Visual Analysis of Set Relations in a Graph
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Slangs on Internet
ENGLISH SLANGS ON INTERNET Gathered by | Jasimdev A A&F Always And Forever Abercrombie & Fitch A LEVEL School exam (UK) Anal sex A/N Author's Note A/W Anyway A3 Anywhere, Any time, Any place A7A Frusration, anger (Arabic) A7X Avenged Sevenfold (band) AA Alcoholics Anonymous African-American Automobile Association AAA American Automobile Association Battery size AAB Average At Best AAF Always and Forever AAK Alive And Kicking AAMOF As A Matter Of Fact AAP Always A Pleasure AAR At Any Rate AARP American Association of Retired Persons AAWY And Also With You AAYF As Always, Your Friend AB Adult Baby ABC American Born Chinese ABD Already Been Done ABDC America's Best Dance Crew (TV show) ABDL Adult Baby Diaper Lover ABH Actual Bodily Harm ABN Asshole By Nature * ABP Already Been Posted ABS Absolutely ABT About ABT2 About To ABU Anyone but (Manchester) United AC Air Conditioning Alternating Current AC/DC Rock Band ACAB All Cops Are B*****ds ACC Actually ACCT Account ACG Asian Cowgirl ACK Disgust, frustration Acknowledgement ACLU American Civil Liberties Union ACME A Company that Makes Everything ACORN Small penis ACP Automatic Colt Pistol ACT SAT type test ACU Army Combat Uniform AD Anno Domini (in the year of our Lord) AD HOC For the specific purpose Improvised, impromptu ADD Attention Deficit Disorder ADDY Address ADGTH All Dogs Go To Heaven ADHD Attention Deficit Hyperactivity Disorder ADIDAS German sportswear company All Day I Dream About Sex ADL All Day Long ADM ¡Ay Dios Mío! (Spanish -
Bullet for My Valentine to Return to U.S. in May in Support of New Album Venom
BULLET FOR MY VALENTINE TO RETURN TO U.S. IN MAY IN SUPPORT OF NEW ALBUM VENOM (Download Hi-Res Artwork Here) NEW ALBUM, VENOM, OUT NOW ON RCA RECORDS (New York – February 29, 2016) UK metal band Bullet For My Valentine will return to the U.S. for a second invasion in May in support of their recently released album, VENOM. Special guests will include Asking Alexandria and Cane Hill on select dates. The tour will start in Jacksonville, FL on April 30th at Welcome To Rockville festival and will wrap up in San Antonio on May 29th at River City Rockfest. “Attention Army of Noise U.S.! We haven't even left your country yet, but we're super excited to announce that we're coming back to the U.S this May for another run of shows on our Venom World Tour 15/16. We're gonna be hitting a ton of places we couldn't get to this time around so make sure you get yourself our new BFMV App to check and see if we’re coming to a town near you. Thank you and we'll see you all very soon.” – Matt Tuck Bullet For My Valentine Fan Club and VIP pre-sale ticketing will start on Tuesday, March 1st at 10:00AM (local time) and general on sale tickets will be available on March 4th at 10:00AM (local time) at http://www.bulletformyvalentine.com/live/. Fan Club pre-sale tickets will be available exclusively through Bullet For My Valentine’s new App, which is available for download for Android and iOS now at http://bulletformyvalentine.com/app. -
Production Perspectives of Heavy Metal Record Producers
This article has been accepted for publication in a revised form by Popular Music and end- users may view and download the material for private research and study only. Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester Dr Andrew King University of Hull Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the artistic nature of this endeavour from a production viewpoint is still developing. This study presents an understanding of the phenomenological aspects of Heavy Metal music from the perspective of seven renowned producers working within this genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A framework is then put forward for understanding sonic elements of recorded Heavy Metal Music. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The twenty-first century provides a rich source of creative opportunity through digital technology for practicing musicians to record music. The affordances of the digital revolution have subsequently changed the opportunities for those involved in the creation of such works. Technology enables those who could be described as amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of previously prohibitively expensive computing and recording technology are readily available via the Internet. -
London Welsh Festival P13
From the London Welsh Centre l at Grays Inn Road LWTachwedd/November 2013 • Rhif/IssCue 69 L £2.00 www.londonwelsh.org London Welsh Festival p13 Cylchgrawn Cymry Llundain The magazine of the London Welsh 2 LW CLl O’R GANOLFAN/FROM THE CENTRE A stellar performance for the London Welsh Centre’s first Festival Over the years we’ve had a forum, hosted We want to create a space that will be all sorts of events and put on plenty of the natural home for festivals and first-class one-day courses at the London Welsh events showcasing the talent we represent in Centre. But have we ever hosted our own London and Wales. But more than that we FesTIvaL at Gray’s Inn Road? want people to be excited about coming to In October after months of planning the Centre and to leave with a lasting sense and preparation, the Centre successfully of our cultural identity, as much as they staged the inaugural London Welsh might when they leave the Wales Literature Festival with fabulous Millennium Centre or the Guggenheim. contributions from across the literary It is a bold ambition. But the London spectrum. Welsh have always been bold. We may not I want to thank and congratulate Iain, stretch to flamboyant architecture, but in Rhian and all the team for bringing such a emulating the vibrant atmosphere and bold project to life at the Centre. If you capturing the essence of our community we missed it, you can read all about the are absolutely determined to deliver a stellar cast of speakers and performers in Alex Meredith mini-Guggenheim or Wales Millennium this edition of the London Welsh Magazine. -
M06 Ymateb Gan Traddodiadau Cerdd Cymru / Response from Music Traditions Wales
Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / Culture, Welsh Language and Communications Committee Diwydiant Cerddoriaeth yng Nghymru / Music Industry in Wales CWLC M06 Ymateb gan Traddodiadau Cerdd Cymru / Response from Music Traditions Wales How do local authority decisions such as business rates, licensing and planning decisions impact upon live music venues? 1. There is very little that Local authorities can do to promote live music venues unless the council has a live music strategy in place. Without the political directive to recognise and value the local music scene local authorities do not see either their social or economic value and therefore do not take measures to preserve them as part of the Authority’s Plan. 2. It’s possible for a local authority to be imaginative, use Planning Gain to require developers to support live music as a “public art”, make measurable provision of live music a condition of renewing and awarding licences but this needs leadership. 3. In our experience, a local authority’s staff, with one or two exceptions do not know how to recognise the value of a live music venue. The social benefits do not fit into their metrics. Very often a policy that seeks to attract inward investment discounts the value of small businesses. 4. Most live music in Wales does not happen in dedicated venues and theatres. It happens in bars & pubs, social clubs, meantime & pop-up spaces, fields, weddings, festivals. It is frequently a valuable part of a business for the retention of customers etc, but rarely forms the main part of a business’ revenue. -
Production Perspectives of Heavy Metal Record Producers Abstract
Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester – [email protected] Dr Andrew King University of Hull – [email protected] Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the production and the artistic nature of this endeavour is still developing. This article explores phenomenological aspects of producing Heavy Metal music from the perspective of seven renowned producers working within the genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A conceptual framework is then put forward for understanding the production methodology of recorded Heavy Metal Music, and, how developing technology has influenced the production of the genre. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The affordances of digital technology have significantly changed the opportunities for practicing musicians to record music. Technology enables even amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of prohibitively expensive computing and recording technology are readily available via the Internet. The technology associated with certain aspects of music making is now more widespread and enables a new sense of creative musical freedom; music producers command a limitless array of technological choices. Despite the benefits of the ever-increasing rate of technological development, the recording industry is changing dramatically, and with it, the production perspectives of record producers. -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
Cultural Profile Resource: Wales
Cultural Profile Resource: Wales A resource for aged care professionals Birgit Heaney Dip. 13/11/2016 A resource for aged care professionals Table of Contents Introduction ....................................................................................................................................................................... 3 Location and Demographic ............................................................................................................................................... 4 Everyday Life ................................................................................................................................................................... 5 Etiquette ............................................................................................................................................................................ 5 Cultural Stereotype ........................................................................................................................................................... 6 Family ............................................................................................................................................................................... 8 Marriage, Family and Kinship .......................................................................................................................................... 8 Personal Hygiene ........................................................................................................................................................... -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Figurative Language in Bullet for My Valentine Album “Scream Aim Fire”
DOI: 10.24843/JH.2019.v23.i04.p02 p-ISSN: 2528-5076, e-ISSN: 2302-920X Terakreditasi Sinta-4, SK No: 23/E/KPT/2019 Humanis: Journal of Arts and Humanities Vol 23.4 Nopember 2019: 265-270 Figurative Language in Bullet For My Valentine Album “Scream Aim Fire” Ni Luh Cintya Sandi Astini*, A. A. Sg. Shanti Sari Dewi, Ni Wayan Sukarini English Department, Faculty of Arts, Udayana University [[email protected]] [[email protected]] [[email protected]] *Corresponding Author Abstract The study entitled “Figurative Language in Bullet For My Valentine‟s Album Scream Aim Fire” is aimed at finding out and identifying the types of figurative language, especially personification and hyperbole, in Bullet For My Valentine‟s Album, Scream Aim Fire, and analyzing the meaning. The documentation method was used to collect the data, and to analyze the data, the qualitative method was applied. This research applied the theory of Types of Figurative Language proposed by Knickerbocker and Renninger (1963) to find and identify personification and hyperbolic expressions from the album, and Types of Meaning according to Leech (1974) to classify and analyze the meaning of personification and hyperbolic expressions. The study indeed focuses on personification and hyperbole only because both are the most common expressions/figurative languages used by the songwriters to personate particular objects or stress and exaggerate their words on the song they write to make it more beautiful, dramatic, and meaningful. 14 out of 15 songs of the Scream Aim Fire album used both personification and hyperbole in their lyrics. 12 of them used both personification and hyperbole, one of them used only personification, one of them used only hyperbole, and the last one used neither of them. -
How to Play Metalcore on Guitar
How to Play Metalcore on Guitar And Getting Familiar with the Genre A Matura Paper by Yannic Kuna, 2013/2014 In collaboration with Beat Hüppin www.metalcoreonguitar.wordpress.com Contents 1. Acknowledgement ............................................................................................................................... 3 2. Introduction ............................................................................................................................................ 3 3. What is Metalcore? .............................................................................................................................. 5 4. August 2010 (about the author)................................................................................................... 7 5. Before it starts ....................................................................................................................................... 8 5.1 Guitar ............................................................................................................................................................ 8 5.2 Pick (Plectrum) ...................................................................................................................................... 10 5.3 Metronome .............................................................................................................................................. 10 5.4 Tuning ....................................................................................................................................................... -
Here Without You 3 Doors Down
Links 22 Jacks - On My Way 3 Doors Down - Here without You 3 Doors Down - Kryptonite 3 Doors Down - When I m Gone 30 Seconds to Mars - City of Angels - Intermediate 30 Seconds to Mars - Closer to the edge - 16tel und 8tel Beat 30 Seconds To Mars - From Yesterday https://www.youtube.com/watch?v=RpG7FzXrNSs 30 Seconds To Mars - Kings and Queens 30 Seconds To Mars - The Kill 311 - Beautiful Disaster - - Intermediate 311 - Dont Stay Home 311 - Guns - Beat ternär - Intermediate 38 Special - Hold On Loosely 4 Non Blondes - Whats Up 44 - When Your Heart Stops Beating 9-8tel Nine funk Play Along A Ha - Take On Me A Perfect Circle - Judith - 6-8tel 16tel Beat https://www.youtube.com/watch?v=xTgKRCXybSM A Perfect Circle - The Outsider ABBA - Knowing Me Knowing You ABBA - Mamma Mia - 8tel Beat Beginner ABBA - Super Trouper ABBA - Thank you for the music - 8tel Beat 13 ABBA - Voulez Vous Absolutum Blues - Coverdale and Page ACDC - Back in black ACDC - Big Balls ACDC - Big Gun ACDC - Black Ice ACDC - C.O.D. ACDC - Dirty Deeds Done Dirt Cheap ACDC - Evil Walks ACDC - For Those About To Rock ACDC - Givin' The Dog A Bone ACDC - Go Down ACDC - Hard as a rock ACDC - Have A Drink On Me ACDC - Hells Bells https://www.youtube.com/watch?v=qFJFonWfBBM ACDC - Highway To Hell ACDC - I Put The Finger On You ACDC - It's A Long Way To The Top ACDC - Let's Get It Up ACDC - Money Made ACDC - Rock n' Roll Ain't Noise Pollution ACDC - Rock' n Roll Train ACDC - Shake Your Foundations ACDC - Shoot To Thrill ACDC - Shot Down in Flames ACDC - Stiff Upper Lip ACDC - The