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Mercat De L'art, Col·Leccionisme I Museus 2017 Han participat en aquest volum: Altres monografies que recullen les ponències MERCAT DE L’ART, de les Jornades: MIQUEL ÀNGEL CAPELLÀ COL·LECCIONISME I MUSEUS Antiquaris, experts, col·leccionistes i museus. Universitat de les Illes Balears El comerç, l’estudi i la salvaguarda a la Catalunya del 2017 segle XX. Barcelona, 2013. Memoria Artium, 15. GLÒRIA DOMÈNECH Mercat de l’art, col·leccionisme i museus. Estudis sobre Fundació Antoni Tàpies Bonaventura Bassegoda el patrimoni artístic a Catalunya als segles XIX i XX. Barcelona, 2014. Memoria Artium, 17. IGNASI DOMÈNECH Ignasi Domènech (eds.) Des de l’octubre de 2012 s’han fet set jornades o seminaris científics amb el Museus de Sitges Antics i nous col·leccionistes. Materials per a la títol de Mercat de l’Art, Col·leccionisme i Museus, que han donat com a re- història del patrimoni artístic de Catalunya. MÒNICA GINÉS sultat permanent la publicació de sis volums amb les ponències que s’hi han Barcelona, 2015. Memoria Artium, 19. Chiang Ching-kuo Postdoctoral Fellow presentat. Actualment, aquest material configura un veritable corpus de valu- Bonaventura Bassegoda Ignasi Domènech (eds.) – Universitat Oberta de Catalunya osa documentació entorn del fenomen del col·leccionisme d’art a Catalunya. Col·leccionistes, antiquaris, falsificadors i museus. Noves dades sobre el patrimoni artístic de Catalunya JORDI PARÍS al segle XX. Barcelona, 2016. Memoria Artium, 21. Museu de Valls La nostra intenció amb la realització d’aquesta jornada ha estat crear una plataforma on poder presentar uns resultats de recerca i discutir-los Agents del mercat artístic i col·leccionistes. Nous estudis sobre el patrimoni artístic de Catalunya als segles XIX FRANCESC QUÍLEZ amb comoditat per part de tots els diferents sectors vinculats a les arts: i XX. Barcelona, 2017. Memoria Artium, 23. Museu Nacional d’Art de Catalunya universitaris, professionals dels museus, antiquaris, galeristes, marxants, experts, restauradors, col·leccionistes i afeccionats en general. Estem SEBASTIÀ SÁNCHEZ SAULEDA convençuts de la plena complementarietat de tots aquests punts de vista Historiador de l’Art perquè el progrés del col·leccionisme al llarg de la història ha anat sem- pre en paral·lel a la formació dels museus i a la configuració del coneixe- ment i l’estudi de les arts. Per això hem cregut en la utilitat d’una jorna- da en la qual coincidir i compartir informacions i coneixences, amb un format amable i en un lloc d’una forta empremta simbòlica en la histò- ria del col·leccionisme a Catalunya com és el Palau de Maricel de Sitges. MERCAT DE L’ART, DE L’ART, MERCAT 2017 MUSEUS I COL·LECCIONISME Mercat art.indb 1 31/07/2018 13:10:06 Mercat art.indb 2 31/07/2018 13:10:06 Mercat de l’art, col·leccionisme i museus 2017 Mercat art.indb 3 31/07/2018 13:10:06 Mercat art.indb 4 31/07/2018 13:10:06 Mercat de l’art, col·leccionisme i museus 2017 Bonaventura Bassegoda Ignasi Domènech (eds.) Mercat art.indb 5 31/07/2018 13:10:08 Universitat Autònoma de Barcelona. Dades catalogràfiques I. Bassegoda i Hugas, Bonaventura, ed. II. Domènech i Vives, Ignasi, ed. Mercat de l’Art, Col·leccionisme i Museus 2017 / Bonaventura Bassegoda i Hugas (ed.) / Domènech i Vives, Ignasi (ed.) – Bellaterra : Universitat Autònoma de Barcelona. Servei de Publicacions, 2018 ISBN 978-84-09-04284-5 (Museus de Sitges) ISBN 978-84-490-7982-5 (UAB) 1. Col·leccionistes i col·leccions d’art 2. Museus d’Art Edició Consorci del Patrimoni de Sitges Davallada, 12. 08870 Sitges www.museusdesitges.cat ISBN 978-84-09-04284-5 Universitat Autònoma de Barcelona Servei de Publicacions 08193 Bellaterra [email protected] / www.uab.cat/publicacions ISBN 978-84-490-7982-5 Il·lustració de la coberta Casa Comas de Sarrià (Barcelona). Arxiu Mas Documentació i coordinació d’originals Meritxell Verneda Producció editorial Servei de Publicacions de la UAB Impressió Ediciones Gráficas Rey, SL Dipòsit Legal B-18.791-2018 © dels autors © UAB/Consorci del Patrimoni de Sitges Crèdits fotogràfics © 2018 for the reproduced works by Paul Klee: VEGAP, Barcelona. © Comissió Tàpies, VEGAP, Barcelona, 2018. © Francis Picabia, Vassily Kandinsky, Joaquim Sunyer, VEGAP, Barcelona, 2018. © Successió Miró 2018. © Sucesión Pablo Picasso, VEGAP, Madrid, 2018. Tots els drets reservats. Mercat art.indb 6 Sumari Presentació, per Bonaventura Bassegoda i Ignasi Domènech ................... 9 Miquel Àngel Capellà, Els col·leccionistes catalans i el mercat de les arts decoratives a Mallorca (1900-1936): el cas del vidre ........................ 13 Glòria Domènech, Antoni Tàpies, col·leccionista . 43 Ignasi Domènech, El col·leccionisme internacional de vidres hispànics .......... 61 Mònica Ginés, Eduard Toda i el col·leccionisme d’art i moneda xinesa .......... 87 Jordi París, Museu de Valls: orígens i col·leccions ........................... 111 Francesc Quílez, Pompeu Gener. La pulsió col·leccionista d’un dandi desclassat .. 135 Sebastià Sánchez Sauleda, La col·lecció d’art de Charles Deering al Palau Maricel de Sitges (1909-1921).......................................... 171 Índex onomàstic...................................................... 199 Mercat art.indb 7 31/07/2018 13:10:08 Mercat art.indb 8 31/07/2018 13:10:08 Presentació El 20 d’octubre de 2017 es va celebrar un cop més al Saló d’Or del Palau de Maricel de Sitges la sisena Jornada Mercat de l’Art, Col·leccionisme i Mu- seus, gràcies a la iniciativa del Consorci del Patrimoni de Sitges i el suport de la Xarxa de Museus d’Art de Catalunya. Si fem un primer balanç del camí re- corregut, és molt evident que amb les jornades i els llibres corresponents hem encetat un tema potser encara poc present dins la nostra bibliografia referida a les arts, i hem mantingut el to obert i alhora el caràcter científic de les diver- ses ponències presentades i publicades al llarg d’aquests anys. Aquesta petita història d’èxit ens obligava enguany, però, a fer un parell de canvis. Ja hem exhaurit la possibilitat de titular amb noms diversos els volums que recullen les aportacions de cada jornada, per això hem decidit mantenir-ne la denomi- nació amb l’afegit de l’any en què es realitza; d’aquesta manera es configurarà una sèrie de llibres homogenis que seran més fàcils d’identificar i de citar. També resultava imprescindible plantejar la versió digital i la difusió gratuïta a la xarxa del seu contingut, per tal de tenir un major impacte i una major pre- sència entre les noves generacions. Per aquesta raó, ara el nou format edito- rial deixa la prestigiosa col·lecció interuniversitària Memoria Artium, que ens havia acollit fins ara, per passar a ser presents en el Dipòsit Digital de Docu- ments de la Universitat Autònoma de Barcelona. Hem cregut, però, que fer una curta edició en paper també podia ser una iniciativa útil per garantir una presència complementària en biblioteques i per donar continuïtat a la sèrie de llibres iniciada el 2013 amb la publicació de les actes de la primera Jornada. En aquest volum que ara es presenta hi ha tres aportacions sobre tres col- leccionistes històrics de perfil i abast molt divers: el polifacètic escriptor Pompeu Gener (1848-1920), el gran mecenes enamorat de Sitges Charles Deering (1952-1927) i l’inquiet bibliòfil i estudiós Eduard Toda (1855-1941). En el cas de Pompeu Gener tenim, amb el treball de Francesc Quílez, un primer intent de valorar aquest personatge des de la perspectiva de les arts, un enfo- - 9 - Mercat art.indb 9 31/07/2018 13:10:08 Mercat de l’art, col·leccionisme i museus 2017 cament fins ara inèdit malgrat la popularitat de la seva figura i projecció. Grà- cies a la llarga dedicació de Sebastià Sánchez Sauleda a l’estudi de la col·lecció de Charles Deering, objecte de la seva tesi de doctorat, en tenim ara un pri- mer tast, on la complexa relació del pròcer americà amb Miquel Utrillo és re- visitada amb noves dades i hipòtesis. Les múltiples curiositats i activitats d’Eduard Toda segurament hauran de donar per a diverses monografies, ja que sembla quasi impossible que una sola persona pugui abastar camps tan diversos. Aquí es parla de la faceta de Toda com a col·leccionista d’art orien- tal, fruit de la seva estada com a cònsol a la Xina. Mònica Ginés, experta sinò- loga, ens presenta aquesta faceta tan singular del personatge i alhora analitza l’itinerari de les seves col·leccions, parcialment perdudes per al patrimoni de Catalunya. L’estudi del col·leccionisme no només ha de centrar-se en episodis relati- vament llunyans, sinó que, com a fet cultural ple de vitalitat, també ha de tractar episodis recents; per això, amb el guiatge de Glòria Domènech es pre- senta aquí un primer panorama de la col·lecció personal i privada d’Antoni Tàpies (1923-2012). Aquesta es compon d’un selecte recull de peces d’art antic i contemporani de primer nivell, fruit de la recerca en el mercat antiquari i de l’intercanvi d’obra amb altres artistes amics. Més enllà del seu valor patrimo- nial, la col·lecció és també una clau imprescindible per entendre la sensibili- tat del seu creador, que s’expressa molt íntimament mitjançant la seva activi- tat com a col·leccionista. Hem procurat en cada jornada tractar de manera monogràfica una espe- cialitat col·leccionista. El 2017 ha estat el tema del vidre antic, que va ser ob- jecte d’una gran passió en les primeres dècades del segle xx. Ignasi Domè- nech, reconegut expert en el tema, ens presenta un aspecte totalment inèdit del fenomen: l’interès i l’estudi del vidre hispànic exclusivament en l’àmbit internacional, tractament que implica un enfocament nou, amb resultats es- pecialment enriquidors i plens de novetats.
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