Dance on Screen Festival – Amsterdam 1

Total Page:16

File Type:pdf, Size:1020Kb

Dance on Screen Festival – Amsterdam 1 DANCE ON SCREEN FESTIVAL – AMSTERDAM 1 – 9 maart 2013 – EYE, het nieuwe filmmuseum INHOUD WELKOM For this 10th edition of Cinedans – Dance on Screen we are moving into the white architectural jewel that is home to our new partner EYE film museum. For six days you can to enjoy the invigorating CINEDANS – Dance on Screen strijkt voor haar 10e international breeze blowing in a choice selection of editie neer in het sneeuwwitte architectonisch juweel dance films, documentaries and installations to the 3 WELKOM 34 CINEDANS YOUNG van haar nieuwe partner EYE. Hier presenteert het Netherlands’ only dance film festival. HKU GRAPHIC DESIGN enige Nederlandse dansfilmfestival zes dagen lang 4 OPENING een keur aan inspirerende dansfilms, documentaires Filmmakers from more than forty countries submit- 35 DOC KUMMERBUBEN & BERN BALLETT en installaties. ted over three hundred films to the festival. What is 6 SPECIAL UNEXPECTED DANCE(RS) particularly striking this year is the large number of 36 ONE MINUTE DANCE FILM Ruim driehonderd films zijn ingezonden door films pushing at the technological or artistic bounda- 7 DOC BRUNEL, GRAVEL, ST-PIERRE makers uit meer dan veertig landen. Opmerkelijk is ries of dance film, and the increasing numbers that 37 DOC KEREN LEVI het aantal films dat sleutelt aan de grenzen van de explore urban culture, life in the big city, or a link 7 SHORTS 1 SCREEN CHOREOGRAPHY dansfilm of getuigt van het leven in de grote stad, between dance and lifestyle. Point Taken 3 deserves a 38 SPECIAL TANGO uitingen van urban culture of de band tussen dans en special mention, with its five premieres presented in 11 SHORTS 2 FASHION & ART lifestyle. Bijzondere vermelding verdient Point Taken 3: collaboration with the Dutch Cultural Media Fund, 40 SHORTS 6 STORIES vijf premières kunnen worden gepresenteerd in the Performing Arts Fund and public service broad- 15 SHORTS 3 IS IT DANCE? samenwerking met het Mediafonds, het Fonds voor de caster NTR. 42 DOC TOER VAN SCHAYK Podiumkunsten en de NTR. 17 POINT TAKEN 3 Cinedans is delighted to once again be working 43 DOC ANNE CLOSSET Cinedans is verheugd dat zij ook dit jaar samenwerkt together with numerous funds, sponsors, and 20 SHORTS 4 DEBUTS met tal van fondsen, sponsors en (inter)nationale national and international partners. Our special 44 SHORTS 7 URBAN STYLE partners. Speciale dank gaat uit naar de stichting thanks go to Dioraphte, for making two awards 23 SHORTS 5 SPECIAL BLEND Dioraphte die garant staat voor twee prijzen. possible. And the City of Amsterdam recently added 47 CINEDANS PUBLIEKSPRIJS Het festival heeft bovendien onlangs een structurele the festival to its programme of regular funding for 26 SPECIAL CAMERA OP VAN MANEN plaats verworven in het Kunstenplan van de Gemeente the arts. All this support is recognition of the 48 INSTALLATIES Amsterdam. Al deze ondersteuning is een erkenning mission Cinedans has now been on for a decade: 28 DOC AKRAM KHAN van de missie die Cinedans sinds een decennium to present and promote dance film and new media 54 CINEDANS YOUNG ROC heeft: presentatie en promotie van de dansfilm en art in all its forms. 28 DOC ANNE TERESA DE nieuwe mediakunst in al hun verschijningsvormen. KEERSMAEKER 54 CINEDANS YOUNG 4e GYM This year Cinedans will again include an exciting Cinedans biedt dit jaar opnieuw een prikkelend accompanying programme of panels and presenta- 29 SPECIAL DAVID HINTON 55 PANELS / LEZING / VIDEO LIBRARY randprogramma met panels en presentaties, waarin tions where dance filmmakers, producers, scholars dansfilmmakers, producenten, wetenschappers en and aficionados can get together. And there's a 30 DIORAPHTE CINEDANS 58 PROGRAMMA liefhebbers elkaar kunnen ontmoeten. Een speciale special place reserved at the festival for our educa- AWARD CEREMONY plaats is gereserveerd voor de educatieve activiteiten tional activities, which range from a mini-workshop 60 KAARTEN EN LOCATIE die het festival initieert: van een mini-workshop voor for younger dance film viewers to surprising films 32 CINEDANS YOUNG de jongste kijkers tot en met verrassende films van made by students. KIDZ SPECIAL 62 INDEX studenten. The entire Cinedans team is looking forward to 33 DOC WIES BLOEMEN 63 COLOFON Het Cinedansteam hoopt u te verwelkomen tijdens welcoming you to this very special 10th anniversary deze bijzondere jubileumeditie. edition of our festival. 33 DOC NANINE LINNING Janine Dijkmeijer, Janine Dijkmeijer, artistiek directeur Cinedans Artistic Director, Cinedans 2 3 VRIJDAG 1 MAART VRIJDAG 1 MAART OPENING VR 1 MRT | 20:00 UUR | ZAAL 1 ONLINE € 8,50 / € 7,00 / € 7,00 KASSA € 9,00 / € 7,50 / € 7,50 AGHORI DANCE FILM ON THE MOVE Vanaf de eerste editie presenteert Cinedans – Dance De presentatie van de avond is in handen van perfor- From the outset, Cinedans – Dance on Screen was all This evening will be presented by performer on Screen de dansfilm in al haar veelzijdigheid. Wat mer Ria Marks, die zelf ook graag de grenzen opzoekt about presenting dance film in its many forms. What Ria Marks, someone who also likes to push at the laten choreografen en filmmakers ons allemaal zien, binnen haar werk. Cinedans toonde diverse dansfilms have choreographers and filmmakers got to show boundaries – of her work. Cinedans has screened behalve beelden van goedgetrainde danserslijven die van haar op het witte doek, waaronder het tragi- us, beyond the highly-trained physiques of dancers many of her dance films in previous editions, includ- door de ruimte en de tijd bewegen? Moet een dans- komische One False Move dat zij vorig jaar samen moving through space and time? Should a dance film ing the tragicomic One False Move, which she made film een verhaal vertellen, hoe kan een landschap met Clara van Gool in het kader van Point Taken 2 tell a story? How do you set a landscape in motion? with Clara van Gool for the Point Taken 2 project. in beweging komen, kun je een zwerm vogels of een creëerde. Is it possible to make a flock of birds or a sequence reeks computergraphics overtuigend laten dansen? of computer graphics dance compellingly. And what The special guest at Cinedans 2013 is English film- En hoe heeft de dansfilm zijn plaats gevonden in Special Guest tijdens Cinedans 2013 is de Engelse place has dance film made for itself in the commer- maker David Hinton. He and his work have often het commerciële circuit van mode en reclame, de filmmaker David Hinton. De afgelopen jaren was cial world of fashion and film, in urban culture, or in appeared on the festival programme in previous years urban culture en het curriculum van scholieren en hij regelmatig in het programma van het festival schools and universities? with a variety of films, documentaries, workshops studenten? vertegenwoordigd met diverse films, documentaires, and lectures. This opening programme includes Snow, workshops en lezingen. In het openingsprogramma Janine Dijkmeijer is the co-founder and artistic a short film he made with choreographer Janine Dijkmeijer, medeoprichter en artistiek zien we Snow. Een korte film die hij maakte met director of Cinedans, the Netherlands’ one and only Rosemary Lee. Two days later Cinedans shows his directeur van het enige internationale dansfilm- choreografe Rosemary Lee. Twee dagen later vertoont international dance film festival. She will open this latest creation All this can happen, a collaboration with festival dat Nederland rijk is, opent de jubileumeditie Cinedans zijn nieuwste creatie, die tot stand kwam in anniversary edition with a personal selection of films choreographer Siobhan Davies. met een persoonlijke filmselectie die de ontwikkelin- samenwerking met de choregrafe Siobhan Davies reflecting a decade of developments in Cinedans gen in het afgelopen decennium Cinedansfilmkunst All this can happen. film arts. New films in this opening programme Visitors to this opening evening can also enjoy all the illustreert. Recent gemaakte films in het openings- are Cavale, where choreographer Yoan Bourgeois is installations, including the continuous video installa- programma zijn onder meer Cavale, waarvoor Tijdens de openingsavond zijn ook alle installaties inspired by the circus and Aghori. A film by Seb, aka tion The Best of 10 Years of Cinedans. choreograaf Yoan Bourgeois zich laat inspireren door toegankelijk, waaronder de doorlopende video- Shueti that shows his fascination for new moves, new het circus, en Aghori, waarin Seb, aka Shueti getuigt installatie Het Beste van 10 Jaar Cinedans. people and new visuals. van zijn fascinatie voor new moves, new people and new visuals. 4 5 ZATERDAG 2 MAART ZATERDAG 2 MAART SPECIAL DOC SHORTS 1 UNEXPECTED DANCE(RS) BRUNEL, SCREEN ZA 2 MRT | 10.30 – 11.30 | ZAAL 2 GRAVEL, CHOREO- ONLINE € 8,50 / € 7,00 / € 7,00 KASSA € 9,00 / € 7,50 / € 7,50 ST-PIERRE GRAPHY spelers van het Handtheater performers of Handtheater jongeren uit Oost-Londen youth of East London ZA 2 MRT | 12.30 – 13.30 | ZAAL 2 ZA 2 MRT | 14.00 – 15.00 | ZAAL 2 jongeren uit Amsterdam youth of Amsterdam ONLINE € 9,50 / € 8,00 / € 7,00 ONLINE € 8,50 / € 7,00 / € 7,00 verbeelden hun eigen wereld imagining their own world KASSA € 10,00 / € 8,50 / €7,50 KASSA € 9,00 / € 7,50 / € 7,50 DANSEN IN STILTE POSTCARDS FROM EAST LONDON dansfilms met getrainde danserslijven boeiende registraties en adaptaties REGIE MARIEKE HELMUS | CHOREOGRAFIE REGIE JO PARKES | CHOREOGRAFIE ALESANDRA SEUTIN, special effects MAXI HILL | NL | 2013 | 25’ SARA GORDON, ROSIE WHITNEY-FISH | UK | 2012 | 12’ highly trained dance physiques We volgen vijf dove jongeren tijdens de Een ijsje op een bewolkte dag, een revolutie in een steegje, thrilling recordings and adaptations repetities voor de voorstelling Moving Light dribbelende rugbyspelers, de Chicken Shop Jive. Het zijn een paar special effects van het Handtheater in Amsterdam. In van de magische momenten die ontdekt zijn door de dansers van de studio smelten gebarentaal en dans East London.
Recommended publications
  • Pop Compact Disc Releases - Updated 08/29/21
    2011 UNIVERSITY AVENUE BERKELEY, CA 94704, USA TEL: 510.548.6220 www.shrimatis.com FAX: 510.548.1838 PRICES & TERMS SUBJECT TO CHANGE WITHOUT NOTICE INTERNATIONAL ORDERS ARE NOW ACCEPTED INTERNATIONAL ORDERS ARE GENERALLY SHIPPED THRU THE U.S. POSTAL SERVICE. CHARGES VARY BY COUNTRY. WE WILL ALWAYS COMPARE VARIOUS METHODS OF SHIPMENT TO KEEP THE SHIPPING COST AS LOW AS POSSIBLE PAYMENT FOR ORDERS MUST BE MADE BY CREDIT CARD PLEASE NOTE - ALL ITEMS ARE LIMITED TO STOCK ON HAND POP COMPACT DISC RELEASES - UPDATED 08/29/21 Pop LABEL: AAROHI PRODUCTIONS $7.66 APCD 001 Rawals (Hitesh, Paras & Rupesh) "Pehli Nazar" / Pehli Nazar, Meri Nigahon Me, Aaja Aaja, Me Dil Hu, Tujhko Banaya, Tujhko Banaya (Sad), Humne Tumko, Oh Hasina, Me Tera Hu Diwana (ADD) LABEL: AUDIOREC $6.99 ARCD 2017 Shreeti "Mere Sapano Mein" (Music: Rajesh Tailor) Mere Sapano Mein, Jatey Jatey, Ek Khat, Teri Dosti, Jaan E Jaan, Tumhara Dil - 2 Versions, Shehenayi Ke Soor, Chalte Chalte, Instrumental (ADD) $6.99 ARCD 2082 Bali Brahmbhatt "Sparks of Love" / Karle Tu Reggae Reggae, O Sanam, Just Between You N Me, Mere Humdum, Jaana O Meri Jaana, Disco Ho Ya Reggae, Jhoom Jhoom Chak Chak, Pyar Ke Rang, Aag Ke Bina Dhuan Nahin, Ja Rahe Ho / Introducing Jayshree Gohil (ADD) LABEL: AVS MUSIC $3.99 AVS 001 Anamika "Kamaal Ho Gaya" / Kamaal Ho Gaya, Nach Lain De, Dhola Dhol, Badhai Ho Badhai, Beetiyan Kahaniyan, Aa Bhi Ja, Kahaan Le Gayee, You & Me LABEL: BMG CRESCENDO (BUDGET) $6.99 CD 40139 Keh Diya Pyar Se / Lucky Ali - O Sanam / Vikas Bhalla - Dhuan, Keh Diya Pyar Se / Anaida -
    [Show full text]
  • NET.WORX 46 | Sprachliche Und Textuelle Merkmale in Weblogs. Ein
    Peter Schlobinski & Torsten Siever (Hrsg.) Sprachliche und textuelle Merkmale in Weblogs. Ein internationales Projekt Mit Beiträgen von Mario Franco, Marta de Gerdes, Małgorzata Kowalczyk, Sandro M. Moraldo, Helena Pettersson, Peter Schlobinski & Torsten Siever, Larissa Shchipitsina, Bernd Sieberg und Jia Zhu ›› 46 DIENET.WORX ONLINE-SCHRIFTENREIHE DES PROJEKTS SPRACHE@WEB Networx ist die Online-Schriftenreihe des Projekts NET.WORX Sprache@web. Die Reihe ist eine ein- getragene Publikation beim Nationalen REdaktIoN ISSN-Zentrum der Deutschen Bibliothek www.mediensprache.net | [email protected] in Frankfurt am Main. Die genauen Anschriften und E-Mail-Adressen siehe weiter unten HerausgEber Jens Runkehl, Peter Schlobinski, Torsten Siever » Einsenden? EdItorial-boaRd Prof. Dr. Jannis Androutsopoulos (Universität Hannover) für den Bereich websprache & medienanalyse; Möchten Sie eine eigene Arbeit bei uns Prof. Dr. Christa Dürscheid (Universität Zürich) für den veröffentlichen? Dann senden Sie uns Bereich Handysprache; ihren Text an folgende E-Mail-Adresse: Prof. Dr. Nina Janich (Technische Universität Darmstadt) für [email protected] den Bereich Werbesprache; Prof. Dr. Ulrich Schmitz (Universität Essen), für den Bereich Websprache. ISSN 1619-1021 » Homepage Anschrift Niedersachsen: Universität Hannover, Deutsches Seminar, Königsworther Platz 1, 30167 Hannover Alle Arbeiten der Networx-Reihe sind Hessen: Technische Universität Darmstadt, Institut für kostenlos im Internet downloadbar unter: Sprach- und Literaturwissenschaft, Hochschulstrasse 1, 64823 Darmstadt http://www.mediensprache.net/networx/ Internet: www.mediensprache.net/networx/ E-Mail: [email protected] Zu dieser Arbeit autor & TitEl Schlobinski, Peter & Torsten Siever (Hrsg.): Sprachliche und textuelle Merkmale in Weblogs. Ein internationales Projekt. VersIoN 1.1 (2005-01-13) ZItierweisE Schlobinski, Peter & Torsten Siever (Hrsg., 2005): Sprachliche Copyright und textuelle Merkmale in Weblogs.
    [Show full text]
  • Human Rights in Contemporary Africa
    University of Chicago Law School Chicago Unbound Journal Articles Faculty Scholarship 1964 Human Rights in Contemporary Africa Denis V. Cowen Follow this and additional works at: https://chicagounbound.uchicago.edu/journal_articles Part of the Law Commons Recommended Citation Denis V. Cowen, "Human Rights in Contemporary Africa," 9 Natural Law Forum 1 (1964). This Article is brought to you for free and open access by the Faculty Scholarship at Chicago Unbound. It has been accepted for inclusion in Journal Articles by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. HUMAN RIGHTS IN CONTEMPORARY AFRICA A Case Study of the Sources of Their Validity, Their Rationale, Their Place in a Hierarchy of Values, Their Relation to the Sense of Justice, and Their Potential Efficacy* Denis V. Cowen IN AN ARTICLE on African legal studies which I contributed recently to Law and Contemporary Problems, I was rash enough to say: Sooner or later in any really serious discussion of human rights and their protection, the foundations of the subject will be probed. At that point, lawyers may perhaps be forgiven for not being adherents of natural law in the Aristotelian-Thomistic tradition, but it is less pardon- able if their condition is based on an assured and glassy ignorance, on equating Rousseau with, say, St. Thomas, or John Locke with Hooker, or Descartes with Socrates.' In retrospect these words of mine have a high-minded ring, an almost aggressive quality, which makes me catch my breath; nor perhaps is it suffi- cient excuse to say that when I wrote them I had recently been irritated by a man who told me that, during his professional career, he had met quite a number of well-meaning people who seemed to imagine that there was something in so-called natural law; but that not one of them could even begin to give an example of either a natural law or a natural right.
    [Show full text]
  • Life Beyond Wheels
    UNITED SPINAL ASSOCIATION’S life beyond wheels newmobility.com NOV 2019 $4 for Pressure Injuries SofTech Cushion NOW FEATURING Bluetooth Wireless Technology Shown without included cover HCPCS code E2609 AquilaCorp.com 8667829658 ADVERTORIAL “ I feel more like I did before my accident – an independent 26-year-old man” Thomas*, catheter user After his accident, Thomas had to rely on other people to help him catheterize. With SpeediCath® Compact Set, he’s gotten back his independence.** Once his initial rehab was over, It’s now the only product he uses Thomas, 26, was determined to get when catheterizing himself and out and about and meet friends. The Thomas is particularly happy about its only issue was his injury meant a discreet size and the hydrophilic caregiver, friend, or relative had to coating , which makes the catheter help him catheterize. He explains: “I pre-lubricated. He goes on: “The couldn’t be spontaneous – it was like reason it’s so much easier is there are an anchor keeping me down.” so few steps involved – you don’t have to lubricate it, or push through the From the start, Thomas preferred bag. The catheter’s already out so intermittent catheters and felt they you just put it right in and you’re good offered more control than an to go.” indwelling product. But the problem was finding one he could open “It’s easier to keep more of them in a himself. He adds: “My occupa tional bag, and they’re easier to handle and therapist suggested SpeediCath use. It goes into the bladder easier Compact Set, but I couldn’t open it at and with less resistance, and the About SpeediCath Compact Set first.
    [Show full text]
  • Delicate Affections
    DDDDeeeelllliiiiccccaaaatttteeee AAffffffffeeeeccccttttiiiioooonnnnssss by Adrian Saldanha Let me take you away, for a moment, to a place far from here. A lush green forest meadow grows with patches of exquisite wildflowers blossoming everywhere — a veritable paradise on earth. In the middle of it all is a tiny, crystal clear pond that reflects the light that falls on it. The pond isn't very deep, and you can see the assortment of pebbles at the bottom of it. From that pond stems a wandering stream that ventures further into the wilderness. The grass beneath your feet is thick and a very healthy shade of green. The trees are tall and mighty, a worthy inspiration with their vast grandeur, and between some of the high branches, great rays of sunlight manage to shine through into the forest and create a nearly holy and spiritual glow. The very sight of it is so beautiful and soothing; it makes you wonder how some divine force in the universe could not exist. In the morning, you and I are together. The songbirds sing their tunes melodically, as the world gently wakes up. Despite its great solace, however, you and I are too restless. We quickly amuse ourselves by trying to climb the trees, toss pebbles into the pond, and chase one another throughout the wilderness. We haven't a care in the world, and I find myself unable to admire the calmness of meadow, for I am too busy admiring your beauty and your grace, as you're basked in that gentle morning light. My heart races and skips because I know I am in love, though I dare not say a word, for I know not how you feel yourself.
    [Show full text]
  • BB-1971-12-25-II-Tal
    0000000000000000000000000000 000000.00W M0( 4'' .................111111111111 .............1111111111 0 0 o 041111%.* I I www.americanradiohistory.com TOP Cartridge TV ifape FCC Extends Radiation Cartridges Limits Discussion Time (Based on Best Selling LP's) By MILDRED HALL Eke Last Week Week Title, Artist, Label (Dgllcater) (a-Tr. B Cassette Nos.) WASHINGTON-More requests for extension of because some of the home video tuners will utilize time to comment on the government's rulemaking on unused TV channels, and CATV people fear conflict 1 1 THERE'S A RIOT GOIN' ON cartridge tv radiation limits may bring another two- with their own increasing channel capacities, from 12 Sly & the Family Stone, Epic (EA 30986; ET 30986) month delay in comment deadline. Also, the Federal to 20 and more. 2 2 LED ZEPPELIN Communications Commission is considering a spin- Cable TV says the situation is "further complicated Atlantic (Ampex M87208; MS57208) off of the radiated -signal CTV devices for separate by the fact that there is a direct connection to the 3 8 MUSIC consideration. subscriber's TV set from the cable system to other Carole King, Ode (MM) (8T 77013; CS 77013) In response to a request by Dell-Star Corp., which subscribers." Any interference factor would be mul- 4 4 TEASER & THE FIRECAT roposes a "wireless" or "radiated signal" type system, tiplied over a whole network of CATV homes wired Cat Stevens, ABM (8T 4313; CS 4313) the FCC granted an extension to Dec. 17 for com- to a master antenna. was 5 5 AT CARNEGIE HALL ments, and to Dec.
    [Show full text]
  • Black Consciousness and the Politics of Writing the Nation in South Africa
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository Black Consciousness and the Politics of Writing the Nation in South Africa by Thomas William Penfold A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of African Studies and Anthropology School of History and Cultures College of Arts and Law University of Birmingham May 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Since the transition from apartheid, there has been much discussion of the possibilities for the emergence of a truly ‘national’ literature in South Africa. This thesis joins the debate by arguing that Black Consciousness, a movement that began in the late 1960s, provided the intellectual framework both for understanding how a national culture would develop and for recognising it when it emerged. Black Consciousness posited a South Africa where formerly competing cultures sat comfortably together. This thesis explores whether such cultural equality has been achieved. Does contemporary literature harmoniously deploy different cultural idioms simultaneously? By analysing Black writing, mainly poetry, from the 1970s through to the present, the study traces the stages of development preceding the emergence of a possible ‘national’ literature and argues that the dominant art versus politics binary needs to be reconsidered.
    [Show full text]
  • Spiritual Materialism
    Spiritual Materialism What Christians can learn from Buddhists about integration in the inner life Thomas A. Baima Mundelein Seminary March 4, 2019 This academic year had a difficult beginning. The scandals pushed aside virtually everything else. The attractiveness of the priestly and theological vocation was obscured. Consequently, my annual academic address will reflect on the struggles which this year has brought to the seminary, especially as they affect the inner life. I’m not going to rehearse the whole story but let me begin with two quotations. The Washington Post: . recently noted that a major religious organization in North America had revealed serious misconduct by its spiritual leaders, including some at the very highest ranks, that the organization had failed to do adequate background checks on its leaders, mishandled complaints by victims, resisted involving the civil authorities when crimes were reported, hid the problem from their members and the public, refused to remove leaders who were credibly accused and resisted policy changes that would provide accountability.1 1 Kristine Phillips and Amy Wang “‘Pure evil’: Southern Baptist leaders condemn decades of sexual abuse revealed in investigation,” The Washington Post (February 10, 2019) https://www.washingtonpost.com/religion/2019/02/10/pure-evil-southern-baptist-leaders-condemn- decades-sexual-abuse-revealed-investigation/?utm_term=.a1545907a36c 1 The New York Times reported: Late last month, a former [religious leader] released a report alleging that [one of the highest-ranking leaders] had sexually abused and exploited some of his most devoted . followers for years. [There was] drunken groping and forcefully extracted sexual favors. The report said that senior leaders .
    [Show full text]
  • Spectrum 2016-2017 SHS Literary Magazine
    Spectrum 2016-2017 SHS Literary Magazine This literary magazine is dedicated to Dr. Murphy, who inspires and teaches us every day. 2 Special thanks to our sponsors! Gary Andrews The Demars 3 Letters from the Editors Dear Reader, Being a part of something as wonderful as this literary magazine for the second year in a row is a gift. Being the co-editor-in-chief of it during my senior year is an honor. I started the year viewing it as a huge undertaking and responsibility, but as the year went on, the process happened naturally and easily. It could not have been done without the teamwork and dedication of the entire lit mag staff. I am grateful to every one of them for the constant input and constructive criticism. The final product is something I am incredibly proud of, and there is no way I could have accomplished it alone. I am extremely thankful to be a co-editor-in-chief because I would have had a much harder time doing all of this alone. I am also grateful for the beautiful art that was custom-made for our pieces by the talented students in the Sequoyah art program. The art brought the stories to life and was the perfect cherry on the sundae for our literary magazine. I am thankful for all the work that went into this, and for you, who is taking the time to read and appreciate it all. Thank you for letting me be a part of something so beautiful. Sincerely, Alexis Demar Dear Readers, With a theme like spectrum, there’s not really anything more that needs stated.
    [Show full text]
  • Toward a Charismology of Dynamic Gifts in American Literature and Religion
    UNIVERSITY OF CALIFORNIA, IRVINE Pragmatism and the Gift: Toward a Charismology of Dynamic Gifts in American Literature and Religion DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in English by Tae Sung Dissertation Committee: Professor Steven Mailloux, Chair Professor John H. Smith Professor Brook Thomas 2014 © 2014 Tae Sung TABLE OF CONTENTS Page Acknowledgments iii Curriculum Vitae v Abstract of the Dissertation vii Chapter 1 “A gospel of power” 1 Toward A Charismological Framework for Dynamic Gifts Chapter 2 “A golden impossibility” 38 The Rhetoric of Dynamic Gifts in Ralph Waldo Emerson Chapter 3 “A new sphere of power” 75 The Hermeneutics of Dynamic Gifts in William James Chapter 4 “Are not these gifts worth the giving?” 119 Religious Pragmatists on Gratitude Bibliography 175 ii ACKNOWLEDGMENTS I would like to thank my committee members, Steve Mailloux, Brook Thomas, and John Smith, who have shaped my mind in unaccountable ways, so much so that I can only call their mentorship over the years, a gift. The same can be said of Jack Miles and Rich Mouw, whose unbending support and encouragement continue to baffle me. My musketeer counterparts, Brian Garcia and Ali Meghdadi, have been like brothers to me through it all. Thanks also to my teachers at UCI: Elizabeth Allen, Mike Clark, Laura O’Connor, Claire Kim, Jayne Lewis, Hugh Roberts, Jim Steintrager, and Michael Szalay. The same also to my colleagues and students at Vanguard University. Near the end, just when I needed some recognition that my research could reach a broader audience, I was awarded the Donald and Dorothy Strauss Dissertation Fellowship and the Michael and Stacey Koehn Critical Theory Assistantship, without which I could not have completed this project.
    [Show full text]
  • SONG CODE and Send to 4000 to Set a Song As Your Welcome Tune
    Type WT<space>SONG CODE and send to 4000 to set a song as your Welcome Tune Song Name Song Code Artist/Movie/Album Aaj Apchaa Raate 5631 Anindya N Upal Ami Pathbhola Ek Pathik Esechhi 5633 Hemanta Mukherjee N Asha Bhosle Andhakarer Pare 5634 Somlata Acharyya Chowdhury Ashaa Jaoa 5635 Boney Chakravarty Auld Lang Syne And Purano Sei Diner Katha 5636 Shano Banerji N Subhajit Mukherjee Badrakto 5637 Rupam Islam Bak Bak Bakam Bakam 5638 Priya Bhattacharya N Chorus Bhalobese Diganta Diyechho 5639 Hemanta Mukherjee N Asha Bhosle Bhootader Bechitranusthan 56310 Dola Ganguli Parama Banerjee Shano Banerji N Aneek Dutta Bhooter Bhobishyot 56312 Rupankar Bagchi Bhooter Bhobishyot karaoke Track 56311 Instrumental Brishti 56313 Anjan Dutt N Somlata Acharyya Chowdhury Bum Bum Chika Bum 56315 Shamik Sinha n sumit Samaddar Bum Bum Chika Bum karaoke Track 56314 Instrumental Chalo Jai 56316 Somlata Acharyya Chowdhury Chena Chena 56317 Zubeen Garg N Anindita Chena Shona Prithibita 56318 Nachiketa Chakraborty Deep Jwele Oi Tara 56319 Asha Bhosle Dekhlam Dekhar Par 56320 Javed Ali N Anwesha Dutta Gupta Ei To Aami Club Kolkata Mix 56321 Rupam Islam Ei To Aami One 56322 Rupam Islam Ei To Aami Three 56323 Rupam Islam Ei To Aami Two 56324 Rupam Islam Ek Jhatkay Baba Ma Raji 56325 Shaan n mahalakshmi Iyer Ekali Biral Niral Shayane 56326 Asha Bhosle Ekla Anek Door 56327 Somlata Acharyya Chowdhury Gaanola 56328 Kabir Suman Hate Tomar Kaita Rekha 56329 Boney Chakravarty Jagorane Jay Bibhabori 56330 Kabir Suman Anjan Dutt N Somlata Acharyya Chowdhury Jatiswar 56361
    [Show full text]
  • Recent Poems MICHAEL AYRES
    Michael Ayres Recent Poems First published in 2003 in the online Shearsman Gallery series at: http://www.shearsman.com/pages/gallery/ayres/home.html and as a downloadable e-book in PDF format. Cover illustration, Clan Mark, by Michael Ayres, copyright © Michael Ayres, 2003. The poems collected here are copyright © Michael Ayres, 2003. All rights reserved. This PDF may be downloaded for the personal use of the reader but may not be sold, distributed or disseminated in any other manner without the prior permission of the author. Published by Shearsman Books 58 Velwell Road Exeter EX4 4LD England http://www.shearsman.com/ Contents Orpheus 5 Coriolanus 7 The Disappeared 18 Total Eclipse 23 Partial Eclipse 26 Human 31 The 20 Sleepless Years 37 Jasmine 45 The Ambassadors 48 The 43rd Spring 53 Constructed 55 Do You Believe in the Spirits of the Mirror? 58 Athlete 62 Barents 64 Maborosi 67 Siberia 72 Goodnight 75 Comments by the author 78 Orpheus to Si, Jo and Louise What do we ask of the word? That it be strong, and fine, and straight like a flute, that it may bear us as light as music across the silence? What do we ask of the word? That it be true? That it sing us to sleep sometimes, and sometimes wake us? That it will wait for us like a nightingale in a fairytale in an opening in the forest and lead us home when we were lost? What do we ask of the word? That it be real? That it remain for us after all the silence of life is over and a new, dark noise begins? Or that it shape us to our own images cool as a mirror, as mysterious, and as depthless?
    [Show full text]