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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present
UGC MRP - COMICS BOOKS & GRAPHIC NOVELS Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present UGC MAJOR RESEARCH PROJECT F.NO. 5-131/2014 (HRP) DT.15.08.2015 Principal Investigator: Aneeta Rajendran, Gargi College, University of Delhi UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Acknowledgements This work was made possible due to funding from the UGC in the form of a Major Research Project grant. The Principal Investigator would like to acknowledge the contribution of the Project Fellow, Ms. Shreya Sangai, in drafting this report as well as for her hard work on the Project through its tenure. Opportunities for academic discussion made available by colleagues through formal and informal means have been invaluable both within the college, and in the larger space of the University as well as in the form of conferences, symposia and seminars that have invited, heard and published parts of this work. Warmest gratitude is due to the Principal, and to colleagues in both the teaching and non-teaching staff at Gargi College, for their support throughout the tenure of the project: without their continued help, this work could not have materialized. Finally, much gratitude to Mithuraaj for his sustained support, and to all friends and family members who stepped in to help in so many ways. 1 UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Project Report Contents EXECUTIVE SUMMARY 3 1. Scope and Objectives 3 2. Summary of Findings 3 2. Outcomes and Objectives Attained 4 3. -
British Library Conference Centre
The Fifth International Graphic Novel and Comics Conference 18 – 20 July 2014 British Library Conference Centre In partnership with Studies in Comics and the Journal of Graphic Novels and Comics Production and Institution (Friday 18 July 2014) Opening address from British Library exhibition curator Paul Gravett (Escape, Comica) Keynote talk from Pascal Lefèvre (LUCA School of Arts, Belgium): The Gatekeeping at Two Main Belgian Comics Publishers, Dupuis and Lombard, at a Time of Transition Evening event with Posy Simmonds (Tamara Drewe, Gemma Bovary) and Steve Bell (Maggie’s Farm, Lord God Almighty) Sedition and Anarchy (Saturday 19 July 2014) Keynote talk from Scott Bukatman (Stanford University, USA): The Problem of Appearance in Goya’s Los Capichos, and Mignola’s Hellboy Guest speakers Mike Carey (Lucifer, The Unwritten, The Girl With All The Gifts), David Baillie (2000AD, Judge Dredd, Portal666) and Mike Perkins (Captain America, The Stand) Comics, Culture and Education (Sunday 20 July 2014) Talk from Ariel Kahn (Roehampton University, London): Sex, Death and Surrealism: A Lacanian Reading of the Short Fiction of Koren Shadmi and Rutu Modan Roundtable discussion on the future of comics scholarship and institutional support 2 SCHEDULE 3 FRIDAY 18 JULY 2014 PRODUCTION AND INSTITUTION 09.00-09.30 Registration 09.30-10.00 Welcome (Auditorium) Kristian Jensen and Adrian Edwards, British Library 10.00-10.30 Opening Speech (Auditorium) Paul Gravett, Comica 10.30-11.30 Keynote Address (Auditorium) Pascal Lefèvre – The Gatekeeping at -
Dan Dare the 2000 Ad Years Vol. 01 Pdf, Epub, Ebook
DAN DARE THE 2000 AD YEARS VOL. 01 PDF, EPUB, EBOOK Pat Mills | 320 pages | 05 Nov 2015 | Rebellion | 9781781083499 | English | Oxford, United Kingdom Dan Dare The 2000 AD Years Vol. 01 PDF Book I guess I'd agree with some of the comments about the more recent revival attempts and the rather gauche cynicism that tends to pervade them. Thanks for sharing that, it's a good read. The pen is mightier than the sword if the sword is very short, and the pen is very sharp. The cast included Mick Ford Col. John Constantine is dying. There are no discussion topics on this book yet. Hardcover , pages. See all 3 brand new listings. Al rated it really liked it Feb 06, Archived from the original PDF on The stories were set mostly on planets of the Solar System presumed to have extraterrestrial life and alien inhabitants, common in science fiction before space probes of the s proved the most likely worlds were lifeless. Mark has been an executive producer on all his movies, and for four years worked as creative consultant to Fox Read full description. Standard bred - ; vol. The first Dan Dare story began with a starving Earth and failed attempts to reach Venus , where it is hoped food may be found. You may also like. Ian Kennedy Artist. Pages: [ 1 ] 2. SuperFanboyMan rated it really liked it Jul 16, In Eagle was re-launched, with Dan Dare again its flagship strip. John Wiley and Sons, Author : Michigan State University. In a series of episodic adventures, Dare encountered various threats, including an extended multi-episode adventure uniting slave races in opposition to the "Star Slayers" — the oppressive race controlling that region. -
1484160832925.Pdf
Credits Writer Matthew Sprange Layout & Graphic Design Will Chapman Interior Illustrations Interior Illustrations Copyright Rebellion Developments ltd. Used under licence Cover Illustration Carl Critchlow Borders and Box Art Playtesters Scott Clark Special thanks to the members of Mongoose Publishing’s forums and Kickstarter backers. Special Thanks Ben Smith, Jason Kingsley & Pete Wells Revised 11th June 2013 Judge Dredd™ ©2013 Rebellion Developments Ltd. All rights reserved. Reproduction of this work by any means without the written permission of the publisher is expressly forbidden. All significant characters, names, places, items, art and text herein are copyrighted by Rebellion Developments Ltd. No portion of this work may be reproduced in any form without written permission. This material is protected under the copyright laws of the United Kingdom and of the United States. This product is a work of fiction. Any similarity to actual people, organisations, places or events is purely coincidental. Credits Contents Introduction 4 Rulebook Changes and Additions 5 Equipment 8 Block War Forces 13 Mercenaries 33 New Rules 50 New Talents 52 New Psi Talents 57 Vehicles 59 Blood on the Streets Campaigns 73 Famous Firefights 79 Scenarios 88 Block Wars 94 Tour of the Justice Department 99 The Undercity 103 Brit-Cit 109 Cal Hab 115 Atlantis 117 kickstarter backers 123 Introduction Important Note: This is not the full Block War miniatures range will be expanded to cover all manner supplement. We will be continually adding more of vehicles that you can find in Mega-City One, from material, with your help and guidance, over the next the famous Lawmaster bike to massive mo-pads, mobile few months! homes built to solve the city’s housing crisis. -
Contemporary American Comic Book Collection, Ca
http://oac.cdlib.org/findaid/ark:/13030/ft567nb3sc No online items Guide to the Contemporary American Comic Book Collection, ca. 1962 - ca. 1994PN6726 .C66 1962 Processed by Peter Whidden Department of Special Collections and University Archives 2002 ; revised 2020 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc PN6726 .C66 19621413 1 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Contemporary American Comic Book Collection Identifier/Call Number: PN6726 .C66 1962 Identifier/Call Number: 1413 Physical Description: 41 box(es)41 comic book boxes ; 28 x 38 cm.(ca. 6000 items) Date (inclusive): circa 1962 - circa 1994 Abstract: The collection consists of a selection of nearly 6000 issues from approximately 750 titles arranged into three basic components by publisher: DC Comics (268 titles); Marvel Comics (224 titles); and other publishers (280 titles from 72 publishers). Publication dates are principally from the early 1960's to the mid-1990's. Collection Scope and Content Summary The collection consists of a selection of nearly 6000 issues from approximately 750 titles arranged into three basic elements: DC Comics, Marvel Comics, and various other publishers. Publication dates are principally from the mid-1960's to the early 1990's. The first part covers DC titles (268 titles), the second part covers Marvel titles (224 titles), and the third part covers miscellaneous titles (280 titles, under 72 publishers). Parts one and two (DC and Marvel boxes) of the list are marked with box numbers. The contents of boxes listed in these parts matches the sequence of titles on the lists. -
Superhero Comics 1St Edition PDF Book
SUPERHERO COMICS 1ST EDITION PDF, EPUB, EBOOK Peter M Coogan | 9781474226356 | | | | | Superhero Comics 1st edition PDF Book Ed Herron , Mac Raboy. A very good copy. More information about this seller Contact this seller Will Eisner , Lou Fine. He borrowed four characters from the X-Men, who formed the team under the mistaken impression that their fellow X-Men were dead:. Beginning with the introduction of Superman in in Action Comics 1 — an anthology of adventure features — comic books devoted to superheroes heroic people with extraordinary or superhuman abilities and skills, or god-like powers and attributes ballooned into a widespread genre, coincident with the beginnings of World War II and the end of the Great Depression. On Krakoa, Apocalypse summons Rogue , Gambit and Jubilee , informing them of the situation and uses Rogue's powers to weaken the gate enough for it to be destroyed however, the resulting magical explosion encases her in a flower coffin. Duplex planet illustrated 3 Judge dredd 3 Avengers 1 Blade of the immortal 1 Crisis on infinite earths 1. Ironically, issues of Uncanny X-Men during the time of this Excalibur had much in common with the original Excalibur : lighthearted stories by Chris Claremont, colorful art by Alan Davis and Mark Farmer, characters including Nightcrawler and Rachel Summers, and even a cameo appearance by Captain Britain. Dracula X Target X. Views Read Edit View history. Louise Simonson , Rob Liefeld. The Adventures of T-Rex. Kenneth Robeson Lester Dent. Saturnyne then promises to free Albion from jail to lead the Corps, while Sage and Nocturne switch teams with Longshot, who now remembers the highlights of his past. -
Look and Learn a History of the Classic Children's Magazine By
Look and Learn A History of the Classic Children's Magazine By Steve Holland Text © Look and Learn Magazine Ltd 2006 First published 2006 in PDF form on www.lookandlearn.com by Look and Learn Magazine Ltd 54 Upper Montagu Street, London W1H 1SL 1 Acknowledgments Compiling the history of Look and Learn would have be an impossible task had it not been for the considerable help and assistance of many people, some directly involved in the magazine itself, some lifetime fans of the magazine and its creators. I am extremely grateful to them all for allowing me to draw on their memories to piece together the complex and entertaining story of the various papers covered in this book. First and foremost I must thank the former staff members of Look and Learn and Fleetway Publications (later IPC Magazines) for making themselves available for long and often rambling interviews, including Bob Bartholomew, Keith Chapman, Doug Church, Philip Gorton, Sue Lamb, Stan Macdonald, Leonard Matthews, Roy MacAdorey, Maggie Meade-King, John Melhuish, Mike Moorcock, Gil Page, Colin Parker, Jack Parker, Frank S. Pepper, Noreen Pleavin, John Sanders and Jim Storrie. My thanks also to Oliver Frey, Wilf Hardy, Wendy Meadway, Roger Payne and Clive Uptton, for detailing their artistic exploits on the magazine. Jenny Marlowe, Ronan Morgan, June Vincent and Beryl Vuolo also deserve thanks for their help filling in details that would otherwise have escaped me. David Abbott and Paul Philips, both of IPC Media, Susan Gardner of the Guild of Aviation Artists and Morva White of The Bible Society were all helpful in locating information and contacts. -
Comics Forum 2015 4
1 Contents Welcome to Comics Forum 2015 4 Programme 5 Abstracts & Speaker Biographies 10 @ComicsForum #ComicsForum15 2 3 Welcome to Programme 12/11/2015 Comics Forum 2015 0900-0930: Registration 0930-0945: Opening Remarks I am delighted to be able to welcome you to Comics Forum 2015, a conference about 0945-1100: Panel 1 comics and politics. This marks the seventh Comics Forum conference and I would like to thank all our speakers and delegates for joining us this year. Panel 1A: Judge Dredd Panel 1B: Alternative Representations Thanks also to the Comics Forum team, who have organised and promoted the of Histories event. They are: Helen Blejerman, Kat Lombard Cook, Laurike in ‘t Veld, Will Grady, Chair: Dan Smith Chair: Alex Link Chris Thompson, Hannah Miodrag and Paul Fisher Davies and Ian Hague. Without Kelly Kanayama Carolina Gonzalez their efforts this conference would not have taken place, and I am very grateful to ‘I Can Say What I Like’: Satire and Colo- A Dead Tree in the Front: The Historical them for all they have done. I am also really excited to have joined with the Applied nised Bodies in ‘Judge Dredd: America’ Memory as a Political Problem Comics Network to bring you this year’s conference and I would like to thank Lydia Michael Bradbury Robert Shail Wysocki, Ian Horton and John Swogger for their enthusiasm and hard work at pulling Judge Dredd and Fascism: The Political The Politics of Hergé’s Tintin everything together. System of Mega City One Finally, I would like to extend my gratitude to the staff of Leeds Central Library, -
Examining the Regressive State of Comics Through DC Comics' Crisis on Infinite Earths
How to Cope with Crisis: Examining the Regressive State of Comics through DC Comics' Crisis on Infinite Earths Devon Lamonte Keyes Thesis submitted to the Faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Virginia Fowler, Chair James Vollmer Evan Lavender-Smith May 10, 2019 Blacksburg, Virginia Keywords: Comics Studies, Narratology, Continuity Copyright 2019, Devon Lamonte Keyes How to Cope with Crisis: Examining the Regressive state of Comics through DC Comics' Crisis on Infinite Earths Devon Lamonte Keyes (ABSTRACT) The sudden and popular rise of comic book during the last decade has seen many new readers, filmgoers, and television watchers attempt to navigate the world of comics amid a staggering influx of content produced by both Marvel and DC Comics. This process of navigation is, of course, not without precedence: a similar phenomenon occurred during the 1980s in which new readers turned to the genre as superhero comics began to saturate the cultural consciousness after a long period of absence. And, just as was the case during that time, such a navigation can prove difficult as a veritable network of information|much of which is contradictory|vies for attention. How does one navigate a medium to which comic books, graphic novels, movies, television shows, and other supplementary forms all contribute? Such a task has, in the past, proven to be near insurmountable. DC Comics is no stranger to this predicament: during the second boom of superhero comics, it sought to untangle the canonical mess made by decades of overlapping history to the groundbreaking limited series Crisis on Infinite Earths, released to streamline its then collection of stories by essentially nullifying its previous canon and starting from scratch. -
Journey Planet 24 - June 2015 James Bacon ~ Michael Carroll ~ Chris Garcia Great Newseditors Chums! The
I I • • • 1 JOURNEY PLANET 24 - JUNE 2015 JAMES BACON ~ MICHAEL CARROLL ~ CHRIS GARCIA GREAT NEWSEDITORS CHUMS! THE Dan Dare and related characters are (C) the Dan Dare Corporation. All other illustrations and photographs are (C) their original creators. Table of Contents Page 3 - Some Years in the Future - An Editorial by Michael Carroll Dan Dare in Print Page 6 - The Rise and Fall of Frank Hampson: A Personal View by Edward James Page 9 - The Crisis of Multiple Dares by David MacDonald Page 11 - A Whole New Universe to Master! - Michael Carroll looks back at the 2000AD incarnation of Dan Dare Page 15 - Virgin Comics’ Dan Dare by Gary Eskine Page 17 - Bryan Talbot Interviewed by James Bacon Page 19 - Making the Old New Again by Dave Hendrick Page 21 - 65 Years of Dan Dare by Barrie Tomlinson Page 23 - John Higgins on Dan Dare Page 26 - Richard Bruton on Dan Dare Page 28 - Truth or Dare by Peppard Saltine Page 31 - The Bidding War for the 1963 Dan Dare Annual by Steve Winders Page 33 - Dan Dare: My Part in His Revival by Pat Mills Page 36 -Great News Chums! The Eagle Family Tree by Jeremy Briggs Dan Dare is Everywhere! Page 39 - Dan Dare badge from Bill Burns Page 40 - My Brother the Mekon and Other Thrilling Space Stories by Helena Nash Page 45 - Dan Dare on the Wireless by Steve Winders Page 50 - Lego Dan Dare by James Shields Page 51 - The Spacefleet Project by Dr. Raymond D. Wright Page 54 - Through a Glass Darely: Ministry of Space by Helena Nash Page 59 - Dan Dare: The Video Game by James Shields Page 61 - Dan Dare vs. -
American Comic Books & the Aids Crisis
FATAL ATTRACTIONS: AMERICAN COMIC BOOKS & THE AIDS CRISIS A MASTER’S FINAL PROJECT FOR THE DEPARTMENT OF AMERICAN STUDIES Sean A. Guynes FATAL ATTRACTIONS: AMERICAN COMIC BOOKS AND THE AIDS CRISIS A Master’s Final Project Presented by SEAN A. GUYNES Submitted to the Department of American Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS June 2015 American Studies Program © 2015 by Sean A. Guynes All rights reserved Cover design after Alaniz (2014). Cover art by Richard Bennett, Uncanny X-Men #303 (August 1993), © Marvel Worldwide, Inc. Art below from 7 Miles A Second, story by David Wojnarowicz, art by James Romberger and Marguerite Van Cook (1996). ABSTRACT FATAL ATTRACTIONS: AMERICAN COMIC BOOKS AND THE AIDS CRISIS June 2015 Sean A. Guynes, B.A., Western Washington University M.A., University of Massachusetts Boston Advisor: Aaron Lecklider, Ph.D. Second Reader: Rachel Rubin, Ph.D. Between 1988 and 1994 American comic books engaged the politics, problematics, and crises of the AIDS epidemic by inserting the virus and its social, cultural, and epidemiological effects on gay men into the four-color fantasies of the superhero genre. As the comic-book industry was undergoing major internal changes that allowed for more mature, adult storylines, creators challenged the Comics Code Authority’s 1954 sanction against the representation of homosexuality to create, for the first time, openly gay characters. Creators’ efforts were driven by a desire to recognize the reality of gay men’s lived experiences, especially crucial in the epidemic time of the AIDS crisis.