Robyn Davidson, Tracks ( London: Paladin, 1987), P.49
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Ÿþm I C R O S O F T W O R
- 1 - INTRODUCTION A Sense of Place in Twentieth-Century Australian Life Writing In recent years, at both popular and academic levels, there has been increased talk about an Australian national identity. Events at home and abroad have sparked discussion about what it means to be “Australian”, and Australia’s role in world affairs. Such debates inevitably turn to a reassessment of traditional attributes of the “Australian character”, highlighted a few years ago by the controversy over the proposed insertion of the value of “mateship” into the preamble to the Australian constitution. For all this talk about national character and values, it is often forgotten that, on a more personal level, any identification with a nation or homeland must also involve a sense of place. What makes any of us Australian? Surely at bottom this has to begin with our dwelling in, having origins in, and retaining a continuing connection to this land mass we now call Australia. But what are the hallmarks of an Australian’s sense of place? How is it formed, nurtured and sustained? Does one’s sense of place change or alter depending on what part of Australia one lives in? As Simon Schama says in the introduction to his extensive study, Landscape and Memory, “it is our shaping perception that makes the difference between raw matter and landscape”.1 So, too, our sense of place comes not merely from the physical landforms we inhabit but also from within us, our mode of viewing, which is informed by culture and history. This thesis explores the sense of place formed during childhood, as remembered by adult Australians who reconstruct their youth through various forms of life writing. -
Full Thesis Draft No Pics
A whole new world: Global revolution and Australian social movements in the long Sixties Jon Piccini BA Honours (1st Class) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2013 School of History, Philosophy, Religion & Classics Abstract This thesis explores Australian social movements during the long Sixties through a transnational prism, identifying how the flow of people and ideas across borders was central to the growth and development of diverse campaigns for political change. By making use of a variety of sources—from archives and government reports to newspapers, interviews and memoirs—it identifies a broadening of the radical imagination within movements seeking rights for Indigenous Australians, the lifting of censorship, women’s liberation, the ending of the war in Vietnam and many others. It locates early global influences, such as the Chinese Revolution and increasing consciousness of anti-racist struggles in South Africa and the American South, and the ways in which ideas from these and other overseas sources became central to the practice of Australian social movements. This was a process aided by activists’ travel. Accordingly, this study analyses the diverse motives and experiences of Australian activists who visited revolutionary hotspots from China and Vietnam to Czechoslovakia, Algeria, France and the United States: to protest, to experience or to bring back lessons. While these overseas exploits, breathlessly recounted in articles, interviews and books, were transformative for some, they also exposed the limits of what a transnational politics could achieve in a local setting. Australia also became a destination for the period’s radical activists, provoking equally divisive responses. -
Australian Aboriginal Verse 179 Viii Black Words White Page
Australia’s Fourth World Literature i BLACK WORDS WHITE PAGE ABORIGINAL LITERATURE 1929–1988 Australia’s Fourth World Literature iii BLACK WORDS WHITE PAGE ABORIGINAL LITERATURE 1929–1988 Adam Shoemaker THE AUSTRALIAN NATIONAL UNIVERSITY E PRESS iv Black Words White Page E PRESS Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au Previously published by University of Queensland Press Box 42, St Lucia, Queensland 4067, Australia National Library of Australia Cataloguing-in-Publication entry Black Words White Page Shoemaker, Adam, 1957- . Black words white page: Aboriginal literature 1929–1988. New ed. Bibliography. Includes index. ISBN 0 9751229 5 9 ISBN 0 9751229 6 7 (Online) 1. Australian literature – Aboriginal authors – History and criticism. 2. Australian literature – 20th century – History and criticism. I. Title. A820.989915 All rights reserved. You may download, display, print and reproduce this material in unaltered form only (retaining this notice) for your personal, non-commercial use or use within your organization. All electronic versions prepared by UIN, Melbourne Cover design by Brendon McKinley with an illustration by William Sandy, Emu Dreaming at Kanpi, 1989, acrylic on canvas, 122 x 117 cm. The Australian National University Art Collection First edition © 1989 Adam Shoemaker Second edition © 1992 Adam Shoemaker This edition © 2004 Adam Shoemaker Australia’s Fourth World Literature v To Johanna Dykgraaf, for her time and care -
Tracks / Into the Wild
ENGLISH TEXT SUMMARY NOTES PAIRED COMPARISONS Tracks / Into the Wild Text guide by: Kimberley Cunningham Tracks / Into the Wild 2 Copyright © TSSM 2017 TSSM ACN 099 422 670 ABN 54 099 422 670 A: Level 14, 474 Flinders Street Melbourne VIC 3000 T: 1300 134 518 F: 03 90784354 W: tssm.com.au E: [email protected] Tracks / Into the Wild 3 Contents TEXT 1 - Tracks AUTHOR NOTES .................................................................................................................................................. 6 Biography ........................................................................................................................................................... 6 Career .................................................................................................................................................................. 6 HISTORICAL CONTEXT ..................................................................................................................................... 7 Indigenous Australian Rights ............................................................................................................................. 7 Women’s Rights in Australia ............................................................................................................................. 8 GENRE ................................................................................................................................................................... 8 Autobiography/Memoir ..................................................................................................................................... -
Nerida Matthaei Thesis
Recontextualising My Choreographic Self: Conceptual and processual strategies for rerouting practice Nerida Kate Matthaei Doctor of Creative Industries, Queensland University of Technology Submitted in fulfilment of the requirements of the degree of Doctor of Creative Industries 2018 Recontextualising My Choreographic Self Nerida Matthaei 2 Recontextualising My Choreographic Self Nerida Matthaei i. ABSTRACT This practice-led research project defines a methodological basis for the recontextualisation and rerouting of this artist-researcher’s choreographic praxis. This was achieved via experimenting and testing new contemporary strategies underpinned by embodied reflexive practices and creative case studies, which resulted in the creation of new performance works. The intent of this study was to provide myself, as a mid-career choreographer, with mechanisms to articulate, recontextualise and interrogate processual choreographic complexities. The research was undertaken across two projects in a series of creative development periods, firstly, as a solo practitioner creating #angel-monster and A Collection of Me-Isms, and subsequently, with a collaborative ensemble of artists contributing to the premiere of two performance works, The Paratrooper Project and angel- monster. Viewing the enquiry through an insider-outsider artist-researcher lens, the practice-led design was framed by contextual scans of the field, and occurred through recontextualising data gathered from case study material and choreographic experimentation. Together, these became a catalyst for the key outcomes of this research, which are the discovery of new choreographic strategies and the creation of new artistic works. This research has expanded ways of interpreting and understanding central components of contemporary choreographic practice through privileging artistic praxis in dialogue with existing scholarly discourse emerging from the artist’s perspective. -
A SCREENTIME Production for ABC TV They Know the Law Backwards
A SCREENTIME production for ABC TV They know the law backwards … … but they have a lot to learn about life! As at 30.7.11 Delving into the extraordinary world of the Department of Public Prosecutions and its young eager lawyers, CROWNIES is the new 22 x 1 hour drama produced by SCREENTIME Australia for ABC TV. CROWNIES follows five young solicitors, as they face the pressures and endearing madness of modern single life - in a fast paced workplace that highlights the moral dilemmas and big issues facing an apparently civilized society. In a world that exists solely to see ‘wrong-doers’ brought to justice, and where the average age of the solicitors is 27, there is a big divide between these young solicitors and the barristers at the top. Yet they are the initial point of contact with the police, and it is they who do most of the liaising with the victims and the witnesses - and recommend what goes to court. They are committed, idealistic and hard-working, but their lives away from the office are riddled with aspirations, explorations, fragile relationships and partying. A SCREENTIME production for ABC TV Page 2 ABOUT THE PRODUCTION Currently in production, the outstanding ensemble cast includes Todd Lasance (Cloudstreet, Underbelly Files – Tell Them Lucifer Was Here, Rescue Special Ops, Home & Away) Hamish Michael (Spirited, City Homicide, Lucky Miles); Ella Scott Lynch (City Homicide, All Saints, The Falls); Andrea Demetriades (Bell Shakespeare Company, All Saints) and Indiana Evans (A Model Daughter: The Killing of Caroline Byrne, H2O -
Australia in the Salman Rushdie Archive
Australia in the Salman Rushdie Archive VIJAY MISHRA Murdoch University The Salman Rushdie archive (print as well as digital) was purchased by Emory University in October 2006 for an undisclosed sum. Rushdie himself is on record as saying, ‘I don’t see why I should give them away . It seemed to me quite reasonable that one should be paid’ (The Sunday Times). When the archive was officially installed on Thursday 25 February 2010, Rushdie reflected briefly on the relationship between an author and his archive. Rushdie declared at the outset that he was never archive-minded; his working papers and peripheral material indiscriminately and as if through force of habit were thrown into boxes without any real desire to return to them. To Rushdie an archive tells a reader what a writer did ‘on the way to other work . a means of getting from here to there.’ In lectures and talks at Emory University (2007– 2011) Rushdie has confessed: ‘To me the book at the end’ is the important thing; ‘the process is not very interesting.’ To scholars entering an archive, the opposite is the case. The archive which was opened for public use on 26 February 2010, that is, a day after installation, is housed on the tenth floor in the Manuscript Archives, and Rare Book Library (MARBL) of the University’s Robert W. Woodruff Library. In MARBL the ‘Salman Rushdie papers 1947–2008’ carry the Arabian Nights (minus one)-inspired millenarian manuscript collection number of 1000. The hardcopies are described as ‘102.25 linear ft. (215 boxes) and 55 oversized papers (OP)’ and the overall archive is divided into 11 with, where required, subseries within each series. -
'Tracks' Director John Curran and Photographer Rick Smolan Discuss
SUBSCRIBE MENU ‘Tracks’ Director John Curran and Photographer Rick Smolan Discuss Bringing Robyn Davidson’s Journey to the Big Screen Emily Manthei good film is a journey: a story that takes the viewer from beginning to end on a movement through space, A time, and emotion. Tracks is also a “journey” film in the literal sense. It’s the true story of an Australian woman’s solitary walk across nearly 1,700 miles of Australian desert from Alice Springs to the Indian Ocean and the photos of an intrepid National Geographic photographer who dropped in on her along the way. But, more importantly, it’s a journey film in the philosophical sense, as it invites viewers to take their own journey: from curiosity to discovery; self-doubt to confidence; adolescence to adulthood. It’s the journey so many of have experienced in the open-handed, non-destination-based travels of youth. John Curran’s new film starring Mia Wasikowska is this mesmerizing, filmic journey, adapted from the real-life traveler Robyn Davidson’s 1980 memoir of the same name. It was written after the overwhelming response to her National Geographic article and the photos by Rick Smolan, which accompanied it in 1977. Adam Driver co-stars as Smolan. The story of the film began in 1984, when director John Curran was 24 years old, a native New Yorker on his way to Australia to escape the hectic, ambitious world he knew. He was handed some reading material for his journey: “A Day in the Life of Australia,” a giant coffee table book filled with lush, gorgeous photos of places he had never been, photographed by a man whose name he did not then know: Rick Smolan. -
Violence Against Aboriginal Women in Australia: Redress from the International Human Rights Framework
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY School of Law 1997 Violence Against Aboriginal Women in Australia: Redress from the International Human Rights Framework Penelope Andrews CUNY School of Law How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cl_pubs/287 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] VIOLENCE AGAINST ABORIGINAL WOMEN IN AUSTRALIA: POSSIBILITIES FOR REDRESS WITHIN THE INTERNATIONAL HUMAN RIGHTS FRAMEWORK Penelope Andrews* It was a cold winter night in 1989 in a Central Australian Aboriginal community. Although late, muted sounds of fighting could still be heard coming from the camps. Sudden- ly the screams of a woman rent the air as she ran towards the nurses' quarters and hammered desperately on the locked gate. Blood poured down her face and her left arm hung limp and broken. In close pursuit was a man brandishing a star picket. As the nurse struggled to open the gate to admit the woman, at the same time excluding her attacker, she noticed the woman's T-shirt. Emblazoned across the front was the statement: 'We have survived 40,000 years.' Yes, but will they survive the next 40, she wondered.' For Australia's indigenous population there is a desperate struggle for survival; cultural, physical, and economic. For Aboriginal2 women, the struggle for physical survival has taken on a greater urgency. The violence to which Aboriginal women are subjected has reached epidemic proportions, and it has been argued that it constitutes a continuing violation of human rights.3 Associate Professor of Law, City University of New York School of Law. -
Biographical Information
BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England. -
Chapter 1 Douglas Stewart
CHAPTER 1 DOUGLAS STEWART: THE EARLY YEARS 1925-1938 Throughout the many scholarly works that focus on Stewart’s place in Australian literature, the word that recurs in respect of Douglas Stewart’s creative work is ‘versatile’. One of its first appearances is in Nancy Keesing’s Douglas Stewart, which begins with the precise statement: ‘Douglas Stewart is the most versatile writer in Australia today ⎯ perhaps the most versatile who ever lived in this country. He is a poet whose poetry and nature as a poet are central to everything in which he excels’.93 Stewart was not only a poet whose early philosophy that the closer one moves towards nature the closer one moves towards the spirit of the earth, developed as a line of continuity which contributed to his total philosophy; this chapter focuses on Stewart’s life and poetic ambition in New Zealand until his move to Australia as an expatriate in 1938. As a mature poet he was then concerned to apply this pantheism to modern responses regarding humans and their experiences. The purpose of the introductory part of this chapter is to clarify the theme of the dissertation ⎯ Douglas Stewart’s creative impulse; the second part involves a discussion of the poet’s visit to England where he met poets Powys and Blunden. At this time he also journeyed to his ancestral home in Scotland. Upon his return to Australia in 1938 he was offered a position with Cecil Mann at the Bulletin. Stewart was also a distinguished verse dramatist, a successful editor, particularly of the Red Page of the Bulletin from 1940 to 1960,94 and a participant of some repute in journalism and publishing. -
Indigenous Biography and Autobiography
Indigenous Biography and Autobiography Indigenous Biography and Autobiography Peter Read, Frances Peters-Little and Anna Haebich (editors) Published by ANU E Press and Aboriginal History Incorporated Aboriginal History Monograph 17 National Library of Australia Cataloguing-in-Publication entry National Library of Australia Cataloguing-in-Publication entry Title: Indigenous biography and autobiography / editors: Peter Read, Frances Peters-Little, Anna Haebich. ISBN: 9781921536342 (pbk.) 9781921536359 (pdf) Series: Aboriginal history monograph ; 17 Notes: Bibliography. Subjects: Aboriginal Australians--Biography--History and criticism. Autobiography. Other Authors/Contributors: Read, Peter, 1945- Peters-Little, Frances, 1958- Haebich, Anna. Dewey Number: 809.93592 Aboriginal History Incorporated Aboriginal History is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Treasurer/Public Officer), Ingereth Macfarlane (Secretary/ Managing Editor), Richard Baker, Ann Curthoys, Brian Egloff, Geoff Gray, Niel Gunson, Christine Hansen, Luise Hercus, David Johnston, Harold Koch, Isabel McBryde, Ann McGrath, Frances Peters-Little, Kaye Price, Deborah Bird Rose, Peter Radoll, Tiffany Shellam. Editors: Peter Read, Frances Peters-Little and Anna Haebich Contacting Aboriginal History All correspondence should be addressed to Aboriginal History, Box 2837 GPO Canberra, 2601, Australia. Sales and orders for journals and monographs, and journal subscriptions: Thelma Sims, email: [email protected], tel or fax: +61 2 6125 3269, www.aboriginalhistory.org Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University and gratefully acknowledges the support of the History Program, RSSS and the National Centre for Indigenous Studies, Australian National University.