St John Passion by J.S. Bach Text and Translation
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Classical Series 1 2019/2020
classical series 2019/2020 season 1 classical series 2019/2020 Meet us at de Doelen! Bang in the middle of Rotterdam’s vibrant city centre and at a stone’s throw from the magnificent Central Station, you find concert hall de Doelen. A perfect architectural example of the Dutch post-war reconstruction era, as well as a veritable people’s palace, featuring international programming and festivals. Built in the sixties, its spacious state- of-the-art auditoria and foyers continue to make it look and feel like a timelessly modern and dynamic location indeed. De Doelen is home to the Rotterdam Philharmonic Orchestra, with the very young and talented conductor Lahav Shani at its helm. But that is not all! With over 600 concerts held annually, our programming is delightfully varied, ranging from true crowd-pullers to concerts catering to connoisseurs, and from children’s concerts to performances of world music, jazz and hip-hop. What’s more, de Doelen is the beating heart of renowned cultural festivals such as the IFFR, Poetry International, Rotterdam Unlimited, HipHopHouse’s Make A Scene and RPhO’s Gergiev Festival. Check this brochure for this season’s programme. You will hopefully be as thrilled as we are with what’s on offer. Meet us at de Doelen and enjoy! Janneke Staarink, director & de Doelen team Janneke Staarink © Sanne Donders classical series 3 contents classical series 2019/2020 season preface 3 Pierre-Laurent Aimard © Marco Borggreve Grupo Ruta de la Esclavitud © Claire Xavier classical series 6 - 29 suggestions per subject 30 chronological overview 32 piano great baroque ordering information 36 From classics to cross-overs: the versatility of the This series features great themes and signature baroque floor plans 38 piano takes centre stage. -
Bach Academy Bruges
ENGLISH Wed 24 Jan — Sun 28 Jan 2018 BACH BEWERKT BACH ACADEMY BRUGES Bach rearranged — 01 — Dear music lover Festival summary Welcome to this eighth Bach than composing for religious services: WED 24 JAN 2018 15.00 Concert hall 17.00 Chamber music hall seeking the essence of music, distilling out BELGIAN PREMIERE Oxalys & Bojan Cicic Academy, with a programme that its language as far as he was able. 19.15 Stadsschouwburg Dietrich Henschel All roads lead to Bach focuses on the parody. The last ten years of his life saw the Introduction by Gloria Schemelli’s Gesangbuch p. 20 composition of the second part of the Carlier (in Dutch) p. 10 Well-Tempered Clavier, the Goldberg 19.15 Chamber music hall As you undoubtedly know, Bach frequently Variations, the Von Himmel Hoch choral 20.00 Stadsschouwburg 17.00 Chamber music hall Introduction by Ignace drew on music by other composers or his variations, The Musical Offering, the Mass Mass B Christine Busch & Bossuyt (in Dutch) own earlier work to mould into new works of in B minor and The Art of the Fugue. None Béatrice Massin & Jörg Halubek his own. The Mass in B minor, for example, of these compositions was written on Compagnie Fêtes galantes Bach. Violin sonatas 20.00 Concert hall is a brilliant interweaving of largely commission. For these works, Bach was i.c.w. Cultuurcentrum Brugge p. 11 Collegium Vocale Gent refashioned parts of earlier cantatas with driven only by artistic inspiration. They So singen wir recht das earned him nothing, and only thirty copies 19.15 Chamber music hall Gratias newly-composed passages. -
GÖTEBORG INTERNATIONAL ORGAN ACADEMY 13–15 September 2012
GÖTEBORG INTERNATIONAL ORGAN ACADEMY 13–15 sEPTEMBER 2012 The North German Chorale Fantasias and Georg Böhm’s Organ Works 1 TABLE OF CONTENTS VÄLKOMMEN! WELCOME! Informationcover inside 2 Göteborg har utvecklats från en hamn- och in- At the beginning of the twenty-first century, Welcome 3 dustristad till ett regionalt centrum för näringsliv, Göteborg has undergone a metamorphosis from its Göteborg International Organ Academy 2012 4 utbildning, forskning och kultur. Göteborgs Sym- historical position as a harbor city and an industrial The Göteborg International Organ Academy 5 foniker är, sen ett antal år, Sveriges nationalorkes- center into a regional center for business, educa- Academy programme 2012 6-7 ter, vid älven står vårt vackra operahus, på många tion, research and culture. For some years, the Concert programmes and Vespers 8-12 scener i staden pågår intensiva teateraktiviteter, Göteborg Symphony Orchestra has also been the Master-classes 13 Göteborgs Filmfestival och bokmässan är händelser National Orchestra of Sweden. The beautiful Göte- GOArt library and instruments on display 13 av internationell betydelse och högskolevärlden borg Opera stands on the banks of the Göta River. Biographies 13-19 kan inte bara uppvisa forskningsfält av internatio- The city’s many stages support an active theater Organ specifications 19-22 nell betydelse utan ger också betydande bidrag till scene. The annual Film Festival and Book Fair are Artisten, Bjurum organ 19 kulturlivet i form av konst, formgivning, musik, international events, and Göteborg’s universities Artisten, Gustavsson & Kjersgaard organ 20 teater, internationella vetenskapsfestivalen, osv. not only support research of international signifi- Haga Church, Brombaugh organ 20-21 cance, but also make important contributions to Örgryte New Church, Willis organ 21-22 Kulturlivet bygger också broar till andra delar the city’s cultural life, in the areas of art, music, Concerts and Vespers 23 av Europa. -
Dieterich Buxtehude's Membra Jesu Nostri: an Historical Overview, Analysis and Conducting Guide by Youn Ju Kim a Research Pa
Dieterich Buxtehude’s Membra Jesu Nostri: An historical overview, analysis and conducting guide by Youn Ju Kim A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved March 2012 by the Graduate Supervisory Committee: Gregory Gentry, Chair Gary Hill William Reber Rodney Rogers Timothy Russell ARIZONA STATE UNIVERSITY May 2012 ABSTRACT Dieterich Buxtehude (ca. 1637-1707) is known for his many organ works. However, no significant portion of his choral music is in the standard performing repertoire. Buxtehude’s large-scale choral work Membra Jesu Nostri should be considered a seminal “passion” composition in part because of its historic position in early German Lutheran church music. It also serves as an example of the heightened levels of affect in a seventeenth century devotional passion. To better understand Buxtehude and his music, an overview of his life, career and religious beliefs are discussed, including the incorporation of pietism and mysticism in his cantata, Membra Jesu Nostri. Details of the composition’s structure, unifying thematic elements and text sources with translations are included. Historical performance practices are discussed, including the composer’s probable intent of having one of the seven cantatas performed every day before Easter. This research study also provides conductors with a variety of practical performance considerations. Through these observations, it will be shown that Buxtehude’s Membra Jesu Nostri is one of the most well-conceived and well-constructed choral works of the early Baroque era. i DEDICATION In nomine Jesu, Soli Deo Gloria (In the name of Jesus, to God alone be the glory) And to my parents Kim, Ha Sub and Lee, Jung Ji My love and respect will always be with you. -
04047 VANWIJNEN BIJBEL VAN BACH EN V3.Indd 1-3 09-09-13 16:10 ❖
, David O. Berger Nikolaus Harnoncourt, together Nowhere are we closer librarian emeritus of with Gustav Leonhardt the fi rst Concordia Seminary conductor to record a complete to Bach’s heart. Library in St. Louis, cycle of Bach’s cantatas using pe- where the Bach/Calov riod instruments: Bible resides: Read over Bach’s shoulder. “Bach’s Bible is highly interesting for any musician who performs his music and for everyone who loves his music. - How did he Subscription to the read his Bible - what did he write in the margins? My best deluxe edition with huge “As the only known extant books from the library of J. S. Bach wishes for this wonderful project.” listed for probate at the time of his death, the Calov Bible price advantages is now open. commentary provides a unique window into Bach’s use of Holy Scripture. From supplying missing words to underlining Prof. Dr. Ton Koopman, conduc- Bach’s and annotating the text, it’s clear that Bach was intimately tor, organist, harpsichordist, pro- own Bible acquainted with his Bible. The publication of Uitgeverij Van fessor of historically informed Wijnen makes this musico-theological treasure available to performance practice at Leyden lovers and scholars of Bach in a number of disciplines and to University: all collectors of fi ne facsimiles. Concordia Seminary takes great pleasure in partnering with the publisher in making it possible “The Bach/Calov Bible is a unique to share these valuable volumes with a world-wide clientele.” document. J.S. Bach comments BACH’S OWN on the Bible and this document has been preserved. -
Chan-Telus 2
February 3, 2016 at The Chan Centre Early Music Vancouver board of directors Tony Knox president Spencer Corrigal cpa,ca treasurer Sharon Kahn past president Stuart Bowyer Chris Guzy Tim Rendell cpa,ca Ingrid Söchting Vincent Tan Mark Vessey Fran Watters CultureCulture is the expression is the expression of Canada’s soul; of itCanada’s defines soul;La culture it defines est l’expression us andde l’âme helps du Canada. bring ÷ us and helps bring us together. The Government of Elle contibue à nous définir et à nous unir. Le Canadaus together.places great valueThe onGovernment culture and is of Canadagouvernement places great du Canada value accorde on culture beaucoup committedand is to committed supporting the artsto supportingand our artists. Thisthe artsd’importance and our artists. à la culture, This et il isa à whycœur de we soutenir José Verstappen cm is why we are proud to support these performances les arts et les artistes canadiens. C’est pour cette artistic director emeritus by Earlyare proudMusic Vancouver. to support Through these its ecclectic performances raison by queEarly nous Musicsommes fiersVancouver. d’appuyer la performances and other artistic activities, this présentation de ces concerts par l’organisme Early organizationThrough gives its Canadian ecclectic musicians performances the chance to andMusic other Vancouver. artistic Grâce activities, a ses spectacles this et autres ÷ demonstrateorganization their talent gives and bring Canadian our culture musicians to life. activités the chance artistiques, to cetdemonstrate organisme donne la chance It lets music lovers discover melodies and harmonies aux musiciens canadiens de faire valoir leur talent et thattheir may come talent from and a distant bring time, our but stillculture have the to life.d’animer It lets notre music culture. -
LEONHARDT (Musicians and Composers of the 20Th Century
Fitch, Frances Conover. Musicians and Composers of the 20th Century, s.v. "Gustav Leonhardt." Armenia, New York: Salem Press, 2009. Used by permission of EBSCO Information Services. A preeminent figure in the Early Music movement of the twentieth century, early keyboard player Gustav Leonhardt influenced countless students, record buyers, concertgoers, and musician colleagues through his energetic, quietly passionate performance and leadership style, his impeccable scholarship, and his brilliant and sophisticated mind. He championed the cause of the music he played and respected, rather than his own virtuosity, though that was remarkable. As a teacher and conductor he encouraged in his fellow musicians a sense of humility and curiosity about European music of the seventeenth and eighteenth centuries. He taught them how to breathe life into a repertoire that was, at the time, being performed in an abstract and largely intellectual manner. His particular insight into the concept of Baroque music as speech, and the role of rhetoric and articulation in creating that speech set his playing of the harpsichord apart from that of his contemporaries. The Life: Gustav Leonhardt was born into a musical Dutch-Austrian family, between the two world wars. His childhood home was in ‘s Graveland, a country town with stately homes near Hilversum in the province of North Holland, The Netherlands. His parents were accomplished amateur musicians with eclectic tastes in music, and the study of music was expected in their household. Gustav and his sister, Trudelies, were steered toward the piano and a harpsichord that their parents had bought for occasions when they played chamber music of Bach and Handel. -
Dietrich Buxtehude (1637-1707) Was a Student of Heinrich Scheidemann, Organist in Hamburg and a Student of Sweelinck
Buxtehudebookletnw 26/1/06 11:21 Pagina 1 CHANNEL CLASSICS CCS SA 24006 d.buxtehude Membra Jethesu netherlandsNostri bach society Jos van Veldhoven conductor Buxtehudebookletnw 26/1/06 11:21 Pagina 2 The Netherlands Bach Society Jos van Veldhoven conductor Anne Grimm soprano 1 Johannette Zomer soprano 2 Peter de Groot alto Andrew Tortise tenor Bas Ramselaar bass Antoinette Lohmann violin Pieter Affourtit violin Mieneke van der Velden viola da gamba (also continuo) Eva Reiter viola da gamba Josh Cheatham viola da gamba Ricardo Rodriguez Miranda viola da gamba (also continuo) Nick Milne viola da gamba Lucia Swarts violoncello Dane Roberts double bass Pieter Dirksen organ & clavicord Mike Fentross theorbo Illustration 1: Title page of Membra Jesu Nostri (Uppsala, University Library) 2 Buxtehudebookletnw 26/1/06 11:21 Pagina 3 t is now fairly certain that Dietrich Buxtehude (1637-1707) was a student of Heinrich Scheidemann, organist in Hamburg and a student of Sweelinck. Buxtehude’s studies would have occurred around I 1655. At this time his fellow student was Johann Adamsz Reincken of Deventer, who would become his lifelong friend. Thanks to this friendship, he became one of that impressive group of organist- composers from the Baltic area, known collectively as the ‘Sweelinck school’. Their elevated, ‘learned’ composing style and virtuosity as performers and improvisers amounted to a carefully guarded ‘secret’ which could only be transmitted among the members of this guild, from teacher to student. While the first generation of Sweelinck’s students, the most important of whom was Scheidemann, confined themselves primarily to organ playing and composing for the organ, their students, in turn, went a step further. -
Sato and the Romantics
BLAZING BAROQUE Sydney, Melbourne and Brisbane July/August 2016 Paul Dyer AO Artistic Director Shaun Lee-Chen Baroque Violin Australian Brandenburg OrchestraSATO & THE ROMANTICS PROGRAM Sammartini Overture to the opera Memet, J-C 88 Vivaldi Concerto for violin in D major, RV 208, Grosso mogul Telemann Grand Concerto in D major, TWV deest Interval Vivaldi Concerto for several instruments in F major, RV 569 Telemann Concerto for flute & recorder in E minor, TWV 52:e1 Fasch Concerto in D major, FWV L:D4a Sydney Melbourne Brisbane City Recital Hall Melbourne Recital Centre Queensland Performing Arts Centre Wednesday 27 July, 7pm Saturday 30 July, 7pm Monday 8 August, 7:30pm Friday 29 July, 7pm Sunday 31 July, 5pm Wednesday 3 August, 7pm Friday 5 August, 7pm Saturday 6 August, 7pm Matinee Saturday 6 August, 2pm Chairman’s 11 Proudly supporting our guest artists. The duration of this concert is approximately 2 hours including interval. We kindly request that you switch off all electronic devices during the performance. This concert will be broadcast on ABC Classic FM on Thursday 11 August, 1pm. PRINCIPAL PARTNER PRINCIPAL PARTNER 1 SATO & THE ROMANTICS Sydney and Melbourne September 2016 Shunske Sato Guest Director, Violin Paul Dyer AO Artistic Director, Conductor Australian Brandenburg Orchestra PROGRAM Mendelssohn String Symphony No.3 in E minor, MWV N 3 Grieg Holberg Suite, Op. 40 Interval Paganini Violin Concerto No. 4 in D Minor, MS 60 Sydney Melbourne City Recital Hall Melbourne Recital Centre Wednesday 7 September, 7pm Saturday 10 September, 7pm Friday 9 September, 7pm Sunday 11 September, 5pm Wednesday 14 September, 7pm Friday 16 September, 7pm Saturday 17 September, 7pm Matinee Saturday 17 September, 2pm Chairman’s 11 Strengthening our communities Proudly supporting our guest artists. -
Download Booklet
CKD 354 Also AvAilAble from the DuneDin Consort on Linn reCorDs George Frideric Handel Messiah Dublin Version, 1742 – CKD 285 Also available as a 180g 3-LP collection – CKH 312 2007 CLAssiC FM GrAMoPHone AWArD Winner 2008 MiDeM CLAssiCAL AWArD Winner ‘The freshest, most natural, revelatory and transparently joyful Messiah I have heard in a very long time.’ – GrAMoPHone ‘Youth, freshness, joy: these are the chief characteristics of this intimate new Messiah....’ – tHe tiMes ‘Stylish, fresh... more intimate.’ – BBC MusiC MAGAZine Johann Sebastian Bach Matthew Passion Last Performing Version, c.1742 – CKD 313 ‘The playing and the singing is outstanding. Highly recommended.’ ★★★★★ – tHe oBserVer ‘My new benchmark.’ ★★★★★ – BBC MusiC MAGAZine ‘There’s no doubt that this one is the pick of this year’s crop... tinglingly vivid... beautifully coloured.’ ★★★★★ – tHe GuArDiAn George Frideric Handel Acis & Galatea Original Cannons Performing Version, 1718 – CKD 319 2009 CLAssiC FM GrAMoPHone AWArDs FinAList CD of the Month: ‘...utterly magical.’ – GrAMoPHone Opera & Vocal Disc of the Month: ‘... the freshness with which they sing radiates joy throughout the entire score.’ – CLAssiC FM MAGAZine Mass in B minor J S Bach (1685-1750) Mass in B minor BWV 232 Edition: Breitkopf & Härtel, edited by Joshua Rifkin (2006) Johann Sebastian Bach Dunedin Consort & Players John Butt director ach’s Mass in B Minor is undoubtedly his most spectacular choral work. BIts combination of sizzling choruses and solo numbers covering the gamut DISC 1 of late-Baroque vocal expression render it one of the most joyous musical 6 Et resurrexit ............................................................... 4.02 experiences in the western tradition. Nevertheless, its identity is teased by ................................ -
Buxtehude Membra Jesu Nostri
Buxtehude Membra Jesu nostri Emma Kirkby soprano The Purcell Quartet Elin Manahan Thomas soprano Michael Chance counter-tenor Charles Daniels tenor Peter Harvey bass Fretwork CHANDOS early music Autograph title page of Buxtehude’s ‘Membra Jesu nostri’ Dietrich Buxtehude (c. 1637–1707) Membra Jesu nostri, BuxWV 75* 65:15 I. Ad pedes 1 1 Sonata 0:45 2 2 Tutti. Ecce super montes 1:14 3 3 Aria. Salve mundi salutare 4:59 4 4 Tutti. Ecce super montes 1:16 5 5 Tutti. Salve mundi salutare 0:59 II. Ad genua 6 6 Sonata in tremulo 1:04 7 7 Tutti. Ad ubera portabimini 1:34 8 8 Aria. Salve Jesu, rex sanctorum 3:44 9 9 Tutti. Ad ubera portabimini 1:39 III. Ad manus 10 10 Sonata 0:56 11 11 Tutti. Quid sunt plagae istae 1:58 12 12 Aria. Salve Jesu, pastor bone 5:07 13 13 Tutti. Quid sunt plagae istae 2:15 IV. Ad latus 14 14 Sonata 0:26 15 15 Tutti. Surge, amica mea, speciosa mea 1:44 16 16 Aria. Salve latus salvatoris 4:40 17 17 Tutti. Surge, amica mea, speciosa mea 1:58 3 V. Ad pectus 18 18 Sonata 0:40 19 19 Voci. Sicut modo geniti infantes rationabiles 2:20 20 20 Aria. Salve, salus mea, Deus 5:21 21 21 Voci. Sicut modo geniti infantes rationabiles 2:40 VI. Ad cor 22 22 Sonata 1:48 23 23 Doi Soprani è Basso. Vulnerasti cor meum 2:21 24 24 Aria. Summi Regis cor, aveto 3:04 25 25 Doi Soprani è Basso. -
Bach's Mass in B Minor Collegium Vocale Gent/ Herreweghe
Bach’s Mass in B minor Collegium Vocale Gent/ Herreweghe Friday 14 June 2019 7.30pm, Hall J S Bach Mass in B minor There will be no interval Collegium Vocale Gent Philippe Herreweghe conductor Dorothee Mields soprano Hana Blažíková soprano Alex Potter countertenor Matthias Baus Thomas Hobbs tenor Krešimir Stražanac bass-baritone Part of Barbican Presents 2018–19 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. Please remember that to use our induction loop you should switch your hearing aid to T setting on entering the hall. If your hearing aid is not correctly set to T it may cause high-pitched feedback which can spoil the enjoyment of your fellow audience members. We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it The City of London with a handkerchief. Corporation is the founder and If anything limits your enjoyment please let us know principal funder of during your visit. Additional feedback can be given the Barbican Centre online. Welcome A warm welcome to tonight’s performance the case, how lucky we are, for it touches of Bach’s searingly intense Mass in B minor. and inspires in equal measure. To perform it, a group that has long been particularly associated with this composer’s In Collegium Vocale Gent’s early days its music: Collegium Vocale Gent, under its approach to performing Baroque sacred founder-conductor Philippe Herreweghe.