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Romantic Compromise: review of Walkaway CONTACT US Shailja Gupta's directorial debut Walkaway follows four South Asian male friends (and their relationships) in ABOUT US by Ada Tseng RECENT ARTICLES full list

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International Secret Manish Dayal and Pallavi Sharda in Walkaway Agents LA 2010: An Action-Packed Night Walkaway is a sweet romantic film that explores the up-and-downs of four couples at different stages of of Sneak Attacks courtship. Soham (Sanjeev Jhaveri) and Nidhi (Deepti Gupta) have been married for two years, long enough that lovey-dovey stares are rare, unexpected tragedies have shaken their foundation, and grudges have been Models, Music and developed. Shridhar (Samrat Chakrabarti) and Genevieve (Carrie Anne James) are newly engaged and planning Mingling: Audrey's their wedding, but their happiness is tested when both realize that they are giving up a lot of their own cultures - Night Out 2010 - Tamil vs. French -- to please the other. The cute Vinay (Manish Dayal) and the equally-cute Sia (Pallavi Sharda) are wholesomely looking for love, agreeing to be set up by their parents even though they don't endorse the traditional ideas of arranged marriage. And lastly, Darius (Manu Narayan) and Anu (Ami Sheth) 2010 are two young singles just looking to have some fun. Comic- Con: While the four lead male actors are either American or British (South Asians having grown up in New York, Pennsylvania, South Carolina, and England), the characters they play in Walkaway are recent urban immigrants Overview who are successful in their work lives and comfortable in the New York social scenes, but retain deep roots in -- even if it's just their mothers who are constantly calling them, video-chatting over Google Talk, or reminding them that it's about time for them to get married and/or have some babies. ARTICLE TOOLS

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Set during the recent financial crisis -- the four friends work together as investment bankers and are nervous about upcoming layoffs -- Walkaway showcases characters and relationships that embody modern, global Feature articles and videos, interactive graphics, daily news summaries, and provocative voices. sensibilities. Soham works as a stand-up comedian in his off-time, Shridhar has learned to speak fluent French after dating and falling in love with Genevieve, Anu thinks that being a thirty-something unmarried woman studying at Harvard would be just as good (if not better) than finding a husband, and they all have very open MORE APA ideas about sex and dating. At the same time, tradition remains important, insofar as their parents (and what's important to their parents) remain a priority. Sia is open to arranged marriage, not because she thinks that being single is terrible, but because she doesn't want her parents to worry about her. Nidhi cannot stand her in-laws, yet she knows she must visit them when she travels to , otherwise it would be improper. Shridhar works overtime to please his mother (who's unhappy he's not marrying an Indian girl), whether it's pleading with Genevieve to provide her birthdate and time so their destiny can be evaluated or asking her to partake in a APA NEWSLETTER ceremony involving her marrying a pot so his mother doesn't fear the bad luck of Genevieve's horoscope. Subscribe to the APA Newsletter While there are moments of unoriginality in Walkaway difficult to avoid in the light-romantic-dramedy genre (a spin-the-bottle game causes an intoxicated player to make a dramatic scene, some requisite contemplations First name about how love sucks and some crying how you don't even know who you are anymore), writer/director Shailja Gupta is skilled at bringing out the complexities that arise when relationships mature, especially when family Last name politics become involved. She deftly illustrates how brash reactions to sensitive topics lead to misunderstandings -- how one person's general frustration can be read as a direct ultimatum to the person to whom they are venting, how Shridhar's small request can seem to Genevieve like he's putting her dignity at stake. Email address

Overall, the film is an exploration of relationships. While the characters abide by various, sometimes Sign In contradicting, philosophies on love and dating (at one point, the concept of fuck-buddies emerges as an endearing, oddly-healthy end to a relationship), Walkaway is a feel-good movie not because of whether the romantic entanglements work out or not, but because of the support that the friends have for each other. They egg each other on when necessary, listen when there is bad news, and cheer when things work out despite all obstacles. After watching Walkaway and its nightmarish portrayal of wedding planning, friends seem like a necessary support system when stress-inducing family members get involved.

Walkaway opens in major cities around the US on October 29. For more information, go to Walkaway's official website.

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Film Review: Walkaway Four first-generation Indian-American New Yorkers look for love, or try to hold onto it, in this Desi-loo production. Oct 29, 2010

-By Frank Lovece

For movie details, please click here. It's not exactly, as the marketing has it, "Sex and the City" with four Desi (first-generation Indian-Americans) guys. The patter isn't snappy, it's more drama than comedy and, let's face it, guys don't care that much about shoes. REVIEWS For all the unevenness of this admirably well- directed and well-edited first feature by a Desi filmmaker herself—a former IT professional Film Review: turned marketing manager for one film and Fair Game assistant script supervisor for another—Walkaway showcases a director who should move on to Brisk take on how bigger things. With a better writer. Valerie Plame Wilson and her Know right off that this isn't a movie, neither in its production origins (New York City and not Mumbai) nor in its style (drama with comedy, not big romantic movie musical). Walkaway fits husband, diplomat Joe Wilson, react when her more into the well-trod cinema of immigrant-culture assimilation films. It's no Hester Street, Joan cover as a CIA spy is blown in the debate over Micklin Silver's classic turn-of-last-century tale of Lower East Side Jews, nor is it as technically slick the Iraq War. More » as such higher-budgeted indie fare as Mississippi Masala, which mini-major The Samuel Goldwyn Company distributed. But given her budgetary limitations, director, co-writer and co-editor Shailja Gupta has put together a pretty good reel with at least one scene as good anything you'd see in a Film Review: French art-house film. 127 Hours Gripping and One reason is that this scene features a standout, evidently French actress, Carrie Anne James, with virtually no films to her credit other than shorts and a role as "webcam girl" in Friends (With Benefits). surprisingly lively As Genevieve—the beautiful but wise-countenanced fiancée of business executive Shridhar (Samrat account of rock- Chakrabarti), a Tamil Brahmin who suddenly starts getting more and more traditional about the climber Aron Ralstons ordeal while trapped in a wedding rituals and fearful of his family propriety's back in India—she is fragile, tough and Utah canyon. James Franco excels in this virtual heartbreaking in the scene where the two of them finally confront what Shri is really about. one-man show. More » The others in this overly schematic quartet are three Wall Street guys (though New Yorkers will recognize their "office building" as a highly recognizable apartment house at Central Park West and Seventh Avenue). Darius (Manu Narayan) somehow finds time in Wall Streeters' typical 12-hour days More Reviews » to sing American standards at a classy cabaret at night. Vinay (Manish Dayal) is his wingman. They start dating fashion student Sia (Pallavi Sharda) and party girl Anu (Ami Sheth), respectively, while their unhappily married friend and colleague Soham (Sanjiv Jhaveri) lives resentfully and uneasily with his wife Nidhi (Deepti Gupta), neither of the two able to get past a family tragedy nor to reconcile their present lives with the family in the old country.

Assimilation tensions are universal, with Gupta setting them in the kind of magical movie Manhattan we all want to live in. The dialogue, unfortunately, is too often all on the surface, and staggeringly not Holiday at the movies: FJI previews end-of- year diversions and award contenders witty. And aside from shining moments here and there from her adequate Indian cast, the actors' Film Review: Paranormal Activity 2 rhythms too often feel a beat or two lagging. Speaking of cast, we should also mention that two of Film Review: Jackass 3D the guys and two of the women look far too similar—a familiar problem with indie-film casting that Film Review: Walkaway doesn't help the story unless it's Ingmar Bergman's Persona or Barbet Schroeder's Single White Cineplex introduced UltraAVX cinema concept Female.

But Gupta is a filmmaker to keep a watch for. Promising women directors don't often get much chance to stay in features—the talented Darnell Martin (I Like It Like That) and Rose Troche (Go Fish) went on to have careers directing television. That's certainly not a bad way to go by any means, but Gupta could go all the way. Save | E-mail | Print | Most Popular | RSS | Reprints

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“Walkaway,” a breezily schematic Indian movie about relationships RECOMMEND More Theaters Near You » in the big city — New York, that is — feels like a hybrid: a little TWITTER

Bollywood, a lot American indie from the let’s-talk-about-romance SIGN IN TO E- division. The film mostly eschews the pumped-up emotionalism of MAIL Hindi movies and very nearly dispenses with Hindi too. (English is PRINT mostly spoken here, with smatterings of French, Tamil and, yes, REPRINTS

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A kind of “Vinay Getting Married,” the movie follows the fortunes of four well-off male friends in various stages of matrimonial entanglement. When Vinay (Manish Dayal) meets Sia (Pallavi Sharda), it’s not by chance but by matchmaking arrangement. (Their first date looks like any old Internet date.) The two hit it off and decide to wed.

Shree (Samrat Chakrabarti) has made a love match but faces culture-clash problems planning an Indian wedding to a Frenchwoman (Carrie Anne James). Soham (Sanjiv Jhaveri) contends with an unhappy wife (Deepti Gupta in the film’s most affecting performance). And the group’s swinger, Darius (Manu Narayan), finds his female Personal Tech E-Mail counterpart. Sign up for David Pogue's exclusive column, sent every Thursday.

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The director, Shailja Gupta, seems eager to explore the feelings and pressures that drive MOST E-MAILED MOST SEARCHED the characters’ romantic choices, though some of the conflict seems rigged. “Walkaway” 1. Op-Ed Columnist: Fast Track to Inequality is a pleasant enough time-pass, as they say in India, but stays too near the surface to be memorable. 2. Essay: Why Sisterly Chats Make People Happier WALKAWAY 3. Op-Ed Columnist: Get Bold, Barack Opens on Friday in Atlanta, , Chicago, Dallas, Houston, Los Angeles, New York, Philadelphia, San Francisco, Sacramento, Seattle, Washington and Raleigh, N.C. 4. Basics: Seeing the Natural World With a Physicist’s Lens Directed by Shailja Gupta; written by Ms. Gupta and Ruchika Lalwani; director of photography, Trisha Solyn; edited by Sanjay Sharma and Ms. Gupta; music by Sagar 5. At the Age of Peekaboo, in Therapy to Fight Autism Desai; production design by Ana Monroe; costumes by Amy Kramer; produced by Ms. Gupta, Shrikant Mohta, Mahendra Soni, Varun Shah, Ruchika Lalwani and Shawn Rice; 6. Op-Ed Columnist: Mugged by the Moralizers released by IABA Films. In English, French, Tamil and Hindi, with English subtitles. Running time: 1 hour 37 minutes. This film is not rated. 7. The Vanishing Mind: Money Woes Can Be gy Early Clue to Alzheimer’s WITH: Manu Narayan (Darius), Samrat Chakrabarti (Shree), Manish Dayal (Vinay), 8. Op-Ed Columnist: The Second Marriage Sanjiv Jhaveri (Soham), Deepti Gupta (Nidhi), Carrie Anne James (Genevieve), Pallavi Sharda (Sia) and Ami Sheth (Anu). 9. Trillions of Reasons to Be Excited

A version of this review appeared in print on October 29, 2010, on page C9 of the New York edition. 10. Books on Science: Wrapped in Data and Diplomas, It’s Still Snake Oil

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Generations Clash in Indian-American Slice-o-Life Walkaway - Page 1 - Movies - New York - Village Voice 11/3/10 1:19 AM

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By Andrew Schenker Wednesday, Oct 27 2010 Comments (1) A A A For the quartet of Indian-American New Yorkers at the center of Shailja Gupta’s Walkaway, the Old World is never far behind. It’s there in the constant phone calls from their Find A Film ammas, the pressures of arranged marriages, Search by Movie Title and the parental insistence on keeping customs Search by Theater Name that seem as outmoded to these four slick Neighborhood professionals as they likely will to non-Indian Details Zip Code Keywords Search viewers. Revolving around two upcoming Walkaway nuptials that nearly get sidetracked by clashes Directed by Shailja Gupta IABA Films between families over the wedding traditions Opens October 29 (one mother wants her daughter-in-law to ritually marry a pot; the other family clashes over differences in economic status), Gupta’s comedic drama shrewdly parses the divided consciousness of the contemporary Indian- American. The acting is strictly amateur-hour and the plotting inconsistently meted out among its various characters, but Walkaway has an intimate understanding of the push-pull experienced by its gallery of twentysomethings who are comfortable with Western customs, but drawn by an ineluctable bond to a culture they can’t shake. No matter how ridiculous the older generation comes off—and Gupta’s depiction of Indian parents as old-fashioned, status-obsessed squabblers is relentlessly harsh—the young characters feel a believable guilty obligation to their demands. In Walkaway, happiness becomes something achieved in spite, not because of, a person’s family ties.

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Walkaway – Music Review

MusicAloud.com on Facebook Posted by VIP On October - 6 - 2010 Like You can listen to the soundtrack here. 4 Vishal-Shekhar‘s Dheere Dheere which opens 452 people like MusicAloud.com shares Walkaway is perfectly in sync with the feel of the Share movie, very urban, very peppy, in a pleasantly Vishal-Shekhar way. Shekhar doubles up as vocalist as well, pulling it off in style. Composer Sagar Desai Champ Vijesh Stephane Vikrant Homeopath ends his year-long drought with three songs in Walkaway. First one, Rozaana, sounds almost like a leftover track from Straight, in its general feel and the fact that this one too is rendered by Suraj Ryan Lasith Tanya Lincoln Nithin Jagan. No negative connotations to the statement

though. A very soothing track. His song no. 2, Bonds MusicAloud.com on Facebook Fell Apart, sees a surprising mix of Tamil and French(?)lyrics, the former handled by Raman Mahadevan and latter by Shibani Kashyap. A beautiful song with a faint East European flavour in arrangement, I loved the way the violin was utilised. And very good singing too. Woh Pal is a Hindi version of the song, and is sung by the same singers. In spite of same arrangement for both tracks I prefer the crossover version over Hindi. Ram Sampath is up next with Banna Banni, a marriage song sung by and Kirti Sagathia. Not upto his usual standards this one. The tune itself is pretty ordinary and the synth elements in arrangement only make it worse. The singing is good, but not enough to keep you hooked to Banna. However his other offering, the rework of the traditional Rajasthani folk song, Banna Re, works really well (though I am not sure how much of the credit goes to the actual folk song and how much to Ram!). Sona and Ghani Mohammad Sirajudeen Khan make excellent use of their classical base to do a fab job of the rendition. And in comes the last composer, Samrat Chakraborthy, who also acts in this movie. His solo composition, Dil Diya, is a classical track sung by Savita Ahuja and is more functional than it is entertaining. In Yet Alone, Samrat teams up with Kurush Mistry. Sung by Roo, this song is pleasant, but not bound to stay in mind for long, probably owing to a functional nature. And the final song, I Ain’t Got Nobody, has Samrat joined by Radovan Javeicevic in arranging a jazz-based track, rendered by another actor from the movie, Manu Narayan. It may find its followers among fans of the genre but otherwise not sure how many people would find this one alluring. Though the soundtracks of multi-composer flicks turn out to be a forgettable affair many a times, they do work once in a while. And Walkaway is fortunate to be in the latter, thanks mainly to Vishal-Shekhar and Sagar Desai. Music Aloud Rating: 7.5/10

http://www.musicaloud.com/2010/10/06/walkaway-music-review/ Page 1 of 3 Walkaway - Music Review|Vishal Shekhar|Sagar Desai|Ram Sampath|Shailja Gupta | Music Aloud 11/3/10 1:34 AM

Recommended Tracks: Dheere Dheere, Bonds Fell Apart, Rozaana

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