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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Raised Wrong Educated Worse
DIBQUFS!2!! XIZ!BSF!UIFZ!TP!CBE@! § 1 ~ Products of a Flawed Socialization Process What is wrong with so many Black boys? Who is raising them to be so disrespectful? Why do they have such little regard for school and the entire educational process? Why are they so damn bad? These are the pressing questions that teachers, school staff members, parents, concerned family, and community members all across America are constantly asking. Some ask themselves, others ask their designated leaders, yet very few people are satisfied with the vague, one-sided answers that they have been getting. After reading this book, you should better understand the an- swers to these popular questions. It stands true for young Black males, just as it does for all human beings, that absolutely none of us act the way that we act out of a vacuum or simply because that’s the way that we always wanted to act. We are all social- ized first by our guardians and surrounding family mem- bers, later by school and our peers, and at all times by both our local communities and the greater society through powerful institutions such as the church, the government, the media, the entertainment industry, and civic/community organizations. Socialization is the process over time through which a child is instructed and encouraged how to act, as well as how not to act. Many factors play into whether or not an individual will accept or reject the behavioral ten- dencies that he has been trained to follow by his parents, 5 school, local community, and greater society. -
Television Shows
Libraries TELEVISION SHOWS The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1950s TV's Greatest Shows DVD-6687 Age and Attitudes VHS-4872 24 Season 1 (Discs 1-3) DVD-2780 Discs Age of AIDS DVD-1721 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs Age of Kings, Volume 1 (Discs 1-3) DVD-6678 Discs 24 Season 1 (Discs 4-6) DVD-2780 Discs Age of Kings, Volume 2 (Discs 4-5) DVD-6679 Discs 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs Alfred Hitchcock Presents Season 1 DVD-7782 24 Season 2 (Discs 1-4) DVD-2282 Discs Alias Season 1 (Discs 1-3) DVD-6165 Discs 24 Season 2 (Discs 5-7) DVD-2282 Discs Alias Season 1 (Discs 4-6) DVD-6165 Discs 30 Days Season 1 DVD-4981 Alias Season 2 (Discs 1-3) DVD-6171 Discs 30 Days Season 2 DVD-4982 Alias Season 2 (Discs 4-6) DVD-6171 Discs 30 Days Season 3 DVD-3708 Alias Season 3 (Discs 1-4) DVD-7355 Discs 30 Rock Season 1 DVD-7976 Alias Season 3 (Discs 5-6) DVD-7355 Discs 90210 Season 1 (Discs 1-3) c.1 DVD-5583 Discs Alias Season 4 (Discs 1-3) DVD-6177 Discs 90210 Season 1 (Discs 1-3) c.2 DVD-5583 Discs Alias Season 4 (Discs 4-6) DVD-6177 Discs 90210 Season 1 (Discs 4-5) c.1 DVD-5583 Discs Alias Season 5 DVD-6183 90210 Season 1 (Discs 4-6) c.2 DVD-5583 Discs All American Girl DVD-3363 Abnormal and Clinical Psychology VHS-3068 All in the Family Season One DVD-2382 Abolitionists DVD-7362 Alternative Fix DVD-0793 Abraham and Mary Lincoln: A House -
Bullet for My Valentine to Return to U.S. in May in Support of New Album Venom
BULLET FOR MY VALENTINE TO RETURN TO U.S. IN MAY IN SUPPORT OF NEW ALBUM VENOM (Download Hi-Res Artwork Here) NEW ALBUM, VENOM, OUT NOW ON RCA RECORDS (New York – February 29, 2016) UK metal band Bullet For My Valentine will return to the U.S. for a second invasion in May in support of their recently released album, VENOM. Special guests will include Asking Alexandria and Cane Hill on select dates. The tour will start in Jacksonville, FL on April 30th at Welcome To Rockville festival and will wrap up in San Antonio on May 29th at River City Rockfest. “Attention Army of Noise U.S.! We haven't even left your country yet, but we're super excited to announce that we're coming back to the U.S this May for another run of shows on our Venom World Tour 15/16. We're gonna be hitting a ton of places we couldn't get to this time around so make sure you get yourself our new BFMV App to check and see if we’re coming to a town near you. Thank you and we'll see you all very soon.” – Matt Tuck Bullet For My Valentine Fan Club and VIP pre-sale ticketing will start on Tuesday, March 1st at 10:00AM (local time) and general on sale tickets will be available on March 4th at 10:00AM (local time) at http://www.bulletformyvalentine.com/live/. Fan Club pre-sale tickets will be available exclusively through Bullet For My Valentine’s new App, which is available for download for Android and iOS now at http://bulletformyvalentine.com/app. -
1 Song Title
Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist Hillary Lindsey, Liz Rose, FEARLESS 344 TAYLOR SWIFT Taylor Swift Christina Aguilera; FIGHTER 345 CHRISTINA AGUILERA Scott Storch I. Dench/ A. Ghost/ E. Rogers/ GYPSY 346 SHAKIRA Shakira/ C. Sturken HEARTBREAK WARFARE 347 JOHN MAYER Mayer, John LAST OF THE AMERICAN GIRLS 351 GREENDAY Billie Joe Armstrong OPPOSITES ATTRACT 348 JURIS Jungee Marcelo SAMPIP 349 PAROKYA NI EDGAR SOMEDAY 352 MICHAEL LEARNS TO ROCK Jascha Richter SUNBURN 353 OWL CITY Adam Young Nasri Atweh, Justin Bieber, Luke THAT SHOULD BE ME 354 JUSTIN BIEBER Gottwald, Adam Messinger THE ONLY EXCEPTION 350 PARAMORE Farro, Hayley Williams Max Martin, Alicia WHAT DO YOU WANT FROM ME 355 ADAM LAMBERT Moore, Jonathan Karl Joseph Elliott, Rick WHEN LOVE AND HATE COLLIDE 356 DEF LEPPARD Savage Jason Michael Wade, YOU AND ME 357 LIFEHOUSE Jude Anthony Cole YOUR SMILING FACE 358 JAMES TAYLOR James Taylor www.wowvideoke.com 1 Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist AFTER ALL THESE YEARS 9057 JOURNEY Jonathan Cain Michael Masser / Je!rey ALL AT ONCE 9064 WHITNEY HOUSTON L Osborne ALL MY LIFE 9058 AMERICA Foo Fighters ALL THIS TIME 9059 SIX PART INVENTION COULD'VE BEEN 9063 SARAH GERONIMO Richard Kerr (music) I'LL NEVER LOVE THIS WAY AGAIN 9065 DIONNE WARWICK and Will Jennings (lyrics) NOT LIKE THE MOVIES 9062 KC CONCEPCION Jaye Muller/Ben Patton THE ART OF LETTING GO 9061 MIKAILA Linda Creed, Michael UNPRETTY 9066 TLC Masser YOU WIN THE GAME 9060 MARK BAUTISTA 2 www.wowvideoke.com Music Video Pack Vol. -
Hbo Across the Bridge the Network (And Jason Schwartzman) Travel out of the City Into Our Favorite Borough Brooklyn Heights
A SPECIAL ADVERTISING SUPPLEMENT TO THE NEW YORK OBSERVER Brooklyn LivingSpring 2011 BROOKLYN REAL ESTATE BOOM CELEBRITIES INHABITING THE BOROUGH HBO ACROSS THE BRIDGE THE NETWORK (AND JASON SCHWARTZMAN) TRAVEL OUT OF THE CITY INTO OUR FAVORITE BOROUGH BROOKLYN HEIGHTS Angela Ferrante Bill Sheppard CLASSIC TOWNHOUSE, COUNTRY CHARM MANHATTAN AND HARBOR VIEWS GARDEN PLACE TUDOR Bklyn Hts. Excl. Sophisticated 25’ wide home. Bklyn Hts. Excl. 1846 Greek revival. All Bklyn Hts. Excl. Single family TH on Garden Orig details thru-out, hi ceils, marble mantles, original details. Fireplaces, ceiling and Place. Renovated thoroughly and carefully with wide plank oors, 1830s hardware & 3 wbfps. crown moldings. Lovely garden. Beautifully highest quality materials and craftsmanship. Jill Braver Elegant parlor & FDR, 2 full rs of BRs & large preserved and very special. Secluded North Classic details throughout. Functional and easy lndscpd grdn & patio. $3.95M. WEB# 1214225. Heights. $3.8M. WEB# 1206356. to maintain. $3.6M WEB# 726299. Rhea Cohen 718-858-5908 Brian Lehner 718-858-5423 Brian Lehner 718-858-5423 Phyllis Norton-Towers Aileen Truesdale BEST OF ALL WORLDS PREWAR CLASSIC SEVEN RARELY AVAILABLE Bklyn Hts. Excl. 5-story, 4 family. Unique Bklyn Hts. Excl. Sprawling 4BR, 3 bath Co-op Bklyn Hts. Excl. Classic prewar 3BR, 2 bath Catherine Zito opportunity to acquire a high income- in elev bldg on quiet tree-lined Central Heights Co-op. Top r, elev bldg, coveted block. 33 producing property & live lavishly, too. Lrg rms, street. LR with wbfp. Common rfdk, basement sun-lled exposures, skyline views. Live-in beautiful proportions. $2.75M. WEB# 1197530. -
Fall 2015 MESSAGE Fall 2015 Editor and Publisher Jeffrey C
MESSAGEFall 2015 MESSAGE Fall 2015 EDITOR AND PUBLISHER Jeffrey C� King ART DIRECTOR Alan Bell 6 8 PHOTOGRAPHY Jeffrey C� King Greg McNeal BOARD OF DIRECTORS Joel Byrd, M�D� Garry Gregory Jeffrey C� King Roger Quinney, Ph�D� 14 19 Earl Wooten ON THE COVER #Brothafest a Great Success! Staff and volunteers of In The Meantime by Jeffrey King ���������������������������� 3 Double-Consciousness by David Crittendon 4 Message is published quarterly by In The Meantime Who Can Qualify Your Quality? Men’s Group, Inc�, 2146 W� Adams Blvd�, Los Angeles, by Gerald Garth ��������������������������� 6 California 90018-2039� Mailing address: P�O� Box 29861, Los Angeles, California Same-Sex Marriage 90029-0861, 323-733-4868, inthemeantimemen@aol�com, by Maurice Jamal �������������������������� 8 www�inthemeantimemen� by Jayce Baron ���������������������������� 9 org, Facebook: Jeffrey KIng� by Curt D. Thomas ������������������������ 10 © 2015 In The Meantime Men’s Group, Inc� All rights by Patrik-Ian Polk ������������������������� 10 reserved� The slogan “Creating Unity Breathe by C. Jerome Woods ������������� 11 and Affirming Our Common Bond” is a trademark of In The Meantime Men’s Group, Inc� Views and opinions Our Love Is Worth Protecting expressed in this publication by Jeffrey King ��������������������������� 12 are not necessarily those of In The Meantime Men’s Group, Inc� Publication of the name or photograph of a person Black Gay Novel Is Set in Jamaica does not indicate the sexual orientation or HIV status of by Max-Arthur Mantle ��������������������� 14 the person or necessarily constitute an endorsement of In The Meantime Men’s Group, Post-Same-Sex Marriage by Victor Yates � 16 Inc� or its policies� Message is designed for educational purposes only and is not Black Gay Novel Is Set in L.A. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Production Perspectives of Heavy Metal Record Producers
This article has been accepted for publication in a revised form by Popular Music and end- users may view and download the material for private research and study only. Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester Dr Andrew King University of Hull Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the artistic nature of this endeavour from a production viewpoint is still developing. This study presents an understanding of the phenomenological aspects of Heavy Metal music from the perspective of seven renowned producers working within this genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A framework is then put forward for understanding sonic elements of recorded Heavy Metal Music. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The twenty-first century provides a rich source of creative opportunity through digital technology for practicing musicians to record music. The affordances of the digital revolution have subsequently changed the opportunities for those involved in the creation of such works. Technology enables those who could be described as amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of previously prohibitively expensive computing and recording technology are readily available via the Internet. -
London Welsh Festival P13
From the London Welsh Centre l at Grays Inn Road LWTachwedd/November 2013 • Rhif/IssCue 69 L £2.00 www.londonwelsh.org London Welsh Festival p13 Cylchgrawn Cymry Llundain The magazine of the London Welsh 2 LW CLl O’R GANOLFAN/FROM THE CENTRE A stellar performance for the London Welsh Centre’s first Festival Over the years we’ve had a forum, hosted We want to create a space that will be all sorts of events and put on plenty of the natural home for festivals and first-class one-day courses at the London Welsh events showcasing the talent we represent in Centre. But have we ever hosted our own London and Wales. But more than that we FesTIvaL at Gray’s Inn Road? want people to be excited about coming to In October after months of planning the Centre and to leave with a lasting sense and preparation, the Centre successfully of our cultural identity, as much as they staged the inaugural London Welsh might when they leave the Wales Literature Festival with fabulous Millennium Centre or the Guggenheim. contributions from across the literary It is a bold ambition. But the London spectrum. Welsh have always been bold. We may not I want to thank and congratulate Iain, stretch to flamboyant architecture, but in Rhian and all the team for bringing such a emulating the vibrant atmosphere and bold project to life at the Centre. If you capturing the essence of our community we missed it, you can read all about the are absolutely determined to deliver a stellar cast of speakers and performers in Alex Meredith mini-Guggenheim or Wales Millennium this edition of the London Welsh Magazine. -
M06 Ymateb Gan Traddodiadau Cerdd Cymru / Response from Music Traditions Wales
Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / Culture, Welsh Language and Communications Committee Diwydiant Cerddoriaeth yng Nghymru / Music Industry in Wales CWLC M06 Ymateb gan Traddodiadau Cerdd Cymru / Response from Music Traditions Wales How do local authority decisions such as business rates, licensing and planning decisions impact upon live music venues? 1. There is very little that Local authorities can do to promote live music venues unless the council has a live music strategy in place. Without the political directive to recognise and value the local music scene local authorities do not see either their social or economic value and therefore do not take measures to preserve them as part of the Authority’s Plan. 2. It’s possible for a local authority to be imaginative, use Planning Gain to require developers to support live music as a “public art”, make measurable provision of live music a condition of renewing and awarding licences but this needs leadership. 3. In our experience, a local authority’s staff, with one or two exceptions do not know how to recognise the value of a live music venue. The social benefits do not fit into their metrics. Very often a policy that seeks to attract inward investment discounts the value of small businesses. 4. Most live music in Wales does not happen in dedicated venues and theatres. It happens in bars & pubs, social clubs, meantime & pop-up spaces, fields, weddings, festivals. It is frequently a valuable part of a business for the retention of customers etc, but rarely forms the main part of a business’ revenue. -
Production Perspectives of Heavy Metal Record Producers Abstract
Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester – [email protected] Dr Andrew King University of Hull – [email protected] Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the production and the artistic nature of this endeavour is still developing. This article explores phenomenological aspects of producing Heavy Metal music from the perspective of seven renowned producers working within the genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A conceptual framework is then put forward for understanding the production methodology of recorded Heavy Metal Music, and, how developing technology has influenced the production of the genre. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The affordances of digital technology have significantly changed the opportunities for practicing musicians to record music. Technology enables even amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of prohibitively expensive computing and recording technology are readily available via the Internet. The technology associated with certain aspects of music making is now more widespread and enables a new sense of creative musical freedom; music producers command a limitless array of technological choices. Despite the benefits of the ever-increasing rate of technological development, the recording industry is changing dramatically, and with it, the production perspectives of record producers.