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The Summer BG News July 19, 1979
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 7-19-1979 The Summer BG News July 19, 1979 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The Summer BG News July 19, 1979" (1979). BG News (Student Newspaper). 3638. https://scholarworks.bgsu.edu/bg-news/3638 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. the summer ,Bowlinq 'Green Stole University Musical Arts Center's performance hall I named after Kobacker hy Diane Must based chain of retail shoe cording to Kim Kreiger, stores. director of music events and The 850-seat concert hall Moore said the Kobacker promotions at the Univer- and theater in the new family gift to the University sity. Musical Arts Center was was the largest donation to Other featuresof the Center named the Lenore and the Center. A $7.5 million are its 88 practice rooms, 68 Marvin Kobacker Hall state appropriation and a studios and offices, two Thursday, July 12. private fund-raising cam- rehearsal rooms, and an * 1 University President Dr. paign is being used to electronic music recording Hollis A. Moore Jr. made the finance the $9 million studio and classroom. announcement at a luncheon building. Architects for the Center which was attended by the are Bauer, Stark and Lash- Kobacker family, University Kobacker is a past brook of Toledo. -
SIEL-LIEN-Shatter-Album-Release-Single 334.11 Kb
SEIL LIEN ANNOUNCE DEBUT RECORD ‘SHATTER’ + VIDEO FOR ‘IT’S LOVE THAT BROUGHT YOU HERE’ Album release: April 17th 2020 Label: CarbFace Records Pre-order from: https://seillien.bandcamp.com/album/shatter Website // Twitter // Facebook // Instagram // Spotify "Sublime debut" Planet Rock “Someone once described me as Nine Inch Nails meets Kate Bush, which I thought was funny. But I see what they mean, there’s an ethereal vulnerability which contrasts to the producers industrial edge.” Says Marie- Claire of Glaswegian atmospheric rock act SEIL LIEN. Due release their debut album ‘Shatter’ on April 17th 2020, SEIL LIEN is one of the most unique artists to come out of Scotland, and the brain child of an uncompromising underground experimentalist. A preview of the record can be heard on the new single ‘It’s Love That Brought You Here’ released today, with an accompanying video available to view on YouTube HERE. WATCH: ‘It’s Love That Brought You Here’ via YouTube With a solid fanbase built up over years of hard graft playing live, SEIL LIEN’s debut album ‘Shatter’ has been a long-awaited follow up to the aptly named ‘A Little While More EP’ released in 2018. Hitting the ground running, SEIL LIEN were thrust into the public eye when in 2018, through the publishing arm of Ninja Tune, the song ‘A Little While More’ was synced in a series of Boots ‘Inspirational Women’ campaign advertisements. Lead member Marie-Claire described the experience as “amazing, unexpected and life affirming!” and the catalyst to get the debut album finished. The final product is eight songs of uncompromising artistry a total of 3 years in the making, and a sound that could be described as the distillation of prolonged periods of improvisation and experimentation. -
Earogenous Zones
234 Index Index Note: Film/DVD titles are in italics; album titles are italic, with ‘album’ in parentheses; song titles are in quotation marks; book titles are italic; musical works are either in italics or quotation marks, with composer’s name in parentheses. A Rebours (Huysmans) 61 Asimov, Isaac 130 Abducted by the Daleks/Daloids 135 Assault on Precinct 13 228 Abe, Sada 91–101 Astaire, Fred 131 Abrams, J. 174 Astley, Edwin 104 Abu Ghraib 225, 233 ‘Astronomy Domine’ 81, 82 acousmêtre 6 Atkins, Michael 222 Acre, Billy White, see White Acre, Billy Augoyard, J.-F. 10 Adamson, Al 116 Aury, Dominique (aka Pauline Reage) 86 affect 2, 67, 76 Austin, Billy 215 African music 58 Austin Powers movies 46 Age of Innocence, The 64 Australian Classification Board 170 Ai no borei (‘Empire of Passion’) 100–1 Avon Science Fiction Reader (magazine) 104 Ai no korida (In the Realm of the Senses) 1, 4, Avon Theater, New York 78 7, 89–101 Aihara, Kyoko 100 ‘Baby Did A Bad Bad Thing’ 181–2 Algar, James 20 Bacchus, John 120, 128, 137 Alice in Wonderland (Lewis Carroll) 5, 70, 71, Bach, Johann Sebastian 62 74, 76, 84, 116 Bachelet, Pierre 68, 71, 72, 74 Alien 102 Bacon, Francis 54 Alien Probe 129 Bailey, Fenton 122, 136 Alien Probe II 129 Baker, Jack 143, 150 Alpha Blue 117–19, 120 Baker, Rick 114 Also sprach Zarathustra (Richard Strauss) 46, 112, Ballard, Hank, and the Midnighters 164 113 Band, Charles 126 Altman, Rick 2, 9, 194, 199 Bangs, Lester 141 Amateur Porn Star Killer 231 banjo 47 Amazing Stories (magazine) 103, 104 Barbano, Nicolas 35, 36 Amelie 86 Barbarella 5, 107–11, 113, 115, 119, 120, American National Parent/Teacher Association 147 122, 127, 134, 135, 136 Ampeauty (album) 233 Barbato, Randy 122, 136 Anal Cunt 219 Barbieri, Gato 54, 55, 57 … And God Created Woman, see Et Dieu créa Bardot, Brigitte 68, 107–8 la femme Barker, Raphael 204 Andersen, Gotha 32 Baron, Red 79 Anderson, Paul Thomas 153, 158 Barr, M. -
• Principals Off Er Alternative to Loans Scheme
IRlBOT RICE GRLLERY a. BRQ~ University of Edinburgh, Old College THE South Bridge, Edinburgh EH8 9YL Tel: 031-667 1011 ext 4308 STATIONERS 24 Feb-24 March WE'RE BETTER FRANCES WALKER Tiree Works Tues·Sat 10 am·5 pm Admission Free Subsidised by the Scottish Ans Council Glasgow Herald Studen_t' Newspaper of the l'. ear thursday, february 15, 12 substance: JUNO A.ND •20 page supplement, THE PAYCOCK: Lloyd Cole interview .Civil War tragedy . VALENTINES at the .and compe~tion insi~ P.13 Lyceum p.10 Graduate Tax proposed • Principals offer alternative to loans scheme by Mark Campanile Means tested parental con He said that the CVCP administrative arrangements for Mr MacGregor also stated that tributions would be abolished, accepted that, in principle, stu loans and is making good prog administrative costs would be pro ress." hibitive, although the CVCP UNIVERSITY VICE Chan and the money borrowed would dents should pay something be repayed through income tax or towards their own education, but "The department will of course claim their plan would be cheaper cellors ancf Principals have national insurance contributions. that they believed that the current . be meeting the representatives of to implement than the combined announced details of a A spokesman for the CVCP, loans proposals were unfair, the universities, polytechnics, and running costs for grants and loans. graduate tax scheme which · Dr Ted Neild, told Student that administratively complicated, and colleges in due course to discuss NUS President Maeve Sher-. they want the government to the proposals meant that flawed because they still involved their role in certifying student lock has denounced the new prop consider as an alternative to graduates who had an income at a parental contributions, which are eligibility for loans." osals as "loans by any other student loans. -
Fora 'Balanced
FORA 'BALANCED .......University of Edinburgh,-Oid College South Bridge, Edinburgh EHS 9YL VIEW ·· Tel: 031-6671011 ext 4308 18 November-16 December GET ALBERT IRVIN Paintings 1959-1989 Tues-Sat 10 am-5 pm Admission Free Subsidised by the Scottish Arts Council DAILY Glasgow Herald Student Newp~aper of the Year y 16thnovem 25p r_ MURIELGRA the Rector THESHAMEN speaks synergyand pages 10-11 ecstasy page12 - u ars by Neil Rafferty scotland as an active member-' _As a member of the Scottish and state in the EEC: "We could· Nationalists renowned for attack JeffSinton shape the agenda of the commun ing all of Scotland's Tories, espe ity by holding regular summits in cially Malcolm Rifkind, the Edinburgh," he said. former Labour MP had to attack iiM SILLARS, Scottish the Scottish Secretary. Nationalist MP for Glasgow "Not only would Scottish rep-· "He is a governor-general," Govan, declared on Friday resentation in Brussels double," who "does not represent the Scot that the West must "extend he argued, "but we would have tish people," and if independence Commissioners in our own right.':.._ the hand of friendship and • were ever achieved Thatcherism dialogue" to Eastern Europe "would be marginalised forever -"with no strings attached." The economic and industrial and the ideas of the Adam Smith benefits of membership, how Institute relegated to the Dandy Speaking at the William ever, were subject to vague politi and the Beano." Robertson Building, Sillars said cal rules. Citing the cases of' Ravenscraig and Gartcosh steel Mr Sillars, invited to speak at that the past fortnight of events in the University by EU Scottish East Germany would not lead to works, the member for Govan claimed that the EEC would not Nationalists, managed to stay for the threat of a re-unified Ger some questions by_ the audience. -
"Bosom Maximus" Russ Meyer at Feigen Contemporary by Jerry Saltz
VILLAGE VOICE - June 2002 December 10th, 2005 "Bosom Maximus" Russ Meyer at Feigen Contemporary by Jerry Saltz "There will be scarcely a sequence in this film that won't have tits. No way. I like women who are epically built, bounteous, super-abundant; who have humongous, conical, sleek, blue-veined giganzos accessorized by protuberant nipples surrounded by aureoles double the circumference of a silver dollar! Bosom Maximus!" These are the criteria Russ Meyer, now 80, and the closest thing America has produced to Rabelais, says he will use to cast an upcoming movie to be called either The Bra of God or Beyond the Valley of Pulp a Go-Go. "Why big tits?" he asks. "Easy. It makes the dick hard." These and many other declarations can be found in A Clean Breast! The Life and Loves of Russ Meyer, The rural Fellini . his films, fantasies und Fräuleins, his self-published, 1213-page, three- volume autobiography—"a fuck and tell book," he calls it ($250 on Meyer's Web site, www.rmfilms.com). In addition to detailed recountings of numerous couplings, this tome contains hundreds of pictures of well-endowed women and boffo captions like "A voluptua with dimensions not unlike an Etruscan sculpture," "Stunning big-balconied beauty," "Outsized dairying facilities," and "Majestic melons barbarously savaging a 48 double-E cup." Variously dubbed "King Leer," "Hollywood primitive," "trash master," and "dirty old man," this self- proclaimed "King of the Nudies" and "glandscape artist" not only defined the sexploitation genre, he practically invented it. In 1959 he made The Immoral Mr. -
Domestic Violence Strikes Close to Home
FluvannaReview.com Oct. 6 - Oct. 12, 2016 • Volume 36, Issue 40 • ONE COPY FREE County Brims with Fluvanna Fall Activities REVIEW Page 7 Domestic Violence Strikes Close to Home Page 12 Girls’ Volleyball Crushes Orange Student Brings Gun Replica to School Page 4 New Season Launches for Page15 Performing Arts Page 5 Oct. 6 - Oct. 12, 2016 • Volume 36, Issue 40 FOUNDED IN 1979 BY LEN GARDNER FFallall www.fl uvannareview.com Award Winning Newspaper Publisher: Carlos Santos General: The Fluvanna Review is published weekly by Valley GGreetingsreetings 434-207-0224 / carlos@fl uvannareview.com Publishing Corp. and covers Fluvanna exclusively. It is printed Editor: Christina Dimeo on Tuesday afternoons. One copy is free. Additional copies 434-207-0224 / editor@fl uvannareview.com are $1 each payable in advance to the publisher. Advertising/Copy Editor: Jacki Harris Subscriptions: Copies will be mailed for the subscription 434-207-0222 / sales@fl uvannareview.com price of $140 per year or $75 per six months. Please mail a Accounts/Classifi ed Ads Manager: Edee Povol check and a note with your name and address to: Subscrip- 434-207-0221 / edee@fl uvannareview.com tions Dept., P.O. Box 59, Palmyra, VA 22963. Advertising Designer: Lisa Hurdle Classifi ed ads: $10 for two weeks for 30 words or less. 434-207-0229 / lisa@fl uvannareview.com Mail to the Fluvanna Review, P.O. Box 59, Palmyra, VA 22963 Editorial Designer: Jane Skafte or stop by the offi ce at 2987 Lake Monticello Road. Designer: Marilyn Ellinger Legal ads: The Fluvanna Review is the paper of record for Reporters: Page Gifford, Duncan Nixon, Fluvanna County. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit Exploiting Exploitation Die Entwicklung des Exploitation-Genres und die Möglichkeit seiner weiblichen Aneignung Verfasserin Magdalena Eder angestrebter akademischer Grad Magistra der Philosophie (Maga.Phil.) Wien, im September 2010 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Thetaer-, Film- und Medienwissenschaft Betreuerin: Maga. Drin. Andrea B. Braidt, Mlitt 1 Einleitung..............................................................................................................6 1.1 Problemstellung und Zielsetzung..................................................................6 1.1.1 Vorgehensweise.....................................................................................10 2 Das Exploitationgenre.........................................................................................12 2.1 Einführung...................................................................................................12 2.2 60er und 70er: Filmhistorischer Hintergrund...........................................17 2.2.1 Produktion: Aus der Not eine Tugend.................................................21 2.2.2 Vermarktung: 'Gotta tell ´em to sell ´em'...........................................27 2.2.3 Darstellung: Frauen als Spektakel und Bedrohung...........................30 2.3 Space and Opportunity: Raum zur Aneignung..........................................39 2.3.1 A fine Line: Zwischen Kunst und Pornografie.....................................41 2.3.2 Sex durch Gewalt vs. -
Without Botham ·Thursday 12Th October 1989
- FORA BALANCED University of Edinburgh, Old Co_llege South Bridge, Edinburgh EHB 9YL VIEW Tel : 031-6671011 ext 4308 14 October-11 November GET LidyHowaer SCOTTISH HILLS Mon-Sat 10 am-5 pm Admission Free Subsidised by the Scottish Arts Council DAILY Glasgow Herald·Student.Newspaper of the Year ·thursday 12th october 1989- 25p BRAIN DISEASE IJ!NBOTHAM Cvwsandthe threat to man THEBEAR Cricket- winter The animal, the · without Botham ltunte0 the film uthrie treet and plans are being made for citywide appeal being organised by Mark Campanile and further fund-raising events. It is by the local council. I would like Sarah Quinn hoped that a benefit concert will to stress that it is not going to be held on Friday night in Cham ESCA or the University settle- A MAJOR fund-raising bers Street, if available, or the ment." · appeal has been launched by Student Refectory, with Goodbye Between fifty and one hundred EUSA (Edinburgh Univer Mr Mackenzie being pencilled in Edinburgh students were forced - sity Students' Association) in as the headline band.· · to move from the University flats Jimmy Quinn, EUSA presi in College Wynd which the wake of the Guthrie dent, told Student "The money is neighbours Guthrie Street. Street disaster. to go to those made homeless in Despite initial assurances that Already collections in the stu the explosion. All the money col the students would be able to dent unions have topped £1,000, lected will be handed over to the reoccupy their flats within a few days, all of those affected are still living in temporary accommoda tion. -
Appendix 1: Selected Films
Appendix 1: Selected Films The very random selection of films in this appendix may appear to be arbitrary, but it is an attempt to suggest, from a varied collection of titles not otherwise fully covered in this volume, that approaches to the treatment of sex in the cinema can represent a broad church indeed. Not all the films listed below are accomplished – and some are frankly maladroit – but they all have areas of interest in the ways in which they utilise some form of erotic expression. Barbarella (1968, directed by Roger Vadim) This French/Italian adaptation of the witty and transgressive science fiction comic strip embraces its own trash ethos with gusto, and creates an eccentric, utterly arti- ficial world for its foolhardy female astronaut, who Jane Fonda plays as basically a female Candide in space. The film is full of off- kilter sexuality, such as the evil Black Queen played by Anita Pallenberg as a predatory lesbian, while the opening scene features a space- suited figure stripping in zero gravity under the credits to reveal a naked Jane Fonda. Her peekaboo outfits in the film are cleverly designed, but belong firmly to the actress’s pre- feminist persona – although it might be argued that Barbarella herself, rather than being the sexual plaything for men one might imagine, in fact uses men to grant herself sexual gratification. The Blood Rose/La Rose Écorchée (aka Ravaged, 1970, directed by Claude Mulot) The delirious The Blood Rose was trumpeted as ‘The First Sex Horror Film Ever Made’. In its uncut European version, Claude Mulot’s film begins very much like an arthouse movie of the kind made by such directors as Alain Resnais: unortho- dox editing and tricks with time and the film’s chronology are used to destabilise the viewer. -
Mapping the Music Industry in Scotland
Mapping the music industry in Scotland: A report John Williamson (Queen Margaret University College/ Sano Management) Martin Cloonan (University of Glasgow) and Simon Frith (University of Stirling) Report commissioned by: Scottish Enterprise February 2003 Contents Page Acknowledgements iii Executive Summary iv Preface vii Introduction 1 Literature Review 4 Chapter One: The Scottish Music Industry 11 (i) Artists and Composers 12 (ii) Live Music 26 (iii) The Recording Industry 37 (iv) The Media 45 (v) Other Creative Industries 51 (vi) Ancillary Services 59 (vii) Education 67 (viii) Retail 70 (ix) Overall Figures 78 Chapter 2: The Stakeholders 80 Chapter 3: Case Studies of Scottish Music Industry Businesses 103 (1) Chemikal Undergrond 104 (2) DF Concerts 106 (3) Fence Records 109 (4) Fopp 111 (5) Lismor Records 113 (6) The Paragon Ensemble 116 (7) Simbiotic 119 i Overview of Case Studies 121 Conclusion and Final Thoughts 125 Appendix A: Schedule for Stakeholder Interviews 128 Appendix B: Schedule for Case Study Interviews 129 Appendix C: Scottish Enterprise Creative Industries Cluster: Music Activities 2002 130 Appendix D: Highlands and Island Enterprise: Support to the Music Industry in 2002 132 Appendix E: Questionnaire results 134 Bibliography 150 ii Acknowledgements This report would not have been possible without the financial support of Scottish Enterprise (SE), Highlands and Islands Enterprise (HIE) and Scottish Development International (SDI). We wish to acknowledge that support as evidence of the commitment of these organisations to developing the music industry within Scotland. During this research we have benefited from the support of staff at SE, HIE and SDI and we would particularly like to thank Sue Jones, Mary Walker, Iain Hamilton and Emma Harcus for their help.