Twenty-First Sunday After Pentecost the Holy Eucharist
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The English Lyrics of the Henry VIII Manuscript
The English Lyrics of the Henry VIII Manuscript by RAYMOND G. SIEMENS B. A. (Hons), The University of Waterloo, 1989 M.A., The University of Alberta, 1991 A THESIS SUBMITTED LN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES, Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May 20, 1997 ©R.G. Siemens, 1997 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or 'by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. /7 v. Department of The University of British Columbia Vancouver, Canada Date DE-6 (2788) Abstract The Henry VIII MS (BL Additional MS 31,922)—a song book with lyrics by Henry VIII, Thomas Wyatt, William Cornish, and other literary figures of the early Henrician court—is a document that contributes greatly to a critical understanding of the connections between poetry, patronage, and power in early Renaissance society because of the prominence of its chief author, the King himself, and the manuscript's reflection of literary, social, and political elements of the early Tudor court. Acknowledging that the contents of the Henry VIII MS have been thoroughly treated as "words for music" by the musicologist John Stevens, whose Music and Poetry in the Early Tudor Court and Music at the Court of Henry VIII are the standard works in the area, my thesis builds on existing scholarship to treat the lyrics of H chiefly as "words," as literary texts. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
The English Anthem Project the Past Century and a Half, St
Special thanks to St. John’s staff for their help with promotions and program printing: Mair Alsgaard, Organist; Charlotte Jacqmain, Parish Secretary; and Ministry Coordinator, Carol The Rev. Ken Hitch, Rector Sullivan. Thanks also to Tim and Gloria Stark for their help in preparing the performance and reception spaces. To commemorate the first Episcopal worship service in Midland, MI 150 years ago, and in appreciation for community support over The English Anthem Project the past century and a half, St. John's and Holy Family Episcopal Churches are "Celebrating In Community" with 16th and 17th Centuries events like today’s concert. We hope you are able to share in future sesquicentennial celebration events we have planned for later this summer: www.sjec-midland.org/150 Exultate Deo Chamber Choir Weekly Worship Schedule SUNDAYS Saturday, June 24, 2017 8:00 AM - Holy Eucharist Traditional Worship, Spoken Service 4:00 p.m. 10:00 AM - Holy Eucharist Traditional Worship with Music, St. John’s Episcopal Church Nursery, Children's Ministry 405 N. Saginaw Road WEDNESDAYS Midland, MI 48640 12:00 PM - Holy Eucharist Quiet, Contemplative Worship 405 N. Saginaw Rd / Midland, MI 48640 This concert is offered as one of (989) 631-2260 / [email protected] several ‘Celebrating in Community’ www.sjec-midland.org events marking 150 years of All 8 Are Welcome. The Episcopal Church in Midland, MI The English Anthem Project William Byrd (c1540-1623) worked first in Lincoln Cathedral then became a member of the Chapel Royal, where for a time he and Tallis 16th and 17th Centuries were joint organists. -
Orgue De L'église Saint-Pierre D'argentière Du Lundi 30 Juillet Au
Projet culturel – Orgue de l’église Saint-Pierre d’Argentière Du lundi 30 juillet au vendredi 3 août 2018 1 Marie-Claire Alain (1926-2013) Née le 10 août 1926 à Saint-Germain-en-Laye, dans une famille de musiciens, Marie-Claire Alain était la fille du compositeur et organiste Albert Alain et de Magdeleine Alberty. Elle était également la sœur benjamine du célèbre compositeur Jehan Alain (1911-1940), de Marie-Odile Alain, décédée à Argentière en 1937 et d’Olivier Alain, compositeur et organiste réputé. Elle remplace dès l’âge de douze ans son père Albert au grand orgue de l’église paroissiale. Elle devient titulaire de l’orgue à la mort de son père en 1970 jusqu’à la fin de sa carrière. Élève d’Yves Nat en piano, elle entre à l’âge de dix-huit ans au Conservatoire de Paris où elle reçoit l’enseignement de Maurice Duruflé, Marcel Dupré et Simone Plé-Caussade. Elle y remporte les premiers prix d’harmonie, de contrepoint, de fugue, d’orgue et d’improvisation. Marie-Claire se perfectionne ensuite auprès des maîtres Gaston Litaize et André Marchal, tout en commençant déjà en parallèle une carrière prometteuse de concertiste internationale. Elle remporte le concours de Genève ainsi que le célèbre prix des Amis de l’orgue. Cette carrière s’est confirmée grâce à l’arrivée sur le marché du microsillon. Marie-Claire Alain nous a en effet laissé une discographie considérable, consacrée notamment à la Musique française et particulièrement à celle de J.S Bach avec l’enregistrement de trois intégrales. -
OCTOBER 2019 IAN KEATLEY (Director of Music) STEPHEN DISLEY (Assistant Director of Music)
OCTOBER 2019 IAN KEATLEY (Director of Music) STEPHEN DISLEY (Assistant Director of Music) GILLY MYERS (Canon Precentor) RACHEL YOUNG (Succentor) ANDREW NUNN (Dean) DAY SERVICE RESPONSES PSALMS HYMNS SETTING ANTHEMS 4 Friday 5.30pm Evensong (men’s voices) Tallis 35 472 (ii) Octavi toni (Victoria) In manus tuas (Pedro de Cristo) 6 SUNDAY 11.00am Eucharist 37 (1-9) 467; 279 (t. 305); Mass for five voices (Byrd) My soul, there is a country (Hubert Parry) TRINITY 400 (t. 167) Ave verum corpus (Plainsong) XVI 3.00pm Evensong Ayleward 142 CP 478; 500 Short service (Caustun) I was glad (Hubert Parry) 7 Monday 5.30pm Evensong Rawsthorne 47 471 Rawsthorne in D Like as the hart (Noel Rawsthorne) 8 Tuesday 5.30pm Evensong Ayleward 50 252 Walmisley in D minor To this temple (Edward Bairstow) 11 Friday 5.30pm Evensong Ayleward 38 (1-14) 396 Watson in E Thy word is a lantern (Henry Purcell) 12 Saturday 4.00pm Evensong (Hogarth Singers) Wells 66 361 Dyson in F Bogoroditse Devo (Sergei Rachmaninoff) 13 SUNDAY 11.00am Eucharist 100 433 (omit v.5); Missa Brevis ‘Awake, my soul’ For the beauty of the earth (John Rutter) HARVEST CP 272 (t. 237); 265 (Judith Bingham) Hymn to the Virgin (Benjamin Britten) 3.00pm Evensong Shephard 144 CP 448 (t. 265); 235 (omit v.3) Kelly in C Rejoice in the Lord (John Redford) 14 Monday 5.30pm Evensong (men’s voices) Harris 72 247 Wood in E I will lift up mine eyes (Ernest Walker) 15 Tuesday 5.30pm Evensong (men’s voices) Millington 74 245 Secundi toni (Gombert) Alleluia (Igor Stravinsky) THE CATHEDRAL CHOIR IS ON HOLIDAY UNTIL 28 OCTOBER 16 Wednesday 4.00pm Evensong (Tormead School) Terry 119 (81-104) 250 Wood in E flat (no 2) I will sing with the spirit (John Rutter) 18 Friday 5.30pm Evensong (men’s voices) Tallis 103 244 Morley fauxbordons Let us now laud (William Mundy) 20 SUNDAY 11.00am Eucharist (University of London 121 55; CP 346 (tune ii); CP 81 Sumsion in F Notre Père (Maurice Duruflé) TRINITY Church Choir) Ave verum (Camille Saint-Saëns) XVIII 3.00pm Evensong Ferial 149 347 (t. -
Stainer & Bell
STAINER & BELL INFORMATION SHEET ASK 63 MUNDY, William Library Volume: Latin Antiphons and Psalms edited by Frank Ll. Harrison. Stock No. EC2 (printed to demand: comb-bound) Works by William Mundy can also be found in: Consort Songs (edited Philip Brett). Stock No. MB22 Elizabethan Consort Music I (edited Paul Doe). Stock No. MB44 The Gyffard Partbooks I (transcribed and edited by David Mateer). Stock No. EC48 The Gyffard Partbooks II (transcribed and edited by David Mateer). Stock No. EC51 The Mulliner Book (newly transcribed and edited by John Caldwell). Stock No. MB1 Except where an asterisk is shown against a title, our archive and offprint service can usually provide authorised photocopies. Prices are available on application. Individual choral titles from the Early English Church Music series are also available for purchase as Adobe Acrobat PDF files through the secure Stainer & Bell online shop. Please see www.eecm.net for full details. Title Details No. of pages Notes Adhaesit Pavimento SATBB 11 in EC2 Adolescentulus Sum Ego SAATBB 12 in EC2 Alleluya [V. Per te dei genitrix] I 4-part 1 in EC48 Alleluya [V. Per te dei genitrix] II 4-part 1 in EC48 Beati Immaculati SAATB 11 in EC2 Domine, Non Est Exaltatum SATTBB 11 in EC2 Domine, Quis Habitabit SSAATB 25 in EC2 Eructavit Cor Meum SATTBB 24 in EC2 Exurge Christe 4-part 1 in MB1 Exurge Christe (attrib.) 4-part 2 in EC48 Fantasia 5-part 4 in MB44 Fie, fie, my fate Consort song 2 in MB22 In Aeternum SAA (or T) TBB 13 in EC2 In exitu Israel [with BYRD, William 4-part 15 in EC48 and SHEPPARD, -
Emerald Ensemble September 2017 the Two Elizabeths Program Notes
Emerald Ensemble September 2017 The Two Elizabeths Program Notes with Texts and Translations Dance, clarion air (1952) Michael Tippett (1905–1998) O Lord, give thy Holy Spirit (after 1566) Thomas Tallis (c.1505–1585) Weep, O mine eyes (1599) John Bennet (c.1575–after 1614) Mitte manum tuam (2006) James MacMillan (b.1959) Fair Phyllis I saw sitting all alone (1599) John Farmer (c.1570–c.1605) O Lord, the maker of all thing William Mundy (c.1528–1591) O Care, thou wilt despatch me (1600) Thomas Weelkes (1576–1623) The Song Sung True (2013) Judith Weir (b.1954) 1. Sing — 2. Song — 3. Orpheus — 4. Folk Music intermission Lullabye for Lucy (1981) Peter Maxwell Davies (1934–2016) Come, blessed bird (1601) Edward Johnson (fl.1572–1601) O Lord, make thy servant Elizabeth (c.1570) William Byrd (c.1540–1623) Arise, awake (1601) Thomas Morley (1557/8–1602) Choral Dances, from Gloriana (1953) Benjamin Britten (1913–1976) 1. Time — 2. Concord — 3. Time and Concord — 4. Country Girls — 5. Rustics and Fishermen — 6. Final Dance of Homage The Hills (1953) John Ireland (1879–1962) Andrew Turner, from Five Epigrams (1960) Nicholas Maw (1935–2009) White-flowering days (1953) Gerald Finzi (1901–1956) 1 Dance, clarion air (1952) Michael Tippett (1905–1998) So often we hear stories of wunderkind composers who wrote masterpieces in their teens and twenties—folks like Bach, Handel, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, Prokofiev, Walton, Britten—that we forget about the slew of brilliant composers who were relatively late bloomers, among them Haydn, Bruckner, Mahler, Elgar, Janáček, Vaughan Williams, Pärt, and the present example, Michael Tippett. -
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 Email: [email protected]
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 email: [email protected] CD-No. Title Composer/Track Artists GMCD 7101 Canticum Novum My soul, there is a country - Charles H.H.Parry; All Wisdom cometh from the Lord - Philip The Girl Choristers, The Boy Choristers and The Lay Vicars of Moore; Tomorrow shall be my dancing day - John Gardner; Psalm Prelude (2nd Set, No.1) - Salisbury Cathedral directed by Richard Seal / David Halls Organ / Herbert Howells; Quem vidistis pastores dicite - Francis Poulenc; Videntes stellam - Francis Martin Ings Trumpet Poulenc; The old order changeth - Richard Shepard; Even such is time - Robert Chilcott; Paean - Kenneth Leighton; When I survey the wondrous Cross - Malcolm Archer; Magnificat (Salisbury Service) - Richard Lloyd; A Hymn to the Virgin - Benjamin Britten; Pastorale - Percy Whitlock; Psalm 23 (Chant) - Henry Walford Davies; Love's endeavour, love's expense - Barry Rose; Ye Choirs of new Jerusalem - Richard Shepard GMCD 7102 Coronation Anthems & Hymns “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O The Choir of St Paul’s Cathedral directed by Barry Rose / Christopher taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Dearnley Organ Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune f GMCD 7103 In Dulci Jubilo Ad Libitum/O Come, all ye faithful - Hark! the Herald-Angels Sing - Once in Royal David's city - - Festive & Christmas Music - Paul Plunkett Trumpets & Rudolf Lutz The First Nowell - Ding Dong! Merrily on High - Away in a Manger - Angels from the Realms Organ of Glory - Noël Op. -
The Anthems of Thomas Ford (Ca. 1580-1648). Fang-Lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1989 The Anthems of Thomas Ford (Ca. 1580-1648). Fang-lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hsieh, Fang-lan Lin, "The Anthems of Thomas Ford (Ca. 1580-1648)." (1989). LSU Historical Dissertations and Theses. 4722. https://digitalcommons.lsu.edu/gradschool_disstheses/4722 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
William Byrd Festival 2008
This book has been published by the Church Music Association of America for distribution at the William Byrd Festival 2008. It is also available for online sales in two editions. Clicking these links will take you to a site from which you can order them. Softcover Hardcover A Byrd Celebration William Byrd 1540–1623 A Byrd Celebration LECTURES AT THE WILLIAM BYRD FESTIVAL EDITED BY RICHARD TURBET CMAA Church Music Association of America Cover picture is of the Lincoln Cathedral, England, where William Byrd was the choirmaster and organ- ist for nine years, 1563–1572. Copyright © 2008 Church Music Association of America Church Music Association of America 12421 New Point Drive Harbor Cove Richmond, Virginia 23233 Fax 240-363-6480 [email protected] website musicasacra.com TABLE OF CONTENTS Acknowledgments . .7 Preface . .9 BIOGRAPHY . .11 William Byrd: A Brief Biography . .13 Kerry McCarthy “Blame Not the Printer”: William Byrd’s Publishing Drive, 1588–1591 . .17 Philip Brett Byrd and Friends . .67 Kerry McCarthy William Byrd, Catholic and Careerist . .75 Joseph Kerman MASSES . .85 The Masses of William Byrd . .87 William Peter Mahrt Byrd’s Masses in Context . .95 David Trendell CANTIONES . .103 Byrd’s Musical Recusancy . .105 David Trendell Grave and Merrie, Major and Minor: Expressive Paradoxes in Byrd’s Cantiones Sacrae, 1589 . .113 William Peter Mahrt Savonarola, Byrd, and Infelix ego . .123 David Trendell William Byrd’s Art of Melody . .131 William Peter Mahrt GRADUALIA . .139 Rose Garlands and Gunpowder: Byrd’s Musical World in 1605 . .141 Kerry McCarthy The Economy of Byrd’s Gradualia . .151 William Peter Mahrt 5 6 — A Byrd Celebration ENGLISH MUSIC . -
Jean Langlais Remembered: Chapter-9
The Upheavals of the Sixties ! ! ! CHAPTER 9 The$Upheavals$of$the$Sixties$ Jean Langlais’s mature years should have unfolded smoothly as his fame increased, but it was not to be. A major upheaval would rock the Roman Catholic Church, a budding ecumenical movement would gain momentum, and the world of French organists would split along fault lines between proponents of Baroque, Romantic, and contemporary music. Jean Langlais suddenly found himself doing battle on multiple fronts, under attack from the liturgical consequences of Vatican II on the one hand, and confronting new ideas from younger colleagues on the other. In spite of the resulting tumult, he would continue to advance his career as a brilliant recitalist and teacher, attracting a growing number of foreign organ students along the way. The Second Vatican Council: Jean Langlais confronts the evolution of the Roman Catholic liturgy We arrive at what proved to be one of the saddest moments in the life of Jean Langlais. For some time he had been considered a specialist of the highest order in the domain of Roman Catholic sacred music, most notably since 1954-1955 and the success of his Missa Salve Regina. The Second Vatican Council, particularly as interpreted by certain French liturgists, now stood poised to completely disrupt the happy order of his life as a composer. His six choral masses in Latin, a Passion, and numerous motets and cantatas notwithstanding, Langlais initially reacted with enthusiasm to the Church’s new directives concerning religious music, composing many simple works in French that were directly accessible to the faithful. -
ONE INTENTION: a STUDY of the DEVELOPMENT of MUSIC in the CHURCH Renee A
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 4-2011 MANY GENRES; ONE INTENTION: A STUDY OF THE DEVELOPMENT OF MUSIC IN THE CHURCH Renee A. Rybolt Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Rybolt, Renee A., "MANY GENRES; ONE INTENTION: A STUDY OF THE DEVELOPMENT OF MUSIC IN THE CHURCH" (2011). Research Papers. Paper 106. http://opensiuc.lib.siu.edu/gs_rp/106 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. MANY GENRES; ONE INTENTION: A STUDY OF THE DEVELOPMENT OF MUSIC IN THE CHURCH by Renée A. Rybolt B.A., Saint Joseph’s College, 2009 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music Department of Music in the Graduate School Southern Illinois University Carbondale May 2011 RESEARCH PAPER APPROVAL MANY GENRES; ONE INTENTION: A STUDY OF THE DEVELOPMENT OF MUSIC IN THE CHURCH By Renée A. Rybolt A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by: Dr. Susan Davenport, Chair Dr. Melissa Mackey Dr. Christopher Morehouse Graduate School Southern Illinois University Carbondale April 12, 2011 AN ABSTRACT OF THE RESEARCH PAPER OF RENÉE A. RYBOLT, for the Master of Music degree in CHORAL CONDUCTING, presented on 25 MARCH 2011, at Southern Illinois University at Carbondale.