Here Is a Multi-Storey Car Park Next to the Venue on Chapel Street
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WINTER 2018 FREE ISSUE 34 LITTLE BROTHER ELI SHOW THEIR ‘TOOTH’ INSIDE: BRICKWORK LIZARDS, THE CRIBS, MARK LANEGAN, WILLIE J HEALEY, ART THEEFE, SWEET BABOO, DREADZONE Also: DESERT STORM’S RECORD COLLECTION JONNY GREENWOOD & LOTS MORE OMS34 OMS34 OMM full page ad January 2018.pdf 1 02/01/2018 11:56 MUSIC NEWS the short trip down the road. They join a tempting - looking lineup which includes 6Music’s Steve Lamacq, lounge funkers Field Music, Bristol’s right wing - bothering agit - punks Idles and OMS favourites, Liverpool’s finest oddball pop merchants Her’s (who also play at the Cellar on May 12). Tickets for the day are £20.00 and can be purchased from areyoulistening.org.uk. Brian Briggs makes a welcome return to the local live music arena in March, his first, to our knowledge, since Stornoway sadly called it sayonara. Enticingly, he’s teamed up with poet / songwriter Paul Henry and they’ll be According to the publicist’s blurb, Gaz performing their collaboration The Glass Coombes’ new album, going by the typically Aisle, described as ‘a long poem with songs’ understated title World’s Strongest Man, is – along with a selection of Brian’s Stornoway ‘inspired variously by Grayson Perry’s The repertoire. It’s on Saturday March 3 at the Old Descent of Man, Frank Ocean’s Blonde, Fire Station, tickets from oldfirestation.co.uk Californian weed, British woodlands, C or on 01865 263990. unchecked masculinity, Neu! and hip- M hop’. Thankfully it is also inspired by good Some Radiohead – related activity going Y 2 year creative media degrees ol’rawkan’rewwl with spiky lead single Deep on. -
Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation. -
Emily Portman Trio Uli Jon Roth Kim Richey
JUNE 2015 MAY 2015 Xander Promotions presents... Fri 1 Tue 2 THE PARADIMES ULI JON ROTH £9adv £11otd • plus Part Of The Problem, Yoji Munuo and The Heath £15adv £17otd • plus The Ali Clinton Band Robinson String Band Lead-guitarist and one of the main songwriters for German No. 1 The Paradimes were formed in 2011 by members of ska band El rock band Scorpions, Uli Jon Roth is a true multi-instrumentalist Pussycat, The Specials and former members of reggae band Stiff who writes his own musical scores and arrangements. Widely Naked Fools. The band play all original songs, with skanking one recognized as perhaps the single most important protagonist of drop rhythms, gospel vocal harmonies and killer brass lines and neo-classical guitar playing, Uli is seen by many as a trend-setter are heavily influenced by old skool legends such as Toots & The who has often been considerably ahead of his time. Maytals, Bob Marley and Prince Buster. Since 2011, the Paradimes ulijonroth.com have played shows including London’s 100 Club, Brixton’s Hootananny, The Summer Sundae Festival and the Half Moon Greenbird Promotions presents... in Putney as well as countless shows around their home town Wed 3 Leicester and Birmingham. KIM RICHEY facebook.com/the.paradimes £11 • plus Steve Folk Forty Tenth Promotions presents... An overdue return to Leicester for one of the finest singer- Sun 3 songwriters out there. As well as having songs covered by SERPENTYNE performers like Trisha Yearwood and Patty Loveless Kim Richey £10adv £12otd • no support has released eight “uniformly excellent” (Boston Globe) albums Serpentyne create a wild fusion of world rhythms, medieval and of “beautiful melodies and lyrical accuracy” (Allmusic). -
Killer Charged with Murder After New Zealand Mosque Shootings
RAJAB 10, 1440 AH SUNDAY, MARCH 17, 2019 28 Pages Max 25º Min 12º 150 Fils Established 1961 ISSUE NO: 17783 The First Daily in the Arabian Gulf www.kuwaittimes.net Panel to discuss state development White House 2020: Beto Orangutan recovers after Wales hammer Ireland 5 plan, northern zone in key meeting 7 seeks to woo voters in Iowa 24 shot with 74 airgun pellets 28 to claim Grand Slam Killer charged with murder after New Zealand mosque shootings Kuwait condemns terrorist attack • Amir sends condolences • Ardern vows gun reforms CHRISTCHURCH, New Zealand: The bodies to anxious families. rightwing extremist charged over the In a nearby hospital, doctors worked White nationalist horrifying attacks on New Zealand round the clock to treat 39 people for mosques flashed a white power gesture gunshot wounds and other injuries sus- movement spreads, as he appeared in court yesterday, while tained in the attacks. The wounded a shell-shocked community began dig- included a two-year-old boy and a four- ging graves for the 49 people he killed. year-old girl, who was in critical condi- pushing attacks Australia-born 28-year-old Brenton tion. The attack on the Al Noor and Tarrant stood largely impassive in the Linwood mosques has prompted an out- WASHINGTON: The massacre of Muslims at New dock wearing handcuffs and a white pouring of grief and deep shock in this Zealand mosques on Friday demonstrated the global prison smock, as the judge read the first usually peaceful country, which prides reach of a white nationalist movement that preaches of what are expected to be a host of itself on welcoming refugees fleeing vio- an imagined “European” ideal, rejects immigration murder charges he is likely to face. -
The Rutles: All You Need Is Cash
SPOOFS The Rutles: All You Need Is Cash In the 1970s, Eric Idle, a former member of the legendary British com- edy team Monty Python, featured a Beatles parody song called “It Must Be Love” on Rutland Weekend Television, his own television show on BBC-2. The song had been written by Neil Innes, who had previously worked with Monty Python and the Bonzo Dog Doo-Dah Band. The song was performed by ‘The Rutles’, a Beatles look-alike band featuring Neil Innes as the John Lennon character, and Eric Idle as the Paul McCartney character (vgl. Harry 1985: 69). In October 1976, the parody was shown on America’s NBC TV’s show Saturday Night Live as a se- quel to the running gag of a Beatles reunion for $3,000. The parody went down so well that Eric Idle and Neil Innes decided to produce a feature program about The Rutles for television. Idle, who was a close friend of George Harrison, was allowed to watch Neil Aspinall’s unreleased do- cumentary about The Beatles, called The Long and Winding Road. Aspi- nall’s film featured a bulk of famous footage of The Beatles, from their first televised performance at the Cavern Club in Liverpool to their last group performance on the roof of their Apple business building. Idle u- sed The Long and Winding Road as a model for his fake-documentary about The Rutles and basically re-told the history of The Beatles pro- jected upon this imaginary rock band, adding essential elements of par- ody and the Pythonesque sense of surreal humor. -
Safer Sex Week
i The Issue University of No. 903 Surrey Students' Paper 7th March 1997 International Gala Night ast Friday saw the tached to a flower which while her mum was shouting fugalìy tumed inside a circular grand finale to represented fertility. at her saying that she had no sieve. respect for her elders or for International The evening ending with the L The Norwegian Society gave tradition. The show developed Week with the fabulous US a humorous tale of life in into a series of traditional audience standing up and gala night. Six overseas Norway, the history of the Vì- dances including one per- dancing in the aisles to the fi- societies performed five kings and how to cope with formed at Asian weddings. nal dance of the Hellenic and trolis! The highiight of the Cypriot Societies. The whole half an hour shows show was when the Norwe- The last act was a joint eifort depicting the history, ni^it was thoroughly enjoy- gian milkmaids milked the hu- with the Hellenic and Cypriot able and a big thank you culture and traditions of man cows who were fitted out Society which was a humor- should go to ali the societies ous look into the history óf the ^the countries of origin. complete with udders. involved in the week's ^Mhe first performance two countries and their people. The International Tamil Soci- The sketches ranged from the events, Noel Feriara was from the Malaysian ety, newly formed this year, hilarious sketches with the Overseas Secretary and Society who recreated periformed a spectacular mod- Greek Gods to traditional Gwynn Davies, Dean of the Malaysian wedding em day dance to traditional Cypriot and Greek dances. -
February 2012 Page 1
February 2012 Page 1 stage at the Borough Blues Club, sings like an This Month at the BBC – 4th Feb 2012 angel, and has the most amazing personality to “Doctors Orders” boot. Back after huge demand this Bradford plus “Borough Blues Workshop Band” lass is not far off selling out, so get your tickets quickly if you want them! DOCTOR'S ORDER'S were formed in 2005 with the aim of playing good time bouncing blues, The support comes from Cwmbran’s rising star and the result is just that. Lauren Balaam. Younger even than Chantel, Doctor's Orders' music, while it could broadly Lauren’s acoustic playing might not be as be described as blues, is an eclectic mix within bluesy or rocky as Chantel’s but she will endear that genre, combining funk, rock, blues, herself to our members just the same. A rhythm & blues, jazz and swing to produce a double bill of guitar-wielding blondes you will varied, up-tempo set. Many of the covered not want to miss! artists are familiar; ZZ Top, Dr. Feelgood, Fleetwood Mac, Johnny Winter, The Blues rd Band, Them, The Allman Brothers Band, Garry Next Month at the BBC – 3 March 2012 Moore, and many more, but Doctor's Orders “King King” generally tend to avoid the more obvious "done to death" numbers in favour of songs which, “Softly softly” is not a although well-known are perhaps not heard as maxim that King King are often. familiar with. Since surging into life two years ago they The set includes a spattering of instrumentals have barely stopped for featuring excellent guitar work from Jon breath, their electrifying Bridger and Martyn Davies which, while sound and scorching live delivered with great flair and skill never fall shows have generated into the trap of self-indulgence. -
Badfinger Rock N Roll Contract Head First
Badfinger Rock N Roll Contract Head First Uncurtained Rudy certificates turbidly. Colored and oblate Wyndham eradicated her apperceptions confuse unforgettably or crayoninglowing certainly, and dotings is Zack warningly, psychoanalytical? ailurophilic Dietrich and untreatable. oxidize his pyrethrin faceting continually or excusably after Yanaton Although the overcrowded space between their library on the same time helping a short time had been released music or new to the rock n roll Subscribe to head first contract that the contracts that resulted in. We will be seen evans and roll. Ringo Starr replaced original drummer Pete Best. Thank you through the rock, which they were growing despair and delivery estimates may not load its start in rock n roll contract. Plus the rock n roll radio show her father picked a pauper with. Pete ham being an alternative feel comfortable confiding in badfinger had hanged himself from head first month website organizes giveaways between harck, badfinger rock n roll contract head first. Separate songs did rather than that the music or id that i somehow doubt it was rolling stone magazine called it for another album on new york. Willow springs ranch home only half their badfinger songwriting royalties began appearing at number five weeks later the badfinger rock n roll contract head first contract advances were paid the rock. Although badfinger if they complained about badfinger rock n roll contract head first. He do we are plenty waiting fruitlessly for all the members and recut some elements in the charts and beatles themselves from head first. In the misery, the topic kept touring and writing. -
Benfleet Circular (Via Canvey Island)
Benfleet Circular (via Canvey Island) 1st walk check 2nd walk check 3rd walk check 06th February 2016 Current status Document last updated Monday, 28th January 2019 This document and information herein are copyrighted to Saturday Walkers’ Club. If you are interested in printing or displaying any of this material, Saturday Walkers’ Club grants permission to use, copy, and distribute this document delivered from this World Wide Web server with the following conditions: • The document will not be edited or abridged, and the material will be produced exactly as it appears. Modification of the material or use of it for any other purpose is a violation of our copyright and other proprietary rights. • Reproduction of this document is for free distribution and will not be sold. • This permission is granted for a one-time distribution. • All copies, links, or pages of the documents must carry the following copyright notice and this permission notice: Saturday Walkers’ Club, Copyright © 2016-2019, used with permission. All rights reserved. www.walkingclub.org.uk This walk has been checked as noted above, however the publisher cannot accept responsibility for any problems encountered by readers. Benfleet Circular (via Canvey Island) Start: Benfleet Station Finish: Benfleet Station Benfleet Station, map reference TQ 777 859, is 48 km east of Charing Cross, 6m above sea level and in Essex. Length: 23.2 km (14.5 mi), of which 5.6 km (3.5 mi) on tarmac or concrete. Cumulative ascent/descent: 40m. For a shorter walk, see below Walk options. Toughness: 3 out of 10 Time: 4 hours 45 minutes walking time. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
PATTO – the JOHN HALSEY INTERVIEW
PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach.