Pink Floyd ‘The Later Years 1987-2019’
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Today by Charles
This script was freely downloaded from the (re)making project, (charlesmee.org). We hope you'll consider supporting the project by making a donation so that we can keep it free. Please click here to make a donation. Today by C H A R L E S L . M E E Music. A guy brings out a wooden box and puts it down and throws 15 or 20 wine bottles into it throws them so hard they all shatter and then he sticks his head down into the box and does a head stand and he gets a guy to stand on his neck or the back of his head to shove his head down hard into the box and then he stands up and his head and his face are covered with blood and it wasn’t a trick he didn’t have a trick he just cut himself up all over his head. Music. Music. Music. Music. Music. Music. Music. Music. Music. Music. Music. 1 People come through from one side to the other, in and out: The five year old girl, eating an ice cream cone, smiling, sitting in a red wagon pulled by her father. A golf cart, driven like crazy by a caddy, while, in the back, a couple embraces passionately. A couple being pulled along on a picnic blanket with food and a champagne bottle in a bucket, and she is drinking and drinking and drinking the champagne. An electric wheelchair— a man driving, a woman sitting on the handlebars, she running her fingers through his hair over and over and over. -
Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017
Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017 Quelle: http://www.videodiskothek.com The Orb + David Gilmour - Metallic Spheres (audio only) Alan Parsons + David Gilmour - Return To Tunguska (audio only) Pink Floyd - The Dark Side Of The Moon (full album) Roger Waters - Wait For Her David Gilmour - Rattle That Lock Pink Floyd - Another Brick In The Wall Pink Floyd - Marooned Pink Floyd - On The Turning Away Pink Floyd - Wish You Were Here (live) Pink Floyd - The Gunners Dream Pink Floyd - The Final Cut Pink Floyd - Not Now John Pink Floyd - The Fletcher Memorial Home Pink Floyd - Set The Controls For The Heart Of The Sun Pink Floyd - High Hopes Pink Floyd - The Endless River (full album) [LASERSHOW] Pink Floyd - Cluster One Pink Floyd - What Do You Want From Me Pink Floyd - Astronomy Domine Pink Floyd - Childhood's End Pink Floyd - Goodbye Blue Sky Pink Floyd - One Slip Pink Floyd - Take It Back Pink Floyd - Welcome To The Machine Pink Floyd - Pigs On The Wing Roger Waters - Dogs (live) David Gilmour - Faces Of Stone Richard Wright + David Gilmour - Breakthrough (live) Pink Floyd - A Great Day For Freedom Pink Floyd - Arnold Lane Pink Floyd - Mother Pink Floyd - Anisina Pink Floyd - Keep Talking (live) Pink Floyd - Hey You Pink Floyd - Run Like Hell (live) Pink Floyd - One Of These Days Pink Floyd - Echoes (quad mix) [LASERSHOW] Pink Floyd - Shine On You Crazy Diamond Pink Floyd - Wish You Were Here Pink Floyd - Signs Of Life Pink Floyd - Learning To Fly David Gilmour - In Any Tongue Roger Waters - Perfect Sense (live) David Gilmour - Murder Roger Waters - The Last Refugee Pink Floyd - Coming Back To Life (live) Pink Floyd - See Emily Play Pink Floyd - Sorrow (live) Roger Waters - Amused To Death (live) Pink Floyd - Wearing The Inside Out Pink Floyd - Comfortably Numb. -
Ary Design and the Futures of a Political Biology
LIFE FORMED: EVOLUTIONARY DESIGN AND THE FUTURES OF A POLITICAL BIOLOGY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE May 2019 By AuBrey M. Yee Dissertation Committee: James Dator, chairperson Jairus Grove Noelani Goodyear-KaʻōPua Kathy Ferguson DeBora J HalBert Jenifer Winter Keywords: Alternative futures, Synthetic Biology, CRISPR ABSTRACT With the advent of CRISPR and gene drive gene editing technologies, synthetic Biology is Paving the way towards a world where humans have the caPacity to raPidly design and re-design lifeforms. With little oversight and agreed uPon governance structures, how will we ensure that these technologies are used for the greatest good? As we Begin to actively design evolution, how might we decolonize this science? Privileging alternative forms of knowledge Production and ethical frameworks from Indigenous peoples and spiritual ecologists in order to shaPe a Preferred future for the Planet in the era of synthetic life. ii CONTENTS ABSTRACT.......................................................................................................................ii INTRODUCTION: SYNTHETHIC BIOLOGY AND THE MEANING MACHINE................1 Redefining the ‘Natural’........................................................................................17 Understanding the Synthetic................................................................................18 Indigenous Sciences............................................................................................20 -
E ...For Producing
___i_ AgricultureDepartment°funited States A o New M'achine _:":eNorth Central., .... for Producing sF_atire_tExperiment Research Chunkwood PaperNC-211 RodgerA. Arola, RobertC. Radcliffe,SharonA. Winsauer,and EdselD. Matson North Central Forest Experiment Station Forest Service -- U.S. Department of Agriculture 1992 Folwell Avenue St. Paul, Minnesota 55108 Manuscript appproved for publication March 19, 1981 1982 l f m l ! i A NEW MACHINE FOR PRODUCING CHUNKWOOD I Rodger A. Arola, Principal Mechanical Engineer, Robert C. Radcliffe, Mechanical Engineering Technician, Sharon A. Winsauer, Computer Specialist, and Edsel D. Matson, Mechanical Engineer, ' Houghton, Michigan o As fossil fuel resources are depleted and prices esca- specified length. The largest chunks or discs produced late, there are increasing pressures for alternate indus- by these machines are equal to the bolt diameter and trial fuels. Wood is one alternative, particularly for about 2 inches long, with much fracturing along the industries located in heavily forested areas. However, a grain. The chunks produced with either device can be way is needed to reduce small trees and forest residue readily used as energy wood or as a preferred interme- into a convenient form for direct combustion as a pri- diate form for manufacturing structural flakeboard. mary or supplementary fuel or as a wood gasifier The first invention, a helical or spiral head chipper, has feedstock, been described (Barwise et al. 1977. Erickson 1976). : The latter is an involuted disc chunker (Barwise et Chips produced with conventional whole-tree chip- _d. 1982). This chunker and the results of initial pets are small and not ideally suited for solid fuel prototype testing are described here (fig. -
Marooned Japanese Brought from Hermes Reef
r if if ir inr if c if if if ir if if ir if ar ir id U. S. WEATHER BU-REA- U, i r r SUGAR96 Test Jan. 16-- Last Centrifugals, 24hours'rainfall,.00. 3.7Icj Per Ton, Temperature, max.75, $74.20. 88 Analysis Beets, min. 67. Weather, 10$. I d. Per Ton, $82.-8- fair. 0. VOL. VII., NO. 316. HONOLULU, TERRITORY, SUNDAY, JANUARY --CIXTEEN PAGES. vmc. vi Wat nr uarco 1ST. TROOPERS OF FIFTH Marooned Japanese Brought PRESIDENT'S THREAT CAVALRY SETTLE DOWN From Hermes Reef OF LIBEL SUIT LIKELY ; Alone on a desert island in mid- - hooks and lines with them and thus were ocean, death ever hovering over them, able to depend on a fairly con-sta- food supply. THEIR NEW POST deprived of every comfort, often on They had also a limited supply of TO BE CARRIED OUT the verge of starvation and frequently matches, but it was soon, exhausted in tortured by thirst, beaten by wind and lighting signal fires, cooking, and mak- storm and for days and days without ing, fires for the purpose of evaporating sea was water, and then the worst of their the blessed boon of fire, such the troubles confronted them. lot of three Japanese sailors who were Military Without a Name Is Now a Busy Their supply of fresh water was ex- Camp rescued from an island of the Pearl hausted, and without matches they Newspaper Correspondents Called by Grand and Hermes Reef by the Commercial could light no fire with which to do Community Brigade Post Is Next Step Pacific Cable Company's auxiliary sup- the work of evaporating. -
Trust Account Basics
TRUST ACCOUNT (Also known as an IOLTA account – Interest on Lawyer’s Trust Account) Is a trust account required for all attorneys in Arizona? No, not all attorneys will require the use of a trust account. Public, corporate and indigent representation agency attorneys are a few that do not require the use of a trust account. Also, attorneys who do not accept money that belongs in the trust account do not need one. Be sure to read Rules 42 E.R. 1.5 (fees), 1.15 (safekeeping property) and Rule 43, Ariz.R.Sup.Ct. I. How to determine whether your practice requires a trust account. 1. What does your fee agreement determine? As stated in Rule 42, E.R. 1.5, written agreements are required with every client. This should include the scope of representation and how much. Therefore, does your fee agreement say earned upon receipt or advanced fees and costs. 2. Do you hold money on behalf of a client (settlement, hold for division of property, etc)? 3. If you do not accept any money in advance for work, costs (filing fees, expert witnesses etc) or from third parties (settlements, etc) you may not need a trust account. Review the rules again to be sure that you do not require the use of a trust account. Also you may call ethics counsel at 602-340-7284. 4. If you accept money in advance for fees and costs, you will need a trust account. 5. If you answered yes to question 2, you will need a trust account. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game. -
Dypdykk I Musikkhistorien - Del 18: Pink Floyd (19.02.2018 - TNB)
Dypdykk i musikkhistorien - Del 18: Pink Floyd (19.02.2018 - TNB) Spilleliste pluss noen ekstra lyttetips: Liveopptak, uutgitte låter og filmklipp er hentet fra cd-boxen: The Early Years 1965-1972 (2016) Sigma 6, The Tea Set, Abdabs, Architectual Abdabs osv. Pink Floyd 1965-1967: Fra R&B og blues til beat og psykedelia 1965: Lucy leave ; I’m a king bee 1966: Vegetable man Live med Syd Barrett: Instrumental improvisation, BBC - Tomorrow’s world Pow R. Toc H., intervju m/ Hans Keller, BBC Interstellar overdrive, Science Fiction, Roundhose, London Astronomy domine ; Matilda mother ; Interstellar overdrive ; Bike Piper at the gates of dawn (1967) Let there be more light ; Corporal Clegg ; Set the control for the heart of the sun A Saucerful of secrets (1968) Live 1968: Let there be more light, Bouton Rouge, Paris ; Interstellar overdrive, Pop 68, Roma ; Flaming, Tous en scene, Paris Be careful with that axe ; Several species of small furry animals gathered together in a cave and grooving with a pict ; The narrow way Ummagumma (1969) The Nile song ; Cymbaline More (1969) Live 1969: Careful with that axe Eugene, Essener Pop & Blues Festival, Tyskland ; Interstellar overdrive, Festival Actuel, Belgia Atom heart mother ; Summer ‘68 Atom heart mother (1970) Live 1970: Atom heart mother m/ orkester og kor, Hyde Park, London ; A Saucerful of secrets, Kralingen Music Festival, Rotterdam On the highway [Zabriskie point] One of these days ; A pillow of winds ; Echoes ; Meddle (1971) Obscured by clouds ; When you’re in ; Childhood’s -
Album- Cover-Art
Making Music Visible? Album-Cover-Art als Konzept der Überschreitung zwischen auditiver und visueller Kunst Storm Thorgersons Gestaltung des Plattencovers „The Division Bell“ von Pink Floyd Entwicklung des Plattencover-Designs als künstlerisches Medium Entstehung Tonträger (Edisons Walzenphonograph um 1877, Berliners Grammophon um 1887) Änderung Verkaufstechniken ab 1940er Jahre neuer Stellenwert des Plattencover-Designs neue soziale Kontexte des Musikhörens, Musik wird zur Ware zuvor Platten meist hinter Theke, Kauf-Entscheidung über Verkaufsgespräch, Wachswalzen, Edison Zylinder und späterer ‚Amberol‘-Zylinder in Boxen verstaut ‚Bücherregal-Präsentationsform‘ Cover erst sichtbar, wenn Verkäufer Platte aus Regal holt standardisierte Dekoration mit wenigen dekorativen Verzierungen und Werbespruch Hinwendung zum ‚self-service‘ ‚impulse-buying‘, visueller Anreiz ersetzt verbale zur Qualität des Produktes; Aufkleber signalisierte, welche Aufnahme in Box Kommunikation zweckmäßige Verpackung zum Schutz der Schallplatte bis 1910 Standard neue Präsentationsform galerieähnliche Inszenierung, Cover nach vorne ausgerichtet Papiertüten ohne Verzierung, wichtige Infos waren auf Label direkt auf der Platte Plattenhülle als Werbemittel Signalwert Cover-Design, Aufmerksamkeitserreger visueller später wurde durch eine Aussparung in der Mitte der Papiertüte das Label nach außen freigelegt Papierplattenhülle, Anreiz animiert Konsumenten zum Herausnehmen und Betrachten, Anhören und Kaufen dann entstanden Designs auf Papiertüten, die sich -
SELF-SYNCHRONIZING MACHINES. [10Th April
62 ROSENBERG: SELF-SYNCHRONIZING MACHINES. [10th April, SELF-SYNCHRONIZING MACHINES. By DR. E. ROSENBERG, Member. (Paper first received 29th January, and in final form 10th March, 1913 ; read before THE INSTITUTION 10th April, before the MANCHESTER LOCAL SECTION 1st April, and before the BIRMINGHAM LOCAL SECTION gtli April SYNOPSIS. Scope of the Synchronous Motor. Self-starting Synchronous Motors. (a) Modified induction motor. (b) Salient pole motor. Pulling into Synchronism. (a) Field excited. (b) Field unexcited. Self-starting Rotary Converters. Self-synchronizing using Starting Motor. Voltage Distribution between Synchronous Machine and series-connected Starting Motor. This paper was primarily intended to describe a new method of starting synchronous machines; but as self-starting synchronous machines may be somewhat unfamiliar to many engineers—although such machines date back far into the last century—it was thought advisable also to explain the known methods of starting, to illustrate their working by some test results, and to publish in this connection a short theoretical investigation on " pulling into synchronism." SCOPE OF THE SYNCHRONOUS MOTOR. Synchronous motors have two advantages over induction motors : (1) they do not require magnetizing current from the line ; (2) they can be designed, and practically must be designed, with a bigger air- gap than induction motors. Their peculiarity of running at an absolutely fixed speed for a given frequency is only in a few cases a real advantage, and more often a serious drawback. The necessity of continuous-current excitation, and of the proper adjustment of the same, complicates the machine, and however much the starting apparatus may have been improved, it is certainly more complicated than that of a slip-ring or squirrel-cage motor. -
The Cluster Policies Whitebook the Cluster Policies Whitebook
THE CLUSTER POLICIES WHITEBOOK THE CLUSTER POLICIES WHITEBOOK Andersson, Schwaag Serger, Sörvik and Wise Hansson Andersson, Schwaag Serger, Thomas Andersson Sylvia Schwaag Serger Jens Sörvik Emily Wise Hansson IKED INTERNATIONAL ORGANISATION FOR KNOWLEDGE ECONOMY AND ENTERPRISE DEVELOPMENT IKED - INTERNATIONAL ORGANISATION FOR KNOWLEDGE ECONOMY AND ENTERPRISE DEVELOPMENT Stortorget 29, S-211 34 Malmö, Sweden [email protected] www.iked.org THE CLUSTER POLICIES WHITEBOOK This document is distributed by the International Organisation for Knowledge Economy and Enterprise Development (IKED) IKED is an independent, non-profit association and international organisation focusing on the emerging issues of the knowledge-based economy. IKED specialises in activities linking the primary actors forming the knowledge-based economy: government, industry, academia and civil society. The organisation engages in international networks, arranges policy forums and policy reviews, and works with partners aiming for reforms and concrete actions in support of the development and use of knowledge. _________________________________________________________________ IKED - International Organisation for Knowledge Economy and Enterprise Development Stortorget 29 Tel: +46 (0) 40 - 17 65 00 [email protected] S-211 34 Malmö Fax:+46 (0) 40 - 17 65 01 www.iked.org Sweden ISBN 91-85281-03-4 © IKED 2004 Title: The Cluster Policies Whitebook Author: Thomas Andersson, Sylvia Schwaag-Serger, Jens Sörvik, Emily Wise Hansson Illustrations: Boyan Kostadinov Published: August 2004 Publisher: IKED Printed by: Holmbergs p. ii THE CLUSTER POLICIES WHITEBOOK p. iii THE CLUSTER POLICIES WHITEBOOK THE CLUSTER POLICIES WHITEBOOK Thomas Andersson Sylvia Schwaag Serger Jens Sörvik Emily Wise Hansson p. i THE CLUSTER POLICIES WHITEBOOK p. ii THE CLUSTER POLICIES WHITEBOOK CONTENTS FOREWORD p.vii ACKNOWLEDGEMENTS p.ix EXECUTIVE SUMMARY p.1 PART I 1. -
Solo Works JAPAN
Solo Works JAPAN David Gilmour David Gilmour Sampler David Gilmour Guest Appearances David Gilmour Promotional Issues Roger Waters Roger Waters Sampler Roger Waters Soundtrack Roger Waters Promotional Issues PINK FLOYD DVD DISCOGRAPHY Copyright © 2003-2011 Hans Gerlitz. All rights reserved. www.pinkfloyd-forum.de/discography [email protected] This discography is a reference guide, not a book on the artwork of Pink Floyd. The photos of the artworks are used solely for the purposes of distinguishing the differences between the releases. The product names used in this document are for identification purposes only. All trademarks and registered trademarks are the property of their respective owners. Permission is granted to download and print this document for personal use. Any other use including but not limited to commercial or profitable purposes or uploading to any publicly accessibly web site is expressly forbidden without prior written consent of the author. JAPAN PINK FLOYD DVD DISCOGRAPHY PINK FLOYD DVD DISCOGRAPHY Solo Works JAPAN David Gilmour David Gilmour in Concert Label: Capitol Catalog numbers: TOBW-3059 4 988006 942912 (barcode) Country of origin: Japan Format : 16:9 Notes: Concert film from 2002 with guest appearance of Richard Wright. Issued in a standard Amaray case. David Gilmour in Concert Label: Capitol Catalog numbers: TOBW-92008 4 988006 946255 (barcode) Country of origin: Japan Format : 16:9 Notes: Concert film from 2002 with guest appearance of Richard Wright. Issued in a standard Amaray case. JAPAN PINK FLOYD DVD DISCOGRAPHY On An Island – Limited Edition CD + DVD Label: Sony Catalog numbers: MHCP 1223-4 (on OBI spine) MHCP 1223-4 (on rear of OBI) 4 582192 932636 (barcode on OBI) 8 2876-80280-2 5 (barcode on rear of the CD cover) MHCP 1223-4 (on rear of the CD cover) MHCP 1223 (on CD) no barcode on rear of the DVD cover MHCP 1223-4 (on rear of the DVD cover) MHCP 1224 (on DVD) Country of origin: Japan Notes: Limited edition which includes the regular CD and the “Live And In Session” DVD.