Defying Gravity: the Music of Stephen Schwartz and Eric Whitacre

Total Page:16

File Type:pdf, Size:1020Kb

Defying Gravity: the Music of Stephen Schwartz and Eric Whitacre 03-30 DCINY Whitacre_GP 3/17/14 5:03 PM Page 1 Sunday Afternoon, March 30, 2014, at 2:00 Distinguished Concerts International New York (DCINY) Iris Derke, Co-Founder and General Director Jonathan Griffith, Co-Founder and Artistic Director presents Defying Gravity: The Music of Stephen Schwartz and Eric Whitacre DIstINGuIsheD CoNCerts sINGers INterNatIoNal ERIC WHITACRE, Composer and Conductor STEPHEN SCHWARTZ, Special Guest Artist ASHLEY BROWN, Special Guest Performer TALI TADMOR, Piano Program to be introduced from the stage ERIC WHITACRE Lux Aurumque Seal Lullaby the city and the sea (DCINY Premiere Project) No. 1. i walked the boulevard No. 3. maggie and milly and molly and may No. 5. little man in a hurry What If, from Paradise Lost: Shadows and Wings STEPHEN SCHWARTZ Testimony Defying Gravity, from Wicked Ain’t It Good, from Children of Eden Intermission avery Fisher hall Please make certain your cellular phone, pager, or watch alarm is switched off. 03-30 DCINY Whitacre_GP 3/17/14 5:03 PM Page 2 lincoln Center ERIC WHITACRE A Boy and a Girl Animal Crackers, Vol. I I. The Panther II. The Cow III. The Firefly Animal Crackers, Vol. II (DCINY Premiere Project) I. The Canary II. The Eel III. The Kangaroo Sleep Fly to Paradise STEPHEN SCHWARTZ Keramos For Good, from Wicked Forgiveness’ Embrace Spark of Creation, from Children of Eden We Want To Hear From You! upload your intermission photos and post-show feedback to twitter, Instagram, and Facebook! #DefyingGravity | @DCINY DCINY thanks its kind sponsors and partners in education: Vh-1 save the Music, education through Music, high 5, and artist travel Consultants. DIstINGuIsheD CoNCerts INterNatIoNal NeW YorK 250 W. 57th street, suIte 1610 NeW YorK, NY 10107 212-707-8566 www.DCINY.org 03-30 DCINY Whitacre_GP 3/17/14 5:03 PM Page 3 lincoln Center Texts and Translations Lux Aurumque (“Light of Gold” ) ERIC WHITACRE Text: edward esch | Latin translation: Charles anthony silvestri Lux, light, Calida gravisque pura velut aurum Warm and heavy as pure gold Et canunt angeli molliter and the angels sing softly Modo natum. to the newborn baby. Seal Lullaby ERIC WHITACRE Text: Rudyard Kipling oh! hush thee, my baby, the night is behind us, and black are the waters that sparkled so green. the moon, o’er the combers, looks downward to find us, at rest in the hollows that rustle between. Where billow meets billow, then soft be thy pillow, oh weary wee flipperling, curl at thy ease! the storm shall not wake thee, nor shark overtake thee, asleep in the arms of the slow swinging seas! the city and the sea ERIC WHITACRE Text: e.e. cummings | Partially commissioned by the DCINY Premiere Project No. 1. i walked the boulevard i walked the boulevard while nearby the father a thick cheerful man i saw a dirty child with majestic bulbous lips skating on noisy wheels of joy and forlorn piggish hands pathetic dress fluttering joked to a girlish whore behind her a mothermonster with busy rhythmic mouth with red grumbling face and silly purple eyelids cluttered in pursuit of how she was with child pleasantly elephantine 03-30 DCINY Whitacre_GP 3/17/14 5:03 PM Page 4 lincoln Center No. 3. maggie and milly and molly and may maggie and milly and molly and may went down to the beach (to play one day) and maggie discovered a shell that sang so sweetly she couldn’t remember her troubles, and milly befriended a stranded star whose rays five languid fingers were; and molly was chased by a horrible thing which raced sideways while blowing bubbles: and may came home with a smooth round stone as small as a world and as large as alone. For whatever we lose (like a you or a me) it’s always ourselves we find in the sea No. 5. little man in a hurry little man who have failed (in a hurry who have cried) full of an lie bravely down important worry) sleep halt stop forget relax big rain big snow wait big sun (little child big moon who have tried (enter us) Testimony STEPHEN SCHWARTZ Texts inspired by the “It Gets Better” project I don’t want to be like this I’m an imposter I don’t want to be who I am I am a spy behind enemy lines every day that I don’t change I pack my feelings so deep inside me I blame myself they turn to concrete I am not trying hard enough (I don’t want to be like this (I don’t want to be like this) I don’t want to be who I, how I, what I I am not trying hard enough am) (I don’t want to be how I am) every night I ask God to end my life When they find out (I am an abomination) No one will love me overlapping: I’ll lose my family God take this away or take me away … and all of my friends I don’t want to be like this … (I’m trapped like a fish with a hook in I don’t want to be who I am, I don’t its mouth) want to be how I am, I don’t want to I am impersonating the person I show be what I am as me I don’t want to be anymore … 03-30 DCINY Whitacre_GP 3/17/14 5:03 PM Page 5 lincoln Center today I’m going to hang myself But there’s no part of me today I’m going to slit my wrists still crying: “hide me” today I’m going to jump off my building … I would have missed take me away, take me away, take me the chance to sing out like this away … With people I love beside me hang in, hang on I have been brave Wait just a little longer I grew, and so did those around me hang in, hang on and now look what a life I’ve earned I know it now, I know it now It gets more than better If I had made myself not exist It gets amazing and astounding there is so much that I would have If I could reach my past, I’d tell him missed … what I’ve learned: I would have missed I was more loved so many travels and adventures than I dared to know More wonders than I knew could be there were open arms so many friends I could not see With jokes and laughter, not to mention and when I die the joy of living in authenticity and when it’s my time to go sometimes I cry I want to come back as me life can still be hard I want to come back as me. Defying Gravity, from Wicked STEPHEN SCHWARTZ something has changed within me Kiss me goodbye something is not the same I’m defying gravity I’m through with playing by the rules and you can’t pull me down of someone else’s game unlimited too late for second-guessing My future is unlimited too late to go back to sleep and I’ve just had a vision It’s time to trust my instincts almost like a prophecy Close my eyes and leap I know it sounds truly crazy It’s time to try and true, the vision’s hazy Defying gravity But I swear someday I’ll be I think I’ll try up in the sky Defying gravity Defying gravity and you can’t pull me down Flying so high I’m through accepting limits Defying gravity ‘Cuz someone says they’re so they’ll never pull me down some things I cannot change so if you care to find me But till I try, I’ll never know look to the western sky too long I’ve been afraid of as someone told me lately: losing love I guess I’ve lost everyone deserves the chance to fly Well, if that’s love and if I’m flying solo It comes at much too high a cost at least I’m flying free I’d sooner try to those who ground me Defying gravity take a message back from me 03-30 DCINY Whitacre_GP 3/17/14 5:03 PM Page 6 lincoln Center tell them how I am defying gravity and nobody in all of oz I’m flying high No Wizard that there is or was Defying gravity Is ever gonna bring me down and soon I’ll match them in renown Ain’t It Good, from Children of Eden STEPHEN SCHWARTZ oh, look out there If those clouds in the eastern sky, would ever break. is that a hint of light? But no storm oh, come and look, will last forever, I need to know though we felt if I am seeing right. so helpless then. We’ve lived so long in dark, Now we raise a joyful chant I’m almost frightened to believe for a glimpse of olive plant! those clearing skies on haven’t seen one since I can’t that glist’ning horizon. I can’t remember when… Please tell me my eyes ain’t it good do not deceive me… oh, ain’t it good ain’t it sweet our hearts are dancing! to smell the morning, ain’t it good, so good! in a world washed fresh and clean? We’ve got a second chance Now the storm has left its warning and we see, we see a hint of green.
Recommended publications
  • MILL SPRINGS ACADEMY Matters WINTER 2015
    MILL SPRINGS ACADEMY Matters WINTER 2015 IN THIS ISSUE Groundbreaking . 1–2 Founder’s Day 2015 . 2 MSA Finalist in STEM Education Awards . 2 Student Featured in HAM Mag . 3 Grandparents’ Day 2015 . 3 SD Sister School Visit . 4 CommArts Native American Club . 5 Alumni News . 6 Class of 2016 College Acceptances . 6 Nat . Arts Education Week . 6 Student Joins Civil Air Patrol . 7 Kathleen Swift, Middle School Teacher; Becky Dixon, Past Lower School Principal; Laurie Jones, Lower Upper Teacher Visits Spain . 7 School Principal; Margaret Brito, Middle School Principal; Bruce Bowers, Board of Trustees; Pamela Coral Fragging . 8 Little, EcoWise Inc .; Angel Murr, Board of Trustees Chairperson; Robert W . Moore, Headmaster; Dr . Students Inducted into Robert Slayden, Program Consultant; Bruce Clayton, Board of Trustees/Capital Campaign Steering Drama/Music Society . 8 Committee; Mike Collins, Collins Cooper Carusi Architects; Greg Mullin, Collins Cooper Carusi Senior Recognized at GISA Architects; Judd Nash, Choate Construction Company; Joe Lockwood, Mayor of Milton; Will Thran Competition . 9 Choate Construction Company . 2015© MOC Photo Teaching a Difficult Math Concept . 9 MSA Breaks Ground on Permanent MSA Hosts College Fair . .10 ConnectAbility 5k/10k . 10 Lower/Middle School MSA Mini Day . 10 uring the summer of 2015, MSA officially began construction on a permanent Lower/ Sports . 11 Middle School building to house grades 1–6. With the completion of this project, all Capital Campaign Dstudents in grades 1–12 will finally be in permanent classroom buildings. Update . 12–13 The 2-story building will include 15 classrooms, 2 technology rooms, a reading area, 2 dedicated Annual Fund Update .
    [Show full text]
  • In-Depth Analysis and Program Notes on a Selection of Wind Band Music Benjamin James Druffel Minnesota State University - Mankato
    Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2012 In-Depth Analysis and Program Notes on a Selection of Wind Band Music Benjamin James Druffel Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the Music Performance Commons Recommended Citation Druffel, Benjamin James, "In-Depth Analysis and Program Notes on a Selection of Wind Band Music" (2012). Theses, Dissertations, and Other Capstone Projects. Paper 196. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. IN-DEPTH ANALYSIS AND PROGRAM NOTES ON A SELECTION OF WIND BAND MUSIC By Benjamin J. Druffel A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in Wind Band Conducting Minnesota State University, Mankato Mankato, Minnesota June 2012 In-Depth Analysis and Program Notes on a Selection of Wind Band Music Benjamin J. Druffel This thesis has been examined and approved by the following members of the thesis committee. Dr. Amy K. Roisum-Foley, Advisor Dr. John Lindberg Dr. Linda Duckett ACKNOWLEDGEMENTS Dr. Amy Roisum-Foley: Thank you for your knowledge, musicianship, patience, and above all, your friendship. I am honored to have you as a mentor! Dr.
    [Show full text]
  • Photo Needed How Little You
    HOW LITTLE YOU ARE For Voices And Guitars BY NICO MUHLY WORLD PREMIERE PHOTO NEEDED Featuring ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Nina Revering, conductor AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA Brent Baldwin, conductor HOW LITTLE YOU ARE BY NICO MUHLY | WORLD PREMIERE TEXAS PERFORMING ARTS PROGRAM: PLEASESEEINSERTFORTHEFIRSTHALFOFTHISEVENING'SPROGRAM ABOUT THE PROGRAM Sing Gary Barlow & Andrew Lloyd Webber, arr. Ed Lojeski From the first meetings aboutHow Little Renowned choral composer Eric Whitacre You Are, the partnering organizations was asked by Disney executives in 2009 Powerman Graham Reynolds knew we wanted to involve Conspirare to compose for a proposed animated film Youth Choirs and Austin Classical Guitar based on Rudyard Kipling’s beautiful story Libertango Ástor Piazzolla, arr. Oscar Escalada Youth Orchestra in the production and are The Seal Lullaby. Whitacre submitted this Austin Haller, piano delighted that they are performing these beautiful, lyrical work to the studios, but was works. later told that they decided to make “Kung The Seal Lullaby Eric Whitacre Fu Panda” instead. With its universal message issuing a quiet Shenandoah Traditional, arr. Matthew Lyons invitation, Gary Barlow and Andrew Lloyd In honor of the 19th-century American Webber’s Sing, commissioned for Queen poetry inspiring Nico Muhly’s How Little That Lonesome Road James Taylor & Don Grolnick, arr. Matthew Lyons Elizabeth’s Diamond Jubilee in 2012, brings You Are, we chose to end the first half with the sweetness of children’s voices to brilliant two quintessentially American folk songs Featuring relief. arranged for this occasion by Austin native ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Matthew Lyons. The haunting and beautiful Nina Revering, conductor Powerman by iconic Austin composer Shenandoah precedes James Taylor’s That Graham Reynolds was commissioned Lonesome Road, setting the stage for our AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA by ACG for the YouthFest component of experience of Muhly’s newest masterwork.
    [Show full text]
  • A Rhetorical Analysis of Wicked's Elphaba
    “IT’S JUST THAT FOR THE FIRST TIME, I FEEL… WICKED”: A RHETORICAL ANALYSIS OF WICKED’S ELPHABA USING KENNETH BURKE’S GUILT-PURIFICATION-REDEMPTION CYCLE by Patricia C. Foreman A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies at Liberty University May 2013 Foreman 2 Acknowledgements First and foremost, to “my Dearest, Darlingest Momsy and Popsicle,” and to my brother Gary, thank you so much for your constant support, encouragement, direction and love. I appreciate your words of wisdom and advice that always seem to be just what I need to hear. To each of my fellow graduate assistants, thank you for “dancing through life” with me. Thank you for becoming not only co-workers, but also some of my best friends. To my thesis committee – Dr. William Mullen, Dr. Faith Mullen, and Dr. Lynnda S. Beavers – thank you all so much for your help. This finished thesis is, without a doubt, the “proudliest sight” I’ve ever seen, and I thank you for your time, effort and input in making this finished product a success. Finally, to Mrs. Kim, and all of my fellow “Touch of Swing”-ers, who inspired my love of the Wicked production, and thus, this study. For the long days of rehearsals, even longer nights on tour buses, and endless hours of memories that I’ll not soon forget... “Who can say if I’ve been changed for the better? I do believe I have been changed for the better. And because I knew you, I have been changed for good.” Foreman 3 In Memory Of… Lauren Tuck May 14, 1990 – September 2, 2010 “It well may be that we will never meet again in this lifetime, so let me say before we part, so much of me is made of what I learned from you.
    [Show full text]
  • Read Book Just for the Record
    JUST FOR THE RECORD PDF, EPUB, EBOOK Geri Halliwell | 320 pages | 01 Nov 2003 | Ebury Publishing | 9780091888046 | English | London, United Kingdom Just For The Record PDF Book Jeff Randall Kenneth Cope When the Sun Comes Out. Pargiter Olivia Hamnett Ager Arlen Koehler Yellen. Barbra Streisand feat: Don Rickles. The Barbra Streisand Album , Marty Hopkirk Annette Andre Stoney End , Movies I have seen. Liner notes. Energetic Happy Hypnotic. DeSylva Lew Brown. Andre Mallot James Forrest Back to Broadway Halloween Movies for the Whole Family. Miss Marmelstein Harold Rome. Browne ultimately awarded the collection a grade of A- and called it a good representation of the singer's ability to "chang[e the] definition of pop" and "make mainstream adult pop that was strong, elegant, [and] even passionate". Another common usage of the idiom involves clarifying a person's motivation for saying something or engaging in a particular action. Rainy Day Relaxation Road Trip. Barbra Streisand feat: Judy Garland. The Broadway Album , Don't Rain on My Parade. Title: Just for the Record 15 Jan The Best Horror Movies on Netflix. Alternately, someone may use it to explain why he did something that appeared particularly unintelligent. I Can Do It. Other tracks were compiled from various live performances, TV specials, and previous albums from her back catalog. Warm All Over Frank Loesser. Lost Inside of You. My Honey's Lovin' Arms. Lorenz Hart Richard Rodgers. It includes 24 of the songs from Just for the Record The Moon and I. You're the Top Cole Porter. Cryin' Time. Add the first question.
    [Show full text]
  • Accentuate the Positive Unit 1 Lesson 1 & 2
    Accentuate The Positive: Unit 1: Lessons 1 & 2 Lesson #1: “Accentuate the Positive” (1944) by Johnny Mercer & Harold Arlen Lesson Overview These lessons are an introduction to Johnny Mercer, the Great American Songbook, and lyric writing. Classes will receive the original Accentuate the Positive: Guide to Lyric Writing for Kids programming. Students will be exposed to different subject matters and will have opportunities to learn tools for lyric writing and creating personal lyrics, all while fulfilling national core standards. Have fun! Objectives Upon completion of this lesson students will be able to: Know about songwriter Johnny Mercer Understand the definitions of lyricist and composer Have an understanding of songwriting skills: Rhyme, Personification Write lyrics for a song Standards Nat’l Core Arts - Music: Creating. Students will generate musical ideas, rhythms and will be encouraged to create their own melodies. English/Lang Arts Standards: STRANDS--Reading Foundational & Writing. Students will apply phonics and word recognition as well as writing personal opinionated texts using the figurative language concepts discussed in the lessons. Top of Form Bottom of Form Time Required One class period of at least 45-50 minutes Lesson Preparation Ask students what music they like and have them start to investigate who wrote those songs. Materials: Accentuate the Positive: Guide to Lyric Writing for Kids booklet Whiteboard space for teacher/teaching artist Writing paper and pencils Resources: The Johnny Mercer Foundation: www.johnnymercer.org If needed, refer to the video of the educator workshop on the Accentuate the Positive webpage. Johnny Mercer Collections at Georgia State University: http://library.gsu.edu/mercer -1- Accentuate The Positive: Unit 1: Lessons 1 & 2 (con’t) Lesson Procedure Introduce the program and Johnny Mercer.
    [Show full text]
  • Broadway and Tin Pan Alley Introductory Essay
    Broadway and Tin Pan Alley Introductory Essay “Way Down Upon the Hudson River: Tin Pan Alley's New York Triumph” Rachel Rubin, Professor of American Studies, University of Massachusetts Broadway in the 1920s was a showcase for the sweeping changes transforming American culture in the early 20th century, including new roles for women, the mixing of social classes in new settings like Prohibition-era speakeasies and creative innovation by African Americans in jazz clubs and music halls. Sons of immigrants from Europe -- including the Gershwins, Irving Berlin, Jerome Kern and Harold Arlen -- made up a large percentage of the new word and music smiths writing for Tin Pan Alley and Broadway’s musical revues. Their syncopated rhythms borrowed from the jazz craze and their lyrics helped create a vibrant, witty new American argot. Tin Pan Alley and Broadway contributed such classic standards as “Alexander’s Ragtime Band” (Berlin), “I Got Rhythm” (Gershwin and Gershwin), “Ol’Man River,” (Kern and Hammerstein), “Stormy Weather” (Arlen and Koehler), “Ain’t Misbehavin’” (Razaf, Waller, Brooks), “Anything Goes” (Porter) and many more. These songs formed the musical backdrop of an era. The production of these songs also became big business. The first major book written about Tin Pan Alley was published in 1930 by Harvard professor Isaac Goldberg, and it was subtitled “A Chronicle of the American Popular Music Racket.” Goldberg’s humorous use of the word “racket” captured something about the origins of the name “Tin Pan Alley” given to the music composed by poorly-paid songwriters banging away in cubicles in downtown New York City on cheap pianos.
    [Show full text]
  • Mary Poppins - the Broadway Musical Ebook
    FREEMARY POPPINS - THE BROADWAY MUSICAL EBOOK Anthony Drewe,George Stiles,Richard M Sherman,Robert B Sherman | 112 pages | 29 Mar 2011 | Hal Leonard Corporation | 9781617803444 | English | Milwaukee, United States Mary Poppins - Broadway | Tickets | Broadway | Everyone's favorite practically perfect nanny takes the stage in this Supercalifragilisticexpialidocious musical adventure. Tickets are available at www. One of the most popular Disney movies of all time is capturing hearts in a whole new way: as a practically perfect musical! Based on the books by P. The jack-of-all trades, Bert, introduces us to England in and the troubled Banks family. Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using Mary Poppins - The Broadway Musical combination of magic and common sense, she must teach the family members how to value each other again. Even grown-ups can learn a lesson or two from the nanny who advises that "Anything can happen if you let it. Check out this article in the Taunton Gazette. July Mary Poppins - The Broadway Musical. Thursday, January 12, at 7pm NEW! Who's Who in Mary Poppins. Mickey T. White Bert. Kaitlyn Webber Featured Dancer. Kimberly Waller Ensemble. Leo Olmstead Michael. Jacob Miranda Featured Dancer. Ronni Marshak Bird Woman. Jessica Lorion Mary Poppins. Helen Lee Katie Nana. Paul Hayden Mr. George Mary Poppins - The Broadway Musical. Andrea Giangreco Mrs. Winifred Banks. Anthony Genatossio Robertson Ay. Jessica Dougherty Mrs. John Crampton Neleus. Lauren Coleman Ensemble. Patrick Chisholm Ensemble. Samantha Boragine Ensemble. Lindsey Ashworth Ensemble. Mary Poppins Production Team. Colleen Rua Artistic Director.
    [Show full text]
  • Memories of Aldeburgh
    February 2013 Issue 42 Hemiola St George’s Singers INSIDE THIS ISSUE: MEMORIES OF ALDEBURGH Britten at 100—preview 2-3 2013 is a special year for fans of atmosphere created by Diary of a recording 4-5 Benjamin Britten, as the nation performing St Nicolas in Christmas concert review 6 celebrates the 100th birthday of the church where it was Singing Day success 7 one of our greatest composers. first performed and record- SGS News 8 For St George’s Singers, our ed, where Britten’s funeral Jeff takes to the streets 9 ‘Britten at 100’ concert on 23 had included the two February at RNCM also brings hymns from the work, and Name that tune 10 The staging party 11 back happy memories of the beside the Piper memorial Pilgrimage to Leipzig 12-13 Choir’s tour to Suffolk in 2005, window, intensified the when we performed St Nicolas emotion of the occasion. Fit to sing 14 in Britten’s own church in In the first half Marcus Eric Whitacre on choirs 15 Aldeburgh. Geoff Taylor or- [Farnsworth] sang Let the St George’s in China 16-17 ganised the tour, and wrote the Dreadful Engines and Even- following for Hemiola: ing Hymn by Purcell, and The bear goes home 18 The trees they grow so high, Mindful music 19 ‘On Saturday morning we trav- arranged by Britten. Jeff elled through the Suffolk by- played a Bach prelude and ways to Snape Maltings where ST GEORGE’S SINGERS Britten’s Prelude and Fugue Esther Platten, who works for PRESIDENT: on a Theme of Vittoria brilliant- John Piper’s memorial window to Benjamin the Britten-Pears Foundation, ly.
    [Show full text]
  • Eric Whitacre Press
    E R I C W H I T A C R E E R I C W H I T A C R E C O M P O S E R , C O N D U C T O R , L E C T U R E R e c y o R W W W . E R I C W H I T A C R E . C O M c r a M J U L Y 2 0 1 2 © Music Productions Ltd. - +44 (0) 1753 783 739 - Claire Long, Manager - [email protected] E R I C W H I T A C R E B I O G R A P H Y ´:KLWDFUHLVWKDWUDUHWKLQJDPRGHUQFRPSRVHUZKRLV Eric Whitacre is one of the most popular and performed His latest initiative, Soaring Leap, is a series of workshops and ERWK SRSXODU DQG RULJLQDOµ 7KH 'DLO\ 7HOHJUDSK composers of our time, a distinguished conductor, broadcaster festivals. Guest speakers, composers and artists, make regular and public speaker. His first album as both composer and appearances at Soaring Leap events around the world. conductor on Decca/Universal, Light & Gold, won a Grammy® in 2012, reaped unanimous five star reviews and became the An exceptional orator, he was honoured to address the U.N. no. 1 classical album in the US and UK charts within a week of Leaders programme and give a TEDTalk in March 2011 in which release. His second album, Water Night, was released on Decca he earned the first full standing ovation of the conference. He in April 2012 and debuted at no.
    [Show full text]
  • Join the World's Largest Virtual Choir | Eric Whitacre, Deep Field
    ERIC WHITACRE’S VIRTUAL CHOIR 5: DEEP FIELD - PRESS RELEASE – TUESDAY JUNE 5, 2018 “Humanity’s most basic instincts are often expressed in discovery and music. Hubble Telescope’s images of the Deep Field, which fundamentally changed the way we understand the Universe, have been transformed into inspired music by composer Eric Whitacre. Combining the voices of thousands of singers from around the world in the Virtual Choir with symphony orchestra and Hubble’s extraordinary images of the cosmos, will a truly mind-blowing experience.” Dr. Robert Williams | Astrophysicist, Former Director - Space Telescope Science Institute (STScI) Join the World’s largest Virtual Choir | Eric Whitacre, Deep Field Submissions are now open for Eric Whitacre’s Virtual Choir 5: Deep Field (VC5). Singers are invited to record and upload their video to become part of a new digital art film created by Eric Whitacre and Music Productions in collaboration with the Space Telescope Science Institute and 59 Productions. Grammy-winning composer and conductor Eric Whitacre’s Deep Field, scored for orchestra, choir and electronics, is inspired by the revolutionary discoveries of the determined scientific visionaries working with the Hubble Space Telescope. VC5 opens on Tuesday June 5 and closes on Wednesday June 27 at 11:59pm PST. The Music: Twenty-eight years ago, NASA’s Space Shuttle Discovery launched the Hubble Space Telescope into orbit. The vast map of our universe that it produced stands as one of the most important scientific discoveries of the twentieth century. It is a story of human endeavor, wonder and extraordinary scientific ambition. This story was the inspiration behind Eric Whitacre’s Deep Field which was commissioned by the Minnesota Orchestra and BBC Radio 3 for the BBC Proms.
    [Show full text]
  • SAE MAGAZIN Das Magazin Von Institute Und ALUMNI Association
    Digitalmischpulte DM-3200 / DM-4800 2008 | 1 Bewährte Zutaten plus Sahnehäubchen: Mehr Genuss nicht nur im Studio. SAE MAGAZIN Das Magazin von SAE Institute und ALUMNI Association SAE MAGAZIN 2008 | 1 Das Magazin von SAE Institute und SAE ALUMNI Association DM-3200 mit optionaler Meterbridge MU-1000 rprobte Rezep- E turen soll man ja nicht ohne Not ändern. DM-4800 mit optionaler Meterbridge MU-1000 Deshalb besteht unser neues DM-4800 erst einmal aus rierbaren Drehgebern lässt Im neuen Vollmodul- mehr von all dem, was schon sich so nicht nur die Arbeit Bereich sind alle Kanal- das DM-3200 so erfolgreich im Studio entspannter parameter auf direktem Weg erreichbar macht: mehr Eingänge, mehr angehen, selbst einem Live- Ausspielwege, noch flexible- Einsatz können Sie gelassen res Routing … entgegensehen. Das gewisse Etwas aber An welchen Ingredien zen ist sein spezielles Regler- unserer Mischpulte Sie sonst feld, mit dem Sie auf sämt- noch Geschmack finden liche Parameter eines Kanals könnten, erfahren Sie bei Zugriff haben. In Verbindung Ihrem Tascam-Fachhändler. mit 24 Kanälen auf einer Oder besuchen Sie uns im IF-FW/DM MKII FireWire-Karte für Fader ebene und 24 konfigu- Internet. 32-kanalige Anbindung an DAWs SAE OXFORD – the world’s largest creative media campus, opens its doors in October 2008! Weitere Beilagen (gegen Aufpreis): MU-1000 Meterbridge mit Timecode-Display · IF-AN/DM 8-kanalige Analogschnittstelle :: PEOPLE & BUSINESS :: EVENTS & ACTIVITIES :: PRODUCTION & KNOW HOW IF-TD/DM 8-kanalige TDIF-1-Schnittstelle · IF-AD/DM 8-kanalige ADAT-Schnittstelle © 2007 TEAC Corporation. Alle Rechte vorbehalten. Änderungen an Konstruktion und technischen Daten vorbehalten.
    [Show full text]