Fascism the Bloody Ideology of Darwinism
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D'antonio, Michael Senior Thesis.Pdf
Before the Storm German Big Business and the Rise of the NSDAP by Michael D’Antonio A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Honors Degree in History with Distinction Spring 2016 © 2016 Michael D’Antonio All Rights Reserved Before the Storm German Big Business and the Rise of the NSDAP by Michael D’Antonio Approved: ____________________________________________________________ Dr. James Brophy Professor in charge of thesis on behalf of the Advisory Committee Approved: ____________________________________________________________ Dr. David Shearer Committee member from the Department of History Approved: ____________________________________________________________ Dr. Barbara Settles Committee member from the Board of Senior Thesis Readers Approved: ____________________________________________________________ Michael Arnold, Ph.D. Director, University Honors Program ACKNOWLEDGMENTS This senior thesis would not have been possible without the assistance of Dr. James Brophy of the University of Delaware history department. His guidance in research, focused critique, and continued encouragement were instrumental in the project’s formation and completion. The University of Delaware Office of Undergraduate Research also deserves a special thanks, for its continued support of both this work and the work of countless other students. iii TABLE OF CONTENTS ABSTRACT .................................................................................................................. -
KINSEY: CRIMES & CONSEQUENCES “Dr
KC&C Cover3RD 1/2/03 8:50 AM Page 1 C M Y CM MY CY CMY K KINSEY: CRIMES &CONSEQUENCES KINSEY: “Dr. Reisman has produced a scholarly and devastating study revealing the ugly and frighteningly dangerous pseudo-scientific assault on our children's innocence.” “Dr. Laura” Schlessinger “The Sexual Revolution was based on a lie. Judith Reisman has spent thirty years uncovering the truth.” The Red Queen & National Review The Grand Scheme In 1948, the Institute for Sex “In the course of producing my documentary — Kinsey’s Research at Indiana University Paedophiles — it became clear that every substantive allegation was led by eugenicist Alfred C. Kinsey, whose sex research Reisman made was not only true but thoroughly sourced with shook America’s moral documentary evidence—despite the Kinsey Institute’s reluctance foundations and launched the to open its files.” 1960s Sexual Revolution. Fifty years later new Tim Tate, UNESCO and Amnesty International Award-winning Producer- revelations confirm Dr. Judith Reisman’s 1981 expose of Director of “Kinsey’s Paedophiles,” Yorkshire Television, Great Britain scientific fraud and criminally derived data contained in the publicly funded Kinsey Reports. Dr. Reisman revealed KINSEY: CRIMES & CONSEQUENCES that Kinsey conducted human THIRD EDITION, REVISED & EXPANDED experiments in a soundproof Though Kinsey has been dead since 1956, the "Kinseyan influence" is even stronger today. laboratory built to his Kinsey was never an unbiased researcher. He was a "covert crusader." Like Lewis Carroll's specifications at Indiana Red Queen, Kinsey already had the "sentence" in mind for America, before his research was University, and that the sexual compiled and before the scientific "verdict" could be rendered. -
The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2021 The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 Denali Elizabeth Kemper CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/661 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 By Denali Elizabeth Kemper Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2020 Thesis sponsor: January 5, 2021____ Emily Braun_________________________ Date Signature January 5, 2021____ Joachim Pissarro______________________ Date Signature Table of Contents Acronyms i List of Illustrations ii Introduction 1 Chapter 1: Points of Reckoning 14 Chapter 2: The Generational Shift 41 Chapter 3: The Return of the Repressed 63 Chapter 4: The Power of Nazi Images 74 Bibliography 93 Illustrations 101 i Acronyms CCP = Central Collecting Points FRG = Federal Republic of Germany, West Germany GDK = Grosse Deutsche Kunstaustellung (Great German Art Exhibitions) GDR = German Democratic Republic, East Germany HDK = Haus der Deutschen Kunst (House of German Art) MFAA = Monuments, Fine Arts, and Archives Program NSDAP = Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Worker’s or Nazi Party) SS = Schutzstaffel, a former paramilitary organization in Nazi Germany ii List of Illustrations Figure 1: Anonymous photographer. -
BFMS Newsletter 2004-12.Indd
BALTIMORE FOLK MUSIC SOCIETY Member, Country Dance & Song Society www.bfms.org December 2004 Somebody Scream Productions Sponsored by BFMS and CCBC/CC Offi ce of Student Events presents Dikki Du and the Zydeco Crew Dikki Du returns to Catonsville with his Zydeco Crew of family and friends to provide rhythmic, hard driving music for your dancing pleasure. It should be known that Dikki (aka Troy) is the son of Roy Carrier, brother to Chubby Carrier and cousin to Dwight Carrier. Needless to say talent runs in the family! He impressed at Buff alo Jambalaya this year as he backed two bands on drums and also showed us his love of accordion. Admission: $12/$10 BFMS members/$5 CCBC/CC students with ID. Free, well-lit parking is available. Directions: From I-95, take exit 47 (Route 195). Follow signs for Route 166. Turn right onto Route 166 North (Rolling Road) towards Catonsville. At the second traffi c light (Valley Road), turn left into Catonsville Community College campus. Th e Barn Th eater is the stone building on the hill beyond parking lot A. Info: [email protected], www.WhereWeGoTo- Zydeco.com Th e Barn Th eater Catonsville Community College, Catonsville Saturday, Dec. 4, Dance lesson: 8 pm Music: 9 pm–midnight BFMS American Contra and Square Dance Dec. 1 Dec. 29 Sue Dupre with Sugar Beat: Susan Brandt (fl ute), Marc Glick- Open Band Night with caller Bob Hofkin. man (piano), and Elke Baker (fi ddle). Lovely Lane Church Dec. 8 2200 St. Paul St., Baltimore Steve Gester with the Altered Gardeners: Dave Weisler (piano, guitar), Alexander Mitchell (fi ddle), and George Paul (piano, Wednesday evenings, 8–11 pm accordion). -
Europe in Crisis: Class 5 – the Rise of Fascism
Lecture Notes Europe in Crisis: Class 5 – The Rise of Fascism Slide 2 Postwar European Economies: • After the war, Europe suffered great economic problems. These problems varied from country to country. All countries had taken out loans to fight the war, and were trying to figure out how to pay those back. o England: Used to be a manufacturing powerhouse. Now, had lost many of its markets to foreign competitors like Japan and the US. Also, in 1914, England had risked falling behind Germany and the US technologically. This problem was exacerbated by a war that left Britain poor and the US rich. Economy falters, during the interwar period, Britain has a steady unemployment rate of about 10%. o France: Had taken out more loans than anyone else. Also, had to rebuild about a quarter of their country. Relied on German reparation payments for all this. Most people have work, though, because of jobs created by rebuilding. In 1923, when Germany defaults on reparations, France invades the Ruhr, and collects the profits from the coal mines here. An agreement is reached in 1924 with the Dawes Plan – American bankers promise to invest in Germany, thus boosting its economy, if France leaves the Ruhr, reduces reparations and agrees to a two-year moratorium. o Germany: Was reeling after the war, and had trouble getting its economy back on track. Problems were exacerbated when France invaded the Ruhr in 1923. Germany responded by encouraging workers to strike. Meanwhile, they kept printing money, trying to come up with a way to pay the French. -
The Corporatism of Fascist Italy Between Words and Reality
CORPORATIVISMO HISTÓRICO NO BRASIL E NA EUROPA http://dx.doi.org/10.15448/1980-864X.2016.2.22336 The corporatism of Fascist Italy between words and reality O corporativismo da Itália fascista entre palavras e realidade El corporativismo de la Italia fascista entre las palabras y la realidad Alessio Gagliardi* Translated by Sergio Knipe Abstract: It is common knowledge that State intervention in Italy in the Twenties and the Thirties developed outside of corporative institutions. The history of Fascist corporatism, however, is not only an unsuccessful story. Despite the failure of the “corporatist revolution” and “Fascist third way”, Fascist corporatism since the mid- Twenties helped the progressive development of a new political system to regulate relationship between State and private interests. The paper examines not only the institutional framework (the systems of formal laws, regulations, and procedures, and informal norms) but also their acts and real activities. It dwells upon internal debates, political and institutional importance acquired by corporative institutions in Fascist regime and behaviours of entrepreneurial organizations and labour unions. In this way, the paper aims to point out the “real” consequences of Fascist corporatism, different from the ideological ones. Keywords: corporatism; Fascism; Italy Resumo: É de conhecimento geral que intervenções estatais na Itália nas décadas de 1920 e 1930 se desenvolveram fora de instituições corporativas. A história do corporativismo fascista, no entanto, não é totalmente sem sucessos. Apesar da falha da “revolução corporativista” e da “terceira via fascista”, o corporativismo fascista, desde meados dos anos 1920, ajudou no desenvolvimento progressivo de um novo sistema político para regular a relação entre o Estado e interesses privados. -
Corey Allikas Painting the War: Artistic Depictions of World War II in Europe, 1939-1945 HIST
Corey Allikas Painting the War: Artistic Depictions of World War II in Europe, 1939-1945 HIST 395 - Fall Semester (Galgano) World War II shaped the twentieth century, as its events and aftermath affected the entire globe. The attitudes and actions of the nations' populations determined how the war played out, and the thing that most shaped these peoples' actions was war art. War art in World War II had two important goals: mobilization of citizens and creation of accurate depictions of the battlefield. War art's intended audience was foremost the citizens, as their support for the war was crucial to success. Dependence on civilian support - both through labor and service - was much greater in World War II than in any other previous war. Many participating nations in WWII developed war art programs, with the goal of showing the warfront to garner civilian support back home. Artists ranged from active-duty soldiers, like in the United States, to civilians following troops on tours, like Great Britain. These hired artists were given specific subjects to depict, depending on where they were stationed; the first hand account ensured the most accurate depictions possible. However, the disparity between the actual war fronts and the artists' depictions was present in all major art programs. This paper looks at the war art from the major powers in World War II: Great Britain, the United States, and Germany. It examines the styles adopted by artists in these nations, the subjects artists depicted, and the war art's purpose in society. Germany, to anchor their claim of "supreme race", used traditional art forms similar to the Roman Empire. -
Peter Kropotkin and the Social Ecology of Science in Russia, Europe, and England, 1859-1922
THE STRUGGLE FOR COEXISTENCE: PETER KROPOTKIN AND THE SOCIAL ECOLOGY OF SCIENCE IN RUSSIA, EUROPE, AND ENGLAND, 1859-1922 by ERIC M. JOHNSON A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) May 2019 © Eric M. Johnson, 2019 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: The Struggle for Coexistence: Peter Kropotkin and the Social Ecology of Science in Russia, Europe, and England, 1859-1922 Submitted by Eric M. Johnson in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Examining Committee: Alexei Kojevnikov, History Research Supervisor John Beatty, Philosophy Supervisory Committee Member Mark Leier, History Supervisory Committee Member Piers Hale, History External Examiner Joy Dixon, History University Examiner Lisa Sundstrom, Political Science University Examiner Jaleh Mansoor, Art History Exam Chair ii Abstract This dissertation critically examines the transnational history of evolutionary sociology during the late-nineteenth and early-twentieth centuries. Tracing the efforts of natural philosophers and political theorists, this dissertation explores competing frameworks at the intersection between the natural and human sciences – Social Darwinism at one pole and Socialist Darwinism at the other, the latter best articulated by Peter Alexeyevich Kropotkin’s Darwinian theory of mutual aid. These frameworks were conceptualized within different scientific cultures during a contentious period both in the life sciences as well as the sociopolitical environments of Russia, Europe, and England. This cross- pollination of scientific and sociopolitical discourse contributed to competing frameworks of knowledge construction in both the natural and human sciences. -
A Neighbors Network Publication Acknowledgements
A Neighbors Network Publication Acknowledgements Neighbors Network would like to thank the following organizations for their help in the production of this chronology: Etcetera Cobb Citizens Coalition John Williams Kelly, W B. Reeves, Eva Sears, nd Steve Ada ms. For ad itional copies, send $5,00 per copy to: : ' Neighbors Network 1544 Piedmont Avenue, #73 Atlanta, Goergia...0324 (404) 816-8348 ©1994 by Neighbors NetworksM " eople have to be taught to hate. Likewise, people can be taught to accept and understand differences in others and to have the courage to speak out against those who would deny others the right to be different." Benjamin Hirsch, President of Eternal Light Hemshech Holocaust Survivors Group The International Connections of Edward Fields - Marietta, Georgia The chart below illustrates the growing levels of cooperation amongst hate groups on an international level, using the international connections of local nazi Edward Fields as an example of this trend. Gary Lauck, NSDAP·AO British National Party (BNP) Lauck's propaganda appears in Fields' literature Fields' propaganda has appeared in BNP literature. Lauck is the main contact to the international 1991 - Fields went on a USA speaking tour with movement for US neo-Nazis, and publishes a BNP leader John Tyndall substantial proportion of all neo-Nazi literature 1993 - Fields attended Holocaust denier David circulated in Germany. Irving's Atlanta speech. france Michel Faci and Guillaume Fabien of the Euronationalist Party spoke at the founding of the America First Party. Edward Fields, Marietta Georgia 1980-84 Organized the New Order Knights Publisher of the Truth at Last (formerly the Thunderbolt) 1993 Cofounder of the America First Party. -
Alexander B. Stohler Modern American Hategroups: Lndoctrination Through Bigotry, Music, Yiolence & the Internet
Alexander B. Stohler Modern American Hategroups: lndoctrination Through Bigotry, Music, Yiolence & the Internet Alexander B. Stohler FacultyAdviser: Dr, Dennis Klein r'^dw May 13,2020 )ol, Masters of Arts in Holocaust & Genocide Studies Kean University In partialfulfillumt of the rcquirementfar the degee of Moster of A* Abstract: I focused my research on modern, American hate groups. I found some criteria for early- warning signs of antisemitic, bigoted and genocidal activities. I included a summary of neo-Nazi and white supremacy groups in modern American and then moved to a more specific focus on contemporary and prominent groups like Atomwaffen Division, the Proud Boys, the Vinlanders Social Club, the Base, Rise Against Movement, the Hammerskins, and other prominent antisemitic and hate-driven groups. Trends of hate-speech, acts of vandalism and acts of violence within the past fifty years were examined. Also, how law enforcement and the legal system has responded to these activities has been included as well. The different methods these groups use for indoctrination of younger generations has been an important aspect of my research: the consistent use of hate-rock and how hate-groups have co-opted punk and hardcore music to further their ideology. Live-music concerts and festivals surrounding these types of bands and how hate-groups have used music as a means to fund their more violent activities have been crucial components of my research as well. The use of other forms of music and the reactions of non-hate-based artists are also included. The use of the internet, social media and other digital means has also be a primary point of discussion. -
Notes 335 Bibliography 387 Index 413
CONTENTS PREFACE IX ONE: THE AMBIGUOUS LEGACY 3 The Crisis of Classical Marxism 6 The Crisis in Italy 20 Italian Revolutionary Syndicalism 22 TWO: THE FIRST REVOLUTIONARY SOCIALIST HERESY 32 The Evolution of Syndicalism 32 Syndicalism and the Nature of Man 34 Syndicalism and Social Psychology 37 Syndicalism and the Social and Political Function of Myth 43 Elitism 50 Syndicalism and Industrial Development 58 THREE: THE FIRST NATIONAL SOCIALISM 64 Revolutionary Syndicalism: Marxism and the Problems of National Interests 64 Syndicalism and Proletarian Nationalism 71 Revolutionary Syndicalism, War, and Moral Philosophy 73 Syndicalism, Nationalism, and Economic Development 83 National Syndicalism and Lenin's Bolshevism 91 FOUR: THE PROGRAM OF FASCISM 96 The Fascism of San Sepolcro 101 Syndicalism, Nationalism, and Fascism 103 FascismandIdeology 112 Fascism and Bolshevism 121 FIVE: THE POLITICAL ECONOMY OF FASCISM 127 Alfredo Rocco, Nationalism, and the Economic Policy of Fascism 133 Economic Policy from 1922 until the Great Depression 140 Fascist Economic Policy after the Great Depression 153 The Political Economy of Fascism and the Revolutionary Socialist Tradition 162 SIX: THE LABOR POLICY OF FASCISM 172 The Origins of Fascist Syndicalism 172 The Rise of Fascist Syndicalism 183 The Evolution of Fascist Syndicalism 190 The Functions of Fascist Syndicalism 196 The Labor Policy of Fascism and Revolutionary Marxism 206 SEVEN: THE ORCHESTRATION OF CONSENSUS 214 Syndicalism, Fascism, and the Psychology of the Masses 215 The Rationale of Orchestrated -
Summer 2017 in the YEAR of the CENTENARY
Summer 2017 IN THE YEAR OF THE CENTENARY OF OUR HEAVENLY MOTHER'S APPEARANCE AT FATIMA, REPRINTING THIS ARTICLE BY THE LATE GREAT MICHAEL DAVIES (RIP) SEEMED APT (Reprinted from The Remnant, February 15, 2003) [You will see from the following article that your editor is by no means the first to lament the emasculated and ef- fete castrato who now occupy so many English sees - Ed] In medieval times England was considered throughout Christendom to be the Dowry of Mary. The ancient churches and cathedrals of that country were and are its glory, and there was not one without a chapel dedicated to the Blessed Virgin Mary. The largest and most magnificent of these is found in the Cathedral of the Holy and Undivided Trinity of Ely. Construction of the cathedral began in 1083, and the Lady Chapel was completed in 1349. Our Lady of Sorrows The chapel is as big as a church, and was a wonder to behold with its stained glass, seemingly innumerable statues, and gloriously painted walls. It now consists only of windows with plain glass, bare walls, with every statue and bas relief either defaced or totally destroyed by the Anglican so-called reformers. The BBC is unsurpassed throughout the world for the quality of its programs on art and history. I am sure that it must be possible to obtain in the USA videocassettes of a recent series that is totally superb— A History of British Art, written and pre- sented by Andrew Graham Dixon, who also wrote and presented an equally superb series on the Renaissance, with particular emphasis on Florence.