2018-19 Chronological Calendar
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The Commercial & Artistic Viability of the Fringe Movement
Rowan University Rowan Digital Works Theses and Dissertations 1-13-2013 The commercial & artistic viability of the fringe movement Charles Garrison Follow this and additional works at: https://rdw.rowan.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Garrison, Charles, "The commercial & artistic viability of the fringe movement" (2013). Theses and Dissertations. 490. https://rdw.rowan.edu/etd/490 This Thesis is brought to you for free and open access by Rowan Digital Works. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Rowan Digital Works. For more information, please contact [email protected]. THE COMMERCIAL & ARTISTIC VIABLILITY OF THE FRINGE MOVEMENT By Charles J. Garrison A Thesis Submitted to the Department of Theatre & Dance College of Performing Arts In partial fulfillment of the requirement For the degree of Master of Arts At Rowan University December 13, 2012 Thesis Chair: Dr. Elisabeth Hostetter © 2012 Charles J. Garrison Dedication I would like to dedicate this to my drama students at Absegami High School, to my mother, Rosemary who’s wish it was that I finish this work, and to my wife, Lois and daughter, Colleen for pushing me, loving me, putting up with me through it all. Acknowledgements I would like to express my appreciation to Jason Bruffy and John Clancy for the inspiration as artists and theatrical visionaries, to the staff of the American High School Theatre Festival for opening the door to the Fringe experience for me in Edinburgh, and to Dr. Elisabeth Hostetter, without whose patience and guidance this thesis would ever have been written. -
The Interpretive Gesture: Heiner Goebbels and the Imagination of the Public Sphere
THE INTERPRETIVE GESTURE: HEINER GOEBBELS AND THE IMAGINATION OF THE PUBLIC SPHERE Luke Matthews Submitted in total fulfilment of the requirements of the degree Master of Arts (English and Theatre Studies) Thesis (by Research) February 2019 English and Theatre Studies Program School of Culture and Communications Faculty of Arts The University of Melbourne ABSTRACT Heiner Goebbels’s Stifters Dinge and When the Mountain Changed Its Clothing are examples of “postdramatic” theatre works that engage with the political by seeking to challenge socially ingrained habits of perception rather than by presenting traditional, literary-based theatre of political didacticism or agitation. Goebbels claims to work toward a “non-hierarchical” theatre in the contexts of his arrangement of the various theatrical elements, in fostering collaborative working processes between the artists involved, and in the creation of audience-artist relationships. I argue that, in doing so, he follows a familiar theoretical trajectory that employs the theatre as a convenient metaphor for the public sphere. Two broad traditions exist concerning this connection between theatre and publicness: first, a line of thought that sets theatre against the rational community of equals; and, second, an opposing tradition which looks in hope to theatre for the possibility of a participatory democracy. In situating Goebbels’s practice within this second tradition, I moreover argue that the metaphor of the theatrical public sphere may also be understood in terms of a negotiation between Kantian sublimity and the notion of the beautiful. 1 DECLARATION I hereby certify that this thesis comprises only my original work towards the Masters by Research degree and that due acknowledgement has been made in the text to all other material used. -
Gulf Shores Restricts Public Forums at Gulf Place
COMMUNITY CALENDAR: Ongoing and Upcoming Events, PAGE 4 BCLC hosts Bookmobile tour PAGE 11 Growing herbs The Islander PAGE 6 INSIDE APRIL 18, 2018 | GulfCoastNewsToday.com | 75¢ Use Caution: Gulf Shores restricts public Beach forums at Gulf Place highway median work Fire Department By CRYSTAL COLE “The beach has historically levels of use of Gulf Place and [email protected] been a place for the restorative the public beaches generally to ramp up 25th anniversary and recreational enjoyment of going forward, staff is also rec- Fire Chief Justin Pearce An ordinance restricting pub- the public and has not been a ommending that the threshold and the Orange Beach Fire lic forums at the new Gulf Place public forum by tradition or des- requirement for obtaining a pub- Courtesy of THE CITY OF Department invite the com- was passed by the Gulf Shores ignation,” the memo read. “With lic assembly permit for group ORANGE BEACH munity to come out to Fire City Council at its most recent the soon to be dedicated new im- activities both at Gulf Place and meeting. In a memorandum provements at Gulf Place, staff at the public beaches generally Beginning the week of Station No. 1 from 11 a.m. to the City Council from Grant is recommending the Mayor be set at 35 participants.” April 9, preparations for to 2 p.m. on Saturday, April Brown, the ordinance was pro- and City Council adopt an Or- Mayor Robert Craft said this landscaping began on the 21 to celebrate the depart- posed as a continuation of pro- dinance confirming the charac- was just an extension of the re- medians of Perdido Beach ment’s 25th anniversary. -
COPLAND, CHÁVEZ, and PAN-AMERICANISM by Candice
Blurring the Border: Copland, Chávez, and Pan-Americanism Item Type text; Electronic Thesis Authors Sierra, Candice Priscilla Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 23:10:39 Link to Item http://hdl.handle.net/10150/634377 BLURRING THE BORDER: COPLAND, CHÁVEZ, AND PAN-AMERICANISM by Candice Priscilla Sierra ________________________________ Copyright © Candice Priscilla Sierra 2019 A Thesis Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 2019 3 TABLE OF CONTENTS List of Musical Examples ……...……………………………………………………………… 4 Abstract………………...……………………………………………………………….……... 5 Introduction……………………………………………………………………………………. 6 Chapter 1: Setting the Stage: Similarities in Upbringing and Early Education……………… 11 Chapter 2: Pan-American Identity and the Departure From European Traditions…………... 22 Chapter 3: A Populist Approach to Politics, Music, and the Working Class……………....… 39 Chapter 4: Latin American Impressions: Folk Song, Mexicanidad, and Copland’s New Career Paths………………………………………………………….…. 53 Chapter 5: Musical Aesthetics and Comparisons…………………………………………...... 64 Conclusion……………………………………………………………………………………. 82 Bibliography………………………………………………………………………………….. 85 4 LIST OF MUSICAL EXAMPLES Example 1. Chávez, Sinfonía India (1935–1936), r17-1 to r18+3……………………………... 69 Example 2. Copland, Three Latin American Sketches: No. 3, Danza de Jalisco (1959–1972), r180+4 to r180+8……………………………………………………………………...... 70 Example 3. Chávez, Sinfonía India (1935–1936), r79-2 to r80+1…………………………….. -
THOMAS! Dausgaard Conducts R
THOMAS DAUSGAARD, MUSIC DIRECTOR SEPTEMBER 2019 WELCOME THOMAS! Dausgaard conducts R. Strauss’ Also sprach Zarathustra Rachmaninov’s Fourth Piano Concerto with pianist Daniil Trifonov Mahler’s Symphony No. 1 Brahms’ Second Piano Concerto with pianist Yefim Bronfman My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM CONTENTS SEPTEMBER 2019 4 / Calendar 6 / The Orchestra 53 / Benaroya Hall Guide FEATURES 5 / Community Connections 7 / Meet the Musicians 10 / On a High Note 12 / Thomas Dausgaard on the Season Ahead 54 / The Lis(z)t CONCERTS 14 / September 11 & 12 My legacy. My partner. Distant Worlds: music from Final Fantasy® with the Seattle Symphony 16 / September 14 You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave Opening Night Concert & Gala behind. -
The Next Generation of Interferometry: Multi-Frequency Optical Modelling, Control Concepts and Implementation
The Next Generation of Interferometry: Multi-Frequency Optical Modelling, Control Concepts and Implementation Vom Fachbereich Physik der UniversitÄat Hannover zur Erlangung des Grades Doktor der Naturwissenschaften { Dr. rer. nat. { genehmigte Dissertation von Dipl.-Phys. Andreas Freise geboren am 24. Mai 1971 in Hildesheim 2003 Referent: Prof. K. Danzmann Korreferent: Prof. W. Ertmer Tag der Promotion: 04. Februar 2003 Druckdatum: 22. Februar 2003 Zusammenfassung Albert Einstein hat in seiner allgemeinen RelativitÄatstheorie die Existenz von Gravitationswellen vorhergesagt. Die direkte Me¼ung dieser Wellen ist eine der gro¼en Herausforderungen der Ex- perimentalphysik. Mit Hilfe eines Netzwerkes von Gravitationswellendetektoren wird es mÄoglich sein, das Universum unabhÄangig von elektro-magnetischer Strahlung zu beobachten. Die Gravita- tionswellenastronomie wird der Kosmologie und der Gravitationsphysik neue, bisher unerreichbare experimentelle Daten zur VerfugungÄ stellen. Zur Zeit werden weltweit funfÄ gro¼e interferometrische Gravitationswellendetektoren gebaut. Sie basieren auf klassischen Instrumenten wie z.B. dem Michelson-Interferometer. FurÄ die Suche nach Gravitationswellen ist allerdings eine extrem hohe, bisher unerreichte Me¼emp¯ndlichkeit notwen- dig. Diese soll durch den Einsatz von weiterentwickelten, optimierten Teilsystemen des Interfero- meters und durch die Entwicklung neuer Interferometertopologien erreicht werden. Diese Arbeit dokumentiert einen wichtigen Teil des Aufbaus des britisch-deutschen Detektors GEO 600, -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
American Mavericks Festival
VISIONARIES PIONEERS ICONOCLASTS A LOOK AT 20TH-CENTURY MUSIC IN THE UNITED STATES, FROM THE SAN FRANCISCO SYMPHONY EDITED BY SUSAN KEY AND LARRY ROTHE PUBLISHED IN COOPERATION WITH THE UNIVERSITY OF CaLIFORNIA PRESS The San Francisco Symphony TO PHYLLIS WAttIs— San Francisco, California FRIEND OF THE SAN FRANCISCO SYMPHONY, CHAMPION OF NEW AND UNUSUAL MUSIC, All inquiries about the sales and distribution of this volume should be directed to the University of California Press. BENEFACTOR OF THE AMERICAN MAVERICKS FESTIVAL, FREE SPIRIT, CATALYST, AND MUSE. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England ©2001 by The San Francisco Symphony ISBN 0-520-23304-2 (cloth) Cataloging-in-Publication Data is on file with the Library of Congress. The paper used in this publication meets the minimum requirements of ANSI / NISO Z390.48-1992 (R 1997) (Permanence of Paper). Printed in Canada Designed by i4 Design, Sausalito, California Back cover: Detail from score of Earle Brown’s Cross Sections and Color Fields. 10 09 08 07 06 05 04 03 02 01 10 9 8 7 6 5 4 3 2 1 v Contents vii From the Editors When Michael Tilson Thomas announced that he intended to devote three weeks in June 2000 to a survey of some of the 20th century’s most radical American composers, those of us associated with the San Francisco Symphony held our breaths. The Symphony has never apologized for its commitment to new music, but American orchestras have to deal with economic realities. For the San Francisco Symphony, as for its siblings across the country, the guiding principle of programming has always been balance. -
The Rise and Fall of American Marionette Theatre: Conservation of the Bil Baird Puppet Collection, 1918-1987 Katharine Celia Greder Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2013 The rise and fall of American marionette theatre: Conservation of the Bil Baird puppet collection, 1918-1987 Katharine Celia Greder Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Art and Materials Conservation Commons, and the Other History of Art, Architecture, and Archaeology Commons Recommended Citation Greder, Katharine Celia, "The rise and fall of American marionette theatre: Conservation of the Bil Baird puppet collection, 1918-1987" (2013). Graduate Theses and Dissertations. 13309. https://lib.dr.iastate.edu/etd/13309 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The rise and fall of American marionette theatre Conservation of the Bil Baird puppet collection, 1918-1987 by Katharine Greder A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Apparel, Merchandising, and Design Program of Study Committee: Sara Marcketti, Major Professor Cheryl Farr John Monroe Iowa State University Ames, Iowa 2013 Copyright ©Katharine Greder, 2013. All rights reserved ii TABLE OF CONTENTS Page LIST OF FIGURES -
2018–19 Chronological Listing
UPDATED June 7, 2019 CHRONOLOGICAL LISTING 2018–19 SEASON THE ART OF THE SCORE Alec Baldwin, Artistic Advisor THERE WILL BE BLOOD David Geffen Hall at Lincoln Center Wednesday, September 12, 2018, 7:30 p.m. Thursday, September 13, 2018, 7:30 p.m. Hugh Brunt*, conductor Michelle Kim, violin Jonny GREENWOOD There Will Be Blood (score performed live to complete film) THE ART OF THE SCORE Alec Baldwin, Artistic Advisor 2001: A SPACE ODYSSEY David Geffen Hall at Lincoln Center Friday, September 14, 2018, 8:00 p.m. Saturday, September 15, 2018, 8:00 p.m. André de Ridder, conductor Musica Sacra, chorus Kent Tritle, director VARIOUS 2001: A Space Odyssey (score performed live to complete film) (includes selections from works by Ligeti, R. Strauss, J. Strauss II, and Khachaturian) * New York Philharmonic debut JAAP VAN ZWEDEN CONDUCTS: OPENING GALA CONCERT NEW YORK, MEET JAAP David Geffen Hall at Lincoln Center Thursday, September 20, 2018, 7:00 p.m. Jaap van Zweden, conductor Daniil Trifonov, piano Rebekah Heller*, bassoon Nate Wooley*, trumpet Brandon Lopez*, bass Constellation Chor*, moving voices Marisa Michelson, director César Alvarez*, Lilleth Glimcher*, staging and dramaturgy Brandon Clifford*, Wes McGee*, Johanna Lobdell*, matter design Marika Kent*, lighting design Tolulope Aremu*, costume design Ashley FURE Filament (World Premiere–New York Philharmonic Commission) RAVEL Piano Concerto in G major STRAVINSKY The Rite of Spring * New York Philharmonic debut JAAP VAN ZWEDEN CONDUCTS: NEW WORK BY ASHLEY FURE, DANIIL TRIFONOV IN BEETHOVEN, AND STRAVINSKY’S THE RITE OF SPRING David Geffen Hall at Lincoln Center Friday, September 21, 2018, 8:00 p.m. -
The Amplitude of Fnirs Hemodynamic Response in the Visual Cortex
bioRxiv preprint doi: https://doi.org/10.1101/2021.07.19.452678; this version posted July 19, 2021. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY 4.0 International license. 1 The amplitude of fNIRS hemodynamic response in the visual cortex unmasks 2 autistic traits in typically developing children 3 4 Raffaele Mazziotti1,2‡, Elena Scaffei2,3‡, Eugenia Conti3, Viviana Marchi3, Riccardo Rizzi2,3, 5 Giovanni Cioni3,4, Roberta Battini3,4, Laura Baroncelli1,3* 6 7 [1] Institute of Neuroscience, National Research Council (CNR), I-56124, Pisa, Italy 8 [2] Department of Neuroscience, Psychology, Drug Research and Child Health NEUROFARBA, University of 9 Florence, I-50135, Florence, Italy 10 [3] Department of Developmental Neuroscience, IRCCS Stella Maris Foundation, I-56128, Pisa, Italy 11 [4] Department of Clinical and Experimental Medicine, University of Pisa, Pisa, Italy 12 13 *To whom correspondence should be addressed: [email protected] 14 ‡These authors equally contributed to the work 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 1 bioRxiv preprint doi: https://doi.org/10.1101/2021.07.19.452678; this version posted July 19, 2021. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY 4.0 International license. -
Heiner Goebbels
444 HUHIGNY rtSi:.".c) IvAL Le'Auomi;fe rAiu5 s CONCEPTION. MUSIQUE ET MISE EN SCÈNE Heiner Goebbels SPECTACLE MUSICAL AVEC l'Ensemble Modern 26> 29 NOVEMBRE 1997 Document de communication du Festival d'Automne à Paris - tous droits réservés MC93 Bobigny ProductionDas TAT, Francfort / Hebbel Theater, Noir sur blanc balisant pour ainsi dire l'espace par ces et le Festival d'Automne à Paris Berlin / Kaaitheater, Bruxelles, 1996. inscriptions acoustiques. Ces espaces sonores si En collaboration avec l'Ensemble Modern, Francfort. vivants (mais aussi éphémères) sont le produit Depuis une dizaine d'années, le compositeur présentent Composé en 1995/96, création le 14 mars 1996 au d'un jeu d'ensemble alors que les textes cités de Heiner Goebbels, résidant à Francfort, travaille Bockenheimer Depot de Francfort. Blanchot, Eliot et Poe, dits par l'un ou l'autre en collaboration avec l'Ensemble Modern qui a Présentation en France : MC 93 Bobigny et membre de l'Ensemble, chacun dans sa langue créé plusieurs de ses oeuvres. Le projet de Festival d'Automne à Paris maternelle, sont livrés de manière libre, HEINER GOEBBELS théâtre musical Schwarz Weiss pour le Avec le concours de l'Ambassade de France en ouf circulant comme des blocs erratiques. Ces textes Allemagne Theater am Turm de Francfort, en 1996, est le Schwarz auf Weiss fruit de plusieurs mois de travail avec cet traitent du caractère transitoire des choses, de La Maison de la Culture de Seine-Saint-Dents/MC93 la solitude de l'écriture, de la fragilité de la voix Noir sur blanc Bobigny est subventionnée par le Ministère de la ensemble.