DOCSLIB.ORG

Nathan Klein

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nathan Klein NATHAN KLEIN SELECTED CREDITS WILD MOUNTAIN THYME (2020) 101 DALMATION STREET (2018-2020) CHAMPIONS LEAGUE IDENTS (2018) BUTTERFLY KISSES (2017) TAS, KO VINI NEREDZ (2017) BIOGRAPHY Nathan Klein is a British-American composer who is rapidly making his mark writing music for network teleVision, global adVertising and international feature films. In the realm of teleVision, Nathan has scored fifty episodes of the British Animation Award nominated series ‘101 Dalmatian Street’ which was broadcast worldwide on the Disney Channel and Disney+. He has recently written music for upcoming series with Amazon Prime and Netflix, and was honoured to score the launch episode of RE:TV featuring the Prince of Wales introducing a new global platform promoting solutions for a more sustainable future. Also for the small screen, Nathan was brought in to arrange and conduct the source music for HBO’s ‘Catherine the Great’, starring Helen Mirren, as well as to arrange and produce songs for Katherine Ryan’s Netflix comedy ‘The Duchess’. Nathan’s debut as a feature film composer, ‘Butterfly Kisses’, won a Crystal Bear at the 67th Berlin International Film FestiVal and his score was singled out in Peter Bradshaw’s Guardian reView. Nathan has gone on to score seVeral more arthouse features as well as composing additional music, and arranging the score as a whole, for ‘Mary Shelley’ (Toronto & Tribeca Film FestiVals), which was nominated for ‘DiscoVery of the Year’ at the 2018 World Soundtrack Awards. Most recently Nathan arranged and produced the score for John Patrick Shanley’s ‘Wild Mountain Thyme’ starring Emily Blunt and Jamie Dornan. Nathan has composed music for many commercial brands, from Sony Playstation’s Champions League Idents to Kew Gardens, and has worked on major campaigns for the likes of McDonald’s and ASDA. His compositions haVe been synchronised on a wide range of teleVision such as ‘Blue Peter’ and ‘The One Show’. After studying music at Oxford UniVersity, Nathan’s professional musical journey was kickstarted working as an orchestrator in London’s recording studios. He has contributed to oVer 25 major films and TV dramas including Black Mirror’s Emmy winning ‘USS Callister’, the Oscar winning ‘Spiderman: Into The SpiderVerse’ and the Emmy nominated score for ITV’s ‘Victoria’. Other highlights range from ‘Enola Holmes’, ‘Paddington 2’ and ‘All The Money In The World’, to ‘Oceans 8’, ‘King Arthur: Legend of the Sword’ and Danny Boyle’s ‘SteVe Jobs’. Just as comfortable working away from Visual media, Nathan produced and arranged Amelia Warner’s classical chart topping EP ‘HaVen’ and also contributed arrangements to Decca’s ‘Bond 25’ album to be released with the film ‘No Time To Die’. In popular music he has collaborated on arrangements for the likes of Kanye West and Madonna. Nathan has also arranged and orchestrated music for Venues such as the National Theatre, Royal Albert Hall and London Palladium. Nathan holds British, North American and German citizenship, and so can work in the UK, USA and EU. https://www.nkcomposition.co.uk FEATURE FILM Wild Mountain Thyme (2020) Sherlock Gnomes (2018) Score Producer and Arranger Music Editor: Temp Music Directed by John Patrick Shanley Directed by John SteVenson Amazia Entertainment Metro-Goldwyn Mayer (MCM) Cranley Gardens (2019) Butterfly Kisses (2017) Composer Composer Directed by Rafael Kapelinski Directed by Rafael Kapelinski Blue Shadows Films Blue Shadows/Film London/BFI/BBC Winner - Crystal Bear, Berlin Film FestiVal Ocean’s 8 (2018) Orchestrator All the Money in the World (2017) Directed by Gary Ross Orchestrator Warner Brothers Directed by Ridley Scott Sony Pictures Entertainment Mary Shelley (2017) Composer/Additional Molly’s Game (2017) Music/Arranger/Orchestrator Orchestrator Directed by Haifaa Al-Mansour Directed by Aaron Sorkin Gidden Media/HanWay Films/Parallel Films Entertainment One Tas, ko vini neredz (What Nobody Can King Arthur: Legend Of The Sword See) (2017) Composer (2017) Directed by StanislaVs TokaloVs Assistant Composer/Orchestrator Ego Media/National Film Centre of LatVia Directed by Guy Ritchie Warner Brothers Paddington 2 (2017) Additional Music Editor/ Orchestrations Bitter Harvest (2017) Directed by Paul King Orchestrator Studio Canal Directed by George Mendeluk Roadside Attractions Mark Felt: The Man Who Brought Down the White House (2017) From the Land of the Moon (2016) Additional Orchestration/Assistant Composer Orchestrator Directed by Peter Landseman Directed by Nicole Garcia Endurance Media Studio Canal Gold (2016) The Hippopotamus (2017) Orchestrator Orchestrator Directed by John Jencks Directed by Stephen Gaghan The Electric Shadow Company Balc Bear Pictures Avanti! (feature documentary) (2016) Willkommen bei den Hartmanns (2016) Composer Orchestrator/Arranger Directed by Lucia Sensei Directed by Simon VerhowVen Abuelita Productions Warner Brothers DE Spider-Man: Into the Spider-Verse Steve Jobs (2015) Orchestrator (2018) Orchestrator Directed by Danny Boyle Directed by Bob Persichetti | Peter Ramsey | UniVersal Pictures Rodney Rothman Sony Pictures Animation/MarVel (UK) Air Edel Associates Ltd. 18 Rodmarton Street London W1U 8BJ Tel. +44 20 7486 6466 (US) Air Edel 1416 N. La Brea AVe. Hollywood, CA 90028 Tel. 323-802-1670 www.air-edel.co.uk TELEVISION 101 Dalmatian Street (2018-2020) Catherine the Great (2019) Composer Arranger and Conductor: Source Music Directed by Miklos Weigert | Jez Hall | Fred Directed by Philip Martin Martin Sky Atlantic Disney TeleVision Animation & Passion Pictures Collateral (2018) UEFA Champions League Idents (2018) Orchestrator Composer Directed by S.J Clarkson Sony PlayStation BBC Trauma (2018) Hold the Sunset (2018) Orchestrator (1 episode) Orchestrator Created by Mike Barlett Directed by Sandy Johnson ITV BBC Vanity Fair (2018) Black Mirror (2017) Ep. ‘USS Callister’ Orchestrator – 5 episodes Orchestrator Created by Gwyneth Hughes Directed by Charlie Brooker ITV Zeppotron Victoria (2016) War and Peace (2016) Orchestrator Orchestrator Created by Daisy Goodwin Directed by Tom Harper ITV/Mammoth Screen BBC/Weinstein Company War Art with Eddie Redmayne (2015) Orchestrator Directed by Margy Kinmonth ITV/Foxtrot Films THEATRE Hounds of the Baskerville – A Sherlock La Ronde (2017) Holmes Mystery (2017) Composer Composer Directed by Max Gill Liverpool Everyman Playhouse Bunker Theatre Amadeus (2016) Fury (2016) Orchestrator and Arranger Composer/Sound Designer Directed by Michael Longhurst Directed by Hannah Hauer-King National Theatre Soho Theatre The Odyssey (2016) Dry Land (2015) Composer/Sound Designer Composer/Sound Designer Directed by Max Lindsay Directed by Hannah Hauer-King Nuffield Theatre Jermyn Street Theatre I and the Village (2015) Composer/Sound Designer Directed by Robert S. Cameron Theatre 503 (UK) Air Edel Associates Ltd. 18 Rodmarton Street London W1U 8BJ Tel. +44 20 7486 6466 (US) Air Edel 1416 N. La Brea AVe. Hollywood, CA 90028 Tel. 323-802-1670 www.air-edel.co.uk Before You Were Born (2015) How I Learned To Drive (2015) Composer/Sound Designer Composer/Sound Designer Trafalgar Studios 2 Directed by Jack Sain Southwark Playhouse The Comedy of Errors (2013) Composer/Sound Designer The Alchemist (2014) Directed by Chris Adams Composer/Sound Designer Tokyo Met Theatre/Southwark Directed by Nina Raine Playhouse/YVonne Arnaud Theatre Arcola Tent Midland’s Arts Centre & Edinburgh Fringe Angels in America (2013) Composer Directed by Jack Sain Oxford Playhouse SHORT FILM Rosemary & Basil (2019) A Fighting Man (2014) Composer Composer Directed by Max Gil Directed by Greer Ellison, Liam Hughes Heretic Productions Blue Shadows Films Bigger Picture (2016) Don’t Forget Your Hat (2014) Composer Composer Dirrcted by Greer Ellison & Merlin Merton Directed by Liam Hughes Blue Shadows Films Blue Shadows Films Backtrack (2015) Le Conoscenze Difficili (2013) Composer Composer Directed by Virgil Widrich Lucia Senesi productions Oxford Broadcasting Association An Evening Out (2013) Waterbird (2014) Composer Composer Oxford Film Fund Oxford Broadcasting Association Sleep (2012) Noose (2013) Composer Compose Directed by Sophia Gibber Central Film School Hartopp Films Do You Want to Try It Again (2013) Composer Roundhouse Spitball (2017) Composer Directed by Greer Ellison & Merlin Merton Northern Ireland Screen Rumble (2015) Composer Directed by Matthew Hopper Blindeye Films (UK) Air Edel Associates Ltd. 18 Rodmarton Street London W1U 8BJ Tel. +44 20 7486 6466 (US) Air Edel 1416 N. La Brea AVe. Hollywood, CA 90028 Tel. 323-802-1670 www.air-edel.co.uk .
Load more

Recommended publications
  • Why Hollywood Isn't As Liberal As We Think and Why It Matters
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Why Hollywood Isn't As Liberal As We Think nda Why It Matters Amanda Daily Claremont McKenna College Recommended Citation Daily, Amanda, "Why Hollywood Isn't As Liberal As We Think nda Why It Matters" (2019). CMC Senior Theses. 2230. https://scholarship.claremont.edu/cmc_theses/2230 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. 1 Claremont McKenna College Why Hollywood Isn’t As Liberal As We Think And Why It Matters Submitted to Professor Jon Shields by Amanda Daily for Senior Thesis Fall 2018 and Spring 2019 April 29, 2019 2 3 Abstract Hollywood has long had a reputation as a liberal institution. Especially in 2019, it is viewed as a highly polarized sector of society sometimes hostile to those on the right side of the aisle. But just because the majority of those who work in Hollywood are liberal, that doesn’t necessarily mean our entertainment follows suit. I argue in my thesis that entertainment in Hollywood is far less partisan than people think it is and moreover, that our entertainment represents plenty of conservative themes and ideas. In doing so, I look at a combination of markets and artistic demands that restrain the politics of those in the entertainment industry and even create space for more conservative productions. Although normally art and markets are thought to be in tension with one another, in this case, they conspire to make our entertainment less one-sided politically.
    [Show full text]
  • The City of Prague Philharmonic Orchestra and Chorus
    WINTER 2017 - SPRING 2018 NEWS www.tadlowmusic.com THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA AND CHORUS EUROPE’S MOST EXPERIENCED AND VERSATILE RECORDING ORCHESTRA: 70 YEARS OF QUALITY MUSIC MAKING The CoPPO have been recording local film and TV scores at Smecky Music Studios since 1946, and a large number of international productions since 1988. Over the years they have worked with many famous composers from Europe and America including: ELMER BERNSTEN * MICHEL LEGRAND * ANGELO BADALAMENTI * WOJCIECH KILAR * CARL DAVIS GABRIEL YARED * BRIAN TYLER * RACHEL PORTMAN * MYCHAEL DANNA * JEFF DANNA * NITIN SAWHNEY JAVIER NAVARRETE * LUDOVIC BOURCE * CHRISTOPHER GUNNING * INON ZUR * JOHANN JOHANNSSON * NATHANIEL MECHALY * PATRICK DOYLE * PHILIP GLASS * BEAR McCREARY * JOE HISAISHI In recent years they have continued this tradition of recording orchestral scores for international productions with composers now recording in Prague from: Australia * New Zealand * Japan * Indonesia * Malaysia * Singapore * China * Taiwan * Russia * Egypt * The Lebanon * Turkey * Brazil * Chile and India PRAGUE HAS BECOME THE CENTRE OF WORLDWIDE SCORING AND ORCHESTRAL RECORDINGS BECAUSE BEING 100% TOTAL BUYOUT ON ALL RECORDINGS AND THE QUALITY OF FINE MUSICIANS AND RECORDING FACILITIES TADLOW MUSIC The Complete Recording Package for FILM, TV, VIDEO GAMES SCORING AND FOR THE RECORD INDUSTRY in LONDON + PRAGUE Music Contractor / Producer : James Fitzpatrick imdb page: http://www.imdb.com/name/nm0280533/ NEW PHONE # : +44 (0) 797 181 4674 “It’s an absolute delight to work with Tadlow Music. The Prague musicians are great and I’ve had many happy experiences recording with them.” - Oscar Winning Composer RACHEL PORTMAN “Always a pleasure to work with James, as i have many times over the years.
    [Show full text]
  • Danny Boyle Himesh Patel, Lily James
    UNIVERSAL PICTURES présente En association avec PERFECT WORLD PICTURES Une production WORKING TITLE Un fi lm de DANNY BOYLE HIMESH PATEL, LILY JAMES, avec ED SHEERAN et KATE MCKINNON Producteurs délégués NICK ANGEL, LEE BRAZIER, LIZA CHASIN Produit par, TIM BEVAN, ERIC FELLNER, MATTHEW JAMES WILKINSON, BERNARD BELLEW, RICHARD CURTIS, DANNY BOYLE Sur une idée originale de JACK BARTH et RICHARD CURTIS Scénario RICHARD CURTIS SORTIE : 3 JUILLET Durée 1h56 Matériel disponible sur www.upimedia.com Yesterday-lefi lm.com @Yesterday.lefi lm @UniversalFR #Yesterday DISTRIBUTION PRESSE Universal Pictures International Sylvie FORESTIER 21, rue François 1er Giulia GIÉ 75008 Paris assistées de Sophie GRECH Tél. : 01 40 69 66 56 www.universalpictures.fr SYNOPSIS Hier tout le monde connaissait les Beatles, mais aujourd’hui seul Jack se souvient de leurs chansons. Il est sur le point de devenir extrêmement célèbre. Jack Malik (Himesh Patel) est un auteur-compositeur interprète en galère, dont les rêves sont en train de sombrer dans la mer qui borde le petit village où il habite en Angleterre, en dépit des encouragements d’Ellie (Lily James), sa meilleure amie d’enfance qui n’a jamais cessé de croire en lui. Après un accident avec un bus pendant une étrange panne d’électricité, Jack se réveille dans un monde où il découvre que les Beatles n’ont jamais existé… ce qui va le mettre face à un sérieux cas de conscience. Poussé par Debra (Kate McKinnon) son agent américain et secondé de son ami Rocky (Joel Fry), roadie improvisé sur le tas, aussi adorable qu’imprévisible, la popularité du jeune homme va vite exploser quand il se met à chanter les titres du groupe le plus connu du monde à un public qui ne les a jamais entendus.
    [Show full text]
  • SFX’S Horror Columnist Peers Into If You’Re New to the Netflix Catherine Zeta-Jones Movie
    DOCTOR WHO JODIE WHITTAKER EXCLUSIVE SCI-FI 306 DAREDEVIL SEASON 3 On set with Over 30 pages the Man of pure terror! Without Fear featuring EXCLUSIVE! HALLOWEEN Jamie Lee Curtis and SUSPIRIA CHILLING John Carpenter on the ADVENTURES OF SABRINA return of Michael Myers THE HAUNTING OF HILL HOUSE OVERLORD BRUCE CAMPBELL SLAUGHTERHOUSE RULEZ AND LOADS MORE SCARES! ISSUE 306 NOVEMBER Contents2018 34 56 61 68 HALLOWEEN CHILLING DRACUL DOCTOR WHO Jamie Lee Curtis and John ADVENTURES Bram Stoker’s great-grandson We speak to the new Time Lord Carpenter tell us about new OF SABRINA unearths the iconic vamp for Jodie Whittaker about series 11 Michael Myers sightings in Remember Melissa Joan Hart another toothsome tale. and her Heroes & Inspirations. Haddonfield. That place really playing the teenage witch on CITV needs a Neighbourhood Watch. in the ’90s? Well this version is And a can of pepper spray. nothing like that. 62 74 OVERLORD TADE THOMPSON A WW2 zombie horror from the The award-winning Rosewater 48 56 JJ Abrams stable and it’s not a author tells us all about his THE HAUNTING OF Cloverfield movie? brilliant Nigeria-set novel. HILL HOUSE Shirley Jackson’s horror classic gets a new Netflix treatment. 66 76 Who knows, it might just be better PENNY DREADFUL DAREDEVIL than the 1999 Liam Neeson/ SFX’s horror columnist peers into If you’re new to the Netflix Catherine Zeta-Jones movie. her crystal ball to pick out the superhero shows, this third season Fingers crossed! hottest upcoming scares. is probably a bad place to start.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]
  • Gender, Society and Technology in Black Mirror
    Aditya Hans Prasad WGSS 7 Professor Douglas Moody May 2018. Gender, Society and Technology in Black Mirror The anthology television show Black Mirror is critically acclaimed for the manner in which it examines and criticizes the relationship between human society and technology. Each episode focuses on a specifically unnerving aspect of technology, and the topics explored by it range from surveillance to mass media. These episodes may initially provide a cynical perspective of technology, but they are far more nuanced in that they provide a commentary on how human technology reflects the society it is produced for and by. With that in mind, it is evident that Black Mirror is an anthology series of speculative fiction episodes that scrutinizes the darker implications of these technologies. Often, these implications are products of particular social constructs such as race, socioeconomic class and gender. It is particularly interesting to analyze the way in which Black Mirror presents the interaction between gender and technology. Many of the television show’s episodes highlight the differences in the way women interact with technology as compared to men. These intricacies ultimately provide viewers with an understanding of the position women often hold in a modern, technologically driven society. Black Mirror is renowned for the unsettling way it presents the precarious situations that come up when technology begins to reflect the flaws of a society. The episode “Fifteen Million Merits” explores, among other things, the hyper-sexualized nature of modern mass media. The episode takes place in a simulated world, where humans exist inside a digital world where all they do is cycle to earn credits, spend credits on products of the media and sleep.
    [Show full text]
  • Honors in Practice, Volume 16 (Complete)
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Honors in Practice -- Online Archive National Collegiate Honors Council 2020 Honors in Practice, Volume 16 (complete) Follow this and additional works at: https://digitalcommons.unl.edu/nchchip Part of the Educational Leadership Commons, Higher Education Commons, Liberal Studies Commons, and the Other Education Commons This Article is brought to you for free and open access by the National Collegiate Honors Council at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Honors in Practice -- Online Archive by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. In This Issue Volume 16 | 2020 Honors In Practice 2019 PRESIDENTIAL ADDRESS Radical Honors: Pedagogical Troublemaking as a Model for Institutional Change Richard Badenhausen ESSAYS Music in the Holocaust as an Honors Colloquium Galit Gertsenzon HIP Brave New Worlds: Transcending the Humanities/STEM Divide through Creative Writing Adam Watkins and Zahra Tehrani Humanities-Driven STEM—Using History as a Foundation for HIP STEM Education in Honors Honors In Practice John Carrell, Hannah Keaty, and Aliza Wong A PUBLICATION OF THE NATIONAL COLLEGIATE HONORS COUNCIL Best Practices in Honors Pedagogy: Teaching Innovation and Community Engagement through Design Thinking Beth H. Chaney, Tim W. Christensen, Alleah Crawford, Katherine Ford, W. Wayne Godwin, Gerald Weckesser, Todd Fraley, and Volume 16 | 2020 Phoenix Little Teaching Critical University Studies: A First-Year Seminar to Cultivate Intentional Learners Elizabeth Bleicher A Potential for Improving Honors Retention with Degree Planning Teddi S. Deka A Meaningful and Useful Twofer: Enhancing Honors Students’ Research Experiences While Gathering Assessment Data Mary Scheuer Senter Statistics: A Cautionary Tale Len Zane Contracts for Honors Credit: Balancing Access, Equity, and Opportunities for Authentic Learning Patrick Bahls BRIEF IDEAS ABOUT WHAT WORKS IN 16 Volume HONORS Authors: Brent M.
    [Show full text]
  • Black Mirrors: Reflecting (On) Hypermimesis
    Philosophy Today Volume 65, Issue 3 (Summer 2021): 523–547 DOI: 10.5840/philtoday2021517406 Black Mirrors: Reflecting (on) Hypermimesis NIDESH LAWTOO Abstract: Reflections on mimesis have tended to be restricted to aesthetic fictions in the past century; yet the proliferation of new digital technologies in the present century is currently generating virtual simulations that increasingly blur the line between aes- thetic representations and embodied realities. Building on a recent mimetic turn, or re-turn of mimesis in critical theory, this paper focuses on the British science fiction television series, Black Mirror (2011–2018) to reflect critically on the hypermimetic impact of new digital technologies on the formation and transformation of subjectivity. Key words: mimesis, Black Mirror, simulation, science fiction, hypermimesis, AI, posthuman he connection between mirrors and mimesis has been known since the classical age and is thus not original, but new reflections are now appearing on black mirrors characteristic of the digital age. Since PlatoT first introduced the concept ofmimēsis in book 10 of the Republic, mir- rors have been used to highlight the power of art to represent reality, generating false copies or simulacra that a metaphysical tradition has tended to dismiss as illusory shadows, or phantoms, of a true, ideal and transcendental world. This transparent notion of mimesis as a mirror-like representation of the world has been dominant from antiquity to the nineteenth century, informs twentieth- century classics on realism,
    [Show full text]
  • The Bates Student Archives and Special Collections
    Bates College SCARAB The Bates Student Archives and Special Collections 1-17-2018 The Bates Student - volume 148 number 09 - January 17, 2018 Bates College Follow this and additional works at: https://scarab.bates.edu/bates_student The Bates Student THE VOICE OF BATES COLLEGE SINCE 1873 WEDNESDAY January 17, 2018 Vol. 148, Issue. 9 Lewiston, Maine FORUM ARTS & LEISURE SPORTS Kerry Manuel ’21 shares Will Hibbitts ’21 takes a Morgan Baxter ’20 discusses the women’s basketball stand on the new Speakers, Abraham Bronwell ’20’s new team’s quarky home Performers, and Protests EP, Old Mirror. game ritual. policy. See Page 4 See Page 6 See Page 11 Inside Arts & Leisure: Inside Sports: Szlachetka ’02 and Posner ’18 Winter Athletes Discuss Music and Life Brave Frigid Temps HALLEY POSNER EDITOR-IN-CHIEF TORY DOBBIN MANAGING ARTS EDITOR This week, Editor-in-Chief Hal- ley Posner ’18 had the opportunity to interview Matthew Szlachetka ’02, known as the musical artist Szlachetka (pronounced SLA-HET- KA), about his upcoming album and journey in thew music indus- try. Szlachetka also spoke with The Bates Student about his future plans OLIVIA and outlook on music in today’s so- The swimming and diving team feels effects from cold temperatures. GILBERT/THE BATES STUDENT ciety. Here is an abridged transcript of that conversation that has been frostbite before heading outside for edited for clarity: VANESSA PAOLELLA practice. STAFF WRITER The Bates Student (BS): What While members of the track and have you been up to for the past few field team were not on campus dur- While training over winter years? ing break, athletes were expected to break can be arduous at the best of Szlachetka (S): I’ve pretty train on their own.
    [Show full text]
  • Netflix Teases 'Black Mirror' Season 4 Episode Titles
    Netflix Teases 'Black Mirror' Season 4 Episode Titles 08.25.2017 Netflix has revealed the episode titles and cast for Black Mirror's six-episode fourth season. Black Mirror focuses on the collective unease of the modern world. Each stand-alone episode poses a future where technology has transformed society, typically much to the chagrin of the global populace. Season four looks to continue the series' theme, with Netflix's tease showing clips of a future filled with technology and strife. RELATED: Cracking 'Black Mirror' in Netflix's Featurette See the Black Mirror season four episode titles below: "Arkangel" Cast: Rosemarie Dewitt (La La Land, Mad Men), Brenna Harding (A Place to Call Home), Owen Teague (Bloodline) Director: Jodie Foster Written by: Charlie Brooker "USS Callister" Cast: Jesse Plemons (Black Mass, Fargo), Cristin Milioti (The Wolf of Wall Street, Fargo), Jimmi Simpson (Westworld, House of Cards), Michaela Coel (Chewing Gum, Monsters: Dark Continent) Director: Toby Haynes (Dr Who, Sherlock) Written By: Charlie Brooker & William Bridges "Crocodile"Cast: Andrea Riseborough (Birdman, Bloodline), Andrew Gower (Outlander), Kiran Sonia Sawar (Murdered By My Father) Director: John Hillcoat (Triple Nine, Lawless) Written By: Charlie Brooker "Hang the DJ" Cast: Georgina Campbell (Flowers, Broadchurch), Joe Cole (Peaky Blinders, Green Room), George Blagden (Versailles, Vikings) Director: Tim Van Patten (The Sopranos, Game of Thrones) Written By: Charlie Brooker "Metalhead" Cast: Maxine Peake (The Theory Of Everything, The Village), Jake Davies (The Missing, A Brilliant Young Mind), Clint Dyer (Hope Springs) Director: David Slade (Hannibal, American Gods) Written By: Charlie Brooker "Black Museum" Cast: Douglas Hodge (The Night Manager, Catastrophe), Letitia Wright (Humans, Ready Player One), Babs Olusanmokun (Roots, The Defenders) Director: Colm McCarthy Written By: Charlie Brooker Netflix has not revealed the premiere date just yet, but the the show will return "later this year.".
    [Show full text]
  • Complete Issue
    Culture Unbound: Journal of Current Cultural Research Thematic Section: Critical Future Studies Edited by Michael Godhe & Luke Goode Extraction from Volume 10, Issue 2 2018 Linköping University Electronic Press Culture Unbound: ISSN 2000-1525 (online) URL: http://www.cultureunbound.ep.liu.se/ © 2018 The Authors. Culture Unbound, Extraction from Volume 10, 2018 Thematic Section: Critical Future Studies Critical Future Studies - A thematic Introduction Michael Godhe and Luke Goode ........................................................................................ 151 Hopeful Extinctions? Tesla, Technological Solutionism and the Anthropocene Sy Taffel .............................................................................................................................. 163 Life, but not as we know it: A.I. and the popular imagination Luke Goode ......................................................................................................................... 185 On the Pending Robot Revolution and the Utopia of Human Agency Daniel Bodén ....................................................................................................................... 208 Marginalized Bodies of Imagined Futurescapes: Ableism and Heteronormativity in Science Fiction Munch’s Painting? Painting Reproductions on Display Josefine Wälivaara .............................................................................................................. 226 After Work: Anticipatory Knowledge on Post-Scarcity Futures in John Barness Thousand Cultures
    [Show full text]
  • Um Ensaio Sobre Representações Femininas Em Uss Callister
    ENSAIOS A JORNADA DAS TRIPULANTES: UM ENSAIO SOBRE REPRESENTAÇÕES FEMININAS EM USS CALLISTER THE JOURNEY OF CREWERS: AN ESSAY ON FEMALE REPRESENTATIONS ON THE USS CALLISTER EL VIAJE DE LAS TRIPULANTES: UN ENSAYO SOBRE REPRESENTACIONES FEMENINAS EN EL USS CALLISTER Haline Alves de Medeiros Mesquita1 RESUMO Este ensaio tem como objetivo trazer reflexões acerca das relações de gênero por trás das representações femininas nas mídias digitais através da análise do episódio USS Callister, o primeiro episódio da quarta temporada da série Black Mirror. Para esta análise, além do enredo do próprio episódio, serão utilizados como referenciais teóricos o conceito de tecnologia de gênero da escritora e historiadora Teresa de Lauretis e as questões levantadas pelo cientista social Túlio Rossi acerca das feminilidades e suas imagens em mídias digitais. Palavras-chave: Black Mirror, Gênero, Mídias digitais, Representações femininas ABSTRACT This essay aims to bring reflections on gender relations behind female representations in digital media by analyzing episodes of the USS Callister, Black Mirror. For this analysis, in addition to the plot of the episode itself, it will be use as theoretical references the concept of technology of gender by Teresa de Lauretis and the studies about female representation and audiovisual media by Tulio Rossi. Key words: Black Mirror, Gender, Digital media, Female representations. RESUMEN Este ensayo tiene como objetivo traer reflexiones sobre las relaciones de género detrás de las representaciones femeninas en los medios digitales mediante el análisis de episodios del USS Callister, que corresponde al primer episodio de la cuarta temporada de la serie Black Mirror. Para este análisis, además de la trama del episodio en sí, se utilizará como referencias teóricas el concepto de tecnología de Teresa de Lauretis y el trabajo de Túlio Rossi sobre representaciones femeninas en el audiovisual.
    [Show full text]