A PLACE WORTH SAVING KILMORIE 21 WITHROW AVENUE Sky View

Total Page:16

File Type:pdf, Size:1020Kb

A PLACE WORTH SAVING KILMORIE 21 WITHROW AVENUE Sky View A PLACE WORTH SAVING KILMORIE 21 WITHROW AVENUE Sky View • Kilmorie and the 2 acre property surrounding it is a landmark in the City View/Merivale Community • It was built in the 1840's along what was then the newly developing Merivale farming corridor • This beautiful heritage home is currently awaiting the development of an elite housing development. The developer has given the community until April 15th, 2020 to purchase this property before he starts construction Lack of Parkland • In 1913 City View was subdivided into streets & 25 foot lots for market gardeners and was called St. Claire Gardens. There were no requirements at that time to provide infrastructure or parkland. Streets were laid out in the early 20th century grid pattern • When home construction started in the 1940’s and 1950’s, each home was built on 4 of these 25 foot lots. Builders were required to construct the roads and dig drainage ditches • It was considered an unplanned community. In fact, our whole community still has rural drainage with ditches and the lack of storm sewers continues to cause drainage and flooding issues • Although park allocation is now mandated by the City of Ottawa and the Ontario Government, our Community has always been advised that there is no green space available to rectify this anomaly • This large green space with mature trees - has become available. It is our last opportunity to preserve some much needed green space. The History of 21 Withrow Ave • The Merivale district was known as the "Back Bush" because of the bush terrain that enveloped it. This area is where many Irish immigrants settled and established productive farms with fine farm houses. Many of our founding families were settlers here (Hoopers, Nesbitts, Boyd's, Sullivans, Scott's...) • 21 Withrow Ave was one of the original farms along the Merivale Corridor • The house was built by Archibald Scott for his brother William Scott • This beautiful house was built with locally quarried stone in 1842 • There are many architectural features that are specific to this time period • The Scott family lived here until the early 1900's when they sold the farm to William Wilfred Campbell who named it "Kilmorie " The History continued... • William Wilfred Campbell was a renowned Confederation poet. He was also hired by the public service in 1893 to the Department of Militia and Defence • Campbell was close friends with poets Archibald Lampman and Duncan Campbell Scott and with William Lyon Mackenzie King who was the Prime Minister in the 1920’s – 1940’s • His friend Mackenzie King bought his cemetery plot when Campbell died of pneumonia in 1918 • The Campbell family remained at the property until it was sold to Dr. Roger, a well known cardiologist. He lived at 21 Withrow Ave for over 65 years, until his death in 2015 Famous Resident Confederation Poet • You may recognize one of William Wilfred Campbell’s poems, Indian Summer: "Along the line of smoky hills The crimson forest stands, And all the day the blue-jay calls Throughout the autumn lands..." • From Kilmorie he also wrote the poem “Down the Merivale Road." This poem is on a plaque along the Poets’ Pathway at Colonnade Road, Nepean Ontario. A Part of Canadian History • Campbell wrote a heart warming poem in memory of Henry Albert Harper who died trying to save Bessie Blair at a Skating Party • Campbell was present at the party with future Prime Minister Mackenzie King • Today, the statue of Sir Galahad that welcomes you to Parliament Hill, actually tells the touching but heartbreaking story of Harper’s heroism and sacrifice • The Statue is the only non-political statue at Parliament Hill • Campbell’s poem – A Canadian Galahad - captures in words what the statue says in its structure. The Magic of Kilmorie • This is a magical space that has created many memories for the families in the neighborhood. Children collected berries and played, families spent beautiful evenings here. The trees and animals are a part of the community • Our community, City View, is determined to save this property. We envision it as a National Arts and Culture Community Center that has the potential to attract visitors and artists from around Canada. It will also fulfill the requirement for the much needed green space in the community Local News Stories • The City View Community Association and Poet’s Pathway worked closely with the City of Ottawa to have Kilmorie declared as a Heritage House. • We are also keenly aware of the funding opportunities that will help 21 Withrow carry on its legacy. • However grants can be applied for only once the property has been purchased from the current resident. • The association has been creating fundraising opportunities, however there is a need for private funding from an organization that cares about green spaces and community welfare. • If a local levy is approved by the community this will save Kilmorie. City of Ottawa Green Space Policies • The City prides itself on its policies for open space and parkland. It spends millions of dollars in constructing and maintaining parkettes, community and district parks, playing fields etc. in some communities. Most areas in Ottawa also have easy access to other recreational facilities – pathways, cycle paths, sports fields, natural lands, Green Belt or NCC land • The City of Ottawa Greenspace Master Plan 3.2.1. states ”The City’s Official Plan sets a target of 4.0 ha of total greenspace for every 1,000 residents and this has been achieved throughout most of the urban area.” (8 to 10% of developable land area) • And yet, our community has none of these. We are now sandwiched between heavy commercial areas (Merivale Road) and heavy traffic roads (Baseline Road, Woodroffe Avenue, and Meadowlands Drive). Baseline has now been approved as a “Transit Intensive Corridor”and the Clyde Triangle is set to become another commercial development. These traffic levels have caused increased pollution, noise and cut-through traffic for us • The open space we once enjoyed on the Frank Ryan farm has been reconstructed and paved over by Algonquin College. Both of our elementary schools have closed. The Baseball Park at the Nepean Museum is reserved all year exclusively for the East Nepean Little League The Possibilities at KILMORIE are Limitless • Arts and Culture Center • Community Center • Center for Visual Arts • Family/Children's Play Area • Poets and Writers retreat • Display and Performance • Horticultural Showcase • School Trips • Outdoor Theatre • Music Groups • Shakespeare in the Park • Wellness Center • Yoga/Tai Chi • Seniors Drop In Centre • Wedding/Party Venue • Reconciliation Centre Save the ecological balance that this property helps to give to City View. People and nature coming together. Ideas and projects become limitless! The Children are Our Future • There is always need for a space that helps our children grow to their maximum potential • A creative open space that introduces children to different aspects and careers and helps them broaden their horizon • Music, Art, History, Botany, Architecture and so much more come together in one location at 21 Withrow to give children a beautiful foundation for the future. Community Benefits Children/Senior Play Park Passive Parkland Small/Medium Flowers, trees, benches, come sit A place where seniors and Conference Rooms and watch and feel the natural children can play. A place Have your meetings in quiet small wonders all around this beautiful where anyone can go just to to medium private conference property. Minutes from the busy relax and get rid of everyday rooms. hustle and bustle of Merivale Rd. stress. What has been done before? The Al Purdy A-frame Cash for Parks Piling Association Poets Retreat up in City's Wards Old Grant School The A-frame was built on Roblin Lake in 1957 On Dec 31st 2016 the city councillors found The old Grant Alternative School in by the late Al Purdy, one of Canada’s they had $11.2 million at their discretion to Ottawa's west end was bought by the greatest poets, and his wife, Eurithe. Thanks to buy new parkland etc.. Two new park City in 2010 and the buildings and the the generosity of Eurithe Purdy and donors planners have been hired. In Somerset from across Canada, the A-frame was land were sold to the Centre ward a lack of available parkland has the multiservices francophonè de l'Ouest acquired in 2012 by the Al Purdy A-frame Councilor "looking for opportunities for (CFMO) for $1. This is a French- Association, a national non-profit organization language community centre. Millions with a mandate to promote Canadian purchases". City View has the same have been invested into this project. literature and to preserve the home as a problem but we have found our land. retreat for future generations of Canadian http://www.pressreader.com/canada/ http:/ottawacitizen.com/news/local- writers. news/cash-for-parks-piling-up-in-citys- ottawa- http://ottawacitizen.com/news/national/late- wards citizen/20160616/281535110274363 poet-al-purdys-home-a-retreat-for-writers- once-again How this helps Ottawa • There are currently only 15 Major parks listed for the the region of Ottawa and this list includes those in Gatineau, Quebec • This Arts & Culture Park will be one of the first of its kind in Ottawa and will be a positive step towards: • Preserving Heritage • Promoting Arts & Culture in the city Why Private Partnership and Community will help • Kilmorie is located one block away from the bustling Merivale Road which is a shopper’s paradise and a dream for foodies; but it misses that touch of nature from many years ago • With the help of a private partner, or the Community itself, Merivale Road will have a little oasis, a beautiful heritage property.
Recommended publications
  • Duncan Campbell Scott - Poems
    Classic Poetry Series Duncan Campbell Scott - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Duncan Campbell Scott(2 August 1862 – 19 December 1947) Duncan Campbell Scott was a Canadian poet and prose writer. With <a href="http://www.poemhunter.com/charles-g-d-roberts/">Charles G.D. Roberts</a>, <a href="http://www.poemhunter.com/bliss-carman/">Bliss Carman</a> and <a href="http://www.poemhunter.com/archibald- lampman/">Archibald Lampman</a>, he is classed as one of Canada's Confederation Poets. Scott was also a Canadian lifetime civil servant who served as deputy superintendent of the Department of Indian Affairs from 1913 to 1932, and is "best known" today for "advocating the assimilation of Canada’s First Nations peoples" in that capacity. <b>Life</b> Scott was born in Ottawa, Ontario, the son of Rev. William Scott and Janet MacCallum. He was educated at Stanstead Wesleyan Academy. Early in life, he became an accomplished pianist. Scott wanted to be a doctor, but family finances were precarious, so in 1879 he joined the federal civil service. As the story goes, "William Scott might not have money [but] he had connections in high places. Among his acquaintances was the prime minister, Sir John A. Macdonald, who agreed to meet with Duncan. As chance would have it, when Duncan arrived for his interview, the prime minister had a memo on his desk from the Indian Branch of the Department of the Interior asking for a temporary copying clerk. Making a quick decision while the serious young applicant waited in front of him, Macdonald wrote across the request: 'Approved.
    [Show full text]
  • The Portraits of William Wilfred Campbell
    Our Sponsors 6th Annual William Wilfred Campbell Poetry Festival The Portraits of RE/MAX GREY BRUCE REALTY William Wilfred Campbell Thanks to the following donors: Dr. Murray and Ruth Cathcart, Toronto Mike and Val Popjoy, Wiarton and others Special Thank you to Allison Billings, Artist - Facilitator of Youth Portrait Workshop Participation from the Bluewater District School Board “He reminds us that to have the gifts of such fire, and to voice it The Wiarton Propeller Club and Meeting Place for worthy causes, is a noble and rare thing. Some causes may The WWC Festival Directors, Committee and Partners pass their time, and literary fashions come and go, but we can Cliff Bilyea, Evelyn Newbould, Caleb Hull, Pam Crawford, Victor Last, Harriet still remember and celebrate the voice.” Maconaghie, Paul Conway, and the Bruce County Library - Wiarton - Paul Conway, Voyageur Storytelling www.williamwilfredcampbellpoetryfestival.ca June 23, 2019 William Wilfred Campbell, 1861-1918 Introduction In his lifetime, Wiarton-raised Wilfred Campbell was an internationally famous poet. At The Campbells Are Coming played by Steve Wolfe his death in Ottawa where he was working as a Civil Servant, he was lauded as Canada’s Unofficial Poet Laureate, Poet Laureate of the Lakes and as one of seven Welcome - Chair, Cliff Bilyea noted Confederation Poets. Recognition of Artwork He began writing published poetry at age 14 and went on to publish five volumes of his ‘The Story of William Wilfred Campbell’ poetry, five historical novels, ten dramatic plays and three non-fiction books. by Paul Conway, Voyageur Storytelling The University of Aberdeen, Scotland conferred upon him an honorary Doctor of Laws degree.
    [Show full text]
  • INTERDISCIPLINARY JOURNAL of DECADENCE STUDIES Issue 1 Spring 2018 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita
    INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Issue 1 Spring 2018 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks ISSN: 2515-0073 Date of Acceptance: 1 June 2018 Date of Publication: 21 June 2018 Citation: Rita Dirks, ‘Hierophants of Decadence: Bliss Carman and Arthur Symons’, Volupté: Interdisciplinary Journal of Decadence Studies, 1 (2018), 35-55. volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks Ambrose University Canada has never produced a major man of letters whose work gave a violent shock to the sensibilities of Puritans. There was some worry about Carman, who had certain qualities of the fin de siècle poet, but how mildly he expressed his queer longings! (E. K. Brown) Decadence came to Canada softly, almost imperceptibly, in the 1880s, when the Confederation poet Bliss Carman published his first poems and met the English chronicler and leading poet of Decadence, Arthur Symons. The event of Decadence has gone largely unnoticed in Canada; there is no equivalent to David Weir’s Decadent Culture in the United States: Art and Literature Against the American Grain (2008), as perhaps has been the fate of Decadence elsewhere. As a literary movement it has been, until a recent slew of publications on British Decadence, relegated to a transitional or threshold period. As Jason David Hall and Alex Murray write: ‘It is common practice to read [...] decadence as an interstitial moment in literary history, the initial “falling away” from high Victorian literary values and forms before the bona fide novelty of modernism asserted itself’.1 This article is, in part, an attempt to bring Canadian Decadence into focus out of its liminal state/space, and to establish Bliss Carman as the representative Canadian Decadent.
    [Show full text]
  • Built Heritage Sub-Committee / Sous-Comité Du Patrimoine Bâti April 14, 2016 / 14 Avril 2016
    1 Report to Rapport au: Built Heritage Sub-Committee / Sous-comité du patrimoine bâti April 14, 2016 / 14 avril 2016 and / et Planning Committee / Comité de l'urbanisme April 26, 2016 / 26 avril 2016 and Council / et au Conseil May 11, 2016 / 11 mai 2016 Submitted on March 23, 2016 Soumis le 23 mars 2016 Submitted by Soumis par: John L. Moser, Acting Deputy City Manager / Directeur municipal adjoint par intérim, Planning and Infrastructure / Urbanisme et Infrastructure Contact Person Personne ressource: Lee Ann Snedden, Acting Chief / Chef par intérim, Development Review Services / Services d’Examen des projets d'aménagement, Planning and Growth Management / Urbanisme et Gestion de la croissance (613) 580-2424, 25779, [email protected] Report Author / Auteur du rapport: Lesley Collins, Planner II / Urbaniste II, Development Review Services / Services d’Examen des projets d’aménagement, Heritage Services Section / Section des Services du Patrimoine (613) 580-2424, 21586, [email protected] 2 Ward: COLLEGE (8) / COLLÈGE (8) File Number: ACS2016-PAI-PGM-0080 SUBJECT: Designation of Kilmorie, 21 Withrow Avenue, under Part IV of the Ontario Heritage Act OBJET: Désignation de Kilmorie, 21, avenue Withrow, en vertu de la partie IV de la Loi sur le patrimoine de l’Ontario REPORT RECOMMENDATION That the Built Heritage Sub-Committee recommend that Planning Committee recommend that Council issue a Notice of Intention to Designate Kilmorie, 21 Withrow Avenue, under Part IV of the Ontario Heritage Act according to the Statement of Cultural Heritage Value attached as Document 5. RECOMMANDATION DU RAPPORT Que le Sous-comité du patrimoine bâti recommande au Comité de l’urbanisme de recommander à son tour au Conseil d’émettre un avis d’intention de désigner Kilmorie, au 21, avenue Withrow en vertu de la partie IV de la Loi sur le patrimoine de l’Ontario et conformément à la déclaration de valeur sur le plan du patrimoine culturel faisant l’objet du document 5.
    [Show full text]
  • A Dissertation Submitted to the Faculty of Arts of Ottawa University in Partial Fulfillment of the Requirements for the Degree of Master of Arts
    "POET OF THE MIST" A CRITICAL ESTIMATION OF THE POSITION OF WILLIAM WILFRED CAMPBELL IN CANADIAN LITERATURE. by MARGARET EVELYN COULBY A dissertation submitted to the Faculty of Arts of Ottawa University in partial fulfillment of the requirements for the degree of Master of Arts. March 1, 1950. Ottawa, Ontario, Canada. " Ottawa UMI Number: EC56059 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform EC56059 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 "POET OF THE MIST" A CRITICAL ESTIMATION OF THE POSITION OF WILLIAM WILFRED CAMPBELL IN CANADIAN LITERATURE. i PREFACE I wish to acknowledge the very great assistance given to me in this work by Mrs. Faith Malloch, of Rockliffe, daughter of the late William Wilfred Campbell, who lent me her unpublished manuscript, eighty-nine pages in length, containing biographical material on the poet's life, letters back and forth between England and Canada and Scotland from Campbell, his friends and daughters, and it also con­ tained much information about his friends and their influence upon him, I profited also by talking with Colonel Basil Campbell of Ottawa, Campbell's only son.
    [Show full text]
  • Greening the Maple: Canadian Ecocriticism in Context
    University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2013 Greening the Maple: Canadian Ecocriticism in Context University of Calgary Press "Greening the maple: Canadian ecocriticism in context". Ella Soper & Nicholas Bradley, editors. University of Calgary Press, Calgary, Alberta, 2013. http://hdl.handle.net/1880/49884 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com GREENING THE MAPLE: CANADIAN ECOCRITICISM IN CONTEXT edited by Ella Soper and Nicholas Bradley ISBN 978-1-55238-548-7 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence.
    [Show full text]
  • The Champlain Myth in Early Canadian Literature Andre John Narbonne
    ariel: a review of international english literature ISSN 0004-1327 Vol. 42 No. 2 Pages 75–98 Copyright © 2012 An Aesthetic of Companionship: The Champlain Myth in Early Canadian Literature Andre John Narbonne In a letter to William Douw Lighthall on November 18, 1888, Charles G.D. Roberts describes the activities at the Haliburton Society at King’s College in Windsor, Nova Scotia. “I talk Canadianism all the time to the members,” he writes. “We have a literary programme, of Canadian color each night, & we smoke, & drink lime juice & raspberry vinegar, all thro[ugh] the meeting. I am sort of permanent Pres[iden]t, as it were” (Collected Letters 96; italics in original). In the letter’s postscript, Roberts asks Lighthall if he would like to join the society and names Bliss Carman as one of its members. According to the Oxford English Dictionary the word “Canadianism” first entered into the English language in 1875, and Roberts’ letter to Lighthall indicates that by 1888 it was already the byword of a new literary project—a project that was openly and idealis- tically nationalistic,1 and, clearly, important both to the acknowledged leader of the Confederation group of poets and to the most important anthologist of Canadian literature in the post-Confederation period. Until the ascension of modernism in Canada and the rise of profession- alism, anthologists/literary historians such as Lighthall were enormously influential in determining critical trends, and a nationalistic preoccupa- tion with identifying and promulgating a literary tradition is a salient feature of Canadian literary criticism after Confederation.
    [Show full text]
  • Women's Literary Publishing in Canadian Newspapers, 1850-1900
    Poetry and the Press: Women’s Literary Publishing in Canadian Newspapers, 1850-1900 By Ceilidh Allison Hart A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Ceilidh Hart 2012 Abstract Poetry and the Press: Women’s Literary Publishing in Canadian Newspapers, 1850-1900 Doctor of Philosophy, 2012 Ceilidh Allison Hart Graduate Department of English, University of Toronto This dissertation explores the important role the nineteenth-century newspaper played as a vehicle through which literary women could participate in public life, and specifically how women poets used this textual space as a forum for the exercise of rhetorical power. The newspaper was a space where women writers could speak with authority on the issues that concerned and affected them – a space where they could contribute to the dialogue in which the newspaper participated and, in doing so, claim a place for themselves as authors. The poetry sections of the daily newspapers in Canada were thus far from politically neutral, and they are deserving of attention, I argue, because they illustrate the extent and complexity of women’s involvement in nineteenth- century literary culture in Canada. In each of my three chapters I consider the rhetorical strategies women used to assert themselves in the political – and the literary – worlds. Chapter One focuses on the Halifax Acadian Recorder between 1850 and 1870 and the ways women used sentimentality in their writing as a pedagogical tool, in terms of content and form, to teach their readers appropriate modes of compassionate response to the world around them.
    [Show full text]
  • William Wilfred Campbell - Poems
    Classic Poetry Series William Wilfred Campbell - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive William Wilfred Campbell(1858 - 1918) William Wilfred Campbell was born 15 June 1860 in Newmarket, Upper Canada (present-day Ontario). There is some doubt as to the date and place of his birth. His father, Rev. Thomas Swainston Campbell, was an Anglican clergyman who had been assigned the task of setting up several frontier parishes in "Canada West", as Ontario was then called. Consequently, the family moved frequently. In 1871, the Campbells settled in Wiarton, Ontario, where Wilfred grew up, attending high school in nearby Owen Sound. The school later be renamed Owen Sound Collegiate and Vocational Institute). Campbell would look back on his childhood with fondness. Campbell taught in Wiarton before enrolling in the University of Toronto's University College in 1880, Wycliffe College in 1882, and at the Episcopal Theological School in Cambridge, Massachusetts, in 1883. In 1884, Campbell married Mary DeBelle (née Dibble). They had four children, Margery, Faith, Basil, and Dorothy. In 1885, Campbell was ordained to the Episcopal priesthood, and was soon appointed to a New England parish. In 1888, he returned to Canada and became rector of St. Stephen, New Brunswick. In 1891, after suffering a crisis of faith, Campbell resigned from the ministry and took a civil service position in Ottawa. He received a permanent position in the Department of Militia and Defence two years later. Living in Ottawa, Campbell became acquainted with Archibald Lampman—his next door neighbor at one time—and through him with Duncan Campbell Scott.
    [Show full text]
  • Unsettling Victorian Literature
    Peer-Reviewed Syllabus Peer Reviewer: Elaine Freedgood Date: 2021 License: CC BY-NC 4.0 Unsettling Victorian Literature Margaret Linley, Simon Fraser University, email: [email protected] Fig. 1 (Left): Department of Indian Affairs. Thomas Moore before Tuition at Regina Indian Industrial School. 1897. Saskatchewan Archives Board. In John S. Milloy, A National Crime. Fig. 2 (Right): Department of Indian Affairs. Thomas Moore after Tuition at Regina Indian Industrial School. 1897. Saskatchewan Archives Board. In John S. Milloy, A National Crime. The Victorian period (1837–1901) is the offspring of the symbolic power of Queen Victoria, who transformed from “mother of the nation” to “mother of empire” in 1876, and the economic and cultural force of what is often referred to as the British “imperial century.” Against the prevailing triumphalism of imperial expansion that underwrites standard histories of the Victorian period, this course attends closely to the ways Victorian forms of colonialism continue to trouble the very identity of scholars and students alike studying in settler society today, potentially exposing the unsettling nature of understanding and reconciling our identities. To this 1 end, we will engage intersections of racialized, settler colonial, and environmental awareness in Victorian literature, recovering the historical experiences of Indigenous peoples in predominantly white settler nations that emerged during the nineteenth century, attending to processes and effects of dispossession and violence entailed in colonialism, and questioning ongoing tendencies toward disavowal or conceptual displacement of this history. Our focus will shift from metropolitan, imperial culture to Indigenous and settler perspectives. Our approach will be comparative, looking at historical relationships between nature and society across global geopolitical spaces.
    [Show full text]
  • Issue 1, June 2018 Arthur Symons at the Fin De Siècle
    INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Issue 1, June 2018 Arthur Symons at the Fin de Siècle ISSN: 2515-0073 Date of Publication: 21 June 2018 volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Issue 1, June 2018 Arthur Symons at the Fin de Siècle Voluptuous Interventionism: An Introductory Note from the Editor-in-Chief Jane Desmarais i ‘Inarticulate cries’: Arthur Symons and the Primitivist Modernity of Flamenco Leire Barrera-Medrano 1 ‘A capital fellow, full of vivacity & good talk’: Arthur Symons and Gabriel Sarrazin Bénédicte Coste 19 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks 35 Arthur Symons, Laurence Binyon, and Paterian Aestheticism: Dancers and Dragons William Parker 56 Symons and Print Culture: Journalist, Critic, Book Maker Laurel Brake 74 ‘The Universe’: An Unpublished Sonnet by Arthur Symons Kostas Boyiopoulos 89 Arthur Symons, ‘Aubrey Beardsley: A Memorial Poem’ Simon Wilson 95 A Note on Voluptuousness: A Personal Essay on Decadence and Pleasure David Weir 97 REVIEWS Joris-Karl Huysmans, Drifting (À vau-l’eau), trans. by Brendan King (Sawtry: Dedalus, 2017) Tina Kover 113 Michel Winock, Décadence fin de siècle, L’Esprit de la cité (Paris: Gallimard, 2017) Fay Wanrug Suwanwattana 116 Notes on Contributors 119 Voluptuous Interventionism: An Introductory Note from the Editor-in-Chief Jane Desmarais Goldsmiths, University of London Decadence has come a long way. What was once a term of opprobrium used to dismiss the mannered confections of a ‘movement of elderly youths’, as Holbrook Jackson described them, now defines a field of study taught across the world and debated along multi-disciplinary and transnational lines by a growing community of students and researchers.
    [Show full text]
  • Material Medievalism and Imperial Fantasy: William Wilfred Campbell's Gothic North
    31 Material Medievalism and Imperial Fantasy: William Campbell’s Gothic North by Brian Johnson No Confederation poet was more persistently drawn to the imaginative geography of the North than William Wilfred Campbell (1858-1918). In the Romantic and transcendentalist nature verse of Snowflakes and Sunbeams (1888) and Lake Lyrics and Other Poems (1889), Campbell meditated on the scenes and rhythms of seasonal change in the Lake Huron region of his Southern Ontario boyhood but often telescoped these evocations of southern winters into “a world of death far to the northward lying” (“The Winter Lakes,” LL 16). In his third collection, The Dread Voyage (1893), Campbell amplified the grim mood of these winter lyrics, while also actually setting many poems in the remote northern landscapes to which his earlier verse had merely alluded. The mythopoeic voyage north that Campbell’s verse undertakes in this volume of demonism and doomed adventure “[u]nder the northern midnight” (“The Were-Wolves,” DV 102) is a forerunner to the northern Gothic territory that would later be mined be Robert Service. In later collections like The Poems of Wilfred Campbell (1905) and Sagas of Vaster Britain (1914), Campbell continued to plumb the imaginative geography of North, but with a noticeably more public inflection. Celebrations of Canada as “the land of the rugged North” (“To the Canadian Patriot,” SVB 126) epitomized the transformation of North from gloomy wasteland to national metonymy in the poetry of Campbell’s final two decades. From 1888 to 1914, then, Campbell’s northern poetics spanned and creatively adapted two of the most prominent modes of nineteenth-century northern discourse: the literary discourse of British and American northern Gothic and the emergent discourse, associated with the Canada First movement, of Canadian northern nationalism.
    [Show full text]