Northern Voices: Confederation Louis Riel
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Too Much Liberty in the Garrison? Closed and Open Spaces in the Canadian Sonnet Timo Müller orthrop Frye’s claim that Canadians developed “a garrison mentality” in the face of a “huge, unthinking, menacing, and formidable” landscape arguably remains the best-known state- Nment on Canadian literature, and one of the most controversial. Since its publication in Frye’s Conclusion to the Literary History of Canada (1965), it has been criticized as mythicizing, homogenizing, and cen- tering on white English Protestant writers (Lecker 284). In recent years the debate has shifted from political critique to historical contextual- ization, foregrounding issues of space, the environment, and Canadian national identity. In a 2009 collection on Frye’s work, Branko Gorjup points to the tension between the environmental determinism of the garrison mentality model and the notion of literature as “autonomous and self-generating” in Frye’s Anatomy of Criticism — a tension he finds replicated in scholarly responses (9; cf. Stacey 84). Adam Carter arrives at a similar conclusion in The Oxford Handbook of Canadian Literature (2016), where he reads Frye’s work against the contemporary debate on Canadian national identity. While Frye often dismissed the idea that the natural or cultural environment had an impact on the literature of a country, Carter notes, his concept of the garrison mentality presup- poses such an impact, as do other important essays Frye published on Canadian poetry (53-55). The analogies Frye draws between literary and spatial formations, and consequently between literary and national environments, derive from his observations both about Canadian literature and about genre traditions that reach beyond Canadian national boundaries. -
Duncan Campbell Scott - Poems
Classic Poetry Series Duncan Campbell Scott - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Duncan Campbell Scott(2 August 1862 – 19 December 1947) Duncan Campbell Scott was a Canadian poet and prose writer. With <a href="http://www.poemhunter.com/charles-g-d-roberts/">Charles G.D. Roberts</a>, <a href="http://www.poemhunter.com/bliss-carman/">Bliss Carman</a> and <a href="http://www.poemhunter.com/archibald- lampman/">Archibald Lampman</a>, he is classed as one of Canada's Confederation Poets. Scott was also a Canadian lifetime civil servant who served as deputy superintendent of the Department of Indian Affairs from 1913 to 1932, and is "best known" today for "advocating the assimilation of Canada’s First Nations peoples" in that capacity. <b>Life</b> Scott was born in Ottawa, Ontario, the son of Rev. William Scott and Janet MacCallum. He was educated at Stanstead Wesleyan Academy. Early in life, he became an accomplished pianist. Scott wanted to be a doctor, but family finances were precarious, so in 1879 he joined the federal civil service. As the story goes, "William Scott might not have money [but] he had connections in high places. Among his acquaintances was the prime minister, Sir John A. Macdonald, who agreed to meet with Duncan. As chance would have it, when Duncan arrived for his interview, the prime minister had a memo on his desk from the Indian Branch of the Department of the Interior asking for a temporary copying clerk. Making a quick decision while the serious young applicant waited in front of him, Macdonald wrote across the request: 'Approved. -
Unit 1 English Canadian Literature
CANADIAN LITERATURE Unit 1 English Canadian Literature Unit 1 A British Immigrant in the Canadian Mosaic Page 1 Prepared by Mrs. Achamma Alex Christian College, Chengannoor Unit 1 B English Canadian Literature Page 20 Prepared by Dr. M. Snehaprabha Guruvayurappan College, Kozhikode Unit 1 C Modern Period Page 49 Prepared by Dr. H. Kalpana Pondicherry University British Immigrants in the Canadian Mosaic Majority of the immigrants who reached Canada with hopes of better living conditions and a bright future were those forced to leave their motherlands due to various reasons. While the Loyalists from the thirteen colonies of America sought to escape from the bad political situation in their country, it was poverty that prompted the Irish and the Scots to migrate to the Canadian soil. The Jews and fluverites were racially persecuted, and this paved the way for their immigration. Canada was a country of great significance to the English, French and other Europeans as they regularly fished off the banks of Newfoundland. The rivalry between England and France in Canada, in the name of colonial expansion was in fact an extension of the on-going war between the two countries on the European mainland. Their colonial rivalry ended with the division of Canada into the English-speaking territory and the French-speaking territory in 1791. The French-Canadians and the English-Canadians have been considered the "Two Founding Races" of Canada (Metcalfe 346). From the anthropological point of view, this classification is erroneous as both these groups come under the Caucasoid sub-population of human species. After the Norman Conquest of Britain in AD 1066 by William, Duke of Normandy, there had been a mixing of English and French populations. -
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry A. J. M. Smith I,N THE CLOSING PARAGRAPHS of the Introduction to The Oxford Book of Canadian Verse I made an effort to suggest in a phrase that I hoped might be memorable a peculiar advantage that Canadian poets, when they were successful or admirable, seemed to possess and make use of. This, of course, is a risky thing to do, for what one gains in brevity and point may very well be lost in inconclusiveness or in possibilities of misunderstanding. A thesis needs to be demonstrated as well as stated. In this particular case I think the thesis is implicit in the poems assembled in the last third of the book — and here and there in earlier places too. Nevertheless, I would like to develop more fully a point of view that exigencies of space confined me previously merely to stating. The statement itself is derived from a consideration of the characteristics of Canadian poetry in the last decade. The cosmopolitan flavor of much of the poetry of the fifties in Canada derives from the infusion into the modern world of the archetypal patterns of myth and psychology rather than (as in the past) from Christianity or nationalism. After mentioning the names of James Reaney, Anne Wilkinson, Jay Macpherson, and Margaret Avison—those of the Jewish poets Eli Mandel, Irving Layton, and Leonard Cohen might have been added—I went on to say : The themes that engage these writers are not local or even national; they are cos- mopolitan and, indeed, universal. -
The Portraits of William Wilfred Campbell
Our Sponsors 6th Annual William Wilfred Campbell Poetry Festival The Portraits of RE/MAX GREY BRUCE REALTY William Wilfred Campbell Thanks to the following donors: Dr. Murray and Ruth Cathcart, Toronto Mike and Val Popjoy, Wiarton and others Special Thank you to Allison Billings, Artist - Facilitator of Youth Portrait Workshop Participation from the Bluewater District School Board “He reminds us that to have the gifts of such fire, and to voice it The Wiarton Propeller Club and Meeting Place for worthy causes, is a noble and rare thing. Some causes may The WWC Festival Directors, Committee and Partners pass their time, and literary fashions come and go, but we can Cliff Bilyea, Evelyn Newbould, Caleb Hull, Pam Crawford, Victor Last, Harriet still remember and celebrate the voice.” Maconaghie, Paul Conway, and the Bruce County Library - Wiarton - Paul Conway, Voyageur Storytelling www.williamwilfredcampbellpoetryfestival.ca June 23, 2019 William Wilfred Campbell, 1861-1918 Introduction In his lifetime, Wiarton-raised Wilfred Campbell was an internationally famous poet. At The Campbells Are Coming played by Steve Wolfe his death in Ottawa where he was working as a Civil Servant, he was lauded as Canada’s Unofficial Poet Laureate, Poet Laureate of the Lakes and as one of seven Welcome - Chair, Cliff Bilyea noted Confederation Poets. Recognition of Artwork He began writing published poetry at age 14 and went on to publish five volumes of his ‘The Story of William Wilfred Campbell’ poetry, five historical novels, ten dramatic plays and three non-fiction books. by Paul Conway, Voyageur Storytelling The University of Aberdeen, Scotland conferred upon him an honorary Doctor of Laws degree. -
INTERDISCIPLINARY JOURNAL of DECADENCE STUDIES Issue 1 Spring 2018 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Issue 1 Spring 2018 Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks ISSN: 2515-0073 Date of Acceptance: 1 June 2018 Date of Publication: 21 June 2018 Citation: Rita Dirks, ‘Hierophants of Decadence: Bliss Carman and Arthur Symons’, Volupté: Interdisciplinary Journal of Decadence Studies, 1 (2018), 35-55. volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Hierophants of Decadence: Bliss Carman and Arthur Symons Rita Dirks Ambrose University Canada has never produced a major man of letters whose work gave a violent shock to the sensibilities of Puritans. There was some worry about Carman, who had certain qualities of the fin de siècle poet, but how mildly he expressed his queer longings! (E. K. Brown) Decadence came to Canada softly, almost imperceptibly, in the 1880s, when the Confederation poet Bliss Carman published his first poems and met the English chronicler and leading poet of Decadence, Arthur Symons. The event of Decadence has gone largely unnoticed in Canada; there is no equivalent to David Weir’s Decadent Culture in the United States: Art and Literature Against the American Grain (2008), as perhaps has been the fate of Decadence elsewhere. As a literary movement it has been, until a recent slew of publications on British Decadence, relegated to a transitional or threshold period. As Jason David Hall and Alex Murray write: ‘It is common practice to read [...] decadence as an interstitial moment in literary history, the initial “falling away” from high Victorian literary values and forms before the bona fide novelty of modernism asserted itself’.1 This article is, in part, an attempt to bring Canadian Decadence into focus out of its liminal state/space, and to establish Bliss Carman as the representative Canadian Decadent. -
Built Heritage Sub-Committee / Sous-Comité Du Patrimoine Bâti April 14, 2016 / 14 Avril 2016
1 Report to Rapport au: Built Heritage Sub-Committee / Sous-comité du patrimoine bâti April 14, 2016 / 14 avril 2016 and / et Planning Committee / Comité de l'urbanisme April 26, 2016 / 26 avril 2016 and Council / et au Conseil May 11, 2016 / 11 mai 2016 Submitted on March 23, 2016 Soumis le 23 mars 2016 Submitted by Soumis par: John L. Moser, Acting Deputy City Manager / Directeur municipal adjoint par intérim, Planning and Infrastructure / Urbanisme et Infrastructure Contact Person Personne ressource: Lee Ann Snedden, Acting Chief / Chef par intérim, Development Review Services / Services d’Examen des projets d'aménagement, Planning and Growth Management / Urbanisme et Gestion de la croissance (613) 580-2424, 25779, [email protected] Report Author / Auteur du rapport: Lesley Collins, Planner II / Urbaniste II, Development Review Services / Services d’Examen des projets d’aménagement, Heritage Services Section / Section des Services du Patrimoine (613) 580-2424, 21586, [email protected] 2 Ward: COLLEGE (8) / COLLÈGE (8) File Number: ACS2016-PAI-PGM-0080 SUBJECT: Designation of Kilmorie, 21 Withrow Avenue, under Part IV of the Ontario Heritage Act OBJET: Désignation de Kilmorie, 21, avenue Withrow, en vertu de la partie IV de la Loi sur le patrimoine de l’Ontario REPORT RECOMMENDATION That the Built Heritage Sub-Committee recommend that Planning Committee recommend that Council issue a Notice of Intention to Designate Kilmorie, 21 Withrow Avenue, under Part IV of the Ontario Heritage Act according to the Statement of Cultural Heritage Value attached as Document 5. RECOMMANDATION DU RAPPORT Que le Sous-comité du patrimoine bâti recommande au Comité de l’urbanisme de recommander à son tour au Conseil d’émettre un avis d’intention de désigner Kilmorie, au 21, avenue Withrow en vertu de la partie IV de la Loi sur le patrimoine de l’Ontario et conformément à la déclaration de valeur sur le plan du patrimoine culturel faisant l’objet du document 5. -
Download The
READING THE FIELD OF CANADIAN POETRY IN THE ERA OF MODERNITY: THE RYERSON POETRY CHAP-BOOK SERIES, 1925-1962 by Gillian Dunks B.A. (With Distinction), Kwantlen Polytechnic University, 2011 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gillian Dunks, 2013 ii Abstract From 1925 to 1962, the Ryerson Press published 200 short, artisanally printed books of poetry by emerging and established Canadian authors. Series editor Lorne Pierce introduced the series alongside other nationalistic projects in the 1920s in order to foster the development of an avowedly Canadian literature. Pierce initially included established Confederation poets in the series, such as Charles G.D. Roberts, and popular late-romantic poets Marjorie Pickthall and Audrey Alexandra Brown. In response to shifting literary trends in the 1940s, Pierce also included the work of modernists such as Anne Marriott, Louis Dudek, and Al Purdy. Following Pierre Bourdieu, I read the Ryerson series as a sub-field of literary production that encapsulates broader trends in the Canadian literary field in the first half of the twentieth century. The struggle between late-romantic and modernist producers to determine literary legitimacy within the series constitutes the history of the field in this period. Pierce’s decision to orient the series towards modernist innovation during the Second World War was due to late romantics’ loss of their dominant cultural position as a result of shifting literary tastes. Modernist poets gained high cultural capital in both the Ryerson series and the broader field of Canadian literary production because of their appeal to an audience of male academics whose approval ensured their legitimacy. -
Robert Burns, Pre-Confederation Poets, and Transatlantic Circulation
The “Unfetter’d” Muse: Robert Burns, Pre-Confederation Poets, and Transatlantic Circulation Leith Davis n May 1859, artist and writer James Ballantine published his Chronicle of the Hundredth Birthday of Robert Burns, collecting into one massive volume accounts of 872 celebrations “honouring the Imemory of the Ploughman Bard” that had been held on 25 January that year (v). As Ballantine’s book makes clear, within the British North American colonies, from Pictou, Nova Scotia, to Peterborough, Canada West, a variety of lavish events marked the centenary of the birth of Burns. In Galt, Canada West (named after another Scottish writer, John Galt), for example, over one thousand inhabitants gathered at the Town Hall to enjoy “recitations from the Poet’s works; some of his sweetest, most patriotic, and manly songs; addresses from gentlemen of well-known ability; music from the Galt band; singing by the Galt Philharmonic Society; and exquisite music from the piano” (514). In Montreal, Canada East, the City Concert Hall was “beautifully and appropriately decorated for the occasion with illustrations of and quota- tions from the works of Burns, under the direction and auspices of the Montreal Burns Club” (530). In Toronto, Canada West, there were two banquets, one at the Rossin Hotel and one at the nearby St. Lawrence Hall, each with elaborate toasts and musical performances. Even small towns joined in the centenary celebrations. In Downie, Canada West, one Mr. James Simpson “invited a number of his friends and neighbours to his house, on the 25th, to do honour to the memory of the poet” (513). -
The Development of Narrative in the Writing of Isabella Valancy Crawford
THE DEVELOPMENT OF NARRATIVE IN THE WRITING OF ISABELLA VALANCY CRAWFORD Margo Dunn B. A. , Marianopolis College (de 11universit6de ~ontrgal), 1964 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English @ MARGO DUNN 1975 SIMON FRASER UNIVERSITY April 1975 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. The kvelopmt of Nmratim ih the !Wng of Isabella Author : (si&ature) Margo Dunn (name ) #~LYA/28 / f 7f (date) Approval Name : Margo Dunn Degree: Master of Arts Title of Thesis : "The kvelopnt of Narrative in the Wxitinq of Isa??llaValancy Crawford" Examining Committee : Chairman : Jared R. Curtis David Stouck 'Senior Supervisor Andrea Lebowitz Dawn Aspinall Instructor Department of English University of British Columbia Date Approved: && 25, /975 / f ABSTRACT Narrative, in its original sense, orders the world vision of an individual. -
A Dissertation Submitted to the Faculty of Arts of Ottawa University in Partial Fulfillment of the Requirements for the Degree of Master of Arts
"POET OF THE MIST" A CRITICAL ESTIMATION OF THE POSITION OF WILLIAM WILFRED CAMPBELL IN CANADIAN LITERATURE. by MARGARET EVELYN COULBY A dissertation submitted to the Faculty of Arts of Ottawa University in partial fulfillment of the requirements for the degree of Master of Arts. March 1, 1950. Ottawa, Ontario, Canada. " Ottawa UMI Number: EC56059 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform EC56059 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 "POET OF THE MIST" A CRITICAL ESTIMATION OF THE POSITION OF WILLIAM WILFRED CAMPBELL IN CANADIAN LITERATURE. i PREFACE I wish to acknowledge the very great assistance given to me in this work by Mrs. Faith Malloch, of Rockliffe, daughter of the late William Wilfred Campbell, who lent me her unpublished manuscript, eighty-nine pages in length, containing biographical material on the poet's life, letters back and forth between England and Canada and Scotland from Campbell, his friends and daughters, and it also con tained much information about his friends and their influence upon him, I profited also by talking with Colonel Basil Campbell of Ottawa, Campbell's only son. -
Greening the Maple: Canadian Ecocriticism in Context
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2013 Greening the Maple: Canadian Ecocriticism in Context University of Calgary Press "Greening the maple: Canadian ecocriticism in context". Ella Soper & Nicholas Bradley, editors. University of Calgary Press, Calgary, Alberta, 2013. http://hdl.handle.net/1880/49884 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com GREENING THE MAPLE: CANADIAN ECOCRITICISM IN CONTEXT edited by Ella Soper and Nicholas Bradley ISBN 978-1-55238-548-7 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence.