Anime Recommended for Me
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Title Call # Category
Title Call # Category 2LDK 42429 Thriller 30 seconds of sisterhood 42159 Documentary A 42455 Documentary A2 42620 Documentary Ai to kibo no machi = Town of love & hope 41124 Documentary Akage = Red lion 42424 Action Akahige = Red beard 34501 Drama Akai hashi no shita no nerui mizu = Warm water under bridge 36299 Comedy Akai tenshi = Red angel 45323 Drama Akarui mirai = Bright future 39767 Drama Akibiyori = Late autumn 47240 Akira 31919 Action Ako-Jo danzetsu = Swords of vengeance 42426 Adventure Akumu tantei = Nightmare detective 48023 Alive 46580 Action All about Lily Chou-Chou 39770 Always zoku san-chôme no yûhi 47161 Drama Anazahevun = Another heaven 37895 Crime Ankokugai no bijo = Underworld beauty 37011 Crime Antonio Gaudí 48050 Aragami = Raging god of battle 46563 Fantasy Arakimentari 42885 Documentary Astro boy (6 separate discs) 46711 Fantasy Atarashii kamisama 41105 Comedy Avatar, the last airbender = Jiang shi shen tong 45457 Adventure Bakuretsu toshi = Burst city 42646 Sci-fi Bakushū = Early summer 38189 Drama Bakuto gaijin butai = Sympathy for the underdog 39728 Crime Banshun = Late spring 43631 Drama Barefoot Gen = Hadashi no Gen 31326, 42410 Drama Batoru rowaiaru = Battle royale 39654, 43107 Action Battle of Okinawa 47785 War Bijitâ Q = Visitor Q 35443 Comedy Biruma no tategoto = Burmese harp 44665 War Blind beast 45334 Blind swordsman 44914 Documentary Blind woman's curse = Kaidan nobori ryu 46186 Blood : Last vampire 33560 Blood, Last vampire 33560 Animation Blue seed = Aokushimitama blue seed 41681-41684 Fantasy Blue submarine -
Birthdays Susan Cole
Volume 29 Number 4 Issue 346 September 2016 A WORD FROM THE EDITOR Kimber Groman (graphic artist) and others August was Worldcon in Kansas City. MidAmericon 2 $25 for 3 days pre con, $30 at the door had a lot going on. There were two Hugo Ceremonies. There spacecoastcomiccon.com were a lot of exhibits and of course 5,000 items on the program. I did a lot of work pre-con and got to see aKansas City at the Animate! Florida same time. The con was great and I need to start working on my September 16-19 report. Port St Lucie Civic Center This month I may checkout some local events. I may try 9221 SE Civiv Center Place to squeeze in a review. Port St Lucie FL As always I am willing to take submissions. Guests: Tony Oliver (Rick Hunter, Robotech) See you next month. Julie Dolan (Star Wars: Rebels) Erica Mendez (Ryoka Matoi, Kill La Kill) Events and many more $55 for 3 days pre con Comic Book Connection animateflorida.com/ September 3-4 Holiday Inn Treasure Comic Con 2300 SR 16 September 16-19 ST Augustine, FL 32084 Greater Fort Lauderdale Convention Center $5 at the door 1950 Eisenhower Blvd, thecomicbookconnection.com Fort Lauderdale, FL 33316 Guests: Space Coast Comic Con Billy West (Phil Fry, Futurama) September 9-11 Kristin Bauer (Maleficient, Once Upon a Space Coast Convention Center Time) 301 Tucker Ln Beverly Elliot(Granny, Once Upon a Time) Cocoa, FL 32926 and many more Guests: Terance Baker (comic artist) $35 for 3 days pre con, $40 at the door Jake Estrada (comic artist) www.treasurecoastcomiccon.com Fusion Con II September 17 Birthdays New Port Richey Recreation & Aquatic Center 6630 Van Buren St Susan Cole - Sept. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
ANDY: How Did CN/Toonami Learn About Big O to Begin Looking Into Airing It?
ANDY: How did CN/Toonami learn about Big O to begin looking into airing it? DEMARCO: A friend of ours at Bandai America, a man named Ken Iyadomi, sent us a tape of just the opening song and animation. We were immediately like “WHAT IS THIS AND HOW DO WE GET IT ON TOONAMI.” At that point, the show had not yet premiered in Japan. Why was Big O chosen to air on Toonami? What made it special? What drew you or your team to it, especially since it had failed in Japan and was cancelled— cancelled on a cliffhanger, of all things, too? Most of the Toonami team are people that grew up on giant robot/tokusatsu shows like Voltron, Ultraman, Gaiking, etc, so we were already primed to love the design of Big O. Combined with the clean, Batman The Animated series influenced animation and the great Queen-esque theme song, we felt like it was a show that might connect with a broader audience in the US. When did you get the idea to help produce more Big O? What was the catalyst to put yourself and CN in that position? What made Big O so special to pursue something this big? That idea came from Mike Lazzo, who runs Adult Swim. He was a big fan of the show and suggested to me that we call Bandai and see if they might be open to creating another season as a co-production. It’s not really that the first season perfomed particularly well; it’s just that we really loved it and wanted more! Director Kazuyoshi Katayama recalls CN having two requests for season 2: more action and to “reveal the mystery.” Can you elaborate on that? That may be his recollection, but that’s not mine. -
Anime Publisher Year a Tree of Palme ADV Films 2005 Abenobashi ADV
Anime Publisher Year A Tree of Palme ADV Films 2005 Abenobashi ADV Films 2005 Ah! My Goddess Pioneer 2000 Air Gear ADV Films 2007 Akira Pioneer 1994 Alien Nine US Manga 2003 Android Kikaider Bandai Entertainment 2002 Angelic Layer ADV Films 2005 Aquarian Age ADV Films 2005 Arjuna Bandai Entertainment 2001 Black Cat Funimation 2005 Black Heaven Pioneer 1999 Black Lagoon Funimation 2006 Blood: The Last Vampire Manga Entertainment 2001 Blood+ Sony Pictures 2005 BoogiePop Phantom NTSC 2001 Brigadoon Tokyo Pop 2003 C Control Funimation 2011 Ceres: Celestial Legend VIS Media 2000 Chevalier D'Eon Funimation 2006 Cowboy Bebop Bandai Entertainment 1998 Cromartie High Scool ADV Films 2006 Dai-Guard ADV Films 1999 Dears Bandai Visual 2004 DeathNote VIS Media 2003 Elfen Lied ADV Films 2006 Escaflowne Bandai Entertainment 1996 Fate Stay/Night TBS Animation 2013 FLCL Funimation 2000 Fruits Basket Funimation 2002 Full Metal Achemist: Brotherhood Funimation 2010 Full Metal Alchemist Funimation 2004 Full Metal Panic? ADV Films 2004 G Gundam Bandai Entertainment 1994 Gankutsuou Gnzo Media Factory 2004 Gantz ADV Films 2004 Geneshaft Bandai Entertainment 2001 Getbackers ADV Films 2005 Ghost in the Shell Bandai Entertainment 2002 Ghost Stories ADV Films 2000 Grave of the Fireflies Central Pak Media 1988 GTO Great Teacher Onizuka Tokyo Pop 2004 Gungrave Pioneer 2004 Gunslinger Girl Funimation 2002 Gurren Lagann Bandai Entertainment 2007 Guyver ADV Films 2007 Heat Guy J Pioneer 2002 Hellsing Pioneer 2002 Infinite Ryvius Bandai Entertainment 1999 Jin-Roh Bandai -
Saishuuheiki Kanojo by John Thacker
Saishuuheiki Kanojo by John Thacker Shuuji and Chise have just begun to date, but Shuuji isn’t sure about the idea. It’s his first relationship and he feels awkward and uncomfortable. Sure, she’s nice enough, and cute, but he doesn’t really know if he wants to date Chise. He really doesn’t think he loves her, and most of all he’s uncomfortable doing “couple” things. (She wants him to write in an exchange diary?! How embarrassing.) It just doesn’t seem to be working, so he asks her to meet her after school, where he plans to break the news to her. Of course, that conversation doesn’t go nearly as planned, as Chise has a few confessions of her own. It’s the next day Since there are exactly zero SaiKano images when things start to get really strange available on the internet, please enjoy this though... photo of the cast of Sabor Marionette J. Tonight CJAS shows the first episode of the recent Japanese TV series Saishuuheiki Kanojo, alternately known in English as She, the Ultimate Weapon, or My Girlfriend the Ultimate Weapon. As the title indicates, it’s about a guy, Shuuji, whose girlfriend, Chise, has for some (not very clear) reason been made into Japan’s Ultimate Weapon. Most of the time, she’s still a normal, insecure high school student, but when in the midst of danger she partially transforms, and becomes unstoppable. Of course given such a setup one might expect SaiKano to be a loud, violent, action-packed, aggressive series, with lots of focus on fighting and technology; a typical shounen adrenaline rush. -
{PDF EPUB} Hetalia Axis Powers Vol. 2 by Hidekaz Himaruya Lillypadgraphics :The Art and Writings of Rachel Brazeale
Read Ebook {PDF EPUB} Hetalia Axis Powers Vol. 2 by Hidekaz Himaruya LillyPadGraphics :the art and writings of Rachel Brazeale. Hetalia, Axis Powers volume two ranked 1 st place in the New York Time’s Best Selling mangas. “Okay,” you say to me, “But what’s Hetalia?” (Or maybe you’re a long standing fan and are gushing in your seat as you read.) Hetalia, Axis Powers (also known as “Axis Powers Hetalia,” “APH,” or simply “Hetalia”) is a webcomic turned manga/television series. Its creator, Hidekaz Himaruya, has captured the hearts of millions all over the world from his home in Japan. Himaruya continues to make new characters and draw up new short or long comic strips on his blog (which is written in Japanese, though often one can find translations on LiveJournal.) Currently, two manga books of the series have been released in America, and three have been released in Japan. The television series (anime) is currently 52 episodes long, 2 seasons running (each season running for 26 episodes) and a 3ed season has been confirmed. “Okaaaaaay,” my in-the-dark readers are saying to me, “But what is it? What’s it about, if it’s so good?” Well, now that I have confused your brain with numbers, I will tell you. As the more history savvy readers are aware of already, the title has already told you that this is a story about World War II. “Axis Powers” were the countries who opposed the Allies during WWII. The two sides were mostly remembered for looking like this: Axis Powers: Germany, Italy, Japan, etc. -
This Document Was Updated April 18, 2020. for Reference Only and Not for Purposes of Publication
This document was updated April 18, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. ___________________________________________________________________________________ Yoo Geun-Taek (b. 1965 Asan, South Chungcheong Province, Korea) Currently teaches at Oriental Painting Department of Sungshin University, Seoul, Korea Education 1997 / M.F.A. in Oriental Painting at Hongik University, Seoul, Korea 1988 / B.F.A. in Oriental Painting at Hongik University, Seoul, Korea Selected Solo Exhibitions 2017 / Stroll: Visual Realities, Gallery Hyundai, Seoul, Korea 2017 / The Whole Gravity of Painting, Summoned, Tama Art University Museum, Tokyo, Japan 2017 / Breath of Life, The Korea Society Gallery, New York, USA 2016 / Life on the Corner, Shinsegae Gallery, Busan, Korea 2015 / Everlasting Tomorrow, Force Gallery, Beijing, China 2015 / A Passage – The Scenery outside the Window, Bongsan Cultural Center, Daegu, Korea 2014 / Everlasting Tomorrow, OCI Museum of Art, Seoul, Korea 2013 / Landscape, Gallery Dugahun, Seoul, Korea 2012 / The One Day, Gallery Hyundai, Seoul, Korea 2010 / Yoo Geun-Taek, Gallery Bundo, Daegu, Korea 2010 / Depiction of the Universe, Artside Gallery, Beijing, China 2009 / Depiction of the Universe, Savina Museum of Contemporary Art, Seoul, Korea 2009 / Yoo Geun-Taek, LA Artcore Gallery, Los Angeles, USA 2008 / Yoo Geun-Taek, 21+Yo Gallery, Tokyo, Japan 2007 / Skin of Life – Drawings on the Diagonal Lines that Sustain Me, Dongsanbang Gallery, Seoul, Korea 2005 / Yoo -
Exploitation and Social Reproduction in the Japanese Animation Industry
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2018 Exploitation and Social Reproduction in the Japanese Animation Industry James Garrett California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Asian Studies Commons, Behavioral Economics Commons, Labor Economics Commons, Labor History Commons, and the Other History Commons Recommended Citation Garrett, James, "Exploitation and Social Reproduction in the Japanese Animation Industry" (2018). Capstone Projects and Master's Theses. 329. https://digitalcommons.csumb.edu/caps_thes_all/329 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Exploitation and Social Reproduction in the Japanese Animation Industry James Garrett Senior Capstone School of Social, Behavior & Global Studies: Global Studies Major Capstone Advisors: Ajit Abraham & Richard Harris 1 Acknowledgements I would like to thank the Global Studies department and faculty of California State University, Monterey Bay, for the dedication of their pursuit of understanding and acknowledging the complexities of global changes and shifts through an interdisciplinary curriculum. In particular, I would like to thank Dr. Angie Tran and Dr. Robina Bhatti for helping me to develop a more complex understanding of advanced capitalist societies and the place of labor within those societies. I would also like to thank Dr. -
From the Con Chair
Bakuretsu Con 2018 Thank you for attending Bakuretsu Con. We hope that you will have fun this weekend. Check out our information desk for up-to-date schedules and other information. Enjoy the Con! BAKURETSU CON CODE OF CONDUCT Your membership to the convention is a privilege. Your badge is your proof of membership; never forget that you are representing Bakuretsu Con once you purchase a badge. Please be respectful to your fellow convention attendees, the convention staff, and the hotel. We reserve the right to revoke the membership privileges of any attendee for any reason. If we find your conduct inappropriate and feel you deserve a warning, one will be given. If you are given a warning, a hole will be punched in your badge. Only one warning will be given; any problems after that and you will be asked to leave. If you are asked to leave the convention your badge fee will NOT be refunded. OTHER THINGS TO REMEMBER - If it’s illegal outside of the convention, it’s still illegal here. - If you are found to be in possession of anything illegal you will be evicted from the convention and the police may be called. - There is no smoking in the convention center. Please do not smoke in doorways either. - No alcohol is permitted in any of the convention areas. - No weapons allowed. If you buy a weapon from a dealer, please bring it to your room or car. - We are not responsible for lost or stolen articles. Please don’t leave your belongings unattended. Lost and found items will be brought to the info desk, or, after the Con, the hotel front desk. -
A Sociological Analysis of Japanese Animation Fans and Fandoms
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2019-04-05 Beyond Subcultural Community: A Sociological Analysis of Japanese Animation Fans and Fandoms Robles Bastida, Nazario Robles Bastida, N. (2019). Beyond subcultural community: A sociological analysis of Japanese animation fans and fandoms (Unpublished doctoral thesis). University of Calgary, Calgary, AB. http://hdl.handle.net/1880/110147 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Beyond Subcultural Community: A Sociological Analysis of Japanese Animation Fans and Fandoms by Nazario Robles Bastida A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN SOCIOLOGY CALGARY, ALBERTA APRIL, 2019 © Nazario Robles Bastida 2019 i Abstract The study of media fandom has emphasized the subcultural nature of fans’ practices and relationships. The work of Henry Jenkins (2013) was especially influential in this regard. Proposing that media fans constituted both a subculture and an interpretive community, Jenkins reified fandoms -
2011 1.68 Mb
AUGUST/SEPTEMBER 2011 Around the world, resurgent retail is inspiring the industry with creativity and challenging traditional ways of doing business. The store is evolving into a fluid idea that fits the mobile, global customer in search of new experiences to share. A STATE OF THE INDUSTRY REPORT FROM Table of Contents Vibrancy, creativity and optimism 3A Domestic and foreign chain store openings aggressive throughout 2011. The necessity for passion, daring and breaking with the past. Increased momentum, willingness to change 6A Technological creativity, social engagement, rethinking square footage. Adapting to the changed consumer 8A More shopping shifts to online, the dominance of deals, going to the city. Different values and tastes 10A The industry looks around the world for opportunity, embraces sustainability, finds room for super-specialty concepts. Breakout creativity 12A Brands add excitement and drama to routine transactions. Rethinking shops and shopping 13A Traditions return, as goods get delivered to the door and heritage brands gain young audiences. A sophisticated approach to digital 14A Improved digital strategies coupled with exciting design drive demand. Engaging and listening 16A Business is devoting more energy to keeping up with customers and learning their preferences. International influence 18A Innovative projects from around the world inspire the industry. Secrets to long-term success 19A Be part of the culture, expand wisely and love the business. The Chain Store Age Top 100 Buried Treasures 20A A comprehensive list of the 100 largest 30A Top 10 brands within Top 100 companies retailers in the United States. Index Money Makers 28A An alphabetical listing of the 100 31A Top 20 retailers based on net income largest retailers.