Newark Museum's Jazz in the Garden Cool As a Summer Breeze
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download the Vocal of Frank Foster
1 The TENORSAX of FRANK BENJAMIN FOSTER Solographer: Jan Evensmo Last update: Oct. 7, 2020 2 Born: Cincinnati, Ohio, Sept. 23, 1928 Died: Chesapeake, Virginia, July 26, 2011 Introduction: Oslo Jazz Circle always loved the Count Basie orchestra, no matter what time, and of course we became familiar with Frank Foster’s fine tenorsax playing! Early history: Learned to play saxes and clarinet while in high school. Went to Wilberforce University and left for Detroit in 1949. Played with Wardell Gray until he joined the army in 1951. After his discharge he got a job in Count Basie's orchestra July 1953 after recommendation by Ernie Wilkins. Stayed until 1964. 3 FRANK FOSTER SOLOGRAPHY COUNT BASIE AND HIS ORCHESTRA LA. Aug. 13, 1953 Paul Campbell, Wendell Cully, Reunald Jones, Joe Newman (tp), Johnny Mandel (btp), Henry Coker, Benny Powell (tb), Marshal Royal (cl, as), Ernie Wilkins (as, ts), Frank Wess (fl, ts), Frank Foster (ts), Charlie Fowlkes (bar), Count Basie (p), Freddie Green (g), Eddie Jones (b), Gus Johnson (dm). Three titles were recorded for Clef, two issued, one has FF: 1257-5 Blues Go Away Solo with orch 24 bars. (SM) Frank Foster’s first recorded solo appears when he just has joined the Count Basie organization, of which he should be such an important member for years to come. It is relaxed and highly competent. Hollywood, Aug. 15, 1953 Same personnel. NBC-TV "Hoagy Carmichael Show", three titles, no solo info. Hoagy Carmichael (vo). Pasadena, Sept. 16, 1953 Same personnel. Concert at the Civic Auditorium. Billy Eckstine (vo). -
Duke Ellington Kyle Etges Signature Recordings Cottontail
Duke Ellington Kyle Etges Signature Recordings Cottontail. Cottontail stands as a fine example of Ellington’s “Blanton-Webster” years, where the band was at its peak in performance and popularity. The “Blanton-Webster” moniker refers to bassist Jimmy Blanton and tenor saxophonist Ben Webster, who recorded Cottontail on May 4th, 1940 alongside Johnny Hodges, Barney Bigard, Chauncey Haughton, and Harry Carney on saxophone; Cootie Williams, Wallace Jones, and Ray Nance on trumpet; Rex Stewart on cornet; Juan Tizol, Joe Nanton, and Lawrence Brown on trombone; Fred Guy on guitar, Duke on piano, and Sonny Greer on drums. John Hasse, author of The Life and Genius of Duke Ellington, states that Cottontail “opened a window on the future, predicting elements to come in jazz.” Indeed, Jimmy Blanton’s driving quarter-note feel throughout the piece predicts a collective gravitation away from the traditional two feel amongst modern bassists. Webster’s solo on this record is so iconic that audiences would insist on note-for-note renditions of it in live performances. Even now, it stands as a testament to Webster’s mastery of expression, predicting techniques and patterns that John Coltrane would use decades later. Ellington also shows off his Harlem stride credentials in a quick solo before going into an orchestrated sax soli, one of the first of its kind. After a blaring shout chorus, the piece recalls the A section before Harry Carney caps everything off with the droning tonic. Diminuendo & Crescendo in Blue. This piece is remarkable for two reasons: Diminuendo & Crescendo in Blue exemplifies Duke’s classical influence, and his desire to write more grandiose pieces with more extended forms. -
Juilliard Jazz Ensembles
The Juilliard School Presents Juilliard Jazz Ensembles Monday, January 29, 2018, 7:30pm Paul Hall The Music of Miles Davis Wynton Marsalis, Guest Coach Dizzy Gillespie Ensemble Swing Spring (Miles Davis, arr. Joel Wenhardt) Flamenco Sketches (Miles Davis and Bill Evans, arr.Andrea Domenici) Nardis (Miles Davis, arr. Jeffery Miller) Paraphernalia (Wayne Shorter, arr. Adam Olszewski) Half Nelson (Miles Davis, arr. David Milazzo) David Milazzo, Alto Saxophone Anthony Hervey, Trumpet Jeffery Miller, Trombone Andrea Domenici, Piano Joel Wenhardt, Piano Adam Olszewski, Bass Cameron MacIntosh, Drums Elio Villafranca, Resident Coach Intermission (Program continues) Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz. Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C. Michael Paul Foundation in memory of Josephine Bay Paul. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. 1 The Dave Brubeck Ensemble Dig (Miles Davis, arr. Dave Brubeck Ensemble) Fall (Wayne Shorter, arr. Dave Brubeck Ensemble) Milestones (Miles Davis, arr. Dave Brubeck Ensemble) Circle (Miles Davis, arr. Dave Brubeck Ensemble) So Near, So Far (Tony Crombie and Bennie Green, arr. Dave Brubeck Ensemble) Zoe Obadia, Alto Saxophone Noah Halpern, Trumpet Jasim Perales, Trombone Joseph Block, Piano Isaiah Thompson, Piano Adam Olszewski, Bass Francesco Ciniglio, Drums Helen Sung, Resident Coach Program order and selections are subject to change. -
Swinging Along the Border: Charles Mingus' Album 'Tijuana Moods' Finds New Resonance
♫ Donate LOADING... On the Air Music News Listen & Connect Calendars & Events Support About Search Swinging Along the Border: Charles Mingus' Album 'Tijuana Moods' Finds New Resonance By DAVID R. ADLER • JAN 18, 2018 ! Twitter " Facebook # Google+ $ Email “All the music in this album was written during a very blue period in my life,” the bassist Charles Mingus observed in the liner notes to Tijuana Moods. Recorded a little over 60 years ago, on July 18 and August 6, 1957, it’s an album that remains unique not only in the Mingus discography but also in jazz as a whole. Less an expression of Mexican musical influence than a personal evocation of a place, the album belongs to a vibrant category of border art. At a moment of heated political debate around immigration, it strikes a deep and vital chord. And in the coming week, thanks to some resourceful programming on the west coast, Tijuana Moods is returning home. Mingus Dynasty, one of three legacy bands run by the bassist’s widow, Sue Mingus, will perform the album for the first time in Tijuana, Mexico on Sunday, in a free concert at the CECUT Cultural Center. Organizers of the concert will also present a panel discussion on Saturday at the San Diego Public Library. And the band is performing the album on a regional tour with stops in Tucson (Friday), Phoenix (Saturday), La Jolla, California (Monday) and Portland, Oregon. (Tuesday). The current Mingus Dynasty features tenor saxophonist Wayne Escoffery, alto saxophonist Brandon Wright, trumpeter Alex Sipiagin, trombonist Ku-umba Frank Lacy, pianist Theo Hill, bassist Boris Kozlov and drummer Adam Cruz. -
Lanthorn, Vol. 30, No. 09, October 19, 1995 Grand Valley State University
Grand Valley State University ScholarWorks@GVSU Volume 30 Lanthorn, 1968-2001 10-19-1995 Lanthorn, vol. 30, no. 09, October 19, 1995 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol30 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 30, no. 09, October 19, 1995" (1995). Volume 30. 9. http://scholarworks.gvsu.edu/lanthorn_vol30/9 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 30 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. GVSU awards doctorates, page 3. Coming Out Day stirs debate, pages 4-5. wrap-up, page 9. See See page page 6. 12, Issue 9, Volume {() C.r.intl Valley Si,Me U niversity Thursday, O d. 19, 1995 . ( f t v A ■ ' -v- N ews Honorary doctorates I were bestowed on mush cian Joyce Cobb and Dr. 1 Sue Hinshaw, dean of the I "Our View, » page 4. Bock's View, page 4, . Anti-gay graffirti leaves a bitter taste in the mouth of an adjunct instructor. See "Campus Concerns," Page 4. Lanthorn columnist C.D. Burge is still trying to l played silly games and burned a bunch of I Chargers-all in the name •Defamatory messages adorn GVSU sidewalks on "Coming Out" day -c l M g l k Hall and surrounding buildings, chalk or spray paint like those have been scrubbed off or left for Volunteering is one By Paula Davis he noticed many of the messages written Oct. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Demotions Many in Community
Property of the Watertown Historical Society watertownhistoricalsociety.org Timely Coverage Of News In The Fastest Growing Community In Utchfield County Vol. 35 No, 22 Subscription Price $8.00 Per Yoar PRICI 20 CENTS May 29, 1980 Brave And Bold, TakingDemotions Part In Variety Show A theatrical production under Also: Vlnnie Banda, Bernie Many In Community the direction of Catharine Farm Beauehamp, Bill Butterly, John By close and unpopular votes, will be presented on Friday, June DeLuca, Bill Dunbar, Peter the Board of Education Tuesday 6 at Watertown High school at 8 Farm, Bill Gillette, Frank Honor Society Welcomesnight approved the superinten- p.m. Hayes, Joe Horzepa, Ron Jones, dent of schools' recommen- Entitled "Men About Town — Gordon Knowlton, Dave Long, dations the school department Watertown" the all-male variety Stan Masayda, Mike Moffo, Jim Candidates At Ceremonyfall in line with state education show promises to be hilarious Mullen, Rich Natale, Bill Owen, requirements of having only with scenes such as a meeting of Dr. Bill Quigley, Bill Rice, Ed Watertown High School in- Shirley Desjardins, Keith state-certified, personnel fifl the Town Council, a meeting of Rosa, Bill Scully, Don Stepanek, ducted 46 new members into its DiAngelis, Tracey Dwyer, Kyle department chairmanships, the Watertown "Hysterical" Horace Studwell, Jim Troup, Bill chapter of the National Honor Elliott, Clifford Emmonds, Holly effective Sept, 1, 1980, Society and a scene which in- Williams, and George Edelman, Society at ceremonies May 21 at Foley, Ann Gursky, Nanette Three other Watertown High cludes some of the service clubs And: Bill Barrante, Willard the high school, Heroux, Richard Heroux, Linda School departments were altered of Watertown, i.e., Watertown Booth, John Cook, Armand Certificate and membership Houlo, Diana Jones, Susan Rotary, Lions Club and Unico, to "coordinator" posts. -
Prism Quartet Dedication
PRISM QUARTET DEDICATION WITH GUEST ARTIST GREG OSBY PRISM Quartet Dedication 1 Roshanne Etezady Inkling 1:09 2 Zack Browning Howler Back 1:09 3 Tim Ries Lu 2:36 4 Gregory Wanamaker speed metal organum blues 1:14 5 Renée Favand-See isolation 1:07 6 Libby Larsen Wait a Minute... 1:09 7 Nick Didkovksy Talea (hoping to somehow “know”) 1:06 8 Nick Didkovksy Stink Up! (PolyPrism 1) 1:06 9 Nick Didkovksy Stink Up! (PolyPrism 2) 1:01 10 Greg Osby Prism #1 (Refraction) 6:49 Greg Osby, alto sax solo 11 Donnacha Dennehy Mild, Medium-Lasting, Artificial Happiness 1:49 12 Ken Ueno July 23, from sunrise to sunset, the summer of the S.E.P.S.A. bus rides destra e sinistra around Ischia just to get tomorrow’s scatolame 1:20 13 Adam B. Silverman Just a Minute, Chopin 2:21 14 William Bolcom Scherzino 1:16 Matthew Levy Three Miniatures 15 Diary 2:05 16 Meditation 1:49 17 Song without Words 2:33 PRISM Quartet/Music From China 3 18 Jennifer Higdon Bop 1:09 19 Dennis DeSantis Hive Mind 1:06 20 Robert Capanna Moment of Refraction 1:04 21 Keith Moore OneTwenty 1:31 22 Jason Eckardt A Fractured Silence 1:18 Frank J. Oteri Fair and Balanced? 23 Remaining Neutral 1:00 24 Seeming Partial 3:09 25 Uncommon Ground 1:00 26 Incremental Change 1:49 27 Perry Goldstein Out of Bounds 1:24 28 Tim Berne Brokelyn 0:57 29 Chen Yi Happy Birthday to PRISM 1:24 30 James Primosch Straight Up 1:24 31 Greg Osby Prism #1 (Refraction) (alternate take) 6:49 Greg Osby, alto sax solo TOTAL PLAYING TIME 57:53 All works composed and premiered in 2004 except Three Miniatures, composed/premiered in 2006. -
76201616.Pdf
http://jazzaparis.canalblog.com (informations toujours susceptibles de changements) Festival Jazz à St Germain des Près du 20 mai au 3 juin (programme de juin) * vendredi 1er juin : “Les petites mains symphoniques” (docu) & Jazz & Bavardages Aurélien Robert/Bar Zalel/Ghali Hadefi; DJ Fassio; Bojan Z solo, Bojan Z trio * samedi 2 juin : Groupes de jazz vocal amateurs; Shaï Maestro * dimanche 3 juin : Jazz en scène (Jazz et bavazrdage); Shaï Maestro trio Tous les détails sur le site (très bien fait) du Festival Jazz à Saint Germain des Près du vendredi 01-juin-12 20:00 Duc des Lombards (concerts à 20h & 22h) Autour de 30 € au samedi 30-juin-12 20:00 After Hours (les vendredis et samedis, minuit, gratuit (conso)) : Ahmet Gulbay Trio (1er); Manuel Marchès Trio (2); Karim Blal (8); Ahmet Gulbay Trio (9); Manuel Marchès Trio (15); Gaël Horellou Quartet (16); Enzo Carniel Trio (22); Lukmil Perez Trio (23) Etienne Desconfins Trio (29); Lukmil Perez Trio (30) Lou Donalson 4tet (1er, 2); Jean Pierre Mas 4tet (4); Shauli Einav 5tet (5, 21h : voir 100% Tel Aviv) Avi Lebovitch Orch. (6, 21h : voir 100% Tel Aviv); Danilo Perez (7 au 9); Gregoire Maret (11, 12) Franck Amsallem & Dan Block (13); Anthony Strong (14 au 16); Klezmer Nova (19); PG Project - Pierre Guiquéro Septet (20); Le Cabaret Primduf (les 40 ans de Daniel Colin)(21 au 23); Dominique Fillon 4tet (26, 27); Tierney Sutton (27 au 29); Big Daddy Wilson (30) Duc des Lombards - 01.42.33.22.88 - 42 rue des Lombards - Paris 1er (M° Châtelet; Les Halles) Plan RATP du vendredi 01-juin-12 20:30 -
Wild Bill Davis
BULLETIN NR 1, FEBRUARI 2019, ÅRGÅNG 27 Wild Bill Davis Duke’s Organ Grinder I detta nummer – In this issue Ledare 2 Monsignor John Sanders Cootie Williams i ord, bild och ton 2 in memoriam 13 Wild Bill Davis – A real gone organist 4 Harlem Air Shaft 14 Wild Bill Davis Biography 7 Bensonality och Jam With Sam 17 Wild Bill Davis (by Steve Voce) 9 Duke Ellingtons textförfattare 18 Johnny Hodges interviewed 10 Kallelse 20 1-2019 Gott Nytt År! Nu går vi in i ett nytt DESS-år. Det 25:e I min ledare i vår förra Bulletin gick I sammanhanget är det intressant att året i DESS verksamhet. Kanske värt att jag ut med ett upprop och efterlyste notera att procenten utländska medlem- celebrera vid något tillfälle under året. medlemmar som kunde tänka sig att på mar sakta ökar. Anledningen torde vare Vår första Bulletin kom ut hösten 1994 något sätt delta i styrelsens arbete. An- att dessa medlemmar finner Bulletinens och har sedan rullat på. I början bestod tingen som formell styrelseledamot eller engelskspråkiga artiklar intressanta och medlemstidningen av enbart 12 sidor. adjungerad dylik. Dessvärre har ingen läsvärda och motiverar medlemsavgif- 2010 ökade sidantalet till 16 sidor och i hört av sig. Det är tråkigt. Vi kan behöva ten. och med sista numret 2012 ökades sidan- nytt blod och nya idéer i styrelsen, men Avslutningsvis vill jag hälsa alla talet till 20. Även om det funnits material nu får vi tydligen rulla på i de gamla medlemmar välkomna till årsmötet den tillgängligt för att fylla fler än 20 sidor hjulspåren. -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr.