Man - Woman Relationship and Oedipus Complex in D H Lawrence
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From Christian Concerns to Sexuality in Action : a Study of D.H
81blroth&~uenationale CANADIAN THES'ES ?)/~sESCANADIENNES d Canada ON MICROFICHE SUR MICROFICHE hAVE 6~ALITHW NOM DE L'AUTEUR TITLE OF THESIS TITRE DE LA TH~SE . L-7 Perm~ssron IS heray grmted to the NATIONAL LIBRARY OF L'autorlsar~onest, par la prdsente, accordge B /a BIBLIOTHS. CANADA to mtcrof~lrn th~sthes~s and to lend or sell copies QUE NATlONALE DU CANADA de m~crof~lme~certe these et of the film, de prgter ou de vendre des exemplaires du film. Th'e auth~rreservss othef publication rights, and neither the L'auteur se rbserve Ies aulres droits de publication. ?I la t'lesls nw extensive extracts from it may be printed or other- th$seni,de longs extraits de celle-CI nedoivent drre itnprirnt!~ wlse reproduced without the author's written perrniss~on. ov autrement reprcrduits sani l'autorisatian Pcrite de /'auteur. C DATED DAT~ Natlonal L~braryof Canada Bibl1oth6quenationale du Canada Collect~onsDevelopment Branch Direction du developpement des collections , Canad~anTheses on Service des thBses canadiennes '- Microfiche Service sur microfiche The quality of this microfiche is heavily dependent La qualite de cette microfiche depend grandement de upon the quality of the original thesis submitted for la qualite de la these soumise au microfilmage. Nous microfilming. Every , effort has been made to ensure 'avons tout fait pour assurer une qualite supkrieure the highest quality of reproduction possible. de reproduction. If pages are missing, contact the university which S'il manque des pages, veuillez communiquer granted the degree. avec I'universite qui a confer@le grade. -
D. H. Lawrence and the Idea of the Novel D
D. H. LAWRENCE AND THE IDEA OF THE NOVEL D. H. LAWRENCE AND THE IDEA OF THE NOVEL John Worthen M MACMILLAN ~) John Worthen 1979 Softcover reprint of the hardcover 1st edition 1979 978-0-333-21706-1 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright Act 1956 (as amended). Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1979 Reprinted 1985 Published by THE MACMILLAN PRESS LTD Houndmills, Basingstoke. Hampshir!' RG21 2XS and London Companies and representativ!'s throughout the world British Library Cataloguing in Publication Data Worthl'n, John D. H. Lawrence and the Idea of the Novel I. Lawrence. David Herbert Criticism and interpretation I. Title 823' .9'I2 PR6023.A93Z/ ISBN 978-1-349-03324-9 ISBN 978-1-349-03322-5 (eBook) DOI 10.1007/978-1-349-03322-5 Contents Preface Vll Acknowledgements IX Abbreviations XI Note on the Text Xlll I The White Peacock I 2 The Trespasser 15 3 Sons and Lovers 26 4 The Rainbow 45 5 Women in Love 83 6 The Lost Girl 105 7 Aaron's Rod 118 8 Kangaroo 136 9 The Plumed Serpent 152 10 Lady Chatterley's Lover 168 II Lawrence, England and the Novel 183 Notes 185 Index 193 Preface This is not a book of novel theory. -
Gender Discrimination in D. H. Lawrence's Sons and Lovers
================================================================= Language in India www.languageinindia.comISSN 1930-2940 Vol. 17:11 November 2017 Dr. S. Jayanthi, M.A., M.Phil., Ph.D., Editor Select Papers of the National Conference on Teaching of English Language and Literature Sri S. Ramasamy Naidu Memorial College, Sattur 626203, Tamilnadu, India ================================================================= Gender Discrimination in D. H. Lawrence’s Sons and Lovers K. Aarthi and M. Lakshmi Prabha ================================================================= Abstract The story centres on the worldly problem of gender discrimination. Lawrence’s fiction is always marked by the conflict of a duality in the characters. This duality is seen in the division of body and soul. Also this division marks initially a strong preference by the author for soulful women who are always stronger than their partners. He still has doubts ================================================================= Language in India www.languageinindia.com ISSN 1930-2940 17:11 November 2017 Dr. S. Jayanthi, M.A., M.Phil., Ph.D., Editor: Teaching of English Language and Literature K. Aarthi and M. Lakshmi Prabha Gender Discrimination in D. H. Lawrence’s Sons and Lovers 12 concerning which is the ideal partner, a man or a woman. Soul and body are still divided in the fateful patterns laid down in Sons and Lovers. Keywords: Gender discrimination, masculinity, feminism, culture. Gender Inequality Gender inequality is the idea and situation that women and men are not equal. Gender inequality refers to unequal treatment or perceptions of individuals wholly or partly due to their gender. It arises from differences in socially constructed gender roles. Gender systems are often dichotomous and hierarchical; gender binary systems may reflect the inequalities that manifest in numerous dimensions of daily life. -
The Rainbow: a Miscellany’
J∙D∙H∙L∙S Journal of D. H. Lawrence Studies Citation details Article: ‘THE RAINBOW: A MISCELLANY’ Author: Jonathan Long Source: Journal of D. H. Studies, vol. 4.1 (2015) Pages: 14‒18 Copyright: individual author and the D. H. Lawrence Society. Quotations from Lawrence’s works © The Estate of Frieda Lawrence Ravagli. Extracts and poems from various publications by D. H. Lawrence reprinted by permission of Pollinger Limited (www.pollingerltd.com) on behalf of the Estate of Frieda Lawrence Ravagli. A Publication of the D. H. Lawrence Society of Great Britain 14 Jonathan Long, ‘The Rainbow: A Miscellany’ Figure 2: D. H. Lawrence’s inscription on the title page of a first edition copy of The Rainbow (1915). Journal of D. H. Studies, vol. 4.1 (2015) 15 THE RAINBOW: A MISCELLANY JONATHAN LONG In the year that Lawrentians are celebrating the centenary of the publication of The Rainbow, it is timely to be able to publish for the first time a facsimile of the manuscript of a limerick that Lawrence composed on the title page of a copy of the first edition of that book (see Figure 2 opposite). Before I comment on the limerick, it is an opportune moment to say something about the publication history of the book. The Rainbow was published by Methuen on 30 September 1915 and was to be the only book by or about Lawrence that he published during Lawrence’s lifetime. In line with the publication figures for Lawrence’s earlier novels, it was a modest project. There appear to have been only 2,527 sets of sheets printed by Hazell, Watson and Viney, including eleven destined to be travellers’ copies. -
Sons and Lovers 4 5 by D H Lawrence 6
Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 Sons and Lovers 4 5 by D H Lawrence 6 UPPER S U M M A R Y INTERMEDIATE ons and Lovers is one of the most famous English Lawrence’s health was bad and he had to give up S novels of the twentieth century. Published in 1913, teaching. In 1912 he met a German woman, Frieda it tells the story of the Morel family, and in particular, Weekley, who left her husband and three children to live of Paul Morel. with him. During the First World War, Lawrence formed Gertrude Morel and Walter Morel live in a village in the many important friendships in artistic and literary circles. north of England. Gertrude is clever and competent. He was unable to fight, due to ill health. Walter, her husband, an uneducated coalminer, drinks his Lawrence published his third novel, The Rainbow, in money away and is often violent. Divided by class, the two 1915. It was declared obscene and suppressed. He do not understand each other, and Gertrude is bitterly completed Women in Love in 1916 but could not find a unhappy. She pours all her love and ambition into her four publisher until 1920, when it was published privately in children, and in particular, her oldest child, William. William New York. However, in 1920, his novel, The Lost Girl, won pre p a r es to marry a very superficial girl, against his the James Tait Memorial Prize. -
Chapter VII : Conclusion 133
Chapter VII : Conclusion 133 Chapter VII : Conclusion All psychological theories propounded by Freud and Jung influenced the major writers of the twentieth century like D.H. Lawrence, Virginia Woolf and others. Almost, every modern writer tried to explore various psychological theories relating to human behavior and human relationships. Fresh explorations in Psychological studies opened new vistas in the field of criticism, poetry and novels as a result of which we had the emergence of such critical concepts as ‘Oedipus complex’, ‘Electra complex’, ‘Stream of Consciousness’ , etc. But the main influence of new psychology was on the art of characterization leading to the emergence of some of the major writings in modern fiction. Novels like D.H Lawrence’, Sons & Lovers, Lady Chatterley’s Lover, Virginia Woolf’s, To the Lighthouse, James Joyce’s, Ulysses are some of the examples of this group. Lawrence’s Development as a Writer: D. H. Lawrence was born on September 11, 1885 in Nottinghamshire in England. His childhood was dominated by poverty and friction between his parents. His personal life and his native land had a major impact on his writings. His work abundantly proves that he did not want to escape from the influence of his native land. Lawrence began writing sometime during 1907. He met Jessie Chambers, the editor of ‘English Review’ in 1909 who published Lawrences’ poems in 1909. The White Peacock was published by Heinemann. In the same year, he took poem as school, South London. In 1912 he met Frieda Weekley, wife of Ernest Weekley and eloped with her. The Trespasser was also published in 1912. -
Taos CODE: 55 ZIP CODE: 87564
(Oct. 1990) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM 1. NAME OF PROPERTY D.H. LAWRENCE RANCH HISTORIC DISTRICT HISTORIC NAME: Kiowa Ranch OTHER NAME/SITE NUMBER: Lobo Ranch, Flying Heart Ranch 2. LOCATION STREET & NUMBER: Lawrence Road, approx. 2 3/4 miles east of NM NOT FOR PUBLICATION: N/A Hwy 522 on U.S. Forest Service Rd. 7 CITY OR TOWN: San Cristobal VICINITY: X STATE: New Mexico CODE: NM COUNTY: Taos CODE: 55 ZIP CODE: 87564 3. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this _x_nomination __request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property _X_meets __does not meet the National Register criteria. I recommend that this property be considered significant _X_nationally ^locally. (__See continuation sheet for additional comments.) Signature of certifying official Date State Historic Preservation Officer State or Federal agency and bureau In my opinion, the property __meets does not meet the National Register criteria. (__See continuation sheet for additional comments.) Signature of commenting or other official Date State or Federal agency and bureau 4. NATIONAL PARK SERVICE CERTIFICATION I hereby certify that this property is: Signature of the Keeper Date of Action . entered in the National Register c f __ See continuation sheet. / . determined eligible for the National Register __ See continuation sheet. -
Proquest Dissertations
885 UNIVERSITY D-OTTAWA ~ ECOLE DES GRADUES THE PRINCIPAL FEMININE CHARACTER-TYPES IN SELECTED NOVELS OP D. H. LAWRENCE Robert Walter Millett A thesis presented to the faculty of Arts of the University of Ottawa in partial fulfillment of the requirements for the degree of Master of Arts. Ottawa, C 1963 UNIVERSITY OF OTTAWA - SCHOOL OF GRADUATE STUDIES UMI Number: EC55991 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform EC55991 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UNIVERSITE D-OTTAWA -- ECOLE DES GRADUES ACKNOWLEDGEMENT This thesis was prepared under the direction of Paul J. Marcotte, Associate Professor of English Literature. Gratitude is here expressed for his assistance. UNIVERSITY OF OTTAWA ~ SCHOOL OF GRADUATE STUDIES UNIVERSITE D'OTTAWA -- ECOLE DES GRADUES CURRICULUM STUDIORUM Name: Robert Salter Millett. Place of Birth: Johnstown, New York. Date of Birth: May 12, 1931 - Degree: Bachelor of Arts received from Michigan State University, March, 1961. UNIVERSITY OF OTTAWA SCHOOL OF GRADUATE STUDIES UNIVERSITE D'OTTAWA » ECOLE DES GRADUES TABLE OP CONTENTS Chapter page I. -
DH Lawrence, Modernism, and the English <I>Bildungsroman</I>
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2015 Everything Leaves a Trace: D. H. Lawrence, Modernism, and the English Bildungsroman Tradition Justin Miles McGee University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Literature in English, British Isles Commons Recommended Citation McGee, Justin Miles, "Everything Leaves a Trace: D. H. Lawrence, Modernism, and the English Bildungsroman Tradition. " Master's Thesis, University of Tennessee, 2015. https://trace.tennessee.edu/utk_gradthes/3392 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Justin Miles McGee entitled "Everything Leaves a Trace: D. H. Lawrence, Modernism, and the English Bildungsroman Tradition." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. Urmila S. Seshagiri, Major Professor We have read this thesis and recommend its acceptance: Lisi M. Schoenbach, Alan R. Dunn Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Everything Leaves a Trace: D. H. -
How Lawrence Launched His Career in London
Loyola University Chicago Loyola eCommons Faculty Publications and Other Works by English: Faculty Publications and Other Works Department 2019 How Lawrence Launched His Career in London Joyce Wexler Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/english_facpubs Part of the English Language and Literature Commons Recommended Citation Wexler, Joyce. How Lawrence Launched His Career in London. Journal of D.H. Lawrence Studies, 5, 2: 61‒81, 2019. Retrieved from Loyola eCommons, English: Faculty Publications and Other Works, This Article is brought to you for free and open access by the Faculty Publications and Other Works by Department at Loyola eCommons. It has been accepted for inclusion in English: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Share Alike 3.0 License. © Wexler, 2019. J∙D∙H∙L∙S Journal of D. H. Lawrence Studies Citation details Title: ‘HOW LAWRENCE LAUNCHED HIS CAREER IN LONDON’ Author: JOYCE WEXLER Source: Journal of the D. H. Lawrence Society, vol. 5.2 (2019) Pages: 61‒81 Copyright: individual author and the D. H. Lawrence Society. Quotations from Lawrence’s works © The Estate of Frieda Lawrence Ravagli. Extracts and poems from various publications by D. H. Lawrence reprinted by permission of Pollinger Limited (www.pollingerltd.com) on behalf of the Estate of Frieda Lawrence Ravagli. A Publication of the D. H. Lawrence Society of Great Britain JDHLS 5.2 (2019) 61 HOW LAWRENCE LAUNCHED HIS CAREER IN LONDON JOYCE WEXLER D. -
Sons and Lovers.Pdf
Sons and Lovers By drs. J.A.Goris Sons and Lovers was started in the latter part of 1910 but revised and rewritten several times during the time Lawrence worked in Croydon as a pupil teacher. He finished it in 1912, after he eloped with Frieda to Gargnano. It is based on Lawrence's own life. Published in 1913, it is possibly the most widely read English novel of the twentieth century. The book falls into two parts. The first describes the early married life of a coal miner and his wife, and also the youth and adolescence of their children. The miner, Morel, is illiterate, and no match for his wife who is a former pupil-teacher with aspirations towards the middle classes. What for the most part is shown to the reader is a sustained, exhausting conflict between husband and wife. The second part is virtually a different book, with Paul Morel's growing up and his awakening to the possibilities of the world as its main subject, seen in association with the chronicle of the early family life of the Morels in the first half. The novel capitalizes on the Bildungsroman, a form of fiction that allows the novelist to recreate through the maturing of his protagonist some of his own intensity of experience. In Ireland there is the example of James Joyce's Portrait of the Artist as a Young Man, published in 1916. Sons and Lovers marks a great advance for Lawrence when compared to the two novels he had written before. 'Sons and Lovers, far more than The Trespasser,' says Philip Hobsbaum in his Reader's Guide1, 'is the logical and welcome development out of The White Peacock.' In a letter dated 18 October 1910, Lawrence's own comment says: 'Paul Morel' (as he initially planned to call Sons and Lovers) 'will be a novel - not a florid prose poem, or a decorated idyll running to seed in idealism: but a restrained, somewhat impersonal novel' 2. -
Appendix: Lawrence's Sexuality and His Supposed 'Fascism'
Appendix: Lawrence’s Sexuality and his Supposed ‘Fascism’ The vexed question of Lawrence’s sexuality is exacerbated by the fact that in his lifetime any published evidence was likely to be affected by the need to avoid hostile legislation. It is clear that he was sometimes attracted by other men, this being evident from the chapter in The White Peacock where Cyril expresses his delight in George Saxton’s ath- letic body and reflects our love was perfect for a moment, more perfect than any love I have known since, either for man or woman.1 The sentiment is echoed in the unpublished ‘Prologue’ that formed the opening chapter to Women in Love. In this he noted the fact that he was rarely attracted by women, but often by men—who in such cases belonged mainly to two groups: on the one hand some who were fair, Northern, blue-eyed, crystalline, on the other, dark and viscous. In spite of this, however, there was no admission of active homo- sexuality.2 Previously, his remarks on homosexuality were extremely hostile, as witnessed by his remarks concerning the young men who gathered round John Maynard Keynes at Cambridge and the soldiers he witnessed on the sea-front in Worthing in 1915.3 Knud Merrild, who lived close to Lawrence for the winter of 1922–3, was adamant that Lawrence showed no signs of homosexuality whatever.4 In the novel Women in Love, Birkin engages in the well-known incident of wrestling with Gerald Crich, but this appears to be the closest they get to the formation of a physical relationship.