DOCSLIB.ORG

PDF of the Résumé Below

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF of the Résumé Below SCOTT TRIMBLE Extremophiles Inc., 22287 Mulholland Highway #231, Calabasas, CA 91302, USA cell 310‐528‐1241, email [email protected], website www.ststlocations.com Hollywood Teamsters Local 399 ||| Location Managers Guild International (Board of Directors) California On Location Awards: 5 Wins and 14 Nominations ||| LMGI Awards: 1 Nomination ||| COVID‐19 Fully Vaccinated Comic‐Con Panel Moderator ||| Past travel includes all fifty U.S. States ||| Eagle Scout ||| U.C. Berkeley Grad in Archæology PRODUCER / PRODUCTION MANAGER Ghostbusters: Afterlife (Dan Aykroyd) feature / Sony Pictures Entertainment • PRODUCTION SUPERVISOR (L.A. UNIT) — Southern California Star Wars: The Book of Boba Fett (Tem Morrison) season 1 / Disney / Lucasfilm Ltd. • PROD. SUPERVISOR (VFX Units) / KEY LOC. MGR. — ##### / ##### / SoCal Star Wars: The Mandalorian (Pedro Pascal) episode 2.08 / Disney / Lucasfilm Ltd. • PRODUCTION SUPERVISOR (VFX Unit) — Death Valley (Post-Credits Epilogue) She’s in Portland (Tommy Dewey & François Arnaud) feature / Son of the Knife Films • CO-PRODUCER / SUPERVISING LOC. MANAGER — Oregon / NorCal / SoCal Fast & Furious: Supercharged (Orlando Ride) theme park / Universal / Extremophiles • CO-PRODUCER / UNIT PROD. MGR. (VFX Unit) — Northern California Jurassic World (Chris Pratt) feature / 32Ten Studios / Universal • PRODUCTION SUPERVISOR (VFX Unit) — Northern California Star Trek: Prelude to Axanar (Kate Vernon) short film / Axanar Productions • UNIT PRODUCTION MANAGER — Southern California Fast & Furious: Supercharged (Universal Ride) theme park / Universal Studios • CO-PRODUCER / UNIT PROD. MGR. (VFX Unit) — Southern California Manson Family Vacation (Jay Duplass) feature / Netflix Original • EXECUTIVE PRODUCER / PROD. SUPERVISOR — Southern California Call of Duty: Advanced Warfare (Kevin Spacey) game / Sledgehammer / Activision • PRODUCTION SUPERVISOR (VFX Unit) — Detroit / NorCal / SoCal Beside Her (Ashley Watkins & Erika Flores) short film / 17 Films / Extremophiles • EXECUTIVE PRODUCER / CO-WRITER — Southern California Crime After Crime (Sundance 2011) feature / Oprah Winfrey Network • UNIT PRODUCTION MANAGER (Los Angeles) — Southern California Transformers: The Ride – 3D (Universal Ride) theme park / Universal Studios • UNIT PRODUCTION MANAGER (VFX Unit) — Chicago / San Francisco Unstoppable (Denzel Washington) feature / 20th Century Fox • ASST. PRODUCTION SUPERVISOR (Railroad Unit) — Pittsburgh / Ohio / W. Virginia / NY LOCATION MANAGER Snowfall (Damson Idris) season 4 / FX Network • LOCATION MANAGER / SCOUT — Baja California, Mexico Star Wars: The Rise of Skywalker (Daisy Ridley) feature / Disney / Lucasfilm Ltd. • KEY LOCATION MANAGER (Additional Photography) — Southern California Star Trek: Picard (Sir Patrick Stewart) season 1 / CBS All-Access • SUPERVISING LOCATION MANAGER / SCOUT — Southern California Bad Times at the El Royale (Chris Hemsworth) feature / 20th Century Fox • LOCATION MANAGER / SCOUT — Southern California World War Z 2 (Brad Pitt) feature / Paramount Pictures • LOCATION MANAGER / SCOUT (Development) — International Research Justice League (Ben Affleck & Gal Gadot) feature / Warner Bros. Pictures • LOCATION MANAGER / SCOUT (USA VFX Unit) — Chicago / Southern California Transformers: The Last Knight (Mark Wahlberg) feature / Paramount Pictures • LOCATION MANAGER / SCOUT — S. Dakota / Arizona / Intl. Research The Circle (Tom Hanks & Emma Watson) feature / Playtone Entertainment • LOCATION MANAGER / SCOUT — Northern California / SoCal Fear the Walking Dead (Kim Dickens) TV pilot / AMC / Birds+Stone • LOCATION MANAGER / SCOUT (L.A. Promo Unit) — Southern California Terminator: Genisys (Arnold Schwarzenegger) feature / Paramount Pictures • LOCATION MANAGER / SCOUT (VFX Unit) — San Francisco Captain America: The Winter Soldier (Chris Evans) feature / Marvel Studios / Logan Media • KEY LOCATION MANAGER / SCOUT (Reshoots) — Southern California Pixels (Adam Sandler) feature / Sony Pictures • LOCATION MANAGER / SCOUT (Development) — International Research Iron Man 3 (Robert Downey Jr.) feature / Marvel Studios / Logan Media • KEY LOCATION MANAGER / SCOUT (Reshoots) — Southern California Mission: Impossible – Rogue Nation feature / Paramount Pictures • LOCATION MANAGER / SCOUT (Development) — International Research Tomorrowland (George Clooney) feature / Walt Disney Pictures • LOCATION MANAGER / SCOUT — Florida / Wisconsin / Intl. Research Gymkhana 5: San Francisco (Ken Block) commercial short / Logan Media • LOCATION MANAGER / SCOUT — San Francisco Star Trek Into Darkness (Chris Pine) feature / Paramount Pictures • KEY ASSISTANT LOCATION MANAGER / SCOUT — Florida / NorCal / SoCal Star Trek (Chris Pine & Zachary Quinto) feature / Paramount Pictures • KEY ASSISTANT LOCATION MANAGER / SCOUT — Alaska / Utah / Canada / SoCal Star Wars: Star Tours: The Adventures Continue theme park / Disney Imagineering • KEY LOCATION MANAGER / SCOUT (VFX Unit) — Alaska INTERNATIONAL Mexico || Finland || Spain (Valencia) || South Korea (Busan) || French Polynesia (Tahiti, Bora Bora, Raiatea) || Georgia (Tbilisi) SCOUTING & MGMT.: Iceland || Australia (New South Wales) || Costa Rica || Canada (British Columbia) || Jordan || France (worked at the Cannes Film Festival 1999) LOCATION MGR. & Finch (Tom Hanks) || Too Old To Die Young (season 1) || Counterpart (season 1) || The Mummy (Tom Cruise) SCOUT (MORE TITLES): A Wrinkle In Time (dir. Ava DuVernay) || Carne y Arena (dir. Alejandro Iñárritu) || Maps to the Stars (dir. David Cronenberg) LOCATION Rebel Moon (dir. Zack Snyder) || The Man From Toronto || The Fabelmans (dir. Steven Spielberg) || Star Wars: Obi-Wan Kenobi SCOUT (ONLY): Venom || The Cloverfield Paradox || War for the Planet of the Apes || La La Land || The Avengers || The Dark Knight Rises Mission: Impossible – Ghost Protocol || Super 8 || The Cabin in the Woods || MythBusters || Rocky Balboa KEY ASSISTANT Man of Steel || Captain America: The First Avenger || Thor (Epilogue) || Iron Man 2 || Terminator: The Sarah Connor Chronicles LOCATION MANAGER: Hancock || Alvin and the Chipmunks || Transformers || Mission: Impossible III (Virginia / Washington DC) || Dr. Dolittle 2 .
Load more

Recommended publications
  • Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
    http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections.
    [Show full text]
  • FF 938 ORIGINALTITEL H-8 VORLAGETITEL H-8 ... Noch 10
    BESTAND FILMFOTOGRAFIE TWS SCHLOSS WAHN FF 938 ORIGINALTITEL H-8 VORLAGETITEL H-8 ... Noch 10 Sekunden leben LAND Jugoslawien PRODUKTIONSJAHR 1958 REGIE Tanhofer, Nikola PRODUKTION Jadran Film VERLEIH Constantin Film Verleih GmbH ABGEBILDETE PERSONEN nicht identifiziert FOTOGRAFEN ODER ATELIERS unbekannt SW-ABZÜGE 1 FARBABZÜGE 0 POSTKARTEN 0 SW-TRANSPARENTE 0 SAMMELBILDER 0 FARBTRANSPARENTE 0 DRUCKERZEUGNISSE 0 ZUSTAND ohne Beanstandung NORMALFORMAT (FFN) 1 GROSSFORMAT (FFG) 0 ANMERKUNGEN BESCHRIFTUNGEN: Titel (Rückseite, Bleistift) BEILAGE: Titel, Inhaltsangabe allgemein, Verleihfirma PROVENIENZ unbekannt ALTE INV.-NR.: keine BESTAND FILMFOTOGRAFIE TWS SCHLOSS WAHN FF 940 ORIGINALTITEL Habanera, La VORLAGETITEL Habanera, La LAND Deutschland PRODUKTIONSJAHR 1937 REGIE Sirk, Douglas; damals noch: Sierck, Detlef PRODUKTION Universum Film AG (UFA) VERLEIH Universum Film Verleih GmbH (Ufa) ABGEBILDETE PERSONEN Zarah Leander, Ferdinand Marian, Karl Martell, Julia Serda, Carl Merznich, Rosita Alcaraz, Michael Schulz- Dornburg, Detlef Sierck/Douglas Sirk FOTOGRAFEN ODER ATELIERS Breithaupt (Szenenfotos) Hämmerer, Arthur (Porträtfotos) Klitzke, Willi (Szenenfotos) SW-ABZÜGE 12 FARBABZÜGE 0 POSTKARTEN 0 SW-TRANSPARENTE 0 SAMMELBILDER 0 FARBTRANSPARENTE 0 DRUCKERZEUGNISSE 0 ZUSTAND Verschmutzungen, teilweise ausgerissen NORMALFORMAT (FFN) 12 GROSSFORMAT (FFG) 0 ANMERKUNGEN Produktionsfoto und Filmfotos AUFDRUCKE: Copyright-Angaben der UFA, Namen der Fotografen, "Theaterwissenschaftliches Archiv Dr. Steinfeld" (Rückseite, teilweise) AUFKLEBUNGEN:
    [Show full text]
  • 1-Abdul Haseeb Ansari
    Journal of Criminal Justice and Law Review : Vol. 1 • No. 1 • June 2009 IDENTIFYING LARGE REPLICABLE FILM POPULATIONS IN SOCIAL SCIENCE FILM RESEARCH: A UNIFIED FILM POPULATION IDENTIFICATION METHODOLOGY FRANKLIN T. WILSON Indiana State University ABSTRACT: Historically, a dominant proportion of academic studies of social science issues in theatrically released films have focused on issues surrounding crime and the criminal justice system. Additionally, a dominant proportion has utilized non-probability sampling methods in identifying the films to be analyzed. Arguably one of the primary reasons film studies of social science issues have used non-probability samples may be that no one has established definitive operational definitions of populations of films, let alone develop datasets from which researchers can draw. In this article a new methodology for establishing film populations for both qualitative and quantitative research–the Unified Film Population Identification Methodology–is both described and demonstrated. This methodology was created and is presented here in hopes of expand the types of film studies utilized in the examination of social science issues to those communication theories that require the examination of large blocks of media. Further, it is anticipated that this methodology will help unify film studies of social science issues in the future and, as a result, increase the reliability, validity, and replicability of the said studies. Keywords: UFPIM, Film, Core Cop, Methodology, probability. Mass media research conducted in the academic realm has generally been theoretical in nature, utilizing public data, with research agendas emanating from the academic researchers themselves. Academic studies cover a gambit of areas including, but not limited to, antisocial and prosocial effects of specific media content, uses and gratifications, agenda setting by the media, and the cultivation of perceptions of social reality (Wimmer & Dominick, 2003).
    [Show full text]
  • (Co-Creator, Writer, Executive Producer) Jonathan E. Steinberg Is
    -Season Two- PRODUCTION BIOGRAPHIES JONATHAN E. STEINBERG (Co-Creator, Writer, Executive Producer) Jonathan E. Steinberg is currently the showrunner and co-creator of the STARZ Original series “Black Sails.” Before that, he was the executive producer and creator of “Human Target,” which he developed along with Wonderland Sound and Vision, DC Comics, Warner Bros., and FOX, and a co-creator and producer of the CBS series “Jericho.” He is a graduate of Harvard University and the University of Pennsylvania Law School. ROBERT LEVINE (Co-Creator, Writer, Executive Producer) Robert Levine is co-creator of the STARZ Original series “Black Sails” where he also serves as an executive producer. His previous credits include “Touch” for 20th Century Fox Television, “Human Target” for Warner Bros. Television, and “Harpers Island” and “Jericho” for CBS/Paramount Studios. A graduate of Denison University, he currently lives in Los Angeles. MICHAEL BAY (Executive Producer) Michael Bay is one of the entertainment industry’s most successful filmmakers, currently listed as the 4th highest grossing director of all time. Characterized by his aggressive visual style and high-octane action sequences that have become his cinematic signature, the films that Bay has directed and produced via his two production companies have grossed $5.5 billion worldwide. His directing resume includes the films Bad Boys and Bad Boys II, both starring Will Smith and Martin Lawrence; The Rock starring Nicolas Cage and Sean Connery; Armageddon starring Ben Affleck and Bruce Willis; Pearl Harbor starring Affleck, Josh Hartnett and Kate Beckinsale; The Island starring Ewan McGregor and Scarlett Johansson; as well as four Transformers blockbusters starring Shia LaBeouf, Josh Duhamel, Tyrese Gibson, and John Turturro.
    [Show full text]
  • 1144 05/16 Issue One Thousand One Hundred Forty-Four Thursday, May Sixteen, Mmxix
    #1144 05/16 issue one thousand one hundred forty-four thursday, may sixteen, mmxix “9-1-1: LONE STAR” Series / FOX TWENTIETH CENTURY FOX TELEVISION 10201 W. Pico Blvd, Bldg. 1, Los Angeles, CA 90064 [email protected] PHONE: 310-969-5511 FAX: 310-969-4886 STATUS: Summer 2019 PRODUCER: Ryan Murphy - Brad Falchuk - Tim Minear CAST: Rob Lowe RYAN MURPHY PRODUCTIONS 10201 W. Pico Blvd., Bldg. 12, The Loft, Los Angeles, CA 90035 310-369-3970 Follows a sophisticated New York cop (Lowe) who, along with his son, re-locates to Austin, and must try to balance saving those who are at their most vulnerable with solving the problems in his own life. “355” Feature Film 05-09-19 ê GENRE FILMS 10201 West Pico Boulevard Building 49, Los Angeles, CA 90035 PHONE: 310-369-2842 STATUS: July 8 LOCATION: Paris - London - Morocco PRODUCER: Kelly Carmichael WRITER: Theresa Rebeck DIRECTOR: Simon Kinberg LP: Richard Hewitt PM: Jennifer Wynne DP: Roger Deakins CAST: Jessica Chastain - Penelope Cruz - Lupita Nyong’o - Fan Bingbing - Sebastian Stan - Edgar Ramirez FRECKLE FILMS 205 West 57th St., New York, NY 10019 646-830-3365 [email protected] FILMNATION ENTERTAINMENT 150 W. 22nd Street, Suite 1025, New York, NY 10011 917-484-8900 [email protected] GOLDEN TITLE 29 Austin Road, 11/F, Tsim Sha Tsui, Kowloon, Hong Kong, China UNIVERSAL PICTURES 100 Universal City Plaza Universal City, CA 91608 818-777-1000 A large-scale espionage film about international agents in a grounded, edgy action thriller. The film involves these top agents from organizations around the world uniting to stop a global organization from acquiring a weapon that could plunge an already unstable world into total chaos.
    [Show full text]
  • ZODIAC Final Prodnotes
    1 PRODUCTION NOTES “… I shall no longer announce to anyone when I commit my murders, they shall look like routine robberies, killings of anger and a few fake accidents, etc…” Letter 7 - November 9, 1969 It is the ultimate cold case. The rampage of a madman who has never been caught; the elusive cipher slayer who gripped the nation in fear, America’s very own Jack the Ripper. He publicly claimed 13 victims, then more, two dozen more. Police pinned him with seven, five dead. The true body count may never be known. One thing is certain: That count includes the living. Based on the true story of a serial killer who terrified the San Francisco Bay Area and taunted authorities in four jurisdictions with his ciphers and letters for decades, “Zodiac” is a thriller from David Fincher, director of “Se7en” and “Fight Club.” Hunting down the hunter would become an obsession for four men, an obsession that would turn them into ghosts of their former selves, their lives built and destroyed by the killer’s endless trail of clues. Of the four, Robert Graysmith (Jake Gyllenhaal) was the wild card. A shy editorial cartoonist, Graysmith didn’t have the cache and expertise of his seasoned and cynical colleague Paul Avery (Robert Downey Jr.), the San Francisco Chronicle’s star crime reporter. He didn’t have Avery’s connections with San Francisco Police Department’s celebrated and ambitious Homicide 2 Inspector David Toschi (Mark Ruffalo) and his low-key, meticulous partner Inspector William Armstrong (Anthony Edwards). What he did have was a crucial insight no one anticipated.
    [Show full text]
  • Production Notes
    Production Notes Starring: Kara Hayward, Liana Liberato, Jordana Spiro, Shea Whigham with Malin Akerman and Tony Hale Directed By: Martha Stephens Written By: Shannon Bradley-Colleary Run Time: 111 Minutes Rating: Not Rated Press Contacts: Katrina Wan / [email protected] / 323-240-9996 Tatum Wan / [email protected] / 818-590-1530 1 SYNOPSIS: In a god-fearing small town in 1960s Oklahoma, bespectacled and reclusive teen Iris endures the booze-induced antics of her mother and daily doses of bullying from her classmates. She finds solace in Maggie, the charismatic and enigmatic new girl at school, who hones in on Iris’s untapped potential and coaxes her out of her shell. When Maggie’s mysterious past can no longer be suppressed, the tiny community is thrown into a state of panic, leaving Maggie to take potentially drastic measures and inciting Iris to stand up for her friend and herself. DIRECTOR’S STATEMENT: I heard decaying leaves chatter and scrape against the dusty storefronts. Below the suffocating vastness of prairie skies, I caught the whispers of endless rows of corn. There was the rustle of fussy dress skirts flapping against whistling winds. The sanctuary of night swimming beckoned, promising boldness and mystery. A cold trickle from wet hair dripped down the base of my spine. I knew the hardscrabble farming community of WaKeeney, Kansas: it’s the type of small American town in which a shy teenager can live out her life and end up feeling anonymous. Yearning hangs like a fog over the central characters in TO THE STARS. Maggie pines to be accepted as she is, a lesbian; or otherwise to wish away her sexuality and be the model daughter that her parents expect.
    [Show full text]
  • Proquest Dissertations
    RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY UMI Number: 3430304 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3430304 Copyright 2010 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Approved as to style and content by: ^aJftLtfv^ *3 tu.^r TrsAAO^p P, M&^< David Lavery Martha Hixon Chair of Committee Reader Cyt^-jCc^ C. U*-<?LC<^7 Wt^vA AJ^-i Linda Badley Tom Strawman Reader Department Chair (^odfrCtau/ Dr. Michael D. Allen Dean of Graduate Studies August 2010 Major Subject: English RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Major Subject: English DEDICATION Completing this journey would not be possible without the love and support of my family and friends.
    [Show full text]
  • 1110 09/13 Issue One Thousand One Hundred-Ten Thursday, September Thirteen, Mmxviii
    #1110 09/13 issue one thousand one hundred-ten thursday, september thirteen, mmxviii “1H20” Feature Film 1H20 LLC [email protected] STATUS: October 26 LOCATION: Los Angeles PRODUCER: Daria Nazarova A housewife searches for answers about her husband's infidelity only to realize her grasp on reality is slipping. “THE A GIRL” Pilot BRENDAVISION! [email protected] STATUS: October 1 LOCATION: Salt Lake City PRODUCER: Brenda Hampton DIRECTOR: Steven Tsuchida A single camera comedy that follows the unlikely friendship between two girls that are forced together in a new “Friends Program” in their middle school - Harper, the Queen Bee, who isn’t used to being told the truth, and Zoe, a girl on the spectrum of autism who would rather fly solo, who can’t help do anything but. Two girls who are completely different, but find out they have more in common than they thought. “A.J. AND THE QUEEN” Series / Netflix 08-09-18 ê MPK PRODUCTIONS 4000 Warner Blvd., Bldg. 192, Burbank, CA 91522 STATUS: October 15 LOCATION: Los Angeles WRITER/PRODUCER: Michael Patrick King - RuPaul Charles DIRECTOR: Michael Patrick King PM: Franklyn Gottbetter ([email protected]) CAST: RuPaul Charles WARNER BROS. TELEVISION 4000 Warner Blvd. Burbank, CA 91522 818-954-6000 [email protected] NETFLIX 5800 Sunset Boulevard, Hollywood, CA 90028 310-734-2900 [email protected] The comedy will follow RuPaul as Ruby Red, a bigger-than-life but down-on-her-luck drag queen who travels across America from club to club in a rundown 1990s RV with her unlikely sidekick, AJ, a recently orphaned, tough-talking, scrappy 11-year-old stowaway.
    [Show full text]
  • Tatiana Maslany Canada’S Favourite Clone on Orphan Black and International Acclaim
    Your guide to compelling drama, tongue-in-cheek comedy, unscripted shenanigans, engaging children’s programming and much more! Tatiana Maslany Canada’s favourite clone on Orphan Black and international acclaim Why Canada is booming in a borderless business Going Global: Canadian producers on taking their content to the world Contents 2 Canadian TV Scene: DRAMA the Big Picture 4 Opening Credits: A Message from the Editor The Canadian Media Producers Association is Canada’s leading trade 5 Be a Canadian association for independent producers, representing more than 350 Television Critic— companies engaged in the production and distribution of English-language See the World television programs, feature films and digital media. The CMPA works on behalf of members to promote and stimulate the Canadian production industry. Our goal is to ensure the continued success of Canada’s Television Genres independent production sector and a future for content that is made by Canadians for both Canadian and international audiences. 10 Drama 33 Comedy 42 Unscripted 64 Children’s & Youth 78 Foreign Location & Service Production P. 10 Feature Interview COMEDY UNSCRIPTED Tatiana Maslany p.8 Going Global: Canadian Producers on Taking Their Content to the World David Cormican p.18 Karen Walton p.28 Catherine Reitman p.38 P.33 P.42 Cal Shumiatcher p.52 CHILDREN’S & YOUTH FOREIGN PRODUCTIONS cmpa.ca Vince Commisso p.70 Follow us on Twitter @The_CMPA Like us on Facebook at facebook.com/theCMPA All photography property of ABC, ABC Spark, Amazon, AMI, Animal Planet,
    [Show full text]
  • FALL 2019 New Releases © 2019 Columbia Pictures Industries, Inc
    FALL 2019 New Releases © 2019 Columbia Pictures Industries, Inc. © 2019 WBEI GODZILLA TM © Toho Co., Ltd. © 2019 Paramount Pictures © Lions Gate Entertainment, Inc. © 2019 Universal City Studios Productions LLLP, Buena Vista International, Inc. and Perfect Universe Investments Inc. All Rights Reserved. © 2019 Marvel swank.com/motorcoaches 1.888.416.2572 10795 Watson Road | St. Louis, MO 63127 MovieRATINGS GUIDE NEWFall Releases 2019 MEN IN BLACK: NR: Fast Color ....................................13 Dead Don't Die, The ................... 6 INTERNATIONAL Fighting with My Family ..........19 Dogman ........................................17 Rebecca Ferguson, Tessa Extracurricular Activities .........13 Thompson, Chris Hemsworth Godzilla: King of the Monsters .... 2 Haunting of Columbia Pictures Reinventing Rosalee ..................16 Sharon Tate, The ........................22 Hustle, The ..................................17 Rated PG-13; 115 minutes; 2019 Summer Night .............................13 Hellboy ............................................ 9 The Men in Black seek to find and Intruder, The .................................. 9 trap a mole within their organization. High Life .......................................18 Isn't It Romantic .........................20 John Wick: Chapter 3 - Kursk .............................................16 Parabellum ..................................... 4 G: GODZILLA: Amazing Grace .........................16 Little ...............................................11 J.T. Leroy .......................................17
    [Show full text]
  • American Independent Cinema
    AMERICAN INDEPENDENT CINEMA AMERICAN INDEPENDENT Films, filmmakers and film companies AMERICAN INDEPENDENT CINEMA examined include: • Cagney Productions and Johnny Come Yannis Tzioumakis Lately, Blood on the Sun and The Time of Your Life • The Charlie Chan series ‘A substantial and insightful examination of the infrastructure • Lomitas Productions, Stanley Kramer and of independent American cinema. This is a true advance on The Defiant Ones, On the Beach and Inherit previous studies and deepens the reader’s understanding of the Wind • Sam Katzman and Rock Around the Clock how independent films get made and distributed. For this • Roger Corman and The Wild Angels reason the book will be an invaluable addition to the literature • John Cassavetes and Shadows on Independent American Cinema.’ • Dennis Hopper and The Last Movie Professor Warren Buckland, Editor of The New Review of Film • American International Pictures and Foxy and Television Studies Brown • John Sayles and Return of the Secaucus Seven This introduction to American independent cinema offers • Filmhaus Productions, David Mamet and both a comprehensive industrial and economic history of the House of Games sector from the early twentieth century to the present and a • Steven Soderbergh and sex, lies, and study of key individual films, filmmakers and film companies. videotape Readers will develop an understanding of the complex • Kevin Smith and Clerks • Monogram, Republic Pictures and dynamic relations between independent and mainstream Producers Releasing Corporation American cinema. • William Castle Productions, Embassy Pictures, New World Pictures, Dimension The main argument revolves around the idea that independent and Crown International American cinema has developed alongside mainstream • Orion Pictures Hollywood cinema with institutional, industrial and economic • The Sundance Film Institute changes in the latter shaping and informing the former.
    [Show full text]