Hideous Gnosis Black Metal Theory Symposium 1
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Questions may be directed to: [email protected] ISBN 1450572162 EAN-13 9781450572163 Cover image by Oyku Tekten Hideous Gnosis† Black Metal Theory Symposium 1 † “I've seen demons / And place within him than the I've been shown things that devastation which it leaves . no-one should see / And I . the memory of Plato, of know why birds alight from Christianity and above all— cables the most with no- hideous— one the beneath / memory Who's on of modern the side of ideas, the angels extend / Who's behind on the him like side of fields of Satan / ashes. God's not But there between anymore the / I know unknown why birds and him fly / No-one's there has been silenced the chirping anymore” (Caïna, “Hideous of ideas, and it is through this Gnosis,” Mourner that he is similar to „ancient [Profound Lore Records, man‟: of the universe he is no 2007]). “He is not a return to longer the rational (alleged) the past; he has undergone the master, but the dream” corruption of the „present-day (Bataille, Inner Experience). man‟ and nothing has more blackmetaltheory.blogspot.com Hideous Gnosis: Black Metal Theory Symposium 1 Edited by Nicola Masciandaro CONTENTS Introduction 1 Steven Shakespeare The Light that Illuminates Itself, the Dark that Soils Itself: Blackened Notes from Schelling’s Underground 5 Erik Butler The Counter-Reformation in Stone and Metal: Spiritual Substances 23 Scott Wilson BAsileus philosoPHOrum METaloricum 33 Hunter Hunt-Hendrix Transcendental Black Metal 53 Nicola Masciandaro Anti-Cosmosis: Black Mahapralaya 67 Joseph Russo Perpetue Putesco – Perpetually I Putrefy 93 Benjamin Noys ‘Remain True to the Earth!’: Remarks on the Politics of Black Metal 105 Evan Calder Williams The Headless Horsemen of the Apocalypse 129 Brandon Stosuy Meaningful Leaning Mess 143 Aspasia Stephanou Playing Wolves and Red Riding Hoods in Black Metal 157 Anthony Sciscione ‘Goatsteps Behind My Steps . .’: Black Metal and Ritual Renewal 171 Eugene Thacker Three Questions on Demonology 179 Niall Scott Black Confessions and Absu-lution 221 DOCUMENTS Lionel Maunz, Pineal Eye 233 Oyku Tekten, Symposium Photographs 239 Scott Wilson, “Pop Journalism and the Passion for Ignorance” 247 Karlynn Holland, Sin Eater I-V 251 Nicola Masciandaro and Reza Negarestani, Black Metal Commentary 257 Black Metal Theory Blog Comments 267 Letter from Andrew White 277 E.S.S.E, Murder Devour I 281 (2+8+1=11) Black Metal Theory INTRODUCTION A nonsovereignty, divinely impure. All that is left is to fill the void with black. —Steven Shakespeare Somewhere still farther off in the void floats the philosopher’s stone, black metal. —Erik Butler Otherwise music is no different from the indifferent howling of the wind that black metal seeks to evoke, but always for somebody, if only just for oneself, to place oneself at the very limit of oneself where one is dissolved to NOTHING. —Scott Wilson Transcendental Black Metal is in fact nihilism, however it is a double nihilism and a final nihilism, a once and for all negation of the entire series of negations. —Hunter Hunt-Hendrix Via dissonant resonances within and among these three phenomenal nodes, black metal vibrationally unhinges the order of things, tritonely crushes all holy trinities, annihilates every binding of the chain of being. —Nicola Masciandaro 1 HIDEOUS GNOSIS The great luxury of the genre is, of course, the ability of the listener to unbind himself from the corpse bride. —Joseph Russo The permanence of conflict attests to the ever-receding utopian hope of the abolishing of the present, whilst also preserving a consistent and stabilised enmity to that present that gives the supplement of identity and integration – the affirmation of Black Metal as the centre of the whirlwind. —Benjamin Noys Despite the constant lip service to the affective portrait of the loner individual, we should venture the contrary: black metal has no individuals, and it has no leaders. —Evan Calder Williams Black metal is the fiery combustion of a romantic ideal. I think the Europeans succeeded in becoming characters larger than themselves, and that's one of my worst fears: That I will somehow create a character that lives my own life without me. —He Who Crushes Teeth Wolves scream in thrilled terror or mournful tones, calling forth their evil father. —Aspasia Stephanou 2 Black Metal Theory He withdraws into a liminal space that exceeds the capacity for mortality to withstand it, and undergoes a sacrificial demise in order to open himself up as a habitat for and an expression of the power of the demon. —Anthony Sciscione A philosophical demonology would therefore have to be “against” the human being – both the “human” part as well as the “being” part. —Eugene Thacker Instead of the power of prohibition and censorship Black Metal Theory serves to increase and expand more and more on that which has been forbidden. —Niall Scott 3 HIDEOUS GNOSIS 4 Black Metal Theory THE LIGHT THAT ILLUMINATES ITSELF, THE DARK THAT SOILS ITSELF: BLACKENED NOTES FROM SCHELLING’S UNDERGROUND Steven Shakespeare Goodbye Orlando: Black Metal and Nature I will lay down my bones among the rocks and roots of the deepest hollow next to the streambed The quiet hum of the earth’s dreaming is my new song When I awake, the world will be born anew (Wolves in the Throne Room, ‘I Will Lay Down My Bones Among the Rocks and Roots’) ‘Nature is fucking crazy. No really, it is. Hippies and Greenpeace types attempt to paint it as some serene, peaceful thing filled with sunny days and baby seals, but spend an afternoon watching National Geographic documentaries and you’ll see: Mother Nature can be one bloody, brutal bitch . Although black metal’s roots are anchored in the dark, icy wastes of Scandinavia, the genre’s devotion to evil, borderline clownish stage attire has lead it away from its initial, sunless inspiration. Grown men in makeup taking Satan way too seriously turned metal into a cartoonish parody of itself and left its ideology feeling hollow. After all, doesn’t belief in the devil imply faith in the Christian theology? And really, just how “evil” is penning songs about corpse-fucking while you live in 5 HIDEOUS GNOSIS an Orlando apartment complex? . Much like the Puritans of colonial America, Wolves [in the Throne Room] discard the pompous pageantry of its European brothers to stake out an austere existence in the unsettled wilderness.’1 ‘Hippies? You mean like navel-gazing aficionados of the grateful dead [sic]? I hardly think so. I think that most people are so disconnected from a natural existence that anyone who doesn’t see the joy in playing “first person shooters” or dining regularly at pizza hut is a hippie . To us, the driving impulse of BM is more about deep ecology than anything else and can best be understood through the application of eco-psychology. Why are we sad and miserable? Because our modern culture has failed—we are all failures. The world around us has failed to sustain our humanity, our spirituality. The deep woe inside black metal is about fear—that we can never return to the mythic, pastoral world that we crave on a deep subconscious level. Black Metal is also about self loathing, for modernity has transformed us, our minds, bodies and spirit, into an alien life form; one not suited to life on earth without the mediating forces of technology, culture and organized religion. We are weak and pitiful in our strength over the earth—in conquering, we have destroyed ourselves. Black Metal expresses disgust with humanity and revels in the misery that one finds when the falseness of our lives is revealed. 1 Devon Tincknell, ‘Wolves In The Throne Room at Emo’s,’ <http://www.avclub.com/austin/articles/wolves-in-the-throne-room-at- emos,28924/>. 6 Shakespeare – Blackened Notes Our music, then, is not “true” Black Metal for we have moved beyond this fantasy of a nihilistic apocalypse; beyond our own misery and failure. Our music is balanced in that we temper the blind rage of Black Metal with the transcendent truths of the universe that reveal themselves with age and experience. Our relationship with the natural world is a healing force in our lives.’ 2 Black metal and nature: a betrayal of roots, or a new baptism of the earth? In any