; authorial control vs. materiality; the body and painting; and the image of the woman painter and related questions of gender and identity. The later sections of the show embrace the intersection of feminism and painting, in easel paintings, large-scale works and performances by feminist artists in the 1970s and early 90s. Women assert their right to make assertive “pure” painting, and, conversely, men embrace embodied materiality and decorative motifs. As we approach the present moment, when abstraction is enjoying a wild flowering, Pretty Raw seeks to reveal the sensibility, social implications, and physical beauty of this history. Selected artists: Helen Frankenthaler, Grace Hartigan, Al Leslie, Morris Louis, Jules Olitski, Sam Gilliam, Friedl Dzubas, Frank Bowling, Ralph Humphrey, Miriam Schapiro, Lynda Benglis, Harmony Hammond, Andy Warhol, Christopher Wool, David Hammons, Polly Apfelbaum, Marilyn Minter, Ross Bleckner, Laura Owens, Mary Weatherford, Sterling Ruby, Carroll Dunham, Jacqueline Humphries. .

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September-October 1990 CAA News
<:> '";;!i IlJ ,Jd'" 0 ...u 0 ~ IlJ'" "S .l!i Po, IlJ Cfl N W 5 tn... IlJ 1 CAA to z ~ IlJ Tour 5 .E Baltimore ~ J:: 0 .....''=... u <:> ..r:"''" s a complement to the 1991 ~ IlJ Wqshington conference sessions OJ) IlJ Aand special events, eAA is .-< pleased to offer a day-long tour of the -<:> museums and culhlral institutions of U Baltimore, Maryland. This postconfer- IlJ >:S ence tour will include visits to the National Aquarium ..... Baltimore Museum of Art; the Walters <:> Art Gallery; historic properties, with ... extensive art collections, on the campus ~ IlJ ofjohns Hopkins University; and the '" internationally acclaimed National -~ Aquarium, designed by Cambridge Z Seven Associates. The tour is scheduled IlJ for Sunday, February 24. The cost of the tour is $50 per person, which includes tl lunch, round-trip transportation, and all fees. Buses will depart from the Sheraton Hotel in Washington at 8:15 A.M. and return by 7:00 PM. The first stop will be at the National Aquarium, one of the largest and most sophisticated aquari ums in the world. Nicholas Brown, its director, will welcome the group. The aquarium's collection includes over 5,000 aquatic animals. While it is perhaps an unusual stop for CAA members, Paul Claudel, the early 20th- century poet, recognized the relevance Walters Art Gallery of aquariums to the art world. He structure is in its original form, includ dent on the continuing support and From the Executive Director Contents explained, IIAuqariums are the link ing the horse stalls and wood panels. involvement of CAA's increasing mem Annual between art and science." After lunch, the group will visit Ev bership.
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