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Web Tsunami Facebook Copyright © 2017 A.SE.FI. Editoriale Srl Tsunami Edizioni è un marchio registrato di proprietà di A.SE.FI. Editoriale Srl Via dell’Aprica, 8 - Milano www.tsunamiedizioni.com - [email protected] Prima edizione, ottobre 2017 - I Tifoni 13 Impaginazione e gra ca: Agenzia Alcatraz, Milano L’illustrazione della copertina è di Marco Castagnetto Stampato in digitale nel mese di ottobre 2017 da Rotomail Italia S.p.A ISBN: 978-88-94859-07-2 Tutte le opionioni espresse in questo libro sono dell’autore e/o dell’artista, e non rispecchiano necessariamente quelle dell’editore. Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato, senza l’autorizzazione scritta dell’Editore La presente opera di saggistica è pubblicata con lo scopo di rappresentare un’analisi critica, RISERVATA - RIPRODUZIONE CAMPIONE COPIA rivolta alla promozione di autori e opere di ingegno, che si avvale del diritto di citazione. Per- tanto tutte le immagini e i testi sono riprodotti con nalità scienti che, ovvero di illustrazione, argomentazione e supporto delle tesi sostenute dall’autore. Si avvale dell’articolo 70, I e III comma, della Legge 22 aprile 1941 n.633 circa le utilizzazioni libere, nonché dell’articolo 10 della Convenzione di Berna. COPIA CAMPIONE - RIPRODUZIONE RISERVATA - RIPRODUZIONE CAMPIONE COPIA LORENZO OTTOLENGHI simone vavalà VOLUME 2 EUROPAeuropa Ee REGNOregno UNITOunito SOMMARIO COPIA CAMPIONE - RIPRODUZIONE RISERVATA - RIPRODUZIONE CAMPIONE COPIA DUE PAROLE PRIMA DI INIZIARE ..................................................... 9 IL MORBO SI PROPAGA Simone Vavalà ........................... 11 SACRO CULTO Lorenzo Ottolenghi ................... 13 Capitolo 1 MEDITERRANEO IN FIAMME IL VERBO OSCURO SI DIFFONDE A SUD ............................. -
Hideous Gnosis Black Metal Theory Symposium 1
Hideous Gnosis Black Metal Theory Symposium 1 http://blackmetaltheory.blogspot.com COPYRIGHT NOTICE This work is Open Access. It is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works Attribution 3.0 United States License. This means that: You are free: to Share — to copy, distribute and transmit the work Under the following conditions: Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Noncommercial — You may not use this work for commercial purposes. No Derivative Works — You may not alter, transform, or build upon this work. With the understanding that: Waiver — Any of the above conditions can be waived if you get permission from the copyright holder. Other Rights — In no way are any of the following rights affected by the license: Your fair dealing or fair use rights; Apart from the remix rights granted under this license, the author's moral rights; Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights. Notice — For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link <http://creativecommons.org/licenses/by-nc-nd/3.0/us/>. Questions may be directed to: [email protected] ISBN 1450572162 EAN-13 9781450572163 Cover image by Oyku Tekten Hideous Gnosis† Black Metal Theory Symposium 1 † “I've seen demons / And place within him than the I've been shown things that devastation which it leaves . -
Riot Breaks out at SUNY Binghamton Resigns by ALEXANDRA CRUZ Crowd That Was Trying to Force Doors," Ellis Said
/ "Let Each Become Aware" Founded 1957, Incorporated 1975 - - - 1111 -- -------- ---- ---- =-I · ---L-ac-- a ------g aaa · I _t ---g --_m --s -c-C- - ae le9 I I Volume XL, Number 14 Monday, October 21, 1996 First Copy Free - ---- -- Cadiats ist mu t D ae s es' 16 BY NADIA PERSAUD foundation rules supporting good sense of what's at stake the State University and the not only to the wall but over Special to The Statesman _ the debate were explained. if he were to come out and Community colleges allow the wall to shut down The drama of political Each candidate was given a talk to you. Which is maybe students who don't have a lot government twice in order to campaigns took center stage two minute opening statement why he chooses not to." She of money to get a very good make cuts to Stafford Loan in the arena-like atmosphere and allotted one minute to moved onto her personal and education and help us all by Programs and Plus Loan and of the Student Union Building answer questions. political background. In the being prepared to take part in to get rid of the Direct Student Auditorium on Tuesday, Nora L. Bredes, last minute of her opening an economy that's changing Loan Program that offered October 15. The candidate Democratic Candidate for the statement, Bredes summed up rapidly and the work force we Student Loans directly debate was sponsored by The First Congressional District her intentions for running by need to really develop." The through the University and New York Public Interest was introduced without her referring to an important importance of an educated students and government at Research Group (NYPIRG), opponent, Republican discovery. -
Nachtseiten Der Musik
Daniela Tandecki NACHTSAITEN DER MUSIK Grauzonen und Braunzonen in der schwarzen Musikszene INHALT Vorwort 3 1. Schwarz vor Augen? Geschichten aus der Gruft 4 2. Templerteufeleien und Runenraunen: Ein neues Heidentum? 8 3. Nur wo rechts draufsteht, ist auch rechts drin? 11 4. Zur Hölle mit der political correctness 16 5. Die großen Bösen aus dem Norden 19 6. Asen-Dämmerung: Wie man mit Thors Hammer musiziert 22 7. „Äch bin wieder da“ 26 8. Are the Kids alright? 31 Anhang 35 2 NACHTSAITEN DER MUSIK Grauzonen und Braunzonen in der schwarzen Musikszene Vorwort Kennen Sie die „schwarze“ Musikszene? Haben Sie schon einmal von Dark Wave, Black Romantic, Gothic Rock, Gothic Metal, Black Metal oder Death Metal gehört? Haben Sie vielleicht ab und an in der Presse von sogenannten „Grufties“ oder Black- Metal-Fans gelesen? Es steht außer Frage, daß es gute Gründe gibt, sich auch aus politischer Sicht mit dieser „schwarzen“ Musikszene zu befassen: Während ein Großteil der „schwarzen“ Jugendszene sich der modernen Leistungsgesellschaft entzieht, sich zwischen Weltschmerz und Hoffnungslosigkeit bewegt, sich auf esoterisch-okkulte Sinnsuche begibt und Alltagsprobleme in dunkle Ersatzwelten projiziert, betreibt ein anderer Teil ungehemmt und weitgehend ungestört den Boykott demokratischer Prinzipien und Tugenden. Demokratie wird als Schwäche oder Krankheit gedeutet, die mitsamt den sie stützenden Weltanschauungen zu unterwandern oder auszurotten ist. Da werden unter dem Mäntelchen freier Kunstausübung Ansichten verkündet, die jeglicher Toleranz und Menschenwürde hohnsprechen. Oft liebäugeln die Vertreter solcher Ansichten mit dem rechten Spektrum; oft genug lassen sie keinen Zweifel an ihren Sympathien für faschistisches Denken und Handeln. Zudem erleichtert die Heterogenität und Unübersichtlichkeit der schwarzen Szene es „völkisch“ engagierten Figuren, sich unbemerkt zu etablieren. -
Metal Breath Č.43
2//99 (43) HEAVY, THRASH, DEATH, DOOM METAL MAGAZINE 32 stran plných informací o vaší Mají rozhodně co dávat (9) oblíbené hudbě a undergroundu Y S E R P E D DEATH SENTENCE (11) MYTHOPOEIA (13) FLESHLESS: report tour USA 99 (15) HYPNOTIC SCENERY Pokračujeme bez problémů dál (17) ENDLESS Pokud ne teď, tak už nikdy (18) MELANCHOLY PESSIMISM FLESHLESS Pocit sebeuspokojení (12) Grindový Bůh ze severních Čech (14) NEWS, PROFILY, ROZHOVORY, ČLÁNKY, Z ARCHÍVU..., DISKOGRAFIE A-Z, KONCERTY - PŘEHLED, RECENZE, SEDMIPALCÁKY, DEMÁČE, LIVE, INZERCE Metal Breath ’zine č. 43 (2/99) strana: 31 že nemusí pršet, stačí když kape. Je sice prav- né osobě. Jen jsem tak vzpomínal na svoji ob- torium přijali velmi vřele. Výborný předsko- dou, že se nejedná o čistý thrash, ale ani ostatní líbeňkyni Sabinu Classen dříve z Holy Moses, kan před skvělými Centinex. Ti nejsou v un- promítnuté vlivy rozhodně nejsou na škodu. protože při srovnání obou dívek mívala Sabi- dergroundu vůbec žádnou neznámou. Mají na Oněmi ostatními styly jsou třeba death metal, na jemný dívčí hlásek. Němky vybraly ze své- kontě několik CD-éček, sedmipalců, samozřej- industrial, střípky punku, atd.. Tvář kapely se ho repertoáru zhruba pět skladeb, jež se nesly mě pod vyhlášenými undergroundovými labely posouvá díky barvě všech vokálů někam ke sta- v hodně brutálním duchu. Jen kdyby nebyly (v současnosti u španělských Repulse), a tak rým Exodus, ale vše se právě pro namíchání tak dlouhé a místy utahané. Celé trio mělo jsme se mohli nechat unášet vynikajícím švéd- MOONSPELL, KREATOR, ostaních stylů chová novodobě. Toto dílko se bohužel velice průměrný zvuk a chvílemi se ským melodickým death metalem. -
Index 1349 (Band), 156 “2112,” 102 324 (Band), 149 Abaddon (Venom
Index Anderson, Billy, 111, 114-15 “Angel of Death” (Angel Witch song), 154 1349 (band), 156 Angel Witch, 15, 154 “2112,” 102 Anger, Ed, 32 324 (band), 149 Anthrax, 15-17, 20-22, 26-28, 34-38, 40-45, 54, 57, 63, 69-70, 73, 78, 83, Abaddon (Venom member), 56 108, 110, 121, 123-24, 126, 128, 132, 134, 151, 155 ABC No Rio (venue), 100 Behind the Music special of, 132 Abrams, Howie, 37, 41, 58, 62-63, 70, 96 Formation of, 15-17 Abril, Maria, 77 “Antihomophobe,” 71 Abscess, 128-29, 153 Apocalypse Now (film), 95 AC/DC, 14 Araya, Tom, 22, 72-73 Acid Bath, 105 Arch Enemy, 74 Acid Reign, 64 “Aren’t You Hungry?” 35 Acoustic Amplifiers, 34 “Armed and Dangerous,” 34 The Adolescents, 55 Arnold, Paul, 74 Adrenaline OD, 41 “As Blood Flows,” 114 Aerosmith, 27 Asma, Tom, 96 Agathocles, 77 Assault & Battery, 134 Agent Steel, 43, 56-57 Assault Attack, 40 Agnew, Rikk, 55 Assembled in Blasphemy. 129, 139 Agnostic Front, 26, 31-34, 41, 62-63, 126-27 Assück, 78 Live at CBGB, 63 At the Gates, 148 Ain, Martin, 55 At War, 74 Aiosa, Rob, 62, 96 Atomkraft, 43, 56 “Alas, Alack, It’s Time to Pack” (poem), 13 “Attack Dog,” 151 Alcatraz (bar), 123 Attack of the Killer A’s, 127 All in the Family (TV show), 14 Attica Studio, 6 Altars of Madness, 6, 115 Auditory Assault Fest, 149 Alver, Jonas, 121 Autopsy, 62, 128, 153-54 Amityville Horror (film), 116 Azalin (Hemlock member), 122, 125 Amon Amarth, 115 Baby Monster Studios, 80, 102 Among the Living, 35-36 Bad Brains, 27, 63, 146 Amorphis, 80 Baker, Cary, 58 Anal Cunt, 26 Bakker, Jim, 67 Anathama, 86 Baloff, Paul, 138 Ballou,