2011 Annual Review
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Herzlia AGM Addresses Challenges And
We are proud of the service we have provided to Trustees and Owners of Bodies Corporate and Homeowners Associations over 15 years. If we don’t already manage your apartment block or complex, we would like to. CONTACT Mike Morey TEL (021) 426 4440 FAX (021) 426 0777 EMAIL [email protected] VOLUME 29 No 6 JULY 2012 5772 www.cjc.org.za Herzlia AGM addresses Inspiring16082_Earspace UJC for Jewish General Chronicle FA.indd 1 Meeting2011/08/19 10:40 AM challenges and achievements The Biennial General Meeting of the United Jewish Campaign (UJC) took place on Monday 4 June at the Albow Centre campus. he UJC is the central fundraising Tagency of the Cape Town Jewish community. The organisation was constituted to allow the beneficiaries of the campaign to fulfil their respective missions, with primary fundraising pressures being assumed by the UJC. Gerald Kleinman, Philip Krawitz and Eliot Osrin. Some 100 individuals from across the community gathered to hear the results Dr David Klatzow was the keynote of the 2011 United Jewish Campaign and speaker, delivering an excellent address. learn more about the objectives for 2012. Continued on page 9 The new committee: Front: Bernard Osrin, Geoff Cohen, Dr Mark Todes, Gary Nathan, Tanya Golan (Chairperson) and David Ginsberg. Middle: Marianne Marks, Lizbe Botes, Franki Cohen, Michelle Scher, Dr Glenda Kruss van der Heever, Janine Fleischmann and Jos Horwitz. Cape Board hosts Back: Ivan Klitzner, Evan Feldman, Ari Zelezniak, Hilton Datnow, Warren Kaimowitz, Daniel Kurgan, Anton Krupenia and Ronnie Gotkin. ground-breaking debate At United Herzlia Schools’ 72nd AGM, curriculum. -
Emerging Artists Bare Their Hearts Through Art
GET YOUR COPY with your MR DELIVERY order from FREE Thurs-Sat each week YOUR FREE GUIDE TO YOUR FREE TIME ÷ 18 February - 24 February 2016 ÷ Issue 611 Play exposes dark underbelly of politics – page 3 Clooney takes us back to 50s Hollywood – page 8 - Page 10 Emerging artists bare their hearts through art LaLiga is coming to Cape Town – page 11 Follow us online: @48hrsincapetown • www.facebook.com/next48hours • www.48hours.co.za The Next 48hOURS • Socials Seen at The Discovery Sport Industry Awards 2016 at Sandton Convention Centre - Pictures by Gallo Images Post Valentine’s Day thoughts Looking for interesting things has Am I fast-forwarding or rewind- ers (especially to younger folk) when How does one, for example, un- become part of me, like an append- ing? Actually neither. I am right they say: “Just be yourself.” How derstand “light” if one cannot open age: observing and listening to eve- where I need to be. A re-watching does one “be yourself” if you have oneself to understanding “dark- Encore rything and everyone absorbedly so of ‘Scent of a Woman’ refers. It is no idea who the hell you are? We are ness”? And, I have also always main- that I might find my topic(s) for the the scene where Al Pacino’s character too often so many different versions tained that you only get to know By Rafiek Mammon week to write about. defends Chris O’ Donnell’s character of ourselves. And when we are no your true self if you are prepared to [email protected] Sometimes I get close to deadline at a school hearing, and he speaks longer around someone remembers spend real quality time with said self day and I have very little to write (in pure Pacino style) about snitches some version of who they thought and bare your honest thoughts and about, but the minute I am at the and integrity and about his soul not you were…like a fading polaroid. -
List of Section 18A Approved PBO's V1 0 7 Jan 04
List of Public Benefit Organisations (PBO) approved in terms of section 18A of the Income Tax Act as at 31 December 2003: Name of PBO: Exemption Application No: 46664 Concerts 930004984 Aandmymering ACVV Tehuis Bejaardes 18/11/13/2738 ABC Kleuterskool 930005938 Abraham Kriel Maria Kloppers Children's Home 18/11/13/1444 Abri Foundation Charitable Trust 18/11/13/2950 Access College 930000702 ACVV Aberdeen 930010293 ACVV Aberdeen Aalwyn Ouetehuis 930010021 ACVV Adcock/van der Vyver Behuisingskema 930010259 ACVV Albertina 930009888 ACVV Alexandra 930009955 ACVV Baakensvallei Sentrum 930006889 ACVV Bothasig Creche Dienstak 930009637 ACVV Bredasdorp 930004489 ACVV Britstown 930009496 ACVV Britstown Huis Daniel 930010753 ACVV Calitzdorp 930010761 ACVV Calvinia 930010018 ACVV Carnarvon 930010546 ACVV Ceres 930009817 ACVV Colesberg 930010535 ACVV Cradock 930009918 ACVV Creche Prieska 930010756 ACVV Danielskuil 930010531 ACVV De Aar 930010545 ACVV De Grendel Versorgingsoord 930010401 ACVV Delft Versorgingsoord 930007024 ACVV Dienstak Bambi Versorgingsoord 930010453 ACVV Disa Tehuis Tulbach 930010757 ACVV Dolly Vermaak 930010184 ACVV Dysseldorp 930009423 ACVV Elizabeth Roos Tehuis 930010596 ACVV Franshoek 930010755 ACVV George 930009501 ACVV Graaff Reinet 930009885 ACVV Graaff Reinet Huis van de Graaff 930009898 ACVV Grabouw 930009818 ACVV Haas Das Care Centre 930010559 ACVV Heidelberg 930009913 ACVV Hester Hablutsel Versorgingsoord Dienstak 930007027 ACVV Hoofbestuur Nauursediens vir Kinderbeskerming 930010166 ACVV Huis Spes Bona 930010772 ACVV -
Copy of Tracking 2018
2019 TRACKING OF 5 GRADUATE COHORTS OF MAGNET THEATRE'S FULLTIME TRAINING AND JOB CREATION PROGRAMME MAGNET THEATRE IS ONE OF SOUTH AFRICA’S BEST KNOWN INDEPENDENT PHYSICAL THEATRE COMPANIES THAT HAS BEEN OPERATING IN AND OUTSIDE OF SOUTH AFRICA FOR THE PAST 32 YEARS. MAGNET THEATRE RUNS THE ONLY SUITE OF BRIDGING PROGRAMMES IN THEATRE ARTS FOR UNEMPLOYED YOUTH IN THE WESTERN CAPE. 6 3 % of our graduates are actively employed in the 9 7 % of our graduates creative industry. A find regular employment in further 6% are employed the creative industry and fulltime in the broader broader economy, are self- economy bringing the employed or futhering their studies. employment rate of graduates to 6 9 % . Magnet has been instrumental in facillitating 5 6 % of the graduates access to the University of shared their skills, Cape Town for 3 2 first teaching school learners generation university and young adults in attendees. 17 have community centres, high graduated, 3 with post- schools, tertiary graduate qualifications; and institutions, and 11 are still studying. professional theatres. TEL: +27 21 448 3436 FAX: +27 86 667 3436 EMAIL: [email protected] WEB: www.magnettheatre.co.za 26 3% graduates from the youth 3% 3 % 3 % S development programmes U e l n f e - e m have furthered their studies at m p p l o l o y other tertiary institutions such y e d e as Rhodes University, UNISA, d CPUT, Waterfront Theatre 28% Fulltime 28% students School and others. 66% Employed 1 8 graduates are currently involved in community drama groups. -
BAXTER THEATRE Brilliant Impersonations of the Every Monday @ 7Pm - 9Pm
The Next 48hOURS ≈ Entertainment Guide Jackman proves that there is life after ‘Isidingo’ By Peter Tromp world and trying to find a solution to that numbness that now seems to be al- icola Jackman has the kind most a default setting for most people.” of super alert eyes that are In the play, which takes place in a almost hypnotizing. They are land called MinXa, this sense of unease so bright that they give off the is expressed as the great numbing dis- illusionN that she hardly blinks. ease called the Num-shaQ. “As MAfrika What is more is that she likes to goes through the various stories in the maintain eye contact throughout an in- production, she’s also discovering herself terview and is super aware of her sur- and taking the audience on this journey roundings, almost unnervingly so, even along with her,” says Jackman. paying attention to the notes I was The actress deliberately created the scribbling, reading and comprehending production as a family show that would my handwriting upside down when I appeal to ages five and up, because, have trouble deciphering my hieroglyph- as she says, “I didn’t want to lose the ics at the best of times. chance to connect with the kids.” It was obvious to me during our brief Although Jackman is alone on stage time how much she values human con- during the show, great care has been nection and the extent to which she is lavished on the conceptual elements of attuned to her surroundings. ‘MAfrika-kie’, with smell even playing a These are among the qualities that Nicola Jackman factor in the overall design. -
Polish President Kaczynski's Death a Loss to Jews, Israel
BUTOH - WHERE DANCERS BOOKS: THE IMPROVISE / 12 BOY WHO BOEING BOEING - REASON HARVESTED TO STAY FAITHFUL / 12 THE WIND / 13 Subscribe FREE to Jewish Report’s weekly e-mail edition. Go to www.sajewishreport.co.za www.sajewishreport.co.za Friday, 16 April 2010 / 2 Iyar 5770 Volume 14 Number 13 Goldstone Polish President Kaczynski’s ‘barred’ from grandson’s death a loss to Jews, Israel barmitzvah / 3 PAGE 8 MOTTY SACKS: Religious leaders should sing Hatikvah / 14 Israel’s birthday celebrations / 3, 11, 23 Iran - first ‘suicide state’? / 11 Paula Slier - Settlers are powder keg / 9 Exposing the al-Durrah blood libel / 8 Literary circles mourn death of Shirley Kossick / 16 Holocaust survivor Dr Nathan Durst, displays the yellow star with the word "Jood" (Jew), he A bevy of NOW A BADGE and other Jews in Europe were made to wear during the Second World War. Today that anti- Jewish symbol, has become a symbol of dignity of a people who would not surrender to the beautiful brides Nazi plan to exterminate them. Durst was guest speaker at the Yom Hashoah commemorations OF HONOUR in Johannesburg. (PHOTOGRAPH: ILAN OSSENDRYVER) SEE PAGES 4-6, 24 / 21 YOUTH / 18-19 SPORTS / 24 LETTERS / 14-17 CROSSWORD & BRIDGE / 20 COMMUNITY BUZZ / 7 WHAT’S ON / 20 2 SA JEWISH REPORT 16 - 23 April 2010 PARSHA OF THE WEEK SHABBAT TIMES April 16/2 Iyar Published by April 17/3 Iyar S A Jewish Report (Pty) Ltd, Suite 175, Postnet X10039, The ethical symbolism of milah for all time. Having attained perfec- Tazria/Metzora Randburg, 2125 tion of nature, the Creative Energy Tel: (011) 023-8160 WHILE THE instruction to of the world rested on the seventh Abraham to circumcise himself day. -
ABSTRACT Title of Dissertation: FORUM THEATRE AS THEATRE
ABSTRACT Title of Dissertation: FORUM THEATRE AS THEATRE FOR DEVELOPMENT IN EAST AFRICA Emily Jane Warheit, Doctor of Philosophy, 2017 Dissertation directed by: Associate Professor Laurie Frederik, Theatre and Performance Sturdies Theatre for development (TfD) includes a variety of performance practices that aim to communicate or foster dialogue in a development context. Forum Theatre, developed by Brazilian Director Augusto Boal as part of his Theatre of the Oppressed movement has become one of the most widely used forms in TfD. This dissertation looks at the use of Forum Theatre specifically in public health-focused programs funded by the United States Agency for International Development (USAID) in Uganda and Kenya. The appeal of Forum Theatre for addressing development issues stems from its participatory nature, particularly as it aligns with current trends towards community involvement in development. However, power imbalances inherent in foreign-funded projects, public health communication theories modeled after advertising, and the realities of life- and livelihood-threatening conditions on the ground all work against the liberatory potential of the form. The focus of Forum Theatre is on identifying and combatting oppression; in developing communities, what oppressions can theatre projects initiated from the top down by USAID actually address in practice? This study is a multi-sited exploration of the organizations and individuals involved in the funding, planning, and executing of two forum theatre projects promoting global public health goals. Through interviews of stakeholders and organization publications including training manuals and project reports, I examine how the organizations involved implement, evaluate, and justify the effectiveness of the use of theatre in their work. -
REFIGURING the PAST with THEATRE Mark Fleishman
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University REMEMBERING IN THE POSTCOLONY: REFIGURING THE PAST WITH THEATRE Mark Fleishman Town Cape of University Thesis submitted for the degree of Doctor of Philosophy In the Department of Drama, Faculty of Humanities, UNIVERSITY OF CAPE TOWN FEBRUARY 2012 “To write one’s autobiography, in order either to confess or to engage in self-analysis, or in order to expose oneself, like a work of art, to the gaze of all, is perhaps to seek to survive, but through a perpetual suicide – a death which is total inasmuch as fragmentary.” (Maurice Blanchot in The Writing of the Disaster, 1995: 64) “… while the relation of the present to the past is purely temporal, the relation of what-has- been to the now is dialectical: not temporal but figural.” (Walter Benjamin in The Arcades Project, 1982/1999: 463) “Thank God our art doesn’t last. At least we’re not adding more junk to the museums. Yesterday’s performance is by now a failure. If we accept this, we can always start again from scratch.” (Peter Brook in The Shifting Point, 1988: 56) Town Cape of University 2 ABSTRACT REMEMBERING IN THE POSTCOLONY: REFIGURING THE PAST WITH THEATRE By Mark Fleishman This thesis is a study of remembering in the postcolony. -
19Th ASSITEJ World Congress & International Theatre Festival for Children and Young People
PROGRAMME | CRADLE OF CREATIVITY T: 021 822 0070 / 1 / 2 | E: [email protected] | www.assitej2017.org.za Book at 19th ASSITEJ World Congress & International Theatre Festival for Children and Young People 16 - 27 MAY a C ic a 2017 fr p A e th Town Sou PROGRAMME | CRADLE OF CREATIVITY T: 021 822 0070 / 1 / 2 | E: [email protected] | www.assitej2017.org.za Book at A Mano Animal Farm El Patio Teatro Nobulali Productions A Mano (By Hand) is a tender and delicate Seven decades have passed since the first performance, a theatrical diamond that is publication of Orwell’s Animal Farm, yet a tribute to arts and artisans. It is the story the plight of Manor Farm and its animal of a very small but very special hero with denizens is ever relevant in contemporary a great desire to escape from his pottery South Africa. Dressed in what seems to be shop window and those who live there with the broken fatigues of guerrillas, the him. Told with beautifully crafted clay characters embrace both political identity characters and remarkable artistry, A Mano and farm-animal-hood, teetering between is a touching and life-affirming story about the two in terms of their articulated values love, small failures, a potter’s wheel and and increasing hypocrisy. Muriel the goat four hands at play. El Patio Teatro build, and Clover the sheep effectively act as the model, write, direct and play. Together, Spain narrators in the aftermath of the uprising. South Africa they create moving, reflective and The fiery energy that exists between the all beautifully original performances inspired women cast is palpable, and offers a fresh by stories from everyday life and by the Direction: Julián Sáenz-López, Izaskun Fernández| Design: Julián Sáenz-López , approach to critically examining patriarchal Direction: Neil Coppen | Performance: Mpume Mthombeni, Tshego Khutsoane, lives of objects around them. -
SOCIAL RESPONSIVENESS REPORT 2015-2016 Our Mission UCT Aspires to Become a Premier Academic Meeting Point Between South Africa, the Rest of Africa and the World
SOCIAL RESPONSIVENESS REPORT 2015-2016 Our mission UCT aspires to become a premier academic meeting point between South Africa, the rest of Africa and the world. Taking advantage of expanding global networks and our distinct vantage point in Africa, we are committed, through innovative research and scholarship, to grapple with the key issues of our natural and social worlds. We aim to produce graduates whose qualifications are internationally recognised and locally applicable, underpinned by values of engaged citizenship and social justice. UCT will promote diversity and transformation within our institution and beyond, including growing the next generation of academics. CONTENTS FOREWORD 3 PREFACE 4 INTRODUCTION 6 CRITICAL REFLECTIONS ON INSTITUTION-WIDE STRATEGIC INITIATIVES 8 Introduction 9 Schools Improvement Initiative 11 African Climate and Development Initiative 19 Safety and Violence Initiative (SaVI): a reflection 27 Poverty and Inequality Initiative 39 UCT Knowledge Co-op 47 Global Citizenship Initiative 50 REPORT ON THE ACTIVITIES OF THE CAPE HIGHER EDUCATION CONSORTIUM (CHEC) 53 Partnerships with the Western Cape Government (WCG) 54 City of Cape Town 57 Going Global Conference of the British Council 59 Technical and Vocational Education and Training (TVET) Colleges 59 REPORT ON INITIATIVES FUNDED THROUGH NRF COMMUNITY ENGAGEMENT GRANTS 61 FACULTY REPORTS 70 Introduction 71 Faculty of Science 75 Faculty of Health Sciences 87 Faculty of Law 148 Faculty of Commerce 158 Graduate School of Business 186 Engineering and the Built Environment 195 Humanities 208 CHED 230 2 UNIVERSITY OF CAPE TOWN SOCIAL RESPONSIVENESS REPORT 2015-2016 FOREWORD The challenges that confront our country, Africa and the world enjoin universities to begin to think differently about how they bring to bear their resources to engage with these challenges. -
We're Still Celebrating!
We're Still Celebrating! Over the past few months, there have been many articles written about how people around the world have experienced an enormous sense of loss due to the COVID-19 pandemic. As we put this issue of the Herzlia Headlines together I can't help but feel this too. We were all looking so forward to 2020. A year ago, we commenced preparations and plans for our 80th birthday celebrations. What a programme we had. We started with the Kolhakolot Carnival, which was really the old fashioned Herzlia fete,but on steroids. Less than two weeks later we shut the schools down. The long weekend in August was going to be the primary focus for the remainder of our celebrations with Shabbat services and brochas in all our shuls, school parties where we would have invited alumni, past teachers and parents, alumni reunions at our schools, talks and debates, old boys sports matches and the highlight: Feel the Beat at the CTICC. Due to our 'New Normal', we have had to re-look what we are doing and how we are doing it. It is important that everyone is part of our celebrations. Feel the Beat is going ahead, but in a different format. We will be using the technology available to us to produce a musical Herzlia journey. Because it will not be a live performance it has allowed us to feature our overseas alumni together with our pupils. So SAVET HE DATE! On Sunday 25 October 2020 we will be showcasing Celebrating 80 -The Musical Movie. -
Cultural Affairs Awards
CULTURAL AFFAIRS AWARDS Previous Recipients/Winners of the Awards since 1999 Updated March 2018 Updated March 2018 Page 1 of 27 2017/18 Recipients / Winners Categories ARTS AND CULTURE Stellenbosch International Best Contribution to the Visual Chamber Music Festival Arts, including Public Arts Ivy Meyer Best Contribution to the Performing Arts: Dance Ameera Conrad (The Fall) Best Contribution to the Performing Arts: Drama West Coast Youth Orchestra Best Contribution to the Performing Arts: Music Peter Voges Best Contribution to the Literary Arts, including Poetry, Prose and Play-writing Hein Marais (Township Angels) Best Contribution to Crafts LANGUAGE Louis David Nel Best Project towards the Promotion of South African Sign Language or the Marginalised Indigenous Languages of the Western Cape HERITAGE March Turok (Observatory Civic Most Active Conservation Body Association) MUSEUMS Lwandle Migrant Labour Museum Best Museum Promoting Social Inclusion Education Museum Best Museum Project Hester Charlotte Lotz Museum Volunteer of the Year Education Museum Best Contribution to the Preservation of Local Heritage GEOGRAPHICAL NAMES Mountain Passes South Africa Substantial Contribution to Geographical Names in the Western Cape LIBRARIES Oney Emmerentia Le Roux Best Volunteer in a Public Library Friends of Elsies River Library Best Friends of a Public Library Valhalla Park Public Library Best Book Club of a Public Library Ottery Public Library Best Collaborative Public Library Programme/Project ARCHIVES Jeannette Unite Archives Advocacy Dr Johan