Affiches Autour Du Monde

Total Page:16

File Type:pdf, Size:1020Kb

Affiches Autour Du Monde MIRABAUD - MERCIER AFFICHES - POSTERS JEUDI 20 ET VENDREDI 21 JUIN 2019 Jeudi 20 & Vendredi 21juin2019-14h Jeudi 20&Vendredi 174, rue du Faubourg SaintHonoré 174, rueduFaubourg Affiches autourduMonde Affiches Frédéric LOZADA,Expert Frédéric 75008 Paris Cat Mirabaud-20-210619-V2_Mise en page 1 20/05/2019 09:17 Page1 Affiches autour du Monde VENTES AUX ENCHÈRES PUBLIQUES Jeudi 20 Juin 2019 à 14 h Vendredi 21 Juin 2019 à 14 h 174, rue du Faubourg Saint-Honoré - 75008 Paris Expert : Frédérick LOZADA vente sur désignation 3, rue de Solférino - 75007 Paris [email protected] Tél. +33 (0)6 07 53 30 91 Exposition privée : Mercredi 19 juin de 11 h à 18 h Pour les lots cités en bas de page de l’ordre d’achat 174, rue du Faubourg Saint-Honoré - 75008 Paris Intégralités des lots et descriptions complètes sur www.mirabaud-mercier.com et www.fredericlozada.com DESCRIPTION DES AFFICHES : Les affiches présentées à la vente sont toujours de l’affiche, les déchirures peuvent défraîchies, des manques de papier d’époque, sauf mention particulière : retirage. toucher ou altérer légèrement l’image altérant l’image avec gravité pour l’aspect Afin de fournir aux amateurs des indications aussi mais pas l’aspect général de l’affiche, général de l’affiche, les déchirures simples que précises, chaque affiche est décrite l’affiche peut comporter quelques touchent et altérant l’image et l’aspect selon le procédé suivant : restaurations dans l’image et ailleurs. général de l’affiche, l’affiche comporte - Le titre de l’affiche - Le nom de l’artiste, quand B.E. B - = Bon état : l’image est belle, les marges des restaurations très marquées dans il existe - La date d’impression, quand comportent des défauts pouvant altérer l’image et ailleurs, des manques restaurés elle est indiquée - L’imprimeur - L’état de l’aspect général de l’affiche, les couleurs importants. conservation : peuvent être un peu défraîchies, des M.E. D = Mauvais état : l’affiche a beaucoup perdu T.B.E. A + = Très bon état : l’image est très belle, manques de papier peuvent altérer un par rapport à son état originel, il ne reste les marges parfaites, les couleurs très peu l’image sans grande gravité pour plus grand chose de la composition fraîches, aucun manque de papier l’aspect général de l’affiche, les déchirures originale, néanmoins, elle peut avoir un n’existe, il peut y avoir des déchirures mais peuvent toucher ou altérer l’image et un aspect décoratif non négligeable et son elles sont légères, pas de restaurations peu l’aspect général de l’affiche, l’affiche prix est très abordable. dans l’image, l’affiche peut comporter de comporte des restaurations dans l’image - Chaque fois qu’une affiche souffre d’un défaut légères restaurations d’usage. et ailleurs. particulier, nous l’indiquons. T.B.E. A - = Très bon état : l’image est belle, A.B.E. C + = Assez Bon état : l’image présente - Toutes les affiches sont entoilées (Aff. E.), sauf les marges peuvent avoir des défauts des défauts, les marges comportent indication contraire (Aff. N.E.). mineurs, les couleurs sont très fraîches, il des défauts altérant l’aspect général - Malgré toutes précautions prises pour conserver peut y avoir des petits manques de papier de l’affiche, les couleurs peuvent être les affiches non entoilées en bon état, il hors de l’image n’altérant pas l’aspect défraîchies, des manques de papier arrive que certaines s’abiment après la général de l’affiche, les déchirures altérant l’image avec une légère gravité rédaction du catalogue. En conséquence, peuvent être légères et n’altèrent pas pour l’aspect général de l’affiche, les l’état des affiches non entoilées n’est pas l’aspect général de l’affiche, l’affiche déchirures touchent ou altérant l’image garanti. peutcomporter de légères restaurations et l’aspect général de l’affiche, l’affiche - Les affiches qui comportent la mention dans l’image et ailleurs. comporte des restaurations marquées Entoilage Ancien sont généralement à B.E. B + = Bon état : l’image est belle, les marges dans l’image et ailleurs, et des manques refaire entoiler, l’entoilage comportant peuvent comporter des défauts pouvant restaurés. de très graves défauts : trop grande un peu altérer l’aspect général de l’affiche, A.B.E. C - = Assez Bon état : l’image présente souplesse, très abîmé, l’affiche se décolle les couleurs sont fraîches, des manques des défauts importants, les marges de l’entoilage, etc. de papier hors de l’image peuvent exister comportent des défauts altérant l’aspect - Les dimensions sont indiquées à titre indicatif en sans grande gravité pour l’aspect général général de l’affiche, les couleurs sont commençant par la hauteur. ENCHÉRISSEZ EN LIGNE SUR MIRABAUD - MERCIER MAISON DE VENTES AUX ENCHÈRES Agrément O.V.V. 2010-736 du 8-4-2010 174, rue du Faubourg Saint Honoré - 75008 Paris - France Tél. +33 (0)1 53 30 90 30 - Fax.+33(0)1 53 30 90 31 [email protected] - www.mirabaud-mercier.com Cat Mirabaud-20-210619-V2_Mise en page 1 20/05/2019 09:17 Page2 INDEX ARTISTES ADAM..........................................................207 BOUCHER LUCIEN............1002 à 1011, 1196, 1264 COLIN JEAN ..................................82, 1016, 1017 ADRIANI ......................................................579 BOUCHER PIERRE.........................................942 COLIN PAUL..........................353, 354, 986, 1365 AF ................................................................121 BOUCHET A................................................1180 COLLIN EDOUARD ......................................1272 AIMERY ......................................................1445 BOUDON....................................................1301 COMMARMOND PIERRE247, 545, 1229, 1286, 1589 ALBIN GUILLOT LAURE..................................975 BOUISSET FIRMIN............................339, 915, 916 CONDE GEO ..................................................68 ALBITZ.........................................................600 BOULAS .....................................................1285 CONSTANT - DUVAL .....................................602 ALDOM........................................................472 BOULLARD-DEVE MARIE - ANTOINETTE.........542 CONSTANTIN ..............................................1528 ALJANVIC..............................................148, 149 BOUMENDIL ROGER.....................................483 CORTET J......................................................661 ALLARD G. ...................................................677 BOURDUGE JOUINEAU ...............................1606 COSTA MARLO .............................................673 ALLEN CHRIS ...............................................855 BOURET GERMAINE......................................943 COULON ....................................................1318 ALO .................1207, 1225, 1250, 1259, 1284, 1334, BR ..............................................................1191 COURONNE...................................................74 .................................................1345, 1367, 1426 BRAU LOUIS ................................................884 COUVE HENRY ...........................................1608 AMBROSELLI G............................................1427 BRAYER YVES ..............................................1012 CP ...............................................................210 ANCOURT EDWARD .....................................456 BRENET ALBERT......543, 1013, 1148, 1166, 187, 656 CROUS-VIDAL ..............................................272 ANDEREGG KATHARINA..............................1490 ..........686, 706, 1090, 1091, 1167, 1181, 1192, 1548 CULUTO ......................................................709 ARESTEIN .....................................................750 BRESLOW.....................................................601 DAGUERRE & JUNCK ....................................487 ARMAN........................................................937 BRIDGE JOE .................................................944 DAMILO ..............................................1109, 1110 ARNOUX GUY .....................388 à 394, 869, 1146 BRINDLE MELBOURNE..................................506 DANIEL FRANK.............................................558 AROUX GEORGES........................................1526 BRISART .......................................................657 DAS GUPTA..................................................538 AROYO.........................................................619 BRISGAND GUSTAVE.......................................65 DAVID JEAN .................................................559 ARPKE .........................................................642 BRODERS ROGER........................................1330 DE FLAUGERGUES.......................................1554 ARRBY..........................................................481 BRUN A. ............................................1349, 1588 DE LA NEZIERE J. .........................................1257 ARROYO EDOUARDO....................................781 BRUN DONALD ..........................1121, 1495, 1496 DE VALERIO R..............................................1018 ARSAC........................................................1165 BRUNSWICK C. ...........................................1014 DE VEER J.P. ......................................1122 à 1126 ASLAN ALAIN (ALAIN GOURDON) ................810 BUFFET BERNARD.................279, 280, 1549, 1607 DEAR BRIAN E. .............................................179 ASNAULT .....................................................759
Recommended publications
  • Inhoudstafel
    Inhoudstafel 1 Inleiding .................................................................................................................................. 3 2 De teenpic: algemeen .............................................................................................................. 7 2.1 Definiëring ....................................................................................................................... 7 2.2 De geschiedenis van het tienergenre ............................................................................ 11 2.2.1 De voorlopers van de tienerfilm ............................................................................... 11 2.2.2 Het ontstaan van de tienerfilm: de jaren vijftig en zestig ......................................... 12 2.2.3 Generation X: de jaren zeventig en tachtig .............................................................. 15 2.2.4 Teenpic Renaissance: vanaf de jaren negentig ......................................................... 18 3 Bespreking van de literatuur voorhanden ........................................................................... 22 3.1 Thematiek ...................................................................................................................... 22 3.1.1 Autoriteit .................................................................................................................. 22 3.1.2 Peers ......................................................................................................................... 27 3.1.3 Volwassenheid ........................................................................................................
    [Show full text]
  • Die Beach-Party-Filme (1963-1968) Zusammengestellt Von Katja Bruns Und James Zu Hüningen
    Kieler Beiträge zur Filmmusikforschung, 5.4, 2011 // 623 Die Beach-Party-Filme (1963-1968) Zusammengestellt von Katja Bruns und James zu Hüningen Inhalt: Alphabetisches Verzeichnis der Filme Chronologisches Verzeichnis der Filme Literatur Als Beach Party Movies bezeichnet man ein kleines Genre von Filmen, das sich um die Produktionen der American International Pictures (AIP) versammelt. Zwar gab es eine Reihe von Vorläufern – zuallererst ist die Columbia-Produktion GIDGET aus dem Jahre 1959 zu nennen (nach einem Erfolgsroman von Frederick Kohner), in dem Sandra Dee als Surferin aufgetreten war –, doch beginnt die kurze Erfolgsgeschichte des Genres erst mit BEACH PARTY (1963), einer AIP-Produktion, die einen ebenso unerwarteten wie großen Kassenerfolg hatte. AIP hatte das Grundmuster der Gidget-Filme kopiert, die Geschichte um diverse Musiknummern angereichert, die oft auch als performances seinerzeit populärer Bands im Film selbst szenisch ausgeführt wurden, und die Darstellerinnen in zahlreichen Bikini-Szenen ausgestellt (exponierte männliche Körper traten erst in den Surfer-Szenen etwas später hinzu). Das AIP-Konzept spekulierte auf einen primär jugendlichen Kreis von Zuschauern, weshalb – anders, als noch in der GIDGET-Geschichte – die Rollen der Eltern und anderer Erziehungsberechtigter deutlich zurückgenommen wurden. Allerdings spielen die Auseinandersetzungen mit Eltern, vor allem das Erlernen eines selbstbestimmten Umgangs mit der eigenen Sexualität in allen Filmen eine zentrale dramatische Rolle. Dass die Jugendlichen meist in peer groups auftreten und dass es dabei zu Rang- oder Machtkämpfen kommt, tritt dagegen ganz zurück. Es handelte sich ausschließlich um minimal budgetierte Filme, die on location vor allem an den Stränden Kaliforniens (meist am Paradise Cove) aufgenommen wurden; später kamen auch Aufnahmen auf Hawaii und an anderen berühmten Surfer-Stränden zustande.
    [Show full text]
  • Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966).
    [Show full text]
  • The Pointer, March Through May 2011
    Pointer_Spring 2011 3/25/11 2:46 PM Page 1 USN Armed Guard WW II Veterans 115 Wall Creek Drive Rolesville, N.C. 27571 1 (919) 570-0909 [email protected] www.armed-guard.com "Donations keeps us afloat" Our and Motto was... We Did! March/May 2011 Edition T r e ia a n su or re lif Island, Ca REMEMBER ALSO: THE TWIN TOWERS THE PENTAGON AND FLIGHT 93 God Bless Them This POINTER is in Memory of all Branches of service in WW II; the Navy, Army, Marines, Airmen, Seabees, Merchant Seamen, Wacs, Waves, and especially to the Special Unit of the Navy known as the U.S. NAVY ARMED GUARD which was first used as Gun Crews in WW I on board cargo, tankers and troopships and where needed to protect the ship, cargo and the merchant crews who bravely ran the ships to each port of call until deactivated after WW I.They were established again for the same purpose in September of 1941 and remained active until WW II was over and the need for gunners were not needed. This issue is also in honor to all the people all over the world who built ships, planes, tanks, trucks, jeeps, guns, ammo and all things needed to win a war against the ruthless killers. Thanks to the farmers who fed us all. Thank God for seeing us through. Pointer_Spring 2011 3/25/11 2:46 PM Page 2 Page 2 Page 51 Pointer_Spring 2011 3/30/11 1:17 AM Page 3 MEMORY LANE Officers for 2010/2011 Charles A.
    [Show full text]
  • Winona Daily News Winona City Newspapers
    Winona State University OpenRiver Winona Daily News Winona City Newspapers 2-8-1966 Winona Daily News Winona Daily News Follow this and additional works at: https://openriver.winona.edu/winonadailynews Recommended Citation Winona Daily News, "Winona Daily News" (1966). Winona Daily News. 745. https://openriver.winona.edu/winonadailynews/745 This Newspaper is brought to you for free and open access by the Winona City Newspapers at OpenRiver. It has been accepted for inclusion in Winona Daily News by an authorized administrator of OpenRiver. For more information, please contact [email protected]. More Rain, Need feed? Continued Mild Check Today's Tonight, Wednesday Classified Secion Humphrey Ordered to Viet Nam yyy - '^A Five Other Paratroopers Striate Votes Against /f^ lffflf ^QjS^g-; Smash at Reds Asian Nations '! Cloture in T^H Debate WASHINGTON- (AP) — The the debate-limiting rule. oin a union or at least pay 0n Itinerary Near Tuy Hoa Senate refused today to invoke The result was a defeat for HONOLULU AP) y_ ^Presi- dues. , SAIGON, South., y Viet Warn cloture and shut off tht^Mbus- President ,' Johnson, who urged dent JFqhnson is - sending TVice By WILLIAM F. sentatiori could be satisfactory , It also was a blow to the AFL- President Hubert WHITE to the Unit- CAP) — U.S. paratroopers killed ter against the bill to ^HPnhe Congress both last year and in Humphrey to - ed'States.,;; ' right of states; to outlaw tne un-. the new session to.pass the bill CIO, which had placed the re- she Asian countries, including Daily News Publisher at least 63 Viet Cong in bitter " ¦ South / iori shop.
    [Show full text]
  • Manchester Historical Society
    PAGE TEN-B - MANCHESTER EVENING HERALD. Manchester. Conn.. Tuea., July 5, 1977 The weather Fire officers re-elected DRIVEWAYS BOB'S PINE PHARMACY Inside today scares and 6 false alarms. Mostly sunny, cooler, less humid today. C oventry meeting. Town Councilman Robert IIMTAILLED ANYWHERE IN CONN. High in mid 80s. Partly cloudy tonight, The department averaged 12 men Area news . ,1-4-B Kitchen............5-C The North Coventry Volunteer Fire Olmstead and Nancy Moore were OFLWMtxIOOFtLong AW SURGICAL SUPPLY low B085, Variable cloudiness Thursday, Business . .10-A.4-C Obituaries ... 12-A per call responding. accepted as members of the com­ Mm Department has re-elected George 664 Center SI. (between Olcott A Adams) chance of showers developing. High 80-84. Classified . 8-10-B People ............I-C E. Ross Jr. as president and Richard GOP election plans mittee. Jeffrey Lancaster was en­ Manchester • FREE DELIVERY Chance of rain 20% tonight, 40% Manehester^jLCity of ViUa^jCImrm Dear Abby ... II-B Second Thought 5-C J Cooper as chief. dorsed for appointment to the Parks D O * 649-9814 Thursday. National weather forecast Editorial .........4-A Sr. Citizens ,.. 8-A The nominating committee of the •coMumimsTiiuaM and Recreation Commission. map on Page 8-B. fUlRTy PAGES , F am ily ........5-6-C Sports.......... 5-7-B Other officers are Carl Ricking, Republican Town Committee will ■ ■ w W . row Mst e cou m ; SECTIONS vice-president; Kenneth McCaffery. The Republicans also endorsed the MANCHESTER, CONN., WEDNESDAY. JULY 4 .1W7 - VOL, XCVI, No. PRICEi FIFrEEN CENTS 3 report on candidates for the fall elec­ regional sewer system as proposed -CAU DAY, NIBHT INCLUDINQ SUNDAYS- secretary, and Lawrence Beecher, tions Tuesday at 8 p.m.
    [Show full text]
  • Augsome Karaoke Song List Page 1
    AUGSome Karaoke Song List 44 - When Your Heart Stops Beating 112 - Come See Me 112 - Cupid 112 - Dance With Me 112 - It's Over Now 112 - Only You 112 - Peaches And Cream 112 - U Already Know 311 - All Mixed Up 311 - Amber 311 - Beyond The Gray Sky 311 - Creatures (For A While) 311 - Don't Tread On Me 311 - Down 311 - First Straw 311 - Hey You 311 - I'll Be Here Awhile 311 - Love Song 311 - You Wouldn't Believe 411 - Dumb 411 - On My Knees 411 - Teardrops 702 - Get It Together 702 - I Still Love You 702 - Steelo 702 - Where My Girls At 911 - All I Want Is You 911 - How Do You Want Me To Love You 911 - Little Bit More, A 911 - More Than A Woman 911 - Party People (Friday Night) 911 - Private Number 1927 - That's When I Think Of You 1975 - Chocolate 1975 - City 1975 - Love Me 1975 - Robbers 1975 - Sex 1975 - Sound 1975 - Ugh 1 Giant Leap And Jazz Maxi - My Culture 10 Years - Beautiful 10 Years - Through The Iris 10 Years - Wasteland 10,000 Maniacs - Because The Night 10,000 Maniacs - Candy Everybody Wants 10,000 Maniacs - Like The Weather 10,000 Maniacs - More Than This 10,000 Maniacs - These Are The Days 10,000 Maniacs - Trouble Me 100 Proof Aged In Soul - Somebody's Been Sleeping Page 1 AUGSome Karaoke Song List 101 Dalmations - Cruella de Vil 10Cc - Donna 10Cc - Dreadlock Holiday 10Cc - I'm Mandy 10Cc - I'm Not In Love 10Cc - Rubber Bullets 10Cc - Things We Do For Love, The 10Cc - Wall Street Shuffle 112 And Ludacris - Hot And Wet 12 Gauge - Dunkie Butt 12 Stones - Crash 12 Stones - We Are One 1910 Fruitgum Co.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Manic Mission
    Manic Mission An Intricate Account of a Fleeting Bundu Bash through Ten African Countries By David Clinton Marcus Copyright 2007 © Contents Prologue South Africa Decisions Decisions Testing, Testing - Will it work? Photography - Aaaarrrrgggghhhh! Another Manic Week Cape Town to Johannesburg Zimbabwe Johannesburg to Harare to Lusaka Zambia Lusaka to Dar es Salaam Tanzania Zanzibar & Pemba Pemba, Tanga & Dar es Salaam The Bus to Mombassa Kenya Mombassa to Lamu Lamu Malindi Watamu Kilifi Kikambala Mombassa Tanzania Kilimanjaro Moshi & Arusha Nairobi Uganda Mbale Kampala Rwanda Kigali Burundi Bujumbura Bujumbura to Kigoma Tanzania Lake Tanganyika Zambia Mpulungu to Chitipa Malawi Chitipa to Blantyre Lake Malawi Monkey Bay to Cuamba Mozambique Nampula & Naçala Naçala to Pemba Pemba Moçimboa de Praia & Rovuma Nampula Again Quelimane & Zalala Beach Inhassoro Vilanculos & Tofo Maputo South Africa Maputo to Johannesburg Johannesburg to Cape Town Epilogue Manic Mission: An Intricate Account of a Fleeting Bundu Bash through Ten African Countries Prologue I finished my Journalism course in November 2006 and decided to go on an investigative journey. I have wanted to cross Africa for the past 7 years, and although this journey didn’t go the whole way, I still traveled the equivalent height of the continent – roughly 22,500 kilometers. I told many people my motive was to find an ‘African City’ to live in because “Cape Town, she is not Africa”. I found such a city and safe Kigali in gorgeous Rwanda is her name. I believe that the journey is the destination, and that it’s not only about where you’re going that’s important, but how you get there, what you experience and who you meet along the way! This travelogue is based on my blog (an on-line web log – on the internet) which I wrote and updated during the period November 2006 through February 2007.
    [Show full text]
  • SURF MUSIC by Geoffrey Himes
    SURF MUSIC By Geoffrey Himes It often seems that the United States is a pool table that has been tilted so all its hopes and dreams roll to the west. Whenever Americans want a new and better life, they head toward the setting sun. Whether it was the white-canvas covered wagons of the 1850s, the rusty Okie jalopies of the 1930s or the painted hippie vans of the 1960s, the direction is always westward—and eventually they collect in the pool table’s corner pocket known as Southern California. When Chuck Berry went chasing after his imagined utopia in the song “Promised Land," where did he end up? Los Angeles. Thousands of Hollywood movies had advertised Southern California as a nirvana of palm trees, sunshine, beautiful girls and beautiful boys, convincing folks from Oklahoma, Kansas and Ohio to pack up and move to the coast. By the end of the 1950s, the area around L.A. was full of almost as many transplanted Midwesterners as native Californians. The natives knew the region was no utopia, but the first and second-generation immigrants, these strangers in paradise, still clung to the notion of America’s western edge as the place where their dreams might come true. The teens and twentysomethings in these families—too young and too new to the West Coast to be disillusioned— turned that utopian impulse into a new kind of rock'n'roll: surf music. Brian, Dennis and Carl Wilson, whose father and mother had moved to California from Kansas and Minnesota respectively, formed the Beach Boys.
    [Show full text]
  • EXTENSIONS of REMARKS 11691 EXTENSIONS of REMARKS the CONTINUING CRISIS in the Afghan Rebels Based in Pakistan, Continue Moslem Militants
    May 22, 1990 EXTENSIONS OF REMARKS 11691 EXTENSIONS OF REMARKS THE CONTINUING CRISIS IN THE Afghan rebels based in Pakistan, continue Moslem militants. He denied that there had KASHMIR PROVINCE to operate with virtual impunity despite the been excesses by Indian soldiers. presence of about 15,000 Indian soldiers and But Jagmohan, who uses only one name, paramilitary troops in the Kashmir Valley. said he had no plans to ease the crackdown. HON. ENI F.H. FALEOMAVAEGA And the region's people, most of whom are "Now I am saving the Cindianl union," he OF AMERICAN SAMOA Moslems, appear to be broadly sympathetic said. "How many people did Abraham Lin­ IN THE HOUSE OF REPRESENTATIVES to the militants, despite severe deprivations coln kill? If I have to use force, there is a caused by around-the-clock curfews, house­ moral legitimacy to it.'' Tuesday, May 22, 1990 to-house searches, arbitrary detentions and Jagmohan said his approach had pro­ Mr. FALEOMAVAEGA. Mr. Speaker, I want beatings meted out by security forces. duced "a massive gain" for the Indian gov­ to bring to your attention the grim conditions The valley's several million residents have ernment. But the valley's economy, which presently confronting the people of Kashmir been confined to their homes for long, unin­ depends heavily on tourism, has been virtu­ Province as a result of the repressive policies terrupted stretches-12 continuous days and ally shut down, and many Kashmiris said of the Indian Government against these nights at one point during April-while sol­ they felt they no longer had anything left diers pour through slum buildings and to lose by fighting the Indians.
    [Show full text]
  • A Mental Problem
    Visit us online at smdp.com TUESDAY,AUGUST 22, 2006 Volume 5, Issue 242 Santa Monica Daily Press A newspaper with issues THIS WEEK IS NATIONAL FRIENDSHIP WEEK DAILY LOTTERY 5 12 13 46 50 Off the deep end Meganumber: 10 Jackpot: $...M A mental problem 7 23 25 34 41 Meganumber: 27 Planned SM home for challenged Jackpot: $...M 14 16 20 26 31 individuals has residents on guard MIDDAY: 1 2 3 EVENING: 4 7 0 BY KEVIN HERRERA “I don’t want to criticize the pro- Daily Press Staff Writer 1st: 04 Big Ben grams of Step Up on Second, but the 2nd: 03 Hot Shot two issues in my mind are whether 3rd: 11 Money Bags SUNSET PARK — A plan to house or not this is an appropriate location RACE TIME: 1:44.65 Although every effort is made to ensure the accuracy of the winning number young men with mental disorders and then there’s the issue of notifica- information, mistakes can occur. In the event of any discrepancies, California State laws and California Lottery regulations will prevail. Complete game information and prize claiming instructions are available at California Lottery here has residents concerned about tion,” said Zina Josephs, president of retailers. Visit the California State Lottery web site at http://www.calottery.com the safety of nearby students at John Friends of Sunset Park, a neighbor- Adams Middle School. hood group formed in 1989 that has NEWS OF THE WEIRD BY CHUCK SHEPARD In addition to fears that children become a force in local government.
    [Show full text]