Conquering Heroes: from Joan of Arc to Eisenhower Normandy to Paris Aboard Amalyra June 4–13, 2019 MUSEUM TRAVEL ALLIANCE

Total Page:16

File Type:pdf, Size:1020Kb

Conquering Heroes: from Joan of Arc to Eisenhower Normandy to Paris Aboard Amalyra June 4–13, 2019 MUSEUM TRAVEL ALLIANCE MUSEUM TRAVEL ALLIANCE SEE CRUISE RATES FOR SPECIAL BOOKING INCENTIVES Conquering Heroes: From Joan of Arc to Eisenhower Normandy to Paris Aboard AmaLyra June 4–13, 2019 MUSEUM TRAVEL ALLIANCE Dear Travelers and Friends, On this specially timed program, be in France on D-Day, June 6, to commemorate the 75th anniversary of the Normandy landings. Spend a night in Deauville at the renowned Hotel Le Normandy. Travel to Pointe du Hoc and visit Omaha Beach for a special ceremony, or explore the Memorial Museum in Caen before boarding AmaLyra for a seven-night cruise on the Seine River. The Museum Travel Alliance (MTA) provides museums with the opportunity to offer their members and patrons high-end educational travel programming. Trips are available exclusively through MTA members and co- sponsoring non-profit institutions. This journey is co-sponsored by The Metropolitan Museum of Art, the National Trust for Historic Preservation, the Harvard Alumni Association, and the Royal Oak Foundation. This program will delight travelers with an interest in World War II as well as those with a passion for architecture and art. During our cruise, we will trace the rich cultural history of France with visits to Jumièges Abbey, the Joan of Arc Historial in Rouen, and Claude Monet’s home in Giverny. Discover a private Arts and Crafts-style home on the northern coast of France. Admire masterpieces by Raphael, Poussin, and Corot at the Château de Chantilly, or follow in the footsteps of Vincent van Gogh and other painters in charming Auvers-sur- Oise. Our journey concludes with an afternoon in Paris, where options include a special guided tour of the Musée de l’Orangerie or a meeting with a representative from the U.S. Embassy. For those wishing to spend more time in France, an optional prelude in Normandy and an optional postlude in Versailles are offered. I hope you will join us for this extraordinary cruise. Sincerely, Jim Friedlander President, Museum Travel Alliance AmaLyra HIGHLIGHTS COMMEMORATE the 75th anniversary of D-Day with visits to landing beaches or the Caen Memorial Museum VISIT a private Arts and Crafts-style home on the northern coast of France, overlooking the Atlantic EXPLORE sites related to iconic historical figures such as William the Conqueror, Richard the Lionheart, and Joan of Arc STROLL in Monet’s lush and lovely gardens at Giverny and trace van Gogh’s history in Auvers-sur-Oise SEE the World War I and II sites in Compiègne, or follow in the footsteps of America’s Founding Fathers at the Château de Chantilly MEET a U.S. diplomat for a discussion on Franco-American relations, past and present Conquering Heroes: From Joan of Arc to Eisenhower Normandy to Paris Aboard AmaLyra June 4–13, 2019 SATURDAY, JUNE 8: CAUDEBEC-EN-CAUX Varengeville-sur-Mer Depart for Varengeville-sur-Mer to visit a private estate, Les Bois des Moutiers, where we are invited for a light Caudebec-en-Cau lunch. This Arts and Crafts house, designed by Sir Edwin Lutyens, sustained significant damage during the war Rouen Compigne and has since been lovingly restored. Alternatively, see Deauville Les Andelys Chantilly the ruins of Jumièges Abbey, a Benedictine monastery Caen Vernon Auvers-sur-Oise founded in the 7th century, and tour the still-active St. S ein Wandrille Abbey. Or admire the paintings collection at e Conflans FRANCE Paris the Musée des Beaux-Arts André Malraux in Le Havre, a seaport city devastated during the Battle of Normandy and rebuilt in Modernist style by Auguste Perret. Return to AmaLyra for lunch. Attend an onboard lecture as we cruise the Seine River. B,L,D An optional prelude in Normandy is offered from June 1 to 5, 2019. SUNDAY, JUNE 9: ROUEN Today discover the medieval city of Rouen on a walking tour. TUESDAY, JUNE 4: DEPARTURE See the cathedral, a masterpiece of High Gothic architecture Depart on an overnight flight to Paris. and a favorite subject of Monet, and the Place de Vieux Marché, to visit the Joan of Arc Historial. Return to the ship WEDNESDAY, JUNE 5: PARIS / DEAUVILLE, FRANCE for lunch or enjoy free time in town. In the afternoon visit the Arrive in Paris and travel by private motorcoach to art museum or attend a discussion about the legacy of the Lre Deauville and the renowned Hotel Le Normandy. Gather war with a panel of journalists. You may wish to dine ashore at the hotel this evening for introductory remarks and a Area of detail this evening or remain on the ship. B,L,D welcome reception. R MONDAY, JUNE 10: VERNON THURSDAY, JUNE 6: DEAUVILLE / CONFLANS Depart from the town of Vernon for Giverny and Claude On this 75th anniversary of the Allied invasion, travel to Monet's home, which remains largely unchanged since Pointe du Hoc, where U.S. Army Rangers scaled 100-foot- 1926. See the colorful gardens that were an inspiration for high cliffs to silence the German guns that threatened many of his paintings. We will also visit the nearby Museum the D-Day operation. Continue to Omaha Beach to of Impressionisms, which explores this important artistic attend the commemoration ceremony at the American movement and its legacy. A lecture will be offered as we Military Cemetery. Alternatively, visit Caen and the cruise to Conflans during the afternoon. B,L,D Memorial Museum, which chronicles the lead-up to and consequences of World War II. Continue to the Abbaye aux Hommes, where the city’s inhabitants found refuge during Château Gaillard the Normandy landings. The abbey’s St. Étienne Church is also the burial place of William the Conqueror. Drive to Conflans to board AmaLyra in the early evening. B,L,D FRIDAY, JUNE 7: LES ANDELYS During a relaxed morning, attend a lecture related to World War II. Arrive this afternoon in Les Andelys to discover the hilltop ruins of Château Gaillard, commissioned by Richard the Lionheart in the 11th century. A more active option will also be offered. Sample local cheeses and ciders before returning to AmaLyra. As we cruise toward Caudebec-en-Caux, the captain hosts dinner this evening. B,L,D TUESDAY, JUNE 11: CONFLANS photographs, uniforms, weapons, and documents related Today excursions will be offered to Compiègne, Chantilly, to the First and Second World Wars. For art lovers, or Auvers-sur-Oise. In Compiègne, visit the site where the another option will be a special guided tour of the Musée armistice was signed to end World War I. Years later, in de l’Orangerie, which houses masterpieces by Monet and 1940, the French signed a truce with the Germans in the his contemporaries. Or meet with a representative from same place. We will also see the memorial at a former the U.S. Embassy to discuss Franco-American relations, WWII-era internment camp. Alternatively, discover the past and present. You may wish to dine ashore in Paris Château de Chantilly, where some of the Founding Fathers this evening. B,L,D were received by the Prince de Condé. Enjoy a tour that includes the 17th-century formal gardens by Le Nôtre, the THURSDAY, JUNE 13: PARIS / RETURN impressive library, and masterpieces by Raphael, Poussin, Disembark the ship early this morning for flights home. and Corot. Or follow in the footsteps of Vincent van Gogh An optional postlude in Versailles is offered from and other painters in charming Auvers-sur-Oise. Attend the June 13 to 15, 2019. captain’s gala dinner tonight. B,L,D WEDNESDAY, JUNE 12: PARIS DISCLAIMER: The itinerary is subject to change at the Following a relaxing morning cruise, arrive in Paris at discretion of The Museum Travel Alliance and Arrangements lunchtime. At the golden-domed Hôtel des Invalides, Abroad. For complete details, please carefully read the terms and visit the Army Museum, with its impressive collection of conditions at http://www.museumtravelalliance.com/faq.php. AMALYRA SUN DEC E Introduced in 2009, the 144-passenger TION A AmaLyra SUN DEC WHIRLPOOL quickly earned a “Best New River DEC Cruise Ship” distinction for comfort and style. WHEELHOUS OBSERV WALING TRAC Stateroom amenities include Entertainment- THE CHEFS TABLE MASSAGE & HAIR SALON VIOLIN DEC ELEVATOR On-Demand, featuring free high-speed Internet GIFT SHOP access, unlimited Wi-Fi, movies, music and 332 330 328 326 324 322 320 318 316 314 312 310 308 306 304 302 RECEPTION MAIN LOUNGE English language TV stations; climate-controlled 331 329 327 325 323 321 319 317 315 313 311 309 307 305 303 301 air conditioning; and an in-room safe. FITNESS ROOM BOW SEATING AREA Additional comforts and conveniences include CELLO DEC ELEVATOR a sauna, whirlpool, massage and hair salon, a stylish lounge, and specialty coffee station. 230 228 226 224 222 220 218 216 214 212 210 208 206 204 202 MAIN RESTAURANT With a walking track on the Sun Deck, a fitness 229 227 225 223 221 219 217 215 213 211 209 207 205 203 201 room, and a fleet of onboard bicycles to use ashore, as well as healthy menu choices, you’ll PIANO DEC have all you need to stay active and healthy 110 108 106 104 102 CREW CABINS while sailing one of Europe’s great rivers. 111 109 107 105 103 101 NOTE: ELEVATOR DOES NOT REACH THE SUN DEC OR THE PIANO DEC CRUISE RATES RATES INCLUDE Limited offer! Book now and take $500 off the rates below n One night hotel accommodation in Deauville Cabin Decks Double Single n Seven nights cabin accommodations aboard AmaLyra Rates Rates n Meals as indicated in the itinerary (B=Breakfast, L=Lunch, Piano Deck Staterooms 101-111 $6,999 $8,399 R=Reception, D=Dinner); bottled water and coffee/tea with Fixed Windows - 170 sq.
Recommended publications
  • Partial List of Institutional Clients
    Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience
    [Show full text]
  • The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020
    City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2021 The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 Denali Elizabeth Kemper CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/661 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 By Denali Elizabeth Kemper Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2020 Thesis sponsor: January 5, 2021____ Emily Braun_________________________ Date Signature January 5, 2021____ Joachim Pissarro______________________ Date Signature Table of Contents Acronyms i List of Illustrations ii Introduction 1 Chapter 1: Points of Reckoning 14 Chapter 2: The Generational Shift 41 Chapter 3: The Return of the Repressed 63 Chapter 4: The Power of Nazi Images 74 Bibliography 93 Illustrations 101 i Acronyms CCP = Central Collecting Points FRG = Federal Republic of Germany, West Germany GDK = Grosse Deutsche Kunstaustellung (Great German Art Exhibitions) GDR = German Democratic Republic, East Germany HDK = Haus der Deutschen Kunst (House of German Art) MFAA = Monuments, Fine Arts, and Archives Program NSDAP = Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Worker’s or Nazi Party) SS = Schutzstaffel, a former paramilitary organization in Nazi Germany ii List of Illustrations Figure 1: Anonymous photographer.
    [Show full text]
  • Interdisciplinary, and Some Resources for History, Philosophy, Religion, and Literature Are Also Included in the Guide. Images A
    Bard Graduate Center Research Guide: Ancient and Medieval China (to c. 1000 C.E.) This guide lists resources for researching the arts and material culture of ancient and medieval imperial China, to c. 1000 C.E. This time period begins with the neolithic and bronze ages (c. 4000 - 200 B.C.E.) and continues through the end of the Five Dynasties period (960 C.E.), including the Xia, Shang, Zhou, Han, and T'ang dynasties. Although art history and material archaeology resources are emphasized, research on this topic is very interdisciplinary, and some resources for history, philosophy, religion, and literature are also included in the guide. This guide was compiled by Karyn Hinkle at the Bard Graduate Center Library. Images above, left to right: a gold cup from the Warring States period, jade deer from the Zhou dynasty, a bronze wine vessel from the Shang dynasty, all described in Patricia Buckley Ebrey's Visual Sourcebook of Chinese Civilization. Reference sources for ancient and medieval China Ebrey, Patricia Buckley, and Kwang-Ching Liu. The Cambridge Illustrated History of China. Cambridge: Cambridge University Press, 1996. DS 706 .E37 1996 Loewe, Michael and Edward L. Shaughnessy. The Cambridge History of Ancient China: From the Origins of Civilization to 221 BC. Cambridge: Cambridge University Press, 1999. DS 741.5 .C35 1999; also available online through Bard College Nadeau, Randall Laird, ed. The Wiley-Blackwell Companion to Chinese Religions. Wiley-Blackwell Companions to Religion. Chichester, UK: Wiley-Blackwell, 2012. Available online through Bard College Gold Monster Shaanxi Museum The Han Dynasty Length:11 cm Height:11.5 cm Unearthed in 1957 from Gaotucun,Shenmu County,Shaanxi Province Important books on ancient and medieval China, and good general introductions to Chinese history and art Boyd, Andrew.
    [Show full text]
  • Museum Partnership Report Understanding the National Museums’ Partnership Activities in 2017/18
    Museum Partnership Report Understanding the national museums’ partnership activities in 2017/18 August 2019 We can also provide documents to meet the Specifc requirements for people with disabilities. Please email [email protected] Department for Digital, Culture, Media & Sport Printed in the UK on recycled paper ©Crown copyright 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit http://www.nationalarchives.gov.uk/doc/ open-government-licence/ or e-mail: [email protected] Where we have identifed any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at [email protected] Museum Partnership Report : Understanding the national museums’ partnership activities in 2017/18 3 Contents EXECUTIVE SUMMARY 4 INTRODUCTION 5 Background to the Report 5 The national museums 6 The Survey 9 SHARING COLLECTIONS 10 Sharing collections in the UK 10 Sharing collections internationally 17 Sharing collections for research 19 Supporting new collections and acquisitions 20 Borrowing Collections 20 SHARING KNOWLEDGE 24 Partnering to build capacity and deliver professional development in the museums sector 24 Academic partnerships and collaborations 29 Acting as experts for Government 34 SUPPORTING AUDIENCE ENGAGEMENT AND SOCIAL OUTCOMES 36 Partnering to improve museum and cultural participation 37 Partnering to deliver education and learning 38 Partnering to support our health and wellbeing 41 Partnering to develop skills and careers 42 CONCLUSIONS AND LOOKING FORWARD 45 APPENDIX 1: LIST OF IMAGES 46 APPENDIX 2: THE SURVEY 48 APPENDIX 3: USEFUL LINKS 50 4 1.
    [Show full text]
  • Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
    Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen).
    [Show full text]
  • Our Paris PDF Slide Show
    Paris City Sites By Hank Schrader “Your Journey Begins Here” Post Card from my first visit July 24, 1971 Souvenir from the top of the Eiffel Tower Outside of the Louvre Palace Outside the Louvre Photo Anne Schrader www.dreamdestinations.com Arc du Photo Anne Schrader Carrousel www.dreamdestinations.com This is another monument to Napoleon’s victories Louvre Winged Victory Louvre Napoleon’s Crown Louvre Louvre Entrance to Orsay Museum Photo Anne Schrader www.dreamdestinations.com Model of the Statue of Liberty Orsay Museum Photo Anne Schrader www.dreamdestinations.com Photo Anne Schrader Eiffel Tower www.dreamdestinations.com Eiffel Tower Photo Anne Schrader www.dreamdestinations.com at Night Paris at Night Photo Anne Schrader www.dreamdestinations.com Arc de Triomphe Hall of Mirrors Versailles Notre Dame Cathedral Inside Notre Dame Cathedral Army Museum & Napoleon’s Tomb The Thinker Rodin Museum The Gates of Hell Rodin Museum Sorbonne Photo Anne Schrader www.dreamdestinations.com Photo Anne Schrader Sorbonne www.dreamdestinations.com Paris Opera House Photo Anne Schrader www.dreamdestinations.com Place de la Concorde Photo Anne Schrader www.dreamdestinations.com Danton’s Cafe Photo Anne Schrader www.dreamdestinations.com Paris Parking Photo Anne Schrader www.dreamdestinations.com Pompidou Center Photo Anne Schrader www.dreamdestinations.com Pompidou Center Photo Anne Schrader www.dreamdestinations.com Sacre-Coeur Photo Anne Schrader www.dreamdestinations.com Walking the Seine Love Locks on a Seine River Bridge Photo Anne Schrader www.dreamdestinations.com
    [Show full text]
  • Download the Article In
    Pensées mili-terre Centre de doctrine et d’enseignement du commandement Les collections de l’armée de Terre conservées dans les musées de la défense Cahiers de la pensée mili-Terre 1 le Chef de bataillon Aude PIERNAS publié le 12/12/2017 Histoire & stratégie héritage, histoire et genèse d’un patrimoine "muséal" Après avoir précisé la génèse et la filiation des collections du musée de l’Armée et des musées d’armes, le Chef de bataillon Aude Piernas détaille les choix pris en matière d’organisation et de rationalisation, la formation nécessaire des conservateurs, et dessine une orientation possible pour répondre au défi muséal du XXIème siècle. La commémoration du centenaire de la Grande Guerre donne l’occasion aux musées de la défense de témoigner de l’action des troupes françaises en exposant les objets contemporains de cet événement historique militaire majeur. Force est de constater en visitant l’exposition «Verdun, la force aérienne»[1] que les objets présentés sont parvenus jusqu’à nous de différentes manières. Ces objets soit ont été des trophées pris à l’ennemi, soit ont été récupérés sur le champ de bataille, soit ont équipé les forces, puis ont été conservés par les unités ou ont transité dans des collections privées d’amateurs de militaria avant d’être acquis par l’un des musées de la défense. Cependant, il s’avère que cet héritage des collections militaires puise ses racines au-delà de la Première Guerre mondiale pour les musées de l’armée de Terre. Même si le musée de l’Armée fait figure de premier musée militaire, sa création et ses origines sont bien plus complexes[2] et anciennes.
    [Show full text]
  • 5-Day Paris City Guide a Preplanned Step-By-Step Time Line and City Guide for Paris
    5 days 5-day Paris City Guide A preplanned step-by-step time line and city guide for Paris. Follow it and get the best of the city. 5-day Paris City Guide 2 © PromptGuides.com 5-day Paris City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Paris > Take Metro line 6 or 9 to Trocadero station 09:00-09:20 Trocadéro Gardens Romantic gardens Page 5 Take a walk through bridge Pont d’léna - 10’ 09:30-11:30 Eiffel Tower The most spectacular Page 5 view of Paris 11:30-12:00 Parc du Champ de Mars Great view on the Eiffel Page 6 tower Take a walk on Avenue de Tourville to Musée Rodin - 20’ 12:20-13:40 Musée Rodin The famous The Page 6 Thinker is on display Lunch time Take a walk to the Army Museum and Tomb of Napoleon 14:45-16:15 Army Museum and Tomb of Napoleon One of the largest Page 6 collections of military objects 16:15-16:45 Hotel des Invalides Impressive building Page 7 complex Take a walk through bridge Alexandre III - 15’ 17:00-17:20 Grand and Petit Palais Grand Palais has a Page 7 splendid glass roof 17:20-18:20 Champs-Elysées One of the most famous Page 7 streets in the world Take a walk to Arc de Triomphe - 10’ 18:30-19:15 Arc de Triomphe Breathtaking views of Page 8 Paris END OF DAY 1 © PromptGuides.com 3 5-day Paris City Guide Overview of Day 1 4 © PromptGuides.com 5-day Paris City Guide Attraction Details 09:00-09:20 Trocadéro Gardens (11, place du Trocadéro) THINGS YOU NEED TO KNOW THINGS TO DO THERE Trocadéro Gardens is a 10-ha (25-acre) Walk along the romantic garden public garden opposite Eiffel tower on
    [Show full text]
  • Diasporas of Art: History, the Tervuren Royal Museum for Central Africa, and the Politics of Memory in Belgium, 1885–2014
    UCLA UCLA Previously Published Works Title Diasporas of art: History, the Tervuren Royal Museum for Central Africa, and the politics of memory in Belgium, 1885–2014 Permalink https://escholarship.org/uc/item/4s25675m Journal Journal of Modern History, 87(3) ISSN 0022-2801 Author Silverman, DL Publication Date 2015 DOI 10.1086/682912 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Diasporas of Art: History, the Tervuren Royal Museum for Central Africa, and the Politics of Memory in Belgium, 1885–2014 Author(s): Debora L. Silverman Source: The Journal of Modern History, Vol. 87, No. 3 (September 2015), pp. 615-667 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/682912 . Accessed: 01/10/2015 20:48 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Modern History. http://www.jstor.org This content downloaded from 164.67.16.55 on Thu, 1 Oct 2015 20:48:40 PM All use subject to JSTOR Terms and Conditions Contemporary Issues in Historical Perspective Diasporas of Art: History, the Tervuren Royal Museum for Central Africa, and the Politics of Memory in Belgium, 1885–2014* Debora L.
    [Show full text]
  • Museums in a Post Colonial World Plea for a Historical Critique Of
    Museums in a post colonial world Plea for a historical critique of exhibitions Museums Association Conference 2008 Liverpool, 7-10-2008 By Susan Legêne Professor of political history at VU University in Amsterdam [email protected] The subtitle of my talk is: ”plea for a historical critique of exhibitions‘ and that is indeed what I would like to do in my talk this morning. I will present four cases that review ways of how museums deal with implicit notions of nation and citizenship, of cultural heritage, ownership and belonging. We know a lot about the historical relationships between heritage formation, museum structures and nation building. But this seems hardly to feed back into current exhibition practices. We need a stronger comparative analysis framework for the present-day cultural representations of the nation which we see in many museums. Hence my plea for more attention on the historical underpinning of the story behind individual exhibitions. This requires œ what I would call œ more analysis of the present inter-exhibitional discourse1 in current exhibition practices. Like the written texts in books, the visual presentations in exhibitions also relate to each other. And the public is part of this inter-exhibitional discourse. Critics and museum staff make what is on show in Paris relevant to what happens in Amsterdam, or New York, or Kabul, Berlin, Shanghai or Singapore. Exhibitions, even museum structures are being exported from one country to another, and standards and models of representation are being negotiated. Source-critical insight into the known meaning of material culture, historical visual sources and autonomous art productions are essential to understand our own work in this field.
    [Show full text]
  • Air and Space Museum Air and Space Museum Arab World Institute Arab
    Air and Space Museum With more than 150 authentic airplanes, hundreds of scale models and one of the finest collections of aircrafts in the world ranging from 17 th century balloons to Boeing 747, Mirage and Concorde, this museum has the largest collection of originals in the world. It also pays tribute to Antoine de Saint-Exupéry, pilot and writer of the Little Prince . In the Planet Pilot area, children can manipulate 40 interactive exhibits related to air and space. Arab World Institute The other-worldly frame of the institute is by architect Jean Nouvel and the Architecture-Studio’s masterpieces of contemporary building design (1981-1987). Above the glass front, a metallic screen unfolds Arabic style motifs. The Arab World Institute showcases Arab and Muslim art through the ages, and important temporary exhibitions. It also houses a library, an auditorium and a tea room/restaurant. The terrace rooftop offers an excellent view of Paris. ArcArcArc hhh ofofof TriTriTri uuumph The Arc de Triomphe is one of most famous landmarks in Paris. It is located at the top of the avenue of les Champs- Elysées. It was commissioned in 1806 by Napoleon I st to glorify his armies. The architect J.F.T. Chalgrin started building the monument, but it was only completed under the July Monarchy by the architects Goust and Huyot (1836). The platform affords an exceptional panorama of the capital. Be sure to be at the foot at 6:30p.m. to witness the Remembrance Ceremony. 1 Architecture and Patrimony Museum Housed in the East wing of the Palais de Chaillot, built for the 1937 World’s Fair, and refurbished in 2005 by the architect Jean-François Baudin, the museum’s diverse exhibits illustrate the developments of French architecture through the ages.
    [Show full text]
  • Countering Illicit Traffic in Cultural Goods F
    Countering Illicit Traffic in Cultural Goods F. Desmarais (Ed.) Desmarais F. The Global Challenge of Protecting the World’s Heritage Cultural objects disappear every day, whether stolen from a museum or removed from an archaeological site, to embark on the well-beaten track of illicit antiquities. A track we have yet to map clearly. The need to understand that journey, to establish the routes, to identify the culprits, and to ultimately locate these sought-after objects, gave rise to the launch of the first International Observatory on Illicit Traffic in Cultural Goods by the International Council of Museums (ICOM). This transdisciplinary publication concludes the initial phase of the Observatory project, by providing articles signed by researchers and academics, museum and heritage professionals, archaeologists, legal advisors, curators, and journalists. It includes case studies on looting in specific countries, with the primary aim of eliciting the nature of the antiquities trade, the sources of the traffic, and solutions at hand. Countering Illicit Traffic in in Cultural Goods Illicit Traffic Countering With the financial support of the Prevention and Fight against Crime Programme, European Commission Directorate-General Home Affairs Countering Illicit Traffic in Cultural Goods The Global Challenge of Protecting the World’s Heritage Edited by France Desmarais This project has been funded with support from the European Commission. This publication reflects the views of the authors, and the European Commission cannot be held responsible
    [Show full text]