DOCSLIB.ORG

Programme September – November 2014 Free Entry

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Programme September – November 2014 Free Entry Programme September – November 2014 www.ikon-gallery.org Free entry Alongside these seminal works is a new commission Lee Bul made possible through the Art Fund International scheme in collaboration with Birmingham Museum and Art Gallery and The New Art Gallery Walsall. Exhibition After Bruno Taut (Devotion to Drift) alludes to the 10 September – 9 November 2014 architect Bruno Taut (1880–1938), a great influence First and Second Floor Galleries on Lee Bul’s works. The suspended sculpture, dripping with an excess of crystalline shapes and glass beads, references the exponential growth and unsustainability of the modern world. Unlike Taut’s Ikon presents the first UK solo show of works by early twentieth century optimism, Lee Bul conjures Korean artist Lee Bul. This survey of early drawings, up beautiful dreams she knows won’t come true. studies, sculptural pieces and ambitious installations – including a new commission made especially This exhibition is organised in collaboration with for Ikon – showcases the visually compelling and the Korean Cultural Centre UK, EACC Castellón intellectually sharp works which have established and Musée d’art moderne et contemporain Saint- Lee Bul as one of the most important artists of her Étienne Métropole. generation. In conjunction with Ikon’s exhibition, the Korean Born in 1964, under the military dictatorship of Cultural Centre (KCC) UK in London presents a South Korea, Lee Bul graduated in sculpture from large-scale floor installation entitled Diluvium (13 Hongik University during the late 1980s. Her works September – 1 November 2014). Lee Bul has created became preoccupied with politics, delving into a new version of the work, which is specifically the many forms of idealism that permeate our designed for the exhibition space of KCC. civilisations, and from the beginning she created www.kccuk.org.uk works that crossed genres and disciplines in 1 provocative ways. Early street performance-based A major new publication accompanies the pieces saw Lee Bul wearing full-body soft sculptures exhibition, priced £12, special exhibition price £9.95, which were both alluring and grotesque. Her later with essays by Jonathan Watkins, Ikon Director and female Cyborg sculptures of the 1990s drew upon Lorand Hegyi, Director of Musée d’art moderne et art history, critical theory, science fiction and contemporain Saint-Étienne Métropole. Visit Ikon’s popular imagination to explore anxieties arising online shop at www.ikon-gallery.org for the full out of dysfunctional technological advances, whilst range of Ikon’s catalogues and limited editions. simultaneously harking back to icons of classical sculpture. Exhibition opening Lee Bul’s more recent works have similarly dual Wednesday 10 September, 6–8pm – FREE concerns; at once forward-looking yet retrospective, Join us to celebrate the opening of our new seductive but suggestive of ruin. Sculptures exhibition. Pay bar. suspended like chandeliers, elaborate assemblages that glimmer with crystal beads, chains and mirrors, poignantly evoke castles in the air. The sculptures reflect utopian architectural schemes 1 Lee Bul of the early twentieth century as well as images Via Negativa (interior detail) (2012) Photograph by Jeon Byung-cheol of totalitarianism from Lee Bul’s early experiences. Courtesy Studio Lee Bul, Seoul Mon grand récit: Weep into stones … (2005), with its mountainous topography is reminiscent of 2 Lee Bul Mon grand récit: Weep into stones … skyscrapers described by Hugh Ferriss in his book (2005) The Metropolis of Tomorrow (1929). Scaffolding Polyurethane, foamex, synthetic clay, stainless steel and aluminum rods, supports several scale model structures: a looping acrylic panels, wood, acrylic paint, highway made of bent plywood, a tiny Tatlin’s varnish, electrical wiring, lighting 2 Monument, a modernist staircase that features in 280 × 440 × 300 cm as installed Collection HITEJINRO Co., LTD., Seoul Fellini’s La Dolce Vita, and an upturned cross-section Photograph by Watanabe Osamu of the Hagia Sofia. Courtesy Mori Art Museum, Tokyo Ikon presents an early video work by Birmingham- Gillian Wearing born artist Gillian Wearing in a disused shop unit in Fletchers Walk, central Birmingham, a space we have occupied since December 2013 to present film Dancing in Peckham works. Off-site exhibition A kind of self-portrait, Dancing in Peckham (1994) 10 September – 18 November 2014 shows the artist dancing for 25 minutes to music Monday – Saturday, 7am–11pm only she can hear in a shopping arcade in south Fletchers Walk, Birmingham B3 3HJ London. The presentation of this work coincides with the unveiling of Wearing’s A Real Birmingham Family sculpture outside the Library of Birmingham. 4 3 Yinka Shonibare’s exhibition at Ikon in 1999 was Yinka Shonibare seminal. We now show Five Under Garments and Much More (1995), an early suspended installation that prefigures the artist’s mannequin works. Each MBE piece mimics the structured corsetry of period noble dress but the dramatically enlarged proportions and exuberant textiles suggest a provocative de-robing Ikon Icon: 1990s of social and class constructions. 3 Yinka Shonibare MBE Exhibition Ikon Icons sees the return of five key British artists Five Under Garments and 10 September – 9 November 2014 from an exhibition programme starting in 1965, Much More (1995) Copyright the artist Tower Room, Second Floor one artist per decade: John Salt (1960s), Ian Emes Courtesy the artist and Only accessible via a number of steps (1970s), Cornelia Parker (1980s), Yinka Shonibare Stephen Friedman Gallery, London Photograph by Mark Blower MBE (1990s) and Julian Opie (2000s). A presentation of work by each takes place consecutively during 4 Gillian Wearing Ikon 50, in Ikon’s Tower Room. The series is a major Dancing in Peckham (1994) Colour video with sound component of Ikon 50, the programme of exhibitions Copyright the artist and events celebrating Ikon’s 50th anniversary. Courtesy Maureen Paley, London Gillian Wearing A Real Birmingham Family Off-site Outside the Library of Birmingham Centenary Square, Broad Street, Birmingham B1 2ND Ikon unveils A Real Birmingham Family, a public sculpture that is the culmination of our four-year project with Turner Prize-winning artist Gillian Wearing. During 2011 and 2012, residents of Birmingham were encouraged to nominate their families to be the face of Birmingham. No limits were placed on how the twenty-first century family might define itself and hundreds of families responded, including groups of friends, single parents and people living alone. In 2013 the Jones family – two sisters, Roma and Emma, and their two sons, Kyan and Shaye – were chosen as A Real Birmingham Family by the artist and a diverse panel of community, cultural and religious figures. The selection was made following discussions on what constitutes a Birmingham Associated events family: multiple generations, friendships and diversity as well as evidential links to the city. Launch Event Thursday 30 October, 11.30am – FREE I really liked how Roma and Emma Jones spoke of their Join us as we unveil this new sculpture for the city, closeness as sisters and how they supported each other. outside the Library of Birmingham, to celebrate the It seemed a very strong bond, one of friendship and culmination of this extraordinary project. family, and the sculpture puts across that connectedness between them. A nuclear family is one reality but it is Symposium: one of many and this work celebrates the idea that what Families in Birmingham: change and continuity constitutes a family should not be fixed. Monday 3 November, 11am–4pm – FREE Gillian Wearing Studio Theatre, Library of Birmingham Centenary Square, Broad Street, Birmingham B1 2ND This symposium, organised in collaboration with Dr Liz Yardley, Birmingham City University, takes its inspiration from A Real Birmingham Family and asks “What challenges do families face in Birmingham in the twenty-first century?” The day features Support A Real Birmingham Family special guest speakers and is aimed at professionals It’s not too late to support the project and for a working with families and children in a variety of limited period every donation will be matched contexts, including the arts, education, health and by Arts Council England. Those who donate £250 social care. See website for full programme. or more become a Friend of the Family, to be acknowledged in a published list of supporters. Places are free but should be booked, visit To make a donation visit www.ikon-gallery.org, call www.ikon-gallery.org to book online or call Ikon on 5 The Jones Family 0121 248 0708 or text IKON01 £5 to 70070. 0121 248 0708. The exhibition, At Home with Vanley Burke, is an Art Happens ambitious undertaking, and will see Ikon move the entire contents of the artist’s flat in Nechells, north- east Birmingham, to the gallery. We need your Ikon is delighted to announce our partnership with support to raise £17,000. In return for your donation Art Happens, a new national crowd-funding initiative there will be exclusive rewards, designed by Vanley from the Art Fund. Burke, including a special CD, homeware, limited edition artwork and VIP tickets to a summer party. For Ikon, Art Happens focuses on encouraging donations for our 2015 exhibition with Birmingham- Devised to help UK galleries and museums with based artist Vanley Burke. Born in Jamaica in raising support for creative projects, Art Happens is 1951, Burke has lived in the city since 1965 and is a new approach to fundraising. Aimed at forging renowned as a photographer concerned especially an ongoing dialogue with supporters, the scheme with black culture in Britain. Alongside his numerous thanks all donors with exclusive rewards and every exhibitions, Burke is also an avid collector – his penny goes directly to the project. archive is vast and varied, including posters, books, clothes, records, ornaments and countless other Please visit www.artfund.org/arthappens-ikon to items that provide an invaluable insight into make a donation.
Load more

Recommended publications
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game.
    [Show full text]
  • PINK FLOYD ‘The Early Years 1965-1972’ Released: 11 November 2016
    ** NEWS ** ISSUED: 28.07.16 STRICTLY EMBARGOED UNTIL: 14:00HRS BST, THURSDAY 28 JULY 2016 PINK FLOYD ‘The Early Years 1965-1972’ Released: 11 November 2016 • Unreleased demos, TV appearances and live footage from the Pink Floyd archives • 6 volumes plus a bonus EXCLUSIVE ‘Extras’ package across 27 discs • Over 20 unreleased songs including 1967’s Vegetable Man and In the Beechwoods • Remixed and updated versions of the music from ‘Zabriskie Point’ • 7 hours of previously unreleased live audio • 15 hours 35 mins of video including rare concert performances, interviews and 3 feature films * 2 CD selection set ‘The Early Years – CRE/ATION’ also available * On 11 November 2016, Pink Floyd will release ‘The Early Years 1965-1972’. Pink Floyd have delved into their vast music archive, back to the very start of their career, to produce a deluxe 27-disc boxset featuring 7 individual book-style packages, including never before released material. The box set will contain TV recordings, BBC Sessions, unreleased tracks, outtakes and demos over an incredible 12 hours, 33 mins of audio (made up of 130 tracks) and over 15 hours of video. Over 20 unreleased songs including 7 hours of previously unreleased live audio, plus more than 5 hours of rare concert footage are included, along with meticulously produced 7” singles in replica sleeves, collectable memorabilia, feature films and new sound mixes. Previously unreleased tracks include 1967’s Vegetable Man and In The Beechwoods which have been newly mixed for the release. ‘The Early Years 1965-1972’ will give collectors the opportunity to hear the evolution of the band and witness their part in cultural revolutions from their earliest recordings and studio sessions to the years prior to the release of ‘The Dark Side Of The Moon’, one of the biggest selling albums of all time.
    [Show full text]
  • Michel François Exhibition Guide
    (2008) is a large free-standing steel box that has had sections uniformly cut and removed to leave a fragile framework, gilded but on the verge of collapse. The cut metal is scattered within. It alludes to Exhibition Guide attempts to cross the border from Mexico into America and the realisation that the 30 April – 22 June 2014 object of desire is the frontier itself, what lies beyond is of questionable value. In the video piece, Arpenteur (Surveying) (1993), Michel François we see an inch worm making its way Pieces of evidence across a road atlas, unaware of ‘borders, First and Second Floor Galleries boundaries, sensitive places, where political issues founder …’ Belgian artist Michel François (born 1956) has been making work since the early 1980s, François often perforates architectural using an impressive range of media that structures in order to suggest the possibility includes objects, photographs, video, light- of movement between two sides. Retaining based works and architectural installations. Wall (2014) for example, is a massive All these he considers to be sculpture. With concrete block penetrated by carefully its overarching theme of duality – between drilled holes, and its placement just outside growth and disintegration, structure and Ikon’s main entrance raises questions about chaos, and so on – this exhibition is his first the integrity of architecture. Inside, on the survey in the UK. It is intended to be read as first floor, François makes a similar hole in a whole, integrated with the entire building. a gallery wall through which we can see the outside world. François readily engages with socio- political issues and the exhibition’s title, Nearby on the first floor, he makes a Pieces of evidence, refers to the collection of similar breakthrough.
    [Show full text]
  • The Future: the Fall and Rise of the British Film Industry in the 1980S
    THE FALL AND RISE OF THE BRITISH FILM INDUSTRY IN THE 1980S AN INFORMATION BRIEFING National Library Back to the Future the fall and rise of the British Film Industry in the 1980s an information briefing contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER SECTION I: REPORT Introduction . .1 Britain in the 1980s . .1 Production . .1 Exhibition . .3 TV and Film . .5 Video . .7 “Video Nasties” & Regulation . .8 LEADING COMPANIES Merchant Ivory . .9 HandMade Films . .11 BFI Production Board . .12 Channel Four . .13 Goldcrest . .14 Palace Pictures . .15 Bibliography . .17 SECTION II: STATISTICS NOTES TO TABLE . .18 TABLE: UK FILM PRODUCTIONS 1980 - 1990 . .19 Written and Researched by: Phil Wickham Erinna Mettler Additional Research by: Elena Marcarini Design/Layout: Ian O’Sullivan © 2005 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-108-4 Phil Wickham is an Information Officer in the Information Services of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler worked as an Information Officer in the Information Services of the BFI National Library from 1990 – 2004. Ian O’Sullivan is also an Information Officer in the Information Services of the BFI National Library and has designed a number of publications for the BFI. Elena Marcarini has worked as an Information Officer in the Information Services Unit of the BFI National Library. The opinions contained within this Information Briefing are those of the authors and are not expressed on behalf of the British Film Institute. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries.
    [Show full text]
  • Perspectives Autumn-Winter.Qxd 11/11/10 4:57 Pm Page 1 Perspectivebirmingham S AUTUMN / WINTER 2010 JOURNAL of BIRMINGHAM CIVIC SOCIETY
    Perspectives Autumn-Winter.qxd 11/11/10 4:57 pm Page 1 PerspectiveBIRMINGHAM s AUTUMN / WINTER 2010 JOURNAL OF BIRMINGHAM CIVIC SOCIETY Made in Birmingham: how one local firm shone a light on the House of Lords Birmingham’s forgotten gardens The Big Interview: “The whole vibrancy of the people of Birmingham is something we badly under use.” Perspectives Autumn-Winter.qxd 11/11/10 4:58 pm Page 2 First word David Clarke, Chairman of Birmingham Civic Society Leaders of tomorrow I was walking along Edmund Street in Birmingham city centre - Colmore Business District as it has recently been named - and ahead of me I spotted a group of six youngsters, chatting excitedly. They were smartly dressed in school uniforms and had evidently just emerged from the white mini bus that was parked at the side of the road. Brought to attention by their wards - two teachers I would imagine - enable short listed schools to experience something of Birmingham's they disappeared in to the lobby area of one of the office buildings. I business life - and to see inside and experience offices and the workplace. knew which one it was; I was destined to be there myself to attend, as (One of my ambitions, which you never know I may well in due course one of the judges, the semi final round of Birmingham Civic Society's fulfil, is to organise what might be described as reverse 'seeing is believing' Next Generation Awards at the offices of Anthony Collins Solicitors. visits. Those of you that have participated in such an activity will be The children stood, politely, at the reception desk whilst their names familiar with the format.
    [Show full text]
  • Birmingham Mail, May 21, 2014 EXHIBI
    Gary Young, ‘A round-up of the best comedy, music, theatre and exhibitions, May 21-22’, Birmingham Mail, May 21, 2014 EXHIBITIONS BIRMINGHAM Birmingham Museum and Art Gallery, Chamberlain Square, Birmingham: Staffordshire Hoard, until December 31. For the Record, works by celebrated and lesser known female artists, until June 29. Home Away From Home, photographs and artefacts from women who migrated to Birmingham from Mirpur from the 1950s-70s, until August 3. Permanent collection. 0121 303 2834. Eastside Projects, Heathmill Lane, Birmingham: Bill Drummond: The 25 Paintings, the start of the legendary musician and artist’s 2014-25 world tour, until June 14. 0121 771 1778 Ikon Gallery, Oozells Square, Brindley Place, Birmingham: Pieces of Evidence, sculpture, film and photography by Michel Francois, Ikon Icons 1970s, French Windows visualization of Pink Floyd track One of These Days by Ian Emes, both until June 22. 0121 248 0708. mac, Cannon Hill Park, Birmingham: Black Smoke Rising, politically charged sculptural installations by Tim Shaw, until June 8. Document, portraits by Nadia Kisseleva of people imprisoned during the Stalinist era in the former Soviet Union, until June 1. 0121 446 3232. RBSA Gallery Brook Street, Birmingham: Nigel Priddey landscape watercolours, until May 31. Secret Garden, jewellery, ceramics and textiles by Amanda Coleman, until June 28. Peter Valentine paintings, until June 14. 0121 236 4353. Barber Institute of Fine Arts, University of Birmingham: Faith & Fortune, visualising the Divine on Byzantine and Early Islamic coinage, until November 30. Family Circles, British Portrait Miniatures of Children and Families, works from two English family collections, until May 26.
    [Show full text]
  • Programme July – September 2014 Free Entry
    Programme July – September 2014 www.ikon-gallery.org Free entry As Exciting As We Can Make It Rasheed Araeen Art & Language Ikon in the 1980s Sue Arrowsmith 2 July – 31 August 2014 Kevin Atherton First and Second Floor Galleries Terry Atkinson Gillian Ayres A survey of Ikon’s programme from the 1980s, Bernard Bazile As Exciting As We Can Make It, is a highlight of our Ian Breakwell 50th anniversary year. A comprehensive exhibition, Vanley Burke 2 including work by 29 artists, it features painting, Eddie Chambers sculpture, installation, film and photography actually Shelagh Cluett The 1980s saw the rise of postmodernism, a fast-moving shown at the gallery during this pivotal decade. Agnes Denes zeitgeist that chimed in with broader cultural shifts in Britain, in particular the politics that evolved under the Max Eastley premiership of Margaret Thatcher. There was a return to figurative painting; a shameless “appropriationism” that Charles Garrad saw artists ‘pick and mix’ from art history, non-western art and popular culture; and an enthusiastic re-embrace of Ron Haselden Dada and challenge to notions of self contained works of art Susan Hiller through an increasing popularity of installation. Ikon had a reputation by the end of the 1980s as a key John Hilliard national venue for installation art. Dennis Oppenheim’s Albert Irvin extraordinary work Vibrating Forest (From the Fireworks Series) (1982), made from welded steel, a candy floss machine and Tamara Krikorian unfired fireworks, returns to Ikon for the exhibition, as does Charles Garrad’s Monsoon (1986) featuring a small building, Pieter Laurens Mol set out as a restaurant somewhere in South East Asia, subjected to theatrical effects of thunder and lightning in an Mali Morris evocative scenario.
    [Show full text]
  • Report and Accounts 2013–14
    Report and Accounts 2013–14 cbso.co.uk Supported by The CBSO receives funding from 94 years of enlightened support facebook.com/cbso twitter.com/cbso Chair’s Report I am delighted to present the annual growing family of CBSO benefactors and report of the City of Birmingham supporters. Symphony Orchestra for the period The public funding continues to play an to March 2014, my second full year essential part, of course, and we were as Chair of the Board of Trustees. pleased to hear this summer that our application to the Arts Council’s National Portfolio for 2015–18 was successful, with It has been another challenging year, but total funding held steady at the same level as once again we have a great deal to show for in the current year. Birmingham City Council, the efforts of our musicians, staff and Board, which has supported the Orchestra since both on the concert platform and in the 1920, has been facing very severe financial important job that goes on behind the scenes pressures of its own, and recently had to as we strive to achieve financial stability to make a significant cut in its funding for all the safeguard the Orchestra’s future. At a time arts organisations it supports, including the of ever-greater pressure on public funds, CBSO. But unlike so many funders elsewhere the Board has to remain focused on the twin in the UK and in Europe, Birmingham allowed strategies of growing our commercial and us to plan for these reductions by giving us fundraising income while also reducing costs plenty of warning, and it remains a committed if we are to be able to see the Orchestra and sympathetic partner in all that we do, as continue to thrive towards our centenary in well as being very proud of the Orchestra’s 2020 and beyond.
    [Show full text]
  • Ian Emes ECHOES
    Ian Emes ECHOES 20 April - 3 June 2018 No 20 Arts 20 Cross Street London N1 2BG No 20 proudly presents ECHOES a retrospective exhibition of Ian Emes – the Pink Floyd animator – that explores a body of work spanning over four decades including hand- drawn animation artwork produced in the 70s and 80s, personal drawings and paintings from then until now, and a multi-screen contemporary installation. The exhibition begins in 1972, the year when Emes’s ground-breaking experimental film French Windows - a vision of his own kaleidoscopic universe in fantastic motion where bodies twirl, dance and drift through vortices of geometric shapes and abstract forms – brought him to the attention of Pink Floyd, who commissioned him to create the visuals for what would become one of the greatest albums of all time: The Dark Side of the Moon. The coming decades would bring further collaborations with some of the music scene’s biggest names such as Mike Oldfield (Tubular Bells, 1973), Linda and Paul McCartney (Oriental Nightfish, 1978), and Duran Duran (The Chauffeur, 1984). ECHOES is an immersion into Emes’s life-long fascination with the fluid relationship between music and the moving image, controlled synchronization and fortuitous coincidence, his stream-of-consciousness approach to imagining and the meticulous process that follows. The body of work presented in ECHOES provides us with an opportunity to re-live the anarchic spirit enabled by an affluent British society in the 70s, when a free-to-all education enabled the youth to defy the very institutions that paid for it alongside any pre-conceived concept or idea.
    [Show full text]
  • 2011 British Academy Children's Awards Nominations
    2011 British Academy Children’s Awards Nominations ANIMATION The Amazing World Of Gumball Ben Bocquelet, Mic Graves, Joanna Beresford Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi /Cartoon Network UK Grizzly Tales Jamie Rix, Sara Bor, Simon Bor Grizzly TV/NickToons Muddle Earth Phil Chalk, Vincent James CBBC/CBBC Pet Squad Production Team Darrall Macqueen/CBBC CHANNEL OF THE YEAR CBBC CBeebies Disney Channel UK Nick Jr UK COMEDY Gigglebiz Michael Towner, Anna Mears CBeebies/CBeebies Horrible Histories Production Team Lion TV/Citrus TV/CBBC The Legend Of Dick and Dom Steve Ryde, Julian Kemp CBBC/CBBC Sadie J Production Team CBBC/CBBC 1 DRAMA Combat Kids Production Team Lime Pictures/CBBC House Of Anubis Production Team Lime Pictures/Studio 100/Nickelodeon UK Just William Paul Seed, John Chapman, Simon Nye CBBC/CBBC The Sarah Jane Adventures Brian Minchin, Joss Agnew BBC Wales for CBBC/CBBC ENTERTAINMENT The Big Performance Nicola Lloyd, Susannah Farrow Twenty Twenty TV/CBBC Friday Download Mel Smith, Fiona Walmsley Saltbeef Productions/CBBC The Slammer Steve Ryde, John Payne CBBC/CBBC Trapped Rob Hyde, James Morgan CBBC/CBBC FACTUAL Comic Relief Girl On Wire (Blue Peter) Moray London, Dawn Langan CBBC/CBBC Deadly 60 John Miller, James Brickell BBC Bristol for CBBC/CBBC My Life: Ballet Boys Rick Goodwin Real Life Media Productions/CBBC My Life: Stammer School Chris Chapman 2 Dene Films/CBBC FEATURE FILM Harry Potter and the Deathly Hallows Part 1 David Heyman, David Yates, David Barron, Steve Kloves
    [Show full text]
  • Birmingham Public Art Strategy 2015–2019
    Collaborations in place-based creative practice: Birmingham Public Art Strategy 2015 – 2019 “Birmingham is a place with many differences and we need many different artworks to truly reflect who and what we are. Art can be made of anything, and so can cities. Each city or artwork may have its own characteristics, histories, quirks and accents.” Gavin Wade, Director, Eastside Projects Nele Azevedo Minimum Monument 2014 Photo: Verity Milligan Collaborations in place-based creative practice: Birmingham Public Art Strategy 2015 –2019 Beat Streuli Published by Birmingham City Council, November 2015 New Street, ©2015. Individual copyright remains with the artists part of About Town 2014 and photographers. The publisher has made every effort Courtesy of Birmingham Hippodrome, Ikon to contact all copyright holders. If proper acknowledgement and Southside Business Improvement District Photo: Mark Rhodes has not been made, we ask copyright holders to contact the publisher. Alternative formats of this publication can be made available on request. These include other languages, large print, Braille and audio version. If you require another format, please contact the Culture Commissioning Team on 0121 303 2434 or email [email protected] Foreword 5 Strategy purpose and vision 6 Strategy objectives and outcomes 8 Background Who owns the strategy and who is it for? 12 What is the Public Art Gateway Group? 12 What is public art? 12 Public art in Birmingham 14 Why public art? Contents Economic and cultural wellbeing 17 Public art outcomes 20 Public
    [Show full text]
  • Pink Floyd Video Anthology Mp3, Flac, Wma
    Pink Floyd Video Anthology mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Video Anthology Country: Japan Released: 2017 Style: Psychedelic Rock MP3 version RAR size: 1586 mb FLAC version RAR size: 1421 mb WMA version RAR size: 1101 mb Rating: 4.4 Votes: 968 Other Formats: AHX AIFF APE RA VOC MPC MOD Tracklist Volume 1 (1966-1967) 1-1 Home Movies, Gog Magog Hills, London Summer 1966 London 66 - 67, Sound Techniques Studios, UFO Club & Unknown Venue, 1-2 London 11th January 1967 / 30th December 1966 & Early 1967 1-3 Scene Special, UFO Club, London 27th January 1967 1-4 Dope, Unknown Venue, London Early 1967 1-5 Die Jungen Nachtwandler, UFO Club, London 24th February 1967 1-6 Arnold Layne, Promo Film Late February - Early March 1967 1-7 Home Movies, Abbey Road Studios, London April 1967 1-8 Bouton Rouge, Arnold Layne, Promo Film 29th April 1967 Look of The Week, BBC Lime Grove Studios, Shepherd's Bush, London 14th 1-9 May 1967 1-10 British Pathe News, Suffolk, England 8th July 1967 1-11 American Bandstand, ABC Studios, Burbank, California 7th November 1967 Tomorrow's World, Stanhope Gardens, Hampstead, London 12th December 1-12 1967 1-13 Central Office of Information, Jugband Blues, Promo Film December 1967 Bonus Clips 1-14 Intersteller Overdrive, San Francisco, Film 1968 Outtakes from The Scarecrow film, British Pathe News , Suffolk, England 8th 1-15 July 1967 Volume 2 Promo Films with David Gilmour, Parc de Laeken and RTB TV Studios, Brussels, 2-1 Belgium 18th-19th February 1968 2-2 Bouton Rouge, ORTF Studios, Buttes Chaumont,
    [Show full text]