Mythos, 10 | 2016 [Online], Online Since 24 September 2019, Connection on 23 September 2020
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Title Call # Category
Title Call # Category 2LDK 42429 Thriller 30 seconds of sisterhood 42159 Documentary A 42455 Documentary A2 42620 Documentary Ai to kibo no machi = Town of love & hope 41124 Documentary Akage = Red lion 42424 Action Akahige = Red beard 34501 Drama Akai hashi no shita no nerui mizu = Warm water under bridge 36299 Comedy Akai tenshi = Red angel 45323 Drama Akarui mirai = Bright future 39767 Drama Akibiyori = Late autumn 47240 Akira 31919 Action Ako-Jo danzetsu = Swords of vengeance 42426 Adventure Akumu tantei = Nightmare detective 48023 Alive 46580 Action All about Lily Chou-Chou 39770 Always zoku san-chôme no yûhi 47161 Drama Anazahevun = Another heaven 37895 Crime Ankokugai no bijo = Underworld beauty 37011 Crime Antonio Gaudí 48050 Aragami = Raging god of battle 46563 Fantasy Arakimentari 42885 Documentary Astro boy (6 separate discs) 46711 Fantasy Atarashii kamisama 41105 Comedy Avatar, the last airbender = Jiang shi shen tong 45457 Adventure Bakuretsu toshi = Burst city 42646 Sci-fi Bakushū = Early summer 38189 Drama Bakuto gaijin butai = Sympathy for the underdog 39728 Crime Banshun = Late spring 43631 Drama Barefoot Gen = Hadashi no Gen 31326, 42410 Drama Batoru rowaiaru = Battle royale 39654, 43107 Action Battle of Okinawa 47785 War Bijitâ Q = Visitor Q 35443 Comedy Biruma no tategoto = Burmese harp 44665 War Blind beast 45334 Blind swordsman 44914 Documentary Blind woman's curse = Kaidan nobori ryu 46186 Blood : Last vampire 33560 Blood, Last vampire 33560 Animation Blue seed = Aokushimitama blue seed 41681-41684 Fantasy Blue submarine -
ANDY: How Did CN/Toonami Learn About Big O to Begin Looking Into Airing It?
ANDY: How did CN/Toonami learn about Big O to begin looking into airing it? DEMARCO: A friend of ours at Bandai America, a man named Ken Iyadomi, sent us a tape of just the opening song and animation. We were immediately like “WHAT IS THIS AND HOW DO WE GET IT ON TOONAMI.” At that point, the show had not yet premiered in Japan. Why was Big O chosen to air on Toonami? What made it special? What drew you or your team to it, especially since it had failed in Japan and was cancelled— cancelled on a cliffhanger, of all things, too? Most of the Toonami team are people that grew up on giant robot/tokusatsu shows like Voltron, Ultraman, Gaiking, etc, so we were already primed to love the design of Big O. Combined with the clean, Batman The Animated series influenced animation and the great Queen-esque theme song, we felt like it was a show that might connect with a broader audience in the US. When did you get the idea to help produce more Big O? What was the catalyst to put yourself and CN in that position? What made Big O so special to pursue something this big? That idea came from Mike Lazzo, who runs Adult Swim. He was a big fan of the show and suggested to me that we call Bandai and see if they might be open to creating another season as a co-production. It’s not really that the first season perfomed particularly well; it’s just that we really loved it and wanted more! Director Kazuyoshi Katayama recalls CN having two requests for season 2: more action and to “reveal the mystery.” Can you elaborate on that? That may be his recollection, but that’s not mine. -
CALENDRICAL CALCULATIONS the Ultimate Edition an Invaluable
Cambridge University Press 978-1-107-05762-3 — Calendrical Calculations 4th Edition Frontmatter More Information CALENDRICAL CALCULATIONS The Ultimate Edition An invaluable resource for working programmers, as well as a fount of useful algorithmic tools for computer scientists, astronomers, and other calendar enthu- siasts, the Ultimate Edition updates and expands the previous edition to achieve more accurate results and present new calendar variants. The book now includes algorithmic descriptions of nearly forty calendars: the Gregorian, ISO, Icelandic, Egyptian, Armenian, Julian, Coptic, Ethiopic, Akan, Islamic (arithmetic and astro- nomical forms), Saudi Arabian, Persian (arithmetic and astronomical), Bahá’í (arithmetic and astronomical), French Revolutionary (arithmetic and astronomical), Babylonian, Hebrew (arithmetic and astronomical), Samaritan, Mayan (long count, haab, and tzolkin), Aztec (xihuitl and tonalpohualli), Balinese Pawukon, Chinese, Japanese, Korean, Vietnamese, Hindu (old arithmetic and medieval astronomical, both solar and lunisolar), and Tibetan Phug-lugs. It also includes information on major holidays and on different methods of keeping time. The necessary astronom- ical functions have been rewritten to produce more accurate results and to include calculations of moonrise and moonset. The authors frame the calendars of the world in a completely algorithmic form, allowing easy conversion among these calendars and the determination of secular and religious holidays. Lisp code for all the algorithms is available in machine- readable form. Edward M. Reingold is Professor of Computer Science at the Illinois Institute of Technology. Nachum Dershowitz is Professor of Computational Logic and Chair of Computer Science at Tel Aviv University. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05762-3 — Calendrical Calculations 4th Edition Frontmatter More Information About the Authors Edward M. -
The Effects of Egypt's Civil Uprising on the Kasr Dobara Evangelical Church
Forced Out of the Walls: The Effects of Egypt’s Civil Uprising on the Kasr Dobara Evangelical Church (A Case Study) by Sameh Hanna A Thesis submitted to the Faculty of Knox College and the Toronto School of Theology In partial fulfilment of the requirements for the degree of Doctor of Ministry awarded by Knox College and the University of Toronto © Copyright by Sameh Hanna 2018 Forced Out of the Walls: The Effects of Egypt’s Civil Uprising on the Kasr Dobara Evanglical Church (A Case Study) Sameh Hanna Doctor of Ministry Knox College and the University of Toronto 2018 Abstract The Kasr Dobara Evangelical Church is situated one block away from Cairo‘s Tahrir Square, the primary location for the vast majority of the historical events of the January 25, 2011 revolution. Cairo‘s Tahrir Square and the Kasr Dobara Evangelical Church (KDEC) continued to be the principle focal points up to and including the June 30 uprising some three years later. During this period of massive change in the history of Egypt, the Coptic church realized the need for political action in the face of persecution, and Kasr Dobara Evangelical Church was a focal example of leadership and service in this new Christian activism. For the first time in the history of Christianity in Egypt, Christians ventured out of the sanctuary of their churches to protest against the traditional oppression of government. The theological understanding and leadership provided by the pastors, leaders, and members of KDEC encouraged significant change, including a new rapprochement between -
Anime Publisher Year a Tree of Palme ADV Films 2005 Abenobashi ADV
Anime Publisher Year A Tree of Palme ADV Films 2005 Abenobashi ADV Films 2005 Ah! My Goddess Pioneer 2000 Air Gear ADV Films 2007 Akira Pioneer 1994 Alien Nine US Manga 2003 Android Kikaider Bandai Entertainment 2002 Angelic Layer ADV Films 2005 Aquarian Age ADV Films 2005 Arjuna Bandai Entertainment 2001 Black Cat Funimation 2005 Black Heaven Pioneer 1999 Black Lagoon Funimation 2006 Blood: The Last Vampire Manga Entertainment 2001 Blood+ Sony Pictures 2005 BoogiePop Phantom NTSC 2001 Brigadoon Tokyo Pop 2003 C Control Funimation 2011 Ceres: Celestial Legend VIS Media 2000 Chevalier D'Eon Funimation 2006 Cowboy Bebop Bandai Entertainment 1998 Cromartie High Scool ADV Films 2006 Dai-Guard ADV Films 1999 Dears Bandai Visual 2004 DeathNote VIS Media 2003 Elfen Lied ADV Films 2006 Escaflowne Bandai Entertainment 1996 Fate Stay/Night TBS Animation 2013 FLCL Funimation 2000 Fruits Basket Funimation 2002 Full Metal Achemist: Brotherhood Funimation 2010 Full Metal Alchemist Funimation 2004 Full Metal Panic? ADV Films 2004 G Gundam Bandai Entertainment 1994 Gankutsuou Gnzo Media Factory 2004 Gantz ADV Films 2004 Geneshaft Bandai Entertainment 2001 Getbackers ADV Films 2005 Ghost in the Shell Bandai Entertainment 2002 Ghost Stories ADV Films 2000 Grave of the Fireflies Central Pak Media 1988 GTO Great Teacher Onizuka Tokyo Pop 2004 Gungrave Pioneer 2004 Gunslinger Girl Funimation 2002 Gurren Lagann Bandai Entertainment 2007 Guyver ADV Films 2007 Heat Guy J Pioneer 2002 Hellsing Pioneer 2002 Infinite Ryvius Bandai Entertainment 1999 Jin-Roh Bandai -
Saishuuheiki Kanojo by John Thacker
Saishuuheiki Kanojo by John Thacker Shuuji and Chise have just begun to date, but Shuuji isn’t sure about the idea. It’s his first relationship and he feels awkward and uncomfortable. Sure, she’s nice enough, and cute, but he doesn’t really know if he wants to date Chise. He really doesn’t think he loves her, and most of all he’s uncomfortable doing “couple” things. (She wants him to write in an exchange diary?! How embarrassing.) It just doesn’t seem to be working, so he asks her to meet her after school, where he plans to break the news to her. Of course, that conversation doesn’t go nearly as planned, as Chise has a few confessions of her own. It’s the next day Since there are exactly zero SaiKano images when things start to get really strange available on the internet, please enjoy this though... photo of the cast of Sabor Marionette J. Tonight CJAS shows the first episode of the recent Japanese TV series Saishuuheiki Kanojo, alternately known in English as She, the Ultimate Weapon, or My Girlfriend the Ultimate Weapon. As the title indicates, it’s about a guy, Shuuji, whose girlfriend, Chise, has for some (not very clear) reason been made into Japan’s Ultimate Weapon. Most of the time, she’s still a normal, insecure high school student, but when in the midst of danger she partially transforms, and becomes unstoppable. Of course given such a setup one might expect SaiKano to be a loud, violent, action-packed, aggressive series, with lots of focus on fighting and technology; a typical shounen adrenaline rush. -
Coptic Literature in Context (4Th-13Th Cent.): Cultural Landscape, Literary Production, and Manuscript Archaeology
PAST – Percorsi, Strumenti e Temi di Archeologia Direzione della collana Carlo Citter (Siena) Massimiliano David (Bologna) Donatella Nuzzo (Bari) Maria Carla Somma (Chieti) Francesca Romana Stasolla (Roma) Comitato scientifico Andrzej Buko (Varsavia) Neil Christie (Leichester) Francisca Feraudi-Gruénais (Heidelberg) Dale Kinney (New York) Mats Roslund (Lund) Miljenko Jurković (Zagabria) Anne Nissen (Paris) Askold Ivantchik (Mosca) This volume, which is one of the scientific outcomes of the ERC Advanced project ‘PAThs’ – ‘Tracking Papy- rus and Parchment Paths: An Archaeological Atlas of Coptic Literature. Literary Texts in their Geographical Context: Production, Copying, Usage, Dissemination and Storage’, has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 programme, grant no. 687567. I testi pubblicati nella collana sono soggetti a valutazione secondo la procedura del doppio blind referee In copertina: P. Mich. 5421 e una veduta di Karanis © Roma 2020, Edizioni Quasar di Severino Tognon S.r.l. via Ajaccio 41-43, 00198 Roma - tel 0685358444 email: [email protected] eISBN 978-88-5491-058-4 Coptic Literature in Context (4th-13th cent.): Cultural Landscape, Literary Production, and Manuscript Archaeology Proceedings of the Third Conference of the ERC Project “Tracking Papyrus and Parchment Paths: An Archaeological Atlas of Coptic Literature. Literary Texts in their Geographical Context (‘PAThs’)”. edited by Paola Buzi Edizioni Quasar Table of Contents Paola Buzi The Places of Coptic Literary Manuscripts: Real and Imaginary Landscapes. Theoretical Reflections in Guise of Introduction 7 Part I The Geography of Coptic Literature: Archaeological Contexts, Cultural Landscapes, Literary Texts, and Book Forms Jean-Luc Fournet Temples in Late Antique Egypt: Cultic Heritage between Ideology, Pragmatism, and Artistic Recycling 29 Tito Orlandi Localisation and Construction of Churches in Coptic Literature 51 Francesco Valerio Scribes and Scripts in the Library of the Monastery of the Archangel Michael at Phantoou. -
The True Story of Christianity in Egypt
THE STORY OF THE COPTS THE TRUE STORY OF CHRISTIANITY IN EGYPT by Iris Habib el Masri BOOK 1 FROM THE FOUNDATION OF THE CHURCH BY SAINT MARK TO THE ARAB CONQUEST 2 Our Lord and Saviour Jesus Christ King of Kings and Lord of lords 3 H.H. Pope Shenouda III, 117th Pope of Alexandria and the See of St. Mark 4 St. Anthony, Coptic Orthodox Monastery of Southern California, U.S.A., introduces "The Story of the Copts" by IRIS HABIB EL MASRI to all Christians and non-Christians; to old and young; men and women; ... to everyone, with or without an interest in studying religion; and to the public in general. Also, the Copts in Egypt and all over the world. May God grant that the reader gain a true knowledge of the Copts and of the history of Christianity of Egypt. ST. ANMNY MONASTERY P.O. BOX 369 MMERRY SPRINGS, CA 923$5 5 ACKNOWLEDGEMENT It is with deep gratitude that I offer my thanks to our Heavenly Father whose aid and guidance have been my lodestar throughout the years. My thankful homage to the Spirit of my Father Pishoi Kamil whose encouragement by prayer, words and continued endeavour added to my zeal and fervour, and strengthened me to persevere on the path towards fulfilment. My thanks are extended also to all my family circle and friends, with special appreciation to the budding artist Habib Amin el Masri, my nephew, for giving me some of his paintings to adorn this volume. As for my sister Eva el Masri Sidhom, I consider he my co-writer; she and her husband Youssef did their best in editing and typing this work. -
The 'Oldest Dated Document of the Cairo Genizah' (Halper 331): The
The ‘oldest dated document of the Cairo Genizah’ (Halper 331): The Seleucid era and sectarian Jewish calendars Eve Krakowski (Princeton) and Sacha Stern (UCL) The vast trove of documents discovered in the late 19th century in the genizah (storage) of the Ben Ezra synagogue in Fusṭāṭ, old Cairo, hardly needs an introduction. Most of the texts and documents are written in Judeo-Arabic or Hebrew, and date from between the 10th and the 13th centuries. In this article, however, we shall consider a much earlier document, possibly from the Cairo Genizah, which dates to the latter part of the 9th century. It is the text of a legal document in Hebrew and Aramaic, which has been identified in the past as a ketubbah (marriage contract). All that survives of it is its opening, which contains a series of introductory formulae and a detailed date. As we shall see, this date is very problematic; it raises questions about the document itself, as well as about the Jewish calendar of which, in the 9th century, relatively little is known.1 The fragment is held in the library of the Herbert D. Katz Center for Advanced Judaic Studies, Philadelphia, where it is shelf-marked Halper 331. The entry of the University of Pennsylvania Library catalogue, which incorporates the Katz Center library, reads as follows: Book. 1 fol.: fragment; incomplete, cropped beneath final line. Parchment 14 x 8.8 cm black ink ruling method: recto (original document), drypoint, stylus lines visible, large margin on interior side (…) The oldest dated Genizah document. A draft of a ḳetubah [sic], in which the writing is interrupted after the date in the seventh line, probably because the day in the month is mistaken: 17 Tishre 1183 Seleucid year. -
Watch Cartoon Network Full Episodes Online Free
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ANIME FAN FEST PANELS SCHEDULE May 6-8, 2016
ANIME FAN FEST PANELS SCHEDULE May 6-8, 2016 MAY 6, FRIDAY CENTRAL CITY game given a bit of Japanese polish; players wager their Kingdom Hearts is one of the best-selling, and most 4:00pm - 5:00pm yen on their knowledge of a variety of tricky clues in their complex video game series of all time. In anticipation OTAKU USA’S ANIME WORTH WATCHING Now is probably quest to become Jeopardy! champion! of KHIII, we will be going over all aspects of the series the best time in history to be an anime fan. With tons 5:30pm- 6:30pm in great detail such as: elements of the plot, music, lore, of anime freely (and legally) available, the choices are BBANDAI NAMCO ENTERTAINMENT PRESENTS: ANIME and more. As well as discussing theories and specu- endless...which makes it all the more difficult for anime GAMES IN AMERICA Join Bandai Namco for a behind- lations about what is to come in the future. A highly fans to find out WHICH they should watch. Otaku USA the-scenes look at what it’s like working for the premier educational panel led by your host, Kyattan, this panel Magazine’s Daryl Surat (www.animeworldorder.com) Anime videogame publisher, the process and challenges is friendly to those who haven’t played every game, and NEVER accepts mediocrity as excellence and has prepared of bringing over anime-based and Japanese game content those who are confused about its plot. a selection of recommendations, as covered in the publi- to the Western market, and exclusive insider-only looks at 6:00pm- 7:00pm cation’s 9+ year history! Bandai Namco’s upcoming titles. -
Theological and Ideological Complexities
ABSTRACT The Donatist Church in an Apocalyptic Age Jesse A. Hoover, Ph.D. Mentor: Daniel H. Williams, Ph.D. As a dissident Christian tradition that still endured sporadic Imperial persecution, the Donatist church occupied a unique niche within the wider apocalyptic milieu of late antiquity. This was an era characterized by intense eschatological speculation, spurred on by the recent political ascendency of Christianity within the Empire, the rise of rival theological communions in its wake, and mounting anxiety over the increasing tenuousness of Roman rule in the western provinces. Despite its often-overstated estrangement from the transmarine Christian communities of late antiquity, Donatism was no stranger to this phenomenon. In this dissertation, I wish to contextualize extant Donatist interaction with apocalyptic exegesis in order to see where it remained in continuity with the wider western apocalyptic tradition and where it diverged. This is a topic which will require some nuance. The dominant tendency within early and mid-twentieth century academic discussions of Donatist apocalypticism – when it is mentioned at all – have been to portray it as evidence of an anachronistic inclination within Donatist theology or as a symptom of simmering national or economic dissatisfaction, a religious warrant for social unrest. Reacting to such interpretations, more recent discussions of Donatism which emphasize its theological viability have tended to avoid the topic altogether. In this project, in contrast, I portray Donatist apocalyptic exegesis as an essentially dynamic, adaptive theological phenomenon. As befits an ecclesiastical communion which once formed the majority church in North Africa, Donatist interaction with apocalypticism was neither monolithic nor static.