DOCSLIB.ORG

19Th ASSITEJ World Congress & International Theatre Festival for Children and Young People

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
19Th ASSITEJ World Congress & International Theatre Festival for Children and Young People PROGRAMME | CRADLE OF CREATIVITY T: 021 822 0070 / 1 / 2 | E: [email protected] | www.assitej2017.org.za Book at 19th ASSITEJ World Congress & International Theatre Festival for Children and Young People 16 - 27 MAY a C ic a 2017 fr p A e th Town Sou PROGRAMME | CRADLE OF CREATIVITY T: 021 822 0070 / 1 / 2 | E: [email protected] | www.assitej2017.org.za Book at A Mano Animal Farm El Patio Teatro Nobulali Productions A Mano (By Hand) is a tender and delicate Seven decades have passed since the first performance, a theatrical diamond that is publication of Orwell’s Animal Farm, yet a tribute to arts and artisans. It is the story the plight of Manor Farm and its animal of a very small but very special hero with denizens is ever relevant in contemporary a great desire to escape from his pottery South Africa. Dressed in what seems to be shop window and those who live there with the broken fatigues of guerrillas, the him. Told with beautifully crafted clay characters embrace both political identity characters and remarkable artistry, A Mano and farm-animal-hood, teetering between is a touching and life-affirming story about the two in terms of their articulated values love, small failures, a potter’s wheel and and increasing hypocrisy. Muriel the goat four hands at play. El Patio Teatro build, and Clover the sheep effectively act as the model, write, direct and play. Together, Spain narrators in the aftermath of the uprising. South Africa they create moving, reflective and The fiery energy that exists between the all beautifully original performances inspired women cast is palpable, and offers a fresh by stories from everyday life and by the Direction: Julián Sáenz-López, Izaskun Fernández| Design: Julián Sáenz-López , approach to critically examining patriarchal Direction: Neil Coppen | Performance: Mpume Mthombeni, Tshego Khutsoane, lives of objects around them. Izaskun Fernández | Performance: Julián Sáenz- López, Izaskun Fernández and deeply masculine political systems, and MoMo Matsunyane, Mandisa Nduna, Zesuliwe Hadebe, Khutjo Bakunzi-Green Technician: Diego Solloa |Tour and production manager: Ana Sala forms of storytelling. 18 19 20 21 MAY MAY 17 18 19 20 MAY BAXTER THEATRE CENTRE | The Golden Arrow Studio MAY ARTSCAPE THEATRE CENTRE | Theatre 10:00 10:00 11:00 10:00 12:00 10:00 10:00 14:00 2017 2017 2017 7+ years old 2017 16 + years old 12:00 12:30 14:00 12:00 14:30 14:30 12:00 Non-verbal English 18:30 18:30 45 Minutes 19:30 19:30 90 Minutes Anziehsachen Caban ZA Theaterhaus Ensemble Theater De Spiegel & South African Artists Anziehsachen (Clothes) is designed for Caban is an on-going research performance small children’s first contact with theatre. in which we invite artists/musicians of A man and a woman, an old record player, different backgrounds to improvise a washing line and a large bag filled with together in relation to the installation wonderful things is all that is needed for modules, the space and of course the very the fun to begin. All sorts of exciting things inquisitive audience of children from 3 happen. Two very different people months to 3 years old. try to fit together. They play, they sing and A cosy play area, an oasis of peace dance and they test their limits. With all the containing a nest, a sleeve tunnel house, clothes they have they try the possibilities a bamboo hut, a camp, a ladder tent, etc. In-between playing, building and discovering, of transformation. With live songs from Germany SouthSpain Africa Belgium Henry Purcell’s opera “The Fairy Queen” incredulous eyes, busy hands, open mouths, this production does not only make small steps carried along at their own tempo by what they see, hear and feel. Concept: Karel van Ransbeeck | Scenography: Wim Van de Vyver, Andy Jones children dream, but adults too! Direction: Melanie Florschütz, Michael Döhnert | Design: Melanie Florschütz, Jessica Mias, Shrinkray Puppets | Performance: Karel Van Ransbeeck, Michael Döhnert | Performance: Michael Meyer, Susanne Schyns “Caban is a laboratory that allows itself to be Nicolas Ankouninoff, Ncebakazi Mnukwana, Kudakwashe Kangombe a performance at the same time”. 20 21 22 23 24 25 26 27 MAY MAY BAXTER THEATRE CENTRE | The Flipside MAY BAXTER THEATRE CENTRE | The Foyer 10:00 10:00 12:00 10:00 12:30 10:00 10:00 10:00 2017 2017 3 to 6 years old 2017 3 months to 3 years old 12:00 14:00 14:00 14:00 12:00 11:30 12:00 12:00 Non-verbal Non-verbal 16:30 18:30 35 Minutes 19:30 19:30 60 Minutes Dear Mr Government, please may I have a meeting with you Ekhaya even though I’m six years old? Magnet Theatre University of Johannesburg Arts and Culture Ekhaya (Home) is an expression of the relationship of children towards home. Dear Mr Government, Please May I have a It delves into their understanding of Meeting With You Even Though I’m Six Years being ‘’at home’’, in various contexts, and Old? is a tender retelling of what children are explores their associated feelings using saying about their governments. They want age appropriate language, song, and clear to make decisions, they want to talk to Mr imagery. The songs are catchy and draw on Government and they want Mr Government diverse South African musical styles and the to listen to them. Dear Mr Government is children sing the songs long after the actors built on the words of children in Lesotho have left! and South Africa; the play invites audiences from eight year olds, to teenagers, to adults Lesotho South Africa to see with the eyes of children and hope South Africa with the hope of children. While it brims over with play and sound and smell and wonder, Direction: Jessica Lejowa | Script: Jessica Lejowa, Cheraé Halley, Bongile Direction: Koleka Putuma, Jennie Reznek (Mentor) | Design : Francesco it cuts with a heavy and urgent truth: children Lecoge-Zulu | Performance: Cheraé Halley, Bongile Lecoge-Zulu | Nassimbeni | Performance: Sivuyile Dunjwa, Jason Jacobs, Babalwa Makwetu, are suffering for the world. Dramaturgy: Alby Michaels | Stage Manager: Jade Bowers Nolufefe Ntshuntshe, Luvo Tamba 22 23 24 25 17 18 ... 27 MAY MAY MAY BAXTER THEATRE CENTRE | The Masambe MAY BAXTER THEATRE CENTRE | Upstairs Rehearsal Room 12:00 11:00 10:00 14:00 10:00 10:00 10:00 14:00 2017 2017 2017 10+ years old 2017 3 to 6 years old 14:00 14:00 12:00 14:00 12:00 12:00 12:00 16:30 English Non-verbal 16:30 16:30 19:30 19:30 60 Minutes 16:30 16:30 19:30 19:30 35 Minutes Fingers and Toes, Full Moon My Body Knows Khayal Association for Arts and Education Independent Artist Inspired by the story of the prophet Joseph (Surah “Yusuf” of the Quran) also known in Fingers and Toes, My Body Knows! is a the Bible and the Jewish writings, Full Moon playful, mesmerising dance production for is a reaction to the atrocities committed a very young audience. The performance every day in the name of religion.This tells a story of touch, rediscovering how performance beautifully combines intelligent our bodies are at perceiving puppetry and shadow theatre. It begins the world around us. By balancing both with the voice of the wolf telling us his abstract and character-based performance own story. While remembering his hunting styles, the work is absorbing and delightful for all ages, but is particularly relevant adventures, he recalls that dark night when for little ones who see themselves and he fell in a trap laid by men with dark minds their own experiences mirrored by the South Africa and hearts made of stone. In the middle of Lebanon performance language. Fingers and Toes darkness and dryness, he sees a dazzling light. It is the boy with green fingers and was created in South Africa by award- Direction: Karim Dakroub | Direction Assistance & Lighting Design: Fouad Choreography : Nicola Elliott in collaboration with the cast | Performance: Jori winning choreographer-director Nicola white heart, and his father whose insight is Yammine | Set & Puppet Design: Walid Dakroub | Script: Karim Dakroub Snell, Siphumeze Khundayi Elliott in collaboration with the acclaimed larger than all that of humanity combined... Performers: Ekatrina Dakroub, Walid Jaber, Serena Chami cast Siphumeze Khundayi and Jori Snell. 24 25 26 27 ARTSCAPE THEATRE CENTRE | Rehearsal Room 207 22 23 24 25 MAY MAY CITY HALL | Theatre 1 BAXTER THEATRE CENTRE | Upstairs Rehearsal Room 10:00 10:00 10:00 10:00 10:00 10:00 10:00 14:00 2017 1 to 4 years old 2017 6+ years old 11:45 12:30 11:30 12:30 12:00 12:00 12:00 16:30 Non-verbal English 16:30 16:30 19:30 19:30 90 Minutes 16:30 16:30 19:30 19:30 55 Minutes PROGRAMME | CRADLE OF CREATIVITY T: 021 822 0070 / 1 / 2 | E: [email protected] | www.assitej2017.org.za Book at Gretel and Hansel Insta-grammar Le Carrousel, compagnie de theatre Drama For Life Theatre Company When Hansel arrives, it upsets the It all went down on the DMs. A double tap balance of Gretel’s life. Her little here, and only a little low-key ista-stalking brother has turned everything upside there. Side stepped the catfish and tracked down. When their parents abandon them relationship statuses daily. Likes became in the forest and they end up at the witch’s tags, and then all those tags dropped an house, she is very tempted to push him L-bomb comment: 'Love that track' which into the oven and get rid of him forever..
Load more

Recommended publications
  • AWHAF A5 Brochure Jul 2018.Cdr
    A R T S C A P E T H E A T R E C E N T R E PRESENTS Women / Humanity Women / HumanityArts Festival A R T S C A P E an agency of the 20 Jul - 18 Aug 2018 Department of Arts and Culture CONTENTS Messages 2 Stage Productions 6 • Fostering Fever • Divalicious Dames 2018 – Here’s To Life • Ruth First: 117 Days • Bollywood Enchanted • Around the Fire • ABFAB Drag • Liefde is Rooi • Piazza Production • CCFM Concert Festival Icons 10 Woman Zone Story Café & Panel Discussions 12 SAFFI Exhibition & Story Telling 13 Humanity Walk 14 Humanity Lunch 15 Street Talk Film Screenings 16 Department of Home Affairs – Smart ID Campaign 17 Women Unite 17 Workshops 18 • WAND Celebration & Empowerment Workshop with teenage disabled girls • Southern Suburbs Legal Advice Centre Law & Consumer Workshops • Forward Fund Workshop CANSA, TBHIV Care & OTSM Health Screenings 21 Stakeholders & Exhibitors 22 Daily Programme 26 Sponsors 29 1 MESSAGES Alderman Patricia De Lille Executive Mayor of the City of Cape Town Cape Town is a caring and inclusive city and a city of opportunity. All these values are espoused by the Women’s Humanity Arts Festival whose organisers believe in equality and that the world belongs to all those who live in it. The City of Cape Town is proud to be associated with an event which seeks to promote inclusion and educate the public on the importance of telling the stories of marginalised groups in South Africa. We are indeed proud that Cape Town’s hub of arts and culture, the Artscape will again host the Women’s Humanity Arts Festival where audiences will not only be entertained with the fine arts, but also engage in thought-provoking commentary on human rights issues.
    [Show full text]
  • Remember the Luxurama at the Baxter 12 JAN 2016
    GET YOUR COPY with your MR DELIVERY order from FREE Thurs-Sat each week YOUR FREE GUIDE TO YOUR FREE TIME ÷ 04 December - 10 December 2015 ÷ Issue 600 The legacy of Rocky lives on in ‘Creed’– page 10 Oceanic enchantment awaits this Festive Season – page 11 - Page 6 Remember the Luxurama Unwind at the Willowbridge at the Baxter Beers & Gears Festival – page 12 Follow us online: @48hrsincapetown • www.facebook.com/next48hours • www.48hours.co.za Ratanga Junction Theme Park OPEN Daily until 12 JAN 2016 For School Holidays *Closed Christmas Day Don’t forget to join the Ratanga CLUB! Info line: 0861 200 300 It’s FREE www.ratanga.co.za *Terms and conditions apply SUMMER 2015/16 OVER 27 ATTRACTIONS FOR THE WHOLE FAMILY! The Next 48hOURS • What’s Hot The Next 48hOURS hosted its official Cape Town Summer launch at Quaglinos While angry students destroy corridors of learning… because of the memorabilia on dis- dation to become who we eventually have shared so indelibly in this day, that our resistance was not only an play, I was acutely reminded of my became. knowing that however small it may anti-apartheid struggle, but also an past – mostly the happy parts of it, Our ex-principal, Dr Victor Ritch- have been, my contribution also anti-capitalist, anti-imperialist and Encore but there were many hardships and ie was there, as lucid and sharp as added to what is now known as my anti-neo-colonialist struggle. ‘Edu- deeply emotional moments that per- ever, as was my Latin and English Alma Mater’s heritage… cation before Liberation’ was the By Rafiek Mammon haps are not depicted in those pho- teacher, Helen Kies, and my Biology Then, recently, I heard from my dictum that guided her practice as a [email protected] tographs.
    [Show full text]
  • Experience 5)&7*#3"/$:0'4065)"'3*$"Μ4$6-563"-%*7&34*5: Africa
    EXPERIENCE 5)&7*#3"/$:0'4065)"'3*$"µ4$6-563"-%*7&34*5: AFRICA $&-&#3"5*/(5)& 7*#3"/$:0' GUIDE 2010 AND CULTURE ARTS 4065)"'3*$"4 $6-563"-%*7&34*5: ARTSANDCULTURE $EPARTMENT ARTSANDCULTURE !RTSAND#ULTURE $EPARTMENT 2%05",)#/&3/54(!&2)#! !RTSAND#ULTURE 5FM ARTS AND CULTURE GUIDE 2010 2%05",)#/&3/54(!&2)#! XXXEBDHPW[B Ditsong: Kruger Museum AFRICA In compiling this guide to the institutions and events that represent the incredibly broad and varied spectrum of the South African cultural scene, the Department of Arts and Culture has received the generous assistance of a number of organisations and individuals. The Department would like to thank each of these for their time, effort and valuable input, all of which were absolutely essential in making this publication as complete, accurate and appealing as possible. Angelique Kidjo (Benin) Freshlyground’s lead singer, Zolani Mahola National Department of Arts and Culture: 2010 Project Management Office Duduzile Mazibuko - Content Advisor and 2010 Project Manager Communications Department: Lisa Combrinck - Editor and Head of Communications Premi Appalraju - Content Development Corney Wright - Product Development James Mathibeng - Photography and DAC Administration Editorial services: ACKNOWLEDGEMENTS: DeskLink Media Team Design and Layout: Amadou & Mariam (Mali) Mariam & Amadou DeskLink Media Luthuli Nyathi, Sizakele Shingange Project Management: Chris Watterson Printed by: Colorpress (PTY) Ltd FOREWORD .*/*45&30'"354"/%$6-563& .4-6-69*/(8"/" At last, the FIFA 2010 World Cup™ is here. South Africa’s six long and busy years of preparation are finally coming to fruition. We have no doubt that South Africa and Africa are ready to offer the world an unforgettable occasion, creating festive hubs to which fans can flock to share their appreciation of the beautiful game and to experience African arts and culture.
    [Show full text]
  • Your Guide to Myciti
    Denne West MyCiTi ROUTES Valid from 29 November 2019 - 12 january 2020 Dassenberg Dr Klinker St Denne East Afrikaner St Frans Rd Lord Caledon Trunk routes Main Rd 234 Goedverwacht T01 Dunoon – Table View – Civic Centre – Waterfront Sand St Gousblom Ave T02 Atlantis – Table View – Civic Centre Enon St Enon St Enon Paradise Goedverwacht 246 Crown Main Rd T03 Atlantis – Melkbosstrand – Table View – Century City Palm Ln Paradise Ln Johannes Frans WEEKEND/PUBLIC HOLIDAY SERVICE PM Louw T04 Dunoon – Omuramba – Century City 7 DECEMBER 2019 – 5 JANUARY 2020 MAMRE Poeit Rd (EXCEPT CHRISTMAS DAY) 234 246 Silverstream A01 Airport – Civic Centre Silwerstroomstrand Silverstream Rd 247 PELLA N Silwerstroom Gate Mamre Rd Direct routes YOUR GUIDE TO MYCITI Pella North Dassenberg Dr 235 235 Pella Central * D01 Khayelitsha East – Civic Centre Pella Rd Pella South West Coast Rd * D02 Khayelitsha West – Civic Centre R307 Mauritius Atlantis Cemetery R27 Lisboa * D03 Mitchells Plain East – Civic Centre MyCiTi is Cape Town’s safe, reliable, convenient bus system. Tsitsikamma Brenton Knysna 233 Magnet 236 Kehrweider * D04 Kapteinsklip – Mitchells Plain Town Centre – Civic Centre 245 Insiswa Hermes Sparrebos Newlands D05 Dunoon – Parklands – Table View – Civic Centre – Waterfront SAXONSEAGoede Hoop Saxonsea Deerlodge Montezuma Buses operate up to 18 hours a day. You need a myconnect card, Clinic Montreal Dr Kolgha 245 246 D08 Dunoon – Montague Gardens – Century City Montreal Lagan SHERWOOD Grosvenor Clearwater Malvern Castlehill Valleyfield Fernande North Brutus
    [Show full text]
  • Flaws of Modern-Day Love Set to Song
    GET YOUR COPY with your MR DELIVERY order from THE NEXT FREE Thurs-Sat each week 4YOUR FREE8 GUIDE TOh YOUR FREEO TIME U 15 RJuly - 21 July S2016 Issue 632 Your free guide to your free time Ard Matthews and co. unplugged – page 6 ‘Tarzan’ gets a big screen makeover – page 8 - Page 4 Flaws of modern-day love set to song Ways to spend your 67 minutes on Mandela Day – page 9 Follow us online: @48hrsincapetown • www.facebook.com/next48hours • www.48hours.co.za Ratanga Junction Theme Park JOIN US FOR A 10 DAY JOL: 8 - 17 JULY Due to popular demand we are turning the clock back to 2006 Full Adventurer @ R95 Ticket sales also available Mini Adventurer & RJ/48Hours/2016-06/03 online via our website Fun Pass @ R45 Info line: 0861 200 300 • www.ratanga.co.za *Terms and conditions apply The Next 48hOURS • Social An evening with John Barnes at Hanover street, GrandWest Pictures by Steven booth Seen at the launch of “Stop Hunger Now SA” and packing food parcels for hungry children at Grandwest Casino and Entertainment World Pictures by abdurahman Khan The Next 48hOURS is published by EDITORIaL STaFF EditoriaL Address EditoriaL COnTRIbutors Rani Communications. Every effort has Managing Editor: Naushad Khan Postal: P.O. Box 830, Jenny Morris Maitland, 7404 been made to ensure the accuracy of Production Editor: Peter Tromp Rafiek Mammon the information provided. Editorial Assistant: Aisha Sieed RoxyK Actual: 12 Main Rd. The Next 48hOURS will not be held Senior Designer: Dane Torode Imran Khan Three Anchor Bay responsible for the views and opinions National Sales: Godfrey Lancellas Martin Myers Tel: 021 8024848 expressed by writers and contributors.
    [Show full text]
  • Yesterday • Today • Tomorrow
    YESTERDAY • TODAY • TOMORROW ARTSCAPE THEATRE CENTRE | 1 OUR THEME: YESTERDAY, TODAY & TOMORROW “… in order to celebrate the achievements over the past 50 years, we need to be mindful of how it came about, build on the work of those that came before us, and lead the way to a future that is even more inclusive, more equitable and more just – a constant strife.” – Marlene le Roux Yesterday, Today and Tomorrow Rajesh Jock CHAIRPERSON Artscape Theatre Centre Artscape Theatre Centre (formally the Nico Malan Theatre) has made major advances since its inception in 1971. Relying on a strong commitment from the National Department of Sport, Arts and Culture, the theatre now celebrates its Golden Anniversary! Entertainment, arts and culture contributes to the vibrancy, heritage and activation of the Cape Town Metropolitan City as well as the Western Cape Province, and plays an important role in tourism and economic growth. Since being renamed circa 1999, Artscape has provided a modern, contemporary and world-class regional venue supporting arts and culture, and especially local talent. Artscape represents a very special organisation, comprising committed professionals, who are dedicated to the advancement of many different local and international productions in the City of Cape Town and many other parts of the Western Cape Province. Combined with the passion and commitment of major stakeholders both nationally and provincially, Artscape has become a home for all in the arts and will continue to embrace the diverse communities of the Western Cape through performers and patrons. I thank and congratulate everyone who has, over many years, dedicated their expertise, time, effort and passion to continually building this wonderful organisation and making it what it is today.
    [Show full text]
  • Part 2 Performance
    PROGRAMME PART 2 PERFORMANCE The services rendered by the Cultural Commission are aligned with the duties and powers of the Commission as set out in the Western Cape Cultural Commission and Cultural Councils Act, 1998 (Act 14 of 1998). G o a l K ey Perf orm an ce Ta rg e t Perf o rman c e Re s ul ts Rea s on f or Va r i a n c e I n d i c a t o r Letting cultural facili- Optimal use of Facilities in use for at least Facilities used for appro x i- N o n e ties placed under the facilities by org a n i- 45 000 people-days mately 67 479 people-days supervision of the sations for the Commission by the p reservation, pro- Minister for the motion and devel- p res erv a tio n , p ro m o- opment of culture tion and develop- in t h e We s t e r n ment of culture in the C a p e We s t e r n C ape I n c re as ed u se of A ff o rdable facilities Accessibility to seven cul- 7,3% increase in number N o n e f ac i lit ies b y g ro u p s for all communities tural facilities of groups and 2,7% f rom previously dis- in t h e We s t e r n i n c rease in number of peo- advantaged commu- C a p e ple making use of facilities nities.
    [Show full text]
  • Emerging Artists Bare Their Hearts Through Art
    GET YOUR COPY with your MR DELIVERY order from FREE Thurs-Sat each week YOUR FREE GUIDE TO YOUR FREE TIME ÷ 18 February - 24 February 2016 ÷ Issue 611 Play exposes dark underbelly of politics – page 3 Clooney takes us back to 50s Hollywood – page 8 - Page 10 Emerging artists bare their hearts through art LaLiga is coming to Cape Town – page 11 Follow us online: @48hrsincapetown • www.facebook.com/next48hours • www.48hours.co.za The Next 48hOURS • Socials Seen at The Discovery Sport Industry Awards 2016 at Sandton Convention Centre - Pictures by Gallo Images Post Valentine’s Day thoughts Looking for interesting things has Am I fast-forwarding or rewind- ers (especially to younger folk) when How does one, for example, un- become part of me, like an append- ing? Actually neither. I am right they say: “Just be yourself.” How derstand “light” if one cannot open age: observing and listening to eve- where I need to be. A re-watching does one “be yourself” if you have oneself to understanding “dark- Encore rything and everyone absorbedly so of ‘Scent of a Woman’ refers. It is no idea who the hell you are? We are ness”? And, I have also always main- that I might find my topic(s) for the the scene where Al Pacino’s character too often so many different versions tained that you only get to know By Rafiek Mammon week to write about. defends Chris O’ Donnell’s character of ourselves. And when we are no your true self if you are prepared to [email protected] Sometimes I get close to deadline at a school hearing, and he speaks longer around someone remembers spend real quality time with said self day and I have very little to write (in pure Pacino style) about snitches some version of who they thought and bare your honest thoughts and about, but the minute I am at the and integrity and about his soul not you were…like a fading polaroid.
    [Show full text]
  • Places to Enjoy, Please Visit Capetownccid.Org Play Be Entertained 24/7
    capeBEST OF town 2018 e copy re r f You 300pla ces to enjoy n i o u r Cen tral City visit shop eat play stay Must-see museums, From luxury All the best Plan your Hotels, galleries, cultural boutiques & restaurants & social calendar guesthouses and attractions & speciality shops to night time the quick & backpackers to suit historic spaces trndy flaarts dining spots easy way every traveller + Over 900 more places on our website. Visit capetownccid.org @CapeTownCCID CapeTownCCID 05 VISIT Galleries, museums, city sights and public spaces 17 SHOP Fashion, gifts, décor and books FROM THE 29 EAT Cafés, bakeries, EDITOR restaurants and markets Through this guide, brought to you by the Cape Town Central 45 PLAY Theatres, pubs City Improvement District and clubs (CCID), South Africa’s Mother City continues to welcome 53 STAY enthusiastic visitors in ever- Hotels and backpackers growing numbers – up to some 1,2-million in 2017. The 67 ESSENTIALS inner Central City of Cape Useful info Town is an especially vibrant and resources draw card, presenting a BEST OF cape town 2018 copy ICONS TO NOTE ee dizzying range of options for fr r You shopping, gallery-hopping 300place WALLET- A SPECIAL s to en joy in o u r Ce FRIENDLY TREAT OCCASION ntral and stopping for the night! City visit shop eat play stay Must-see museums, From luxury All the best Plan your Hotels, galleries, cultural boutiques & restaurants & social calendar guesthouses and attractions & speciality shops to night time the quick & backpackers to suit WHEELCHAIR- CHILD- CLOSEST PARKING historic spaces trndy fl aarts dining spots easy way every traveller Its entertainment offerings + P Over more places on our website visit capetownccid.org FRIENDLY 900 FRIENDLY (SEE PAGE 70) @CapeTownCCID CapeTownCCID – from cabaret and classical concerts to theatres, clubs To obtain a copy of this magazine, contact Aziza Patandin and pubs – are the rival of any at the CCID on 021 286 0830 or [email protected] international CBD.
    [Show full text]
  • Southern Suburbs
    MAITLAND N7 MAITLAND Durbanville Ave P la tte kl oo f R d PLATTEKLOOF MILNERTON EDGEMEAD TYGERVALLEY d R g r e Old Oak Rd eb o K Durban Rd N1 N1 M25 N1 Marine Dr. GOODWOOD M5 M7 Voortrekker Rd R102 PAROW N1 R102 SALT RIVER SOUTHERN M16 Eastern Blvd OBSERVATORY M7 V ic to r ia SUBURBS R The Heart of d Cape Town Museum M57 Groote Schuur PINELANDS Vincent Pallotti MAP Rhodes Memorial M52 9 LANGA Durban Rd St Peters Rd M5 University of CABLE WAY Cape Town Cape Town Tourism Mostert’s Mill MOWBRAY Visitor Information Centres Irma Stern Museum ROSEBANK Police Station M62 Woolsack Dr. Liesbeek Parkway ATHLONE Hospital Baxter Theatre Centre Red Cross Places of Interest Children’s Hospital Klipfontein Rd M3 TABLE MOUNTAIN Princess Anne Ave. Train Line RONDEBOSCH M6 CAPE TOWN NATIONAL PARK M7 N2 Transport Information Centre INTERNATIONAL Klippe Newlands Rugby Stadium +27 (0)800 656 463 r Rd BAKOVEN SA Rugby Museum NEWLANDS AIRPORT 6 8 Josephine Mill Newlands Kromboom Rd GUGULETU Newlands Cricket Ground Swimming Pool Jan Smuts Dr. 7 Milner Rd M43 RYLANDS Newlands Ave. RONDEBOSCH 1 EAST CLAREMONT Kirstenbosch National M17 DELFT M6 Main Rd Botanical Gardens Protea Rd Cavendish Square Lansdowne Rd Rhodes Ave. d Chichester Rd R BISHOPSCOURT Newlands Rd l e h c rs e H M4 M24 HANOVER PARK LANSDOWNE Kenilworth NYANGA N2 Chart Farm Race Course Rosmead Ave T ro va 4 to Link KENILWORTH Wynberg Park W Wetton Rd M9 a t Wynberg 2 Military e M63 r l o o R M3 d 10 5 YOUNGSFIELD WETTON 3 WYNBERG M28 OTTERY M63 Victoria PHILIPPI Ottery Rd Gabriel Rd M41 M5 M7 CONSTANTIA C on d PLUMSTEAD sta R 2 ntia Main Constantiaberg Groot Constantia M10 M42 DIEP RIVER Victoria Rd TOP 10 MUST-DO EXPERIENCES S t Kendal Rd r a nd f o n t De Waal Rd e i Kirstenbosch: Stroll through the Montebello Design Centre: For n 1 6 M38 Rd National Botanical Gardens and a creative morning out, visit Klein Constantia MITCHELLS BERGVLIET SOUTHFIELD Klip Rd PLAIN pay a visit to the new ‘Boomslang’ the artists’ studios, shop their Buitenverwachting Victoria Rd canopy walkway.
    [Show full text]
  • Falling and Rising in the Wake of Cecil John Rhodes Tamar Garb
    Falling and Rising In the Wake of Cecil John Rhodes Tamar Garb One spectacular event, many competing images. On the April 9, 2015, the University of Cape Town (UCT) enabled the removal of its most contentious public monument, the statue of Cecil John Rhodes, one-time prime minister of the Cape Colony (1890–96), arch imperialist, benefactor of the university’s estate, and protagonist of white supremacy.1 Both veteran documentary photographer David Goldblatt and emerging performance/visual artist Sethembile Msezane were there to witness the scene. As their images testify, they were not alone. Equipped with mobile phones and iPads, hundreds of onlookers attended the auspicious unseating, stretching their arms heavenward as if saluting or hailing history rather than merely capturing its symbolic passage. Figs 1, 2 Goldblatt’s and Msezane’s iconic photographs are particularly notable for capturing alternative views of an ongoing, sometimes bitter, argument. Despite the formal, aesthetic, and affective differences between these two photographs, the proliferation of handheld devices of recordkeeping and personal testimony that frame the scene are shared, providing the contemporary context for the newsworthy spectacle, democratized dissemination, and embodied experience that the scene of removal represents. Not only is it meaningful that the controversial, now visibly diminished, statue was taken down, but the public manner and individuated mediation/consumption of its removal makes the event significant at both a subjective and social level.
    [Show full text]
  • Copy of Tracking 2018
    2019 TRACKING OF 5 GRADUATE COHORTS OF MAGNET THEATRE'S FULLTIME TRAINING AND JOB CREATION PROGRAMME MAGNET THEATRE IS ONE OF SOUTH AFRICA’S BEST KNOWN INDEPENDENT PHYSICAL THEATRE COMPANIES THAT HAS BEEN OPERATING IN AND OUTSIDE OF SOUTH AFRICA FOR THE PAST 32 YEARS. MAGNET THEATRE RUNS THE ONLY SUITE OF BRIDGING PROGRAMMES IN THEATRE ARTS FOR UNEMPLOYED YOUTH IN THE WESTERN CAPE. 6 3 % of our graduates are actively employed in the 9 7 % of our graduates creative industry. A find regular employment in further 6% are employed the creative industry and fulltime in the broader broader economy, are self- economy bringing the employed or futhering their studies. employment rate of graduates to 6 9 % . Magnet has been instrumental in facillitating 5 6 % of the graduates access to the University of shared their skills, Cape Town for 3 2 first teaching school learners generation university and young adults in attendees. 17 have community centres, high graduated, 3 with post- schools, tertiary graduate qualifications; and institutions, and 11 are still studying. professional theatres. TEL: +27 21 448 3436 FAX: +27 86 667 3436 EMAIL: [email protected] WEB: www.magnettheatre.co.za 26 3% graduates from the youth 3% 3 % 3 % S development programmes U e l n f e - e m have furthered their studies at m p p l o l o y other tertiary institutions such y e d e as Rhodes University, UNISA, d CPUT, Waterfront Theatre 28% Fulltime 28% students School and others. 66% Employed 1 8 graduates are currently involved in community drama groups.
    [Show full text]