Why Spartacus Lost
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Screening the Male: Exploring Masculinities in Hollywood Cinema I
SCREENING THE MALE Exploring masculinities in Hollywood cinema Edited by Steven Cohan and Ina Rae Hark London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Disclaimer: For copyright reasons, some images in the original version of this book are not available for inclusion in the eBook. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 1993 Routledge, collection as a whole Individual chapters © 1993 respective authors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Screening the Male: Exploring Masculinities in Hollywood Cinema I. Cohan, Steven II. Hark, Ina Rae 791.4309 Library of Congress Cataloguing in Publication Data Screening the male: exploring masculinities in Hollywood cinema/edited by Steven Cohan and Ina Rae Hark. p. cm. 1. Men in motion pictures. 2. Sex in motion pictures. I. Cohan, Steven. II. Hark, Ina Rae. PN1995.9.M46S36 1993 791.43´652041–dc20 92–5815 ISBN 0–415–07758–3 (hbk) ISBN 0–415–07759–1 (pbk) ISBN 0–203–14221–7 Master e-book ISBN ISBN 0–203–22072–2 (Glassbook Format) 8 ANIMALS OR ROMANS Looking at masculinity in Spartacus Ina Rae Hark When Laura Mulvey’s ‘Visual Pleasure and Narrative Cinema’ detailed how the cinematic apparatus and the conditions of cinema spectatorship invariably place woman as an object of the desiring male gaze, required to present herself as spectacle, its argument did not necessarily exclude the possibility that the apparatus could similarly objectify men who symbolically if not biologically lacked the signifying phallus. -
Gladiator Politics from Cicero to the White House
Gladiator Politics from Cicero to the White House The gladiator has become a popular icon. He is the hero fighting against the forces of oppression, a Spartacus or a Maximus. He is the "gridiron gladiator" of Monday night football. But he is also the politician on the campaign trail. The casting of the modern politician as gladiator both appropriates and transforms ancient Roman attitudes about gladiators. Ancient gladiators had a certain celebrity, but they were generally identified as infames and antithetical to the behavior and values of Roman citizens. Gladiatorial associations were cast as slurs against one's political opponents. For example, Cicero repeatedly identifies his nemesis P. Clodius Pulcher as a gladiator and accuses him of using gladiators to compel political support in the forum by means of violence and bloodshed in the Pro Sestio. In the 2008 and 2012 presidential campaigns the identification of candidates as gladiators reflects a greater complexity of the gladiator as a modern cultural symbol than is reflected by popular film portrayals and sports references. Obama and Clinton were compared positively to "two gladiators who have been at it, both admired for sticking at it" in their "spectacle" of a debate on February 26, 2008 by Tom Ashbrook and Mike McIntyre on NPR's On Point. Romney and Gingrich appeared on the cover of the February 6, 2012 issue of Newsweek as gladiators engaged in combat, Gingrich preparing to stab Romney in the back. These and other examples of political gladiators serve, when compared to texts such as Cicero's Pro Sestio, as a means to examine an ancient cultural phenomenon and modern, popularizing appropriations of that phenomenon. -
Khachaturian BL1 V0 Brilliant 21/12/2011 16:55 Page 1
9256 Khachaturian_BL1_v0_Brilliant 21/12/2011 16:55 Page 1 9256 KH ACH ATURIAN GAY ANE H · SPAR TACUS Ball et Su ites BOLSHOI THEATRE O RCHESTRA EVGENY SVETLANOV Aram Khachaturian 1903 –1978 Khachaturian: Suites from Gayaneh and Spartacus Gayaneh – Ballet Suite Aram Ilyich Khachaturian was born in Tbilisi, Georgia, to a poor Armenian family. 1 Dance of the Rose Maidens 2’42 Although he was fascinated by the music he heard around him as a child, he remained 2 Aysha’s Dance 4’22 self-taught until the early 1920s, when he moved to Moscow with his brother, who had 3 Dance of the Highlanders 1’57 become stage director of the Second Moscow Art Theatre. Despite this lack of formal 4 Lullaby 5’53 training, Khachaturian showed such musical promise that he was admitted to the 5 Noune’s Dance 1’44 Gnessin Institute, where he studied cello and, from 1925, composition with the 6 Armen’s Var 1’58 Institute’s founder, the Russian-Jewish composer Mikhail Gnessin. In 1929, 7 Gayaneh’s Adagio 4’00 Khachaturian entered the Moscow Conservatory where he studied composition with 8 Lezghinka 2’57 Nikolai Myaskovsky and orchestration with Sergei Vasilenko. He graduated in 1934 9 Dance with Tambourines 2’59 and wrote most of his important works – the symphonies, ballets and principal 10 Sabre Dance 2’30 concertos – over the following 20 years. In 1951, he became professor at the Gnessin State Musical and Pedagogical Institute (Moscow) and at the Moscow Conservatory. Spartacus – Ballet Suite He also held important posts at the Composers’ Union, becoming Deputy Chairman of 11 Introduction – Dance of the Nymphs 6’04 the Moscow branch in 1937 and Vice-Chairman of the Organising Committee of Soviet 12 Aegina’s Dance 4’00 Composers in 1939. -
The Agency of Prayers: the Legend of M
The Agency of Prayers: The Legend of M. Furius Camillus in Dionysius of Halicarnassus Beatrice Poletti N THIS PAPER, I examine the ‘curse’ that Camillus casts on his fellow citizens as they ban him from Rome on the accu- sations of mishandling the plunder from Veii and omitting I 1 to fulfill a vow to Apollo. Accounts of this episode (including Livy’s, Plutarch’s, and Appian’s) more or less explicitly recall, in their description of Camillus’ departure, the Homeric prece- dent of Achilles withdrawing from battle after his quarrel with Agamemnon, when he anticipates “longing” for him by the Achaean warriors. Dionysius of Halicarnassus appears to fol- low a different inspiration, in which literary topoi combine with prayer ritualism and popular magic. In his rendering, Camillus pleads to the gods for revenge and entreats them to inflict punishment on the Romans, so that they would be compelled to revoke their sentence. As I show, the terminology used in Dionysius’ reconstruction is reminiscent of formulas in defixi- 1 I.e., the affair of the praeda Veientana. Livy, followed by other sources, relates that before taking Veii Camillus had vowed a tenth of the plunder to Apollo. Because of his mismanagement, the vow could not be immediately fulfilled and, when the pontiffs proposed that the populace should discharge the religious obligation through their share of the plunder, Camillus faced general discontent and eventually a trial (Liv. 5.21.2, 5.23.8–11, 5.25.4–12, 5.32.8–9; cf. Plut. Cam. 7.5–8.2, 11.1–12.2; App. -
A Fork in the Road: the Catilinarian Conspiracy's Impact
A Fork in the Road: The Catilinarian Conspiracy‘s Impact on Cicero‘s relationships with Pompey, Crassus` and Caesar Jeffrey Larson History 499: Senior Thesis June 13, 2011 © Jeffrey Larson, 2011 1 But concerning friendship, all, to a man, think the same thing: those who have devoted themselves to public life; those who find their joy in science and philosophy; those who manage their own business free from public cares; and, finally, those who are wholly given up to sensual pleasures — all believe that without friendship life is no life at all. .1 The late Roman Republic was filled with crucial events which shaped not only the political environment of the Republic, but also altered the personal and political relationships of the individuals within that Republic. Four of the most powerful, and most discussed, characters of this time are Marcus Tullius Cicero (106 BC – 43 BC), Gnaeus Pompeius Magnus (106 BC – 48 BC), Marcus Licinius Crassus (c. 115 BC – 53 BC), and Gaius Julius Caesar (c. 100 BC – 44 BC). These men often crossed paths and some even had close friendships with each other. Other than Pompeius, better known as Pompey, all the aforementioned individuals were involved, or reportedly involved, in one event which had profound effects on the personal and political relationships of all four individuals. This event is known as the Catilinarian Conspiracy of 63 BC. The Catilinarian Conspiracy was a pivotal episode in the politics of the Late Roman Republic that damaged both the political and personal relationships of Cicero, Pompey, Crassus, and Caesar. Politics in the Roman Republic was dominated by a small number of members of the senatorial class. -
The Emergence of Archival Records at Rome in the Fourth Century BCE
Foundations of History: The Emergence of Archival Records at Rome in the Fourth Century BCE by Zachary B. Hallock A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Greek and Roman History) in the University of Michigan 2018 Doctoral Committee: Professor David Potter, Chair Associate Professor Benjamin Fortson Assistant Professor Brendan Haug Professor Nicola Terrenato Zachary B. Hallock [email protected] ORCID iD: 0000-0003-0337-0181 © 2018 by Zachary B. Hallock To my parents for their endless love and support ii Acknowledgements I would like to thank Rackham Graduate School and the Departments of Classics and History for providing me with the resources and support that made my time as a graduate student comfortable and enjoyable. I would also like to express my gratitude to the professors of these departments who made themselves and their expertise abundantly available. Their mentoring and guidance proved invaluable and have shaped my approach to solving the problems of the past. I am an immensely better thinker and teacher through their efforts. I would also like to express my appreciation to my committee, whose diligence and attention made this project possible. I will be forever in their debt for the time they committed to reading and discussing my work. I would particularly like to thank my chair, David Potter, who has acted as a mentor and guide throughout my time at Michigan and has had the greatest role in making me the scholar that I am today. Finally, I would like to thank my wife, Andrea, who has been and will always be my greatest interlocutor. -
A Handbook of Greek and Roman Coins
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library CJ 237.H64 A handbook of Greek and Roman coins. 3 1924 021 438 399 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021438399 f^antilioofcs of glrcfjaeologj) anU Antiquities A HANDBOOK OF GREEK AND ROMAN COINS A HANDBOOK OF GREEK AND ROMAN COINS G. F. HILL, M.A. OF THE DEPARTMENT OF COINS AND MEDALS IN' THE bRITISH MUSEUM WITH FIFTEEN COLLOTYPE PLATES Hon&on MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY l8 99 \_All rights reserved'] ©jcforb HORACE HART, PRINTER TO THE UNIVERSITY PREFACE The attempt has often been made to condense into a small volume all that is necessary for a beginner in numismatics or a young collector of coins. But success has been less frequent, because the knowledge of coins is essentially a knowledge of details, and small treatises are apt to be un- readable when they contain too many references to particular coins, and unprofltably vague when such references are avoided. I cannot hope that I have passed safely between these two dangers ; indeed, my desire has been to avoid the second at all risk of encountering the former. At the same time it may be said that this book is not meant for the collector who desires only to identify the coins which he happens to possess, while caring little for the wider problems of history, art, mythology, and religion, to which coins sometimes furnish the only key. -
Sample Annotated Bibliography
Annotated Bibliography Primary Sources: Congressional Record, 81st Congress, 2nd Session, volume 96, p.1954-1957. This is a microfilm of the actual Congressional Record from 1950. On these pages, Senator McCarthy read into the record the text of his speech given February 9, 1950 to the Republican Women in Wheeling, West Virginia. The speech takes up a great deal of space in the Congressional Record, not because it is so long, but because of many interruptions by Mr. Lucas. "How People View McCarthy". U.S. News & World Report, March 19, 1954, 36:20-22. This article reveals the impact of the Army/McCarthy hearings on the Senator's popularity with the public. McCarthy was not presented in a very good light during the hearings. He was often nearly out of control and this hurt his popularity with the public. McCarthy, Joseph R. McCarthyism: The Fight for America. New York. The Devin-Adair Company. 1952. This was probably the most important resource because it was written by the Senator himself. This book explains Joseph McCarthy's feelings and motives in his own words. It was written and published before the Army/McCarthy hearings, but it clearly demonstrates his resolve to rid America of the communist threat in our government. It further demonstrates that Joseph McCarthy was a dedicated public servant, educated and articulate. He was aware of the risks of his endeavor and he accepted the consequences. Murrow, Edward R., See It Now, New York, Simon and Schuster, 1955. This book is a collection of transcripts from the television program See It Now, hosted by well known journalist Edward R. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Spartacus: the Gladiator
Spartacus: The Gladiator BEN KANE 3327Y_tx.indd27Y_tx.indd iiiiii 118/10/20118/10/2011 008:298:29 Published by Preface Copyright © Ben Kane Ben Kane has asserted his right to be identified as the author of this work under the Copyright, Designs and Patents Act This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser First published in Great Britain in by Preface Publishing Vauxhall Bridge Road London, An imprint of The Random House Group Limited www.randomhouse.co.uk www.prefacepublishing.co.uk Addresses for companies within The Random House Group Limited can be found at www.randomhouse.co.uk The Random House Group Limited Reg. No. A CIP catalogue record for this book is available from the British Library Hardback ISBN Trade Paperback ISBN The Random House Group Limited supports The Forest Stewardship Council (FSC®), the leading international forest certifi cation organisation. Our books carrying the FSC label are printed on FSC® certifi ed paper. FSC is the only forest certifi cation scheme endorsed by the leading environmental organisations, including Greenpeace. Our paper procurement policy can be found at www.randomhouse.co.uk/environment Typeset in Fournier MT by Palimpsest Book Production Limited Falkirk, Stirlingshire Printed and bound in Great Britain by Clays Ltd, St Ives PLC 3327Y_tx.indd27Y_tx.indd iivv 118/10/20118/10/2011 008:298:29 Chapter I South-western Thrace, autumn BC hen the village came into sight at the top of a distant hill, a W surging joy filled him. -
Chapter Two: the Annalistic Form
FORM, INTENT, AND THE FRAGMENTARY ROMAN HISTORIANS 240 to 63 B.C.E. By GERTRUDE HARRINGTON BECKER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2008 1 2008 Gertrude Harrington Becker 2 To Andy 3 ACKNOWLEDGMENTS Many have helped me on my journey through the long Ph.D. process. Writing is often a lonely and isolating task but I was lucky never to feel alone. For that I owe thanks to a multitude of friends who cheered me, colleagues who read my work, my department (and Dean) at Virginia Tech which allowed me time off to write, and parents who supported my every step. I also thank the many women who showed me it was possible to complete schooling and a Ph.D. later in life, in particular my mother, Trudy Harrington, and my mother-in-law, Judith Becker. Above all, I thank my family: my children, Matt, Tim, and Trudy for their regular brilliance; and my husband, Andy, who is my center, cornerstone, and rock, this year, the past 21 years, and more to come. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 ABSTRACT .....................................................................................................................................7 1 EARLY ROMAN HISTORIOGRAPHY: PAST AND PRESENT .........................................9 2 FOUNDERS AND FOLLOWERS: EARLY ROMAN ANNALISTS IN GREEK ..............37 Annales -
Sallust's Histories and Triumviral Historiography
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Sallust's Histories and Triumviral Historiography Jennifer Gerrish University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Classics Commons Recommended Citation Gerrish, Jennifer, "Sallust's Histories and Triumviral Historiography" (2012). Publicly Accessible Penn Dissertations. 511. https://repository.upenn.edu/edissertations/511 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/511 For more information, please contact [email protected]. Sallust's Histories and Triumviral Historiography Abstract This dissertation explores echoes of the triumviral period in Sallust's Histories and demonstrates how, through analogical historiography, Sallust presents himself as a new type of historian whose "exempla" are flawed and morally ambiguous, and who rejects the notion of a triumphant, ascendant Rome perpetuated by the triumvirs. Just as Sallust's unusual prose style is calculated to shake his reader out of complacency and force critical engagement with the reading process, his analogical historiography requires the reader to work through multiple layers of interpretation to reach the core arguments. In the De Legibus, Cicero lamented the lack of great Roman historians, and frequently implied that he might take up the task himself. He had a clear sense of what history ought to be : encomiastic and exemplary, reflecting a conception of Roman history as a triumphant story populated by glorious protagonists. In Sallust's view, however, the novel political circumstances of the triumviral period called for a new type of historiography. To create a portrait of moral clarity is, Sallust suggests, ineffective, because Romans have been too corrupted by ambitio and avaritia to follow the good examples of the past.