Honors in Practice, Volume 16 (Complete)
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Why Hollywood Isn't As Liberal As We Think and Why It Matters
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Why Hollywood Isn't As Liberal As We Think nda Why It Matters Amanda Daily Claremont McKenna College Recommended Citation Daily, Amanda, "Why Hollywood Isn't As Liberal As We Think nda Why It Matters" (2019). CMC Senior Theses. 2230. https://scholarship.claremont.edu/cmc_theses/2230 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. 1 Claremont McKenna College Why Hollywood Isn’t As Liberal As We Think And Why It Matters Submitted to Professor Jon Shields by Amanda Daily for Senior Thesis Fall 2018 and Spring 2019 April 29, 2019 2 3 Abstract Hollywood has long had a reputation as a liberal institution. Especially in 2019, it is viewed as a highly polarized sector of society sometimes hostile to those on the right side of the aisle. But just because the majority of those who work in Hollywood are liberal, that doesn’t necessarily mean our entertainment follows suit. I argue in my thesis that entertainment in Hollywood is far less partisan than people think it is and moreover, that our entertainment represents plenty of conservative themes and ideas. In doing so, I look at a combination of markets and artistic demands that restrain the politics of those in the entertainment industry and even create space for more conservative productions. Although normally art and markets are thought to be in tension with one another, in this case, they conspire to make our entertainment less one-sided politically. -
The City of Prague Philharmonic Orchestra and Chorus
WINTER 2017 - SPRING 2018 NEWS www.tadlowmusic.com THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA AND CHORUS EUROPE’S MOST EXPERIENCED AND VERSATILE RECORDING ORCHESTRA: 70 YEARS OF QUALITY MUSIC MAKING The CoPPO have been recording local film and TV scores at Smecky Music Studios since 1946, and a large number of international productions since 1988. Over the years they have worked with many famous composers from Europe and America including: ELMER BERNSTEN * MICHEL LEGRAND * ANGELO BADALAMENTI * WOJCIECH KILAR * CARL DAVIS GABRIEL YARED * BRIAN TYLER * RACHEL PORTMAN * MYCHAEL DANNA * JEFF DANNA * NITIN SAWHNEY JAVIER NAVARRETE * LUDOVIC BOURCE * CHRISTOPHER GUNNING * INON ZUR * JOHANN JOHANNSSON * NATHANIEL MECHALY * PATRICK DOYLE * PHILIP GLASS * BEAR McCREARY * JOE HISAISHI In recent years they have continued this tradition of recording orchestral scores for international productions with composers now recording in Prague from: Australia * New Zealand * Japan * Indonesia * Malaysia * Singapore * China * Taiwan * Russia * Egypt * The Lebanon * Turkey * Brazil * Chile and India PRAGUE HAS BECOME THE CENTRE OF WORLDWIDE SCORING AND ORCHESTRAL RECORDINGS BECAUSE BEING 100% TOTAL BUYOUT ON ALL RECORDINGS AND THE QUALITY OF FINE MUSICIANS AND RECORDING FACILITIES TADLOW MUSIC The Complete Recording Package for FILM, TV, VIDEO GAMES SCORING AND FOR THE RECORD INDUSTRY in LONDON + PRAGUE Music Contractor / Producer : James Fitzpatrick imdb page: http://www.imdb.com/name/nm0280533/ NEW PHONE # : +44 (0) 797 181 4674 “It’s an absolute delight to work with Tadlow Music. The Prague musicians are great and I’ve had many happy experiences recording with them.” - Oscar Winning Composer RACHEL PORTMAN “Always a pleasure to work with James, as i have many times over the years. -
Danny Boyle Himesh Patel, Lily James
UNIVERSAL PICTURES présente En association avec PERFECT WORLD PICTURES Une production WORKING TITLE Un fi lm de DANNY BOYLE HIMESH PATEL, LILY JAMES, avec ED SHEERAN et KATE MCKINNON Producteurs délégués NICK ANGEL, LEE BRAZIER, LIZA CHASIN Produit par, TIM BEVAN, ERIC FELLNER, MATTHEW JAMES WILKINSON, BERNARD BELLEW, RICHARD CURTIS, DANNY BOYLE Sur une idée originale de JACK BARTH et RICHARD CURTIS Scénario RICHARD CURTIS SORTIE : 3 JUILLET Durée 1h56 Matériel disponible sur www.upimedia.com Yesterday-lefi lm.com @Yesterday.lefi lm @UniversalFR #Yesterday DISTRIBUTION PRESSE Universal Pictures International Sylvie FORESTIER 21, rue François 1er Giulia GIÉ 75008 Paris assistées de Sophie GRECH Tél. : 01 40 69 66 56 www.universalpictures.fr SYNOPSIS Hier tout le monde connaissait les Beatles, mais aujourd’hui seul Jack se souvient de leurs chansons. Il est sur le point de devenir extrêmement célèbre. Jack Malik (Himesh Patel) est un auteur-compositeur interprète en galère, dont les rêves sont en train de sombrer dans la mer qui borde le petit village où il habite en Angleterre, en dépit des encouragements d’Ellie (Lily James), sa meilleure amie d’enfance qui n’a jamais cessé de croire en lui. Après un accident avec un bus pendant une étrange panne d’électricité, Jack se réveille dans un monde où il découvre que les Beatles n’ont jamais existé… ce qui va le mettre face à un sérieux cas de conscience. Poussé par Debra (Kate McKinnon) son agent américain et secondé de son ami Rocky (Joel Fry), roadie improvisé sur le tas, aussi adorable qu’imprévisible, la popularité du jeune homme va vite exploser quand il se met à chanter les titres du groupe le plus connu du monde à un public qui ne les a jamais entendus. -
SFX’S Horror Columnist Peers Into If You’Re New to the Netflix Catherine Zeta-Jones Movie
DOCTOR WHO JODIE WHITTAKER EXCLUSIVE SCI-FI 306 DAREDEVIL SEASON 3 On set with Over 30 pages the Man of pure terror! Without Fear featuring EXCLUSIVE! HALLOWEEN Jamie Lee Curtis and SUSPIRIA CHILLING John Carpenter on the ADVENTURES OF SABRINA return of Michael Myers THE HAUNTING OF HILL HOUSE OVERLORD BRUCE CAMPBELL SLAUGHTERHOUSE RULEZ AND LOADS MORE SCARES! ISSUE 306 NOVEMBER Contents2018 34 56 61 68 HALLOWEEN CHILLING DRACUL DOCTOR WHO Jamie Lee Curtis and John ADVENTURES Bram Stoker’s great-grandson We speak to the new Time Lord Carpenter tell us about new OF SABRINA unearths the iconic vamp for Jodie Whittaker about series 11 Michael Myers sightings in Remember Melissa Joan Hart another toothsome tale. and her Heroes & Inspirations. Haddonfield. That place really playing the teenage witch on CITV needs a Neighbourhood Watch. in the ’90s? Well this version is And a can of pepper spray. nothing like that. 62 74 OVERLORD TADE THOMPSON A WW2 zombie horror from the The award-winning Rosewater 48 56 JJ Abrams stable and it’s not a author tells us all about his THE HAUNTING OF Cloverfield movie? brilliant Nigeria-set novel. HILL HOUSE Shirley Jackson’s horror classic gets a new Netflix treatment. 66 76 Who knows, it might just be better PENNY DREADFUL DAREDEVIL than the 1999 Liam Neeson/ SFX’s horror columnist peers into If you’re new to the Netflix Catherine Zeta-Jones movie. her crystal ball to pick out the superhero shows, this third season Fingers crossed! hottest upcoming scares. is probably a bad place to start. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Gender, Society and Technology in Black Mirror
Aditya Hans Prasad WGSS 7 Professor Douglas Moody May 2018. Gender, Society and Technology in Black Mirror The anthology television show Black Mirror is critically acclaimed for the manner in which it examines and criticizes the relationship between human society and technology. Each episode focuses on a specifically unnerving aspect of technology, and the topics explored by it range from surveillance to mass media. These episodes may initially provide a cynical perspective of technology, but they are far more nuanced in that they provide a commentary on how human technology reflects the society it is produced for and by. With that in mind, it is evident that Black Mirror is an anthology series of speculative fiction episodes that scrutinizes the darker implications of these technologies. Often, these implications are products of particular social constructs such as race, socioeconomic class and gender. It is particularly interesting to analyze the way in which Black Mirror presents the interaction between gender and technology. Many of the television show’s episodes highlight the differences in the way women interact with technology as compared to men. These intricacies ultimately provide viewers with an understanding of the position women often hold in a modern, technologically driven society. Black Mirror is renowned for the unsettling way it presents the precarious situations that come up when technology begins to reflect the flaws of a society. The episode “Fifteen Million Merits” explores, among other things, the hyper-sexualized nature of modern mass media. The episode takes place in a simulated world, where humans exist inside a digital world where all they do is cycle to earn credits, spend credits on products of the media and sleep. -
Black Mirrors: Reflecting (On) Hypermimesis
Philosophy Today Volume 65, Issue 3 (Summer 2021): 523–547 DOI: 10.5840/philtoday2021517406 Black Mirrors: Reflecting (on) Hypermimesis NIDESH LAWTOO Abstract: Reflections on mimesis have tended to be restricted to aesthetic fictions in the past century; yet the proliferation of new digital technologies in the present century is currently generating virtual simulations that increasingly blur the line between aes- thetic representations and embodied realities. Building on a recent mimetic turn, or re-turn of mimesis in critical theory, this paper focuses on the British science fiction television series, Black Mirror (2011–2018) to reflect critically on the hypermimetic impact of new digital technologies on the formation and transformation of subjectivity. Key words: mimesis, Black Mirror, simulation, science fiction, hypermimesis, AI, posthuman he connection between mirrors and mimesis has been known since the classical age and is thus not original, but new reflections are now appearing on black mirrors characteristic of the digital age. Since PlatoT first introduced the concept ofmimēsis in book 10 of the Republic, mir- rors have been used to highlight the power of art to represent reality, generating false copies or simulacra that a metaphysical tradition has tended to dismiss as illusory shadows, or phantoms, of a true, ideal and transcendental world. This transparent notion of mimesis as a mirror-like representation of the world has been dominant from antiquity to the nineteenth century, informs twentieth- century classics on realism, -
The Bates Student Archives and Special Collections
Bates College SCARAB The Bates Student Archives and Special Collections 1-17-2018 The Bates Student - volume 148 number 09 - January 17, 2018 Bates College Follow this and additional works at: https://scarab.bates.edu/bates_student The Bates Student THE VOICE OF BATES COLLEGE SINCE 1873 WEDNESDAY January 17, 2018 Vol. 148, Issue. 9 Lewiston, Maine FORUM ARTS & LEISURE SPORTS Kerry Manuel ’21 shares Will Hibbitts ’21 takes a Morgan Baxter ’20 discusses the women’s basketball stand on the new Speakers, Abraham Bronwell ’20’s new team’s quarky home Performers, and Protests EP, Old Mirror. game ritual. policy. See Page 4 See Page 6 See Page 11 Inside Arts & Leisure: Inside Sports: Szlachetka ’02 and Posner ’18 Winter Athletes Discuss Music and Life Brave Frigid Temps HALLEY POSNER EDITOR-IN-CHIEF TORY DOBBIN MANAGING ARTS EDITOR This week, Editor-in-Chief Hal- ley Posner ’18 had the opportunity to interview Matthew Szlachetka ’02, known as the musical artist Szlachetka (pronounced SLA-HET- KA), about his upcoming album and journey in thew music indus- try. Szlachetka also spoke with The Bates Student about his future plans OLIVIA and outlook on music in today’s so- The swimming and diving team feels effects from cold temperatures. GILBERT/THE BATES STUDENT ciety. Here is an abridged transcript of that conversation that has been frostbite before heading outside for edited for clarity: VANESSA PAOLELLA practice. STAFF WRITER The Bates Student (BS): What While members of the track and have you been up to for the past few field team were not on campus dur- While training over winter years? ing break, athletes were expected to break can be arduous at the best of Szlachetka (S): I’ve pretty train on their own. -
Netflix Teases 'Black Mirror' Season 4 Episode Titles
Netflix Teases 'Black Mirror' Season 4 Episode Titles 08.25.2017 Netflix has revealed the episode titles and cast for Black Mirror's six-episode fourth season. Black Mirror focuses on the collective unease of the modern world. Each stand-alone episode poses a future where technology has transformed society, typically much to the chagrin of the global populace. Season four looks to continue the series' theme, with Netflix's tease showing clips of a future filled with technology and strife. RELATED: Cracking 'Black Mirror' in Netflix's Featurette See the Black Mirror season four episode titles below: "Arkangel" Cast: Rosemarie Dewitt (La La Land, Mad Men), Brenna Harding (A Place to Call Home), Owen Teague (Bloodline) Director: Jodie Foster Written by: Charlie Brooker "USS Callister" Cast: Jesse Plemons (Black Mass, Fargo), Cristin Milioti (The Wolf of Wall Street, Fargo), Jimmi Simpson (Westworld, House of Cards), Michaela Coel (Chewing Gum, Monsters: Dark Continent) Director: Toby Haynes (Dr Who, Sherlock) Written By: Charlie Brooker & William Bridges "Crocodile"Cast: Andrea Riseborough (Birdman, Bloodline), Andrew Gower (Outlander), Kiran Sonia Sawar (Murdered By My Father) Director: John Hillcoat (Triple Nine, Lawless) Written By: Charlie Brooker "Hang the DJ" Cast: Georgina Campbell (Flowers, Broadchurch), Joe Cole (Peaky Blinders, Green Room), George Blagden (Versailles, Vikings) Director: Tim Van Patten (The Sopranos, Game of Thrones) Written By: Charlie Brooker "Metalhead" Cast: Maxine Peake (The Theory Of Everything, The Village), Jake Davies (The Missing, A Brilliant Young Mind), Clint Dyer (Hope Springs) Director: David Slade (Hannibal, American Gods) Written By: Charlie Brooker "Black Museum" Cast: Douglas Hodge (The Night Manager, Catastrophe), Letitia Wright (Humans, Ready Player One), Babs Olusanmokun (Roots, The Defenders) Director: Colm McCarthy Written By: Charlie Brooker Netflix has not revealed the premiere date just yet, but the the show will return "later this year.". -
Complete Issue
Culture Unbound: Journal of Current Cultural Research Thematic Section: Critical Future Studies Edited by Michael Godhe & Luke Goode Extraction from Volume 10, Issue 2 2018 Linköping University Electronic Press Culture Unbound: ISSN 2000-1525 (online) URL: http://www.cultureunbound.ep.liu.se/ © 2018 The Authors. Culture Unbound, Extraction from Volume 10, 2018 Thematic Section: Critical Future Studies Critical Future Studies - A thematic Introduction Michael Godhe and Luke Goode ........................................................................................ 151 Hopeful Extinctions? Tesla, Technological Solutionism and the Anthropocene Sy Taffel .............................................................................................................................. 163 Life, but not as we know it: A.I. and the popular imagination Luke Goode ......................................................................................................................... 185 On the Pending Robot Revolution and the Utopia of Human Agency Daniel Bodén ....................................................................................................................... 208 Marginalized Bodies of Imagined Futurescapes: Ableism and Heteronormativity in Science Fiction Munch’s Painting? Painting Reproductions on Display Josefine Wälivaara .............................................................................................................. 226 After Work: Anticipatory Knowledge on Post-Scarcity Futures in John Barness Thousand Cultures -
Um Ensaio Sobre Representações Femininas Em Uss Callister
ENSAIOS A JORNADA DAS TRIPULANTES: UM ENSAIO SOBRE REPRESENTAÇÕES FEMININAS EM USS CALLISTER THE JOURNEY OF CREWERS: AN ESSAY ON FEMALE REPRESENTATIONS ON THE USS CALLISTER EL VIAJE DE LAS TRIPULANTES: UN ENSAYO SOBRE REPRESENTACIONES FEMENINAS EN EL USS CALLISTER Haline Alves de Medeiros Mesquita1 RESUMO Este ensaio tem como objetivo trazer reflexões acerca das relações de gênero por trás das representações femininas nas mídias digitais através da análise do episódio USS Callister, o primeiro episódio da quarta temporada da série Black Mirror. Para esta análise, além do enredo do próprio episódio, serão utilizados como referenciais teóricos o conceito de tecnologia de gênero da escritora e historiadora Teresa de Lauretis e as questões levantadas pelo cientista social Túlio Rossi acerca das feminilidades e suas imagens em mídias digitais. Palavras-chave: Black Mirror, Gênero, Mídias digitais, Representações femininas ABSTRACT This essay aims to bring reflections on gender relations behind female representations in digital media by analyzing episodes of the USS Callister, Black Mirror. For this analysis, in addition to the plot of the episode itself, it will be use as theoretical references the concept of technology of gender by Teresa de Lauretis and the studies about female representation and audiovisual media by Tulio Rossi. Key words: Black Mirror, Gender, Digital media, Female representations. RESUMEN Este ensayo tiene como objetivo traer reflexiones sobre las relaciones de género detrás de las representaciones femeninas en los medios digitales mediante el análisis de episodios del USS Callister, que corresponde al primer episodio de la cuarta temporada de la serie Black Mirror. Para este análisis, además de la trama del episodio en sí, se utilizará como referencias teóricas el concepto de tecnología de Teresa de Lauretis y el trabajo de Túlio Rossi sobre representaciones femeninas en el audiovisual. -
Tanya Lodge - Make-Up & Hair Designer
AMANDA McALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44 (0) 207 244 1159 www.ampmgt.com • e-mail: [email protected] TANYA LODGE - MAKE-UP & HAIR DESIGNER BAFTA AWARD WINNER BEST MAKE UP AND HAIR DESIGN MAKE UP ARTISTS & HAIR STYLISTS (MUAHS) GUILD NOMINATION BEST SPECIAL MAKE-UP EFFECTS & RTS AWARD EFFECTS - GREAT FACIAL MAKE-UP FEATURE FILM CREDITS: A HUNDRED STREETS Director Jim O’Hanlon Drama Producers Pippa Cross, Leon F Butler Production Co. CrossDay Productions Featuring Idris Elba, Gemma Arterton KILL YOUR FRIENDS Director Owen Harris Comedy Crime Thriller Producer Gregor Cameron Production Co. Altitude Film Entertainment Featuring Nicholas Hoult GOAL III Director Andrew Morahan Location: UK & Germany Producers Matt Barrelle, Mike Jefferies Production Co. Milkshake Films Featuring Anna Friel, David Beckham SPEED RACER Dir./Prods Andy Wachowski, Larry Wachowski Make-up and Hair Artist Producers Grant Hill, Joel Silver Family Action Thriller Production Co. Warner Bros., Silver Pictures Location: Germany Featuring Christine Ricci, Emile Hirsch, Suzan Sarandon, Matthew Fox, John Goodman THE HILLS HAVE EYES 2 Director Martin Weisz Horror Thriller Producer Wes Craven Location: Morocco Production Co. Craven Maddelena Films Featuring Michael McMillian, Jessica Stroup, Daniella Alonso, Jacob Vargas, Lee Thompson Young WAZ Director Tom Shankland Psychological Thriller Producers Alan Niblo, James Richardson Locations: Ireland & New York Production Co. Vertigo Films Featuring Tom Hardy, Stellen Skarsgard, Melissa George, Selma Blair Director Dan Reed STRAIGHTHEADS Contemporary Thriller Producers Kevin Loader, Alex O’Neal Location: UK Production Co. Free Range Films Featuring Gillian Anderson, Danny Dyer THE DESCENT Director Neil Marshall Contemporary horror Producers Christian Colson, Paul Smith Location: Scotland & UK Production Co.