Figurative Language in Bullet for My Valentine Album “Scream Aim Fire”
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Slangs on Internet
ENGLISH SLANGS ON INTERNET Gathered by | Jasimdev A A&F Always And Forever Abercrombie & Fitch A LEVEL School exam (UK) Anal sex A/N Author's Note A/W Anyway A3 Anywhere, Any time, Any place A7A Frusration, anger (Arabic) A7X Avenged Sevenfold (band) AA Alcoholics Anonymous African-American Automobile Association AAA American Automobile Association Battery size AAB Average At Best AAF Always and Forever AAK Alive And Kicking AAMOF As A Matter Of Fact AAP Always A Pleasure AAR At Any Rate AARP American Association of Retired Persons AAWY And Also With You AAYF As Always, Your Friend AB Adult Baby ABC American Born Chinese ABD Already Been Done ABDC America's Best Dance Crew (TV show) ABDL Adult Baby Diaper Lover ABH Actual Bodily Harm ABN Asshole By Nature * ABP Already Been Posted ABS Absolutely ABT About ABT2 About To ABU Anyone but (Manchester) United AC Air Conditioning Alternating Current AC/DC Rock Band ACAB All Cops Are B*****ds ACC Actually ACCT Account ACG Asian Cowgirl ACK Disgust, frustration Acknowledgement ACLU American Civil Liberties Union ACME A Company that Makes Everything ACORN Small penis ACP Automatic Colt Pistol ACT SAT type test ACU Army Combat Uniform AD Anno Domini (in the year of our Lord) AD HOC For the specific purpose Improvised, impromptu ADD Attention Deficit Disorder ADDY Address ADGTH All Dogs Go To Heaven ADHD Attention Deficit Hyperactivity Disorder ADIDAS German sportswear company All Day I Dream About Sex ADL All Day Long ADM ¡Ay Dios Mío! (Spanish -
Bullet for My Valentine to Return to U.S. in May in Support of New Album Venom
BULLET FOR MY VALENTINE TO RETURN TO U.S. IN MAY IN SUPPORT OF NEW ALBUM VENOM (Download Hi-Res Artwork Here) NEW ALBUM, VENOM, OUT NOW ON RCA RECORDS (New York – February 29, 2016) UK metal band Bullet For My Valentine will return to the U.S. for a second invasion in May in support of their recently released album, VENOM. Special guests will include Asking Alexandria and Cane Hill on select dates. The tour will start in Jacksonville, FL on April 30th at Welcome To Rockville festival and will wrap up in San Antonio on May 29th at River City Rockfest. “Attention Army of Noise U.S.! We haven't even left your country yet, but we're super excited to announce that we're coming back to the U.S this May for another run of shows on our Venom World Tour 15/16. We're gonna be hitting a ton of places we couldn't get to this time around so make sure you get yourself our new BFMV App to check and see if we’re coming to a town near you. Thank you and we'll see you all very soon.” – Matt Tuck Bullet For My Valentine Fan Club and VIP pre-sale ticketing will start on Tuesday, March 1st at 10:00AM (local time) and general on sale tickets will be available on March 4th at 10:00AM (local time) at http://www.bulletformyvalentine.com/live/. Fan Club pre-sale tickets will be available exclusively through Bullet For My Valentine’s new App, which is available for download for Android and iOS now at http://bulletformyvalentine.com/app. -
Worldpeaceoneaçom
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Production Perspectives of Heavy Metal Record Producers
This article has been accepted for publication in a revised form by Popular Music and end- users may view and download the material for private research and study only. Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester Dr Andrew King University of Hull Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the artistic nature of this endeavour from a production viewpoint is still developing. This study presents an understanding of the phenomenological aspects of Heavy Metal music from the perspective of seven renowned producers working within this genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A framework is then put forward for understanding sonic elements of recorded Heavy Metal Music. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The twenty-first century provides a rich source of creative opportunity through digital technology for practicing musicians to record music. The affordances of the digital revolution have subsequently changed the opportunities for those involved in the creation of such works. Technology enables those who could be described as amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of previously prohibitively expensive computing and recording technology are readily available via the Internet. -
London Welsh Festival P13
From the London Welsh Centre l at Grays Inn Road LWTachwedd/November 2013 • Rhif/IssCue 69 L £2.00 www.londonwelsh.org London Welsh Festival p13 Cylchgrawn Cymry Llundain The magazine of the London Welsh 2 LW CLl O’R GANOLFAN/FROM THE CENTRE A stellar performance for the London Welsh Centre’s first Festival Over the years we’ve had a forum, hosted We want to create a space that will be all sorts of events and put on plenty of the natural home for festivals and first-class one-day courses at the London Welsh events showcasing the talent we represent in Centre. But have we ever hosted our own London and Wales. But more than that we FesTIvaL at Gray’s Inn Road? want people to be excited about coming to In October after months of planning the Centre and to leave with a lasting sense and preparation, the Centre successfully of our cultural identity, as much as they staged the inaugural London Welsh might when they leave the Wales Literature Festival with fabulous Millennium Centre or the Guggenheim. contributions from across the literary It is a bold ambition. But the London spectrum. Welsh have always been bold. We may not I want to thank and congratulate Iain, stretch to flamboyant architecture, but in Rhian and all the team for bringing such a emulating the vibrant atmosphere and bold project to life at the Centre. If you capturing the essence of our community we missed it, you can read all about the are absolutely determined to deliver a stellar cast of speakers and performers in Alex Meredith mini-Guggenheim or Wales Millennium this edition of the London Welsh Magazine. -
LIRIK LAGU BAND BULLET for MY VALENTINE SEBAGAI IDE PENCIPTAAN SENI LUKIS” Ini Dengan Lancar
LIRIK LAGU BAND BULLET FOR MY VALENTINE SEBAGAI IDE PENCIPTAAN SENI LUKIS PENCIPTAAN KARYA SENI Oleh: BagusSadewa NIM. 1312403021 PROGRAM STUDI SENI RUPA MURNI JURUSAN SENI MURNI FAKULTAS SENI RUPA INSTITUT SENI INDONESIA YOGYAKARTA 2021 i UPT Perpustakaan ISI Yogyakarta LIRIK LAGU BAND BULLET FOR MY VALENTINE SEBAGAI IDE PENCIPTAAN SENI LUKIS Bagus Sadewa NIM. 1312403021 Tugas Akhir ini diajukan kepada Fakultas Seni Rupa Institut Seni Indonesia Yogyakarta sebagai salah satu syarat untuk memperoleh gelar Sarjana S-1 dalam Bidang Seni Rupa Murni 2021 ii UPT Perpustakaan ISI Yogyakarta UPT Perpustakaan ISI Yogyakarta PERNYATAAN Yang bertanda tangan di bawah ini, saya: Nama : Bagus Sadewa NIM : 1312403021 Dengan ini menyatakan bahwa laporan Tugas Akhir Penciptaan yang saya buat ini benar-benar asli karya saya sendiri, bukan duplikat atau dibuat oleh orang lain. Laporan Tugas Akhir Penciptaan ini saya buat berdasarkan kajian atas karya- karya saya dengan disertai berbagai referensi pendukung yang diambil dari buku- buku, dan karya-karya dari seniman lain yang berkaitan. Apabila di kemudian hari terbukti atau dapat dibuktikan bahwa laporan Tugas Akhir Penciptaan ini hasil jiplakan, maka saya bersedia menerima sanksi atas perbuatan tersebut. Yogyakarta, 9 Desember 2020 Bagus Sadewa NIM. 1312403021 iv UPT Perpustakaan ISI Yogyakarta KATA PENGANTAR Alhamdulillah, berkat rahmat dan hidayah-Nya penulis dapat menyelesaikan laporan Tugas Akhir yang berjudul “LIRIK LAGU BAND BULLET FOR MY VALENTINE SEBAGAI IDE PENCIPTAAN SENI LUKIS” ini dengan lancar. Adapun tujuannya adalah untuk memenuhi sebagian persyaratan di dalam mengakhiri pendidikan Program Studi Seni Rupa Murni Fakultas Seni Rupa Institut Seni Indonesia Yogyakarta. Pada kesempatan ini penulis ingin menyampaikan terima kasih kepada semua pihak yang telah memberikan motivasi, semangat, dan membantu penulis dalam menyelesaikan laporan ini. -
M06 Ymateb Gan Traddodiadau Cerdd Cymru / Response from Music Traditions Wales
Cynulliad Cenedlaethol Cymru / National Assembly for Wales Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu / Culture, Welsh Language and Communications Committee Diwydiant Cerddoriaeth yng Nghymru / Music Industry in Wales CWLC M06 Ymateb gan Traddodiadau Cerdd Cymru / Response from Music Traditions Wales How do local authority decisions such as business rates, licensing and planning decisions impact upon live music venues? 1. There is very little that Local authorities can do to promote live music venues unless the council has a live music strategy in place. Without the political directive to recognise and value the local music scene local authorities do not see either their social or economic value and therefore do not take measures to preserve them as part of the Authority’s Plan. 2. It’s possible for a local authority to be imaginative, use Planning Gain to require developers to support live music as a “public art”, make measurable provision of live music a condition of renewing and awarding licences but this needs leadership. 3. In our experience, a local authority’s staff, with one or two exceptions do not know how to recognise the value of a live music venue. The social benefits do not fit into their metrics. Very often a policy that seeks to attract inward investment discounts the value of small businesses. 4. Most live music in Wales does not happen in dedicated venues and theatres. It happens in bars & pubs, social clubs, meantime & pop-up spaces, fields, weddings, festivals. It is frequently a valuable part of a business for the retention of customers etc, but rarely forms the main part of a business’ revenue. -
Production Perspectives of Heavy Metal Record Producers Abstract
Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester – [email protected] Dr Andrew King University of Hull – [email protected] Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the production and the artistic nature of this endeavour is still developing. This article explores phenomenological aspects of producing Heavy Metal music from the perspective of seven renowned producers working within the genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A conceptual framework is then put forward for understanding the production methodology of recorded Heavy Metal Music, and, how developing technology has influenced the production of the genre. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The affordances of digital technology have significantly changed the opportunities for practicing musicians to record music. Technology enables even amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of prohibitively expensive computing and recording technology are readily available via the Internet. The technology associated with certain aspects of music making is now more widespread and enables a new sense of creative musical freedom; music producers command a limitless array of technological choices. Despite the benefits of the ever-increasing rate of technological development, the recording industry is changing dramatically, and with it, the production perspectives of record producers. -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
Cultural Profile Resource: Wales
Cultural Profile Resource: Wales A resource for aged care professionals Birgit Heaney Dip. 13/11/2016 A resource for aged care professionals Table of Contents Introduction ....................................................................................................................................................................... 3 Location and Demographic ............................................................................................................................................... 4 Everyday Life ................................................................................................................................................................... 5 Etiquette ............................................................................................................................................................................ 5 Cultural Stereotype ........................................................................................................................................................... 6 Family ............................................................................................................................................................................... 8 Marriage, Family and Kinship .......................................................................................................................................... 8 Personal Hygiene ........................................................................................................................................................... -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,