A Study of Translation Strategy of Folklore in Biancheng
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INVERSE TRANSLATION in CHINA: a NECESSARY CHOICE OR a NECESSARY EVIL By
ARTICLES INVERSE TRANSLATION IN CHINA: A NECESSARY CHOICE OR A NECESSARY EVIL By JIASHENG SHI Associate Professor and Director of Translation Department, School of Translation and Interpreting, Jinan University, Zhuhai, China. ABSTRACT Inverse translation has long been seen in the negative light in modern translation studies, and has thus been relegated to a sort of second class endeavour. Based on a brief comparative study of English translations of Wenxin Diaolong1, a Chinese literary classic, this paper argues that inverse translation is as legitimate and feasible as direct translation in China, and that the assessment of quality of translation should be based more on the translator's translation competence and translation strategy than on his or her language affiliation. Keywords: Inverse Translation, Direct Translation, Wenxin Diaolong. INTRODUCTION for translation practice that is conducted from a foreign Inverse translation is “a term used to describe a translation, language into one's mother tongue—if they take into either written or spoken, which is done from the translator's account translation practice at all. This biased stance native language, or language of habitual use” concerning inverse translation is not conducive to the (Shuttleworth & Cowie 1997: 90). It is the opposite of direct development of translation studies, and runs contrary to translation, which refers to the translation done into the translation reality, where translation from one's mother translator's native language, or language of habitual use tongue into a foreign language is possible, permissible and (Shuttleworth & Cowie 1997: 41). Inverse translation is also some times even desirable. named “service translation” (Newmark 1988: 52). -
Enfry Denied Aslan American History and Culture
In &a r*tm Enfry Denied Aslan American History and Culture edited by Sucheng Chan Exclusion and the Chinese Communify in America, r88z-ry43 Edited by Sucheng Chan Also in the series: Gary Y. Okihiro, Cane Fires: The Anti-lapanese Moaement Temple University press in Hawaii, t855-ry45 Philadelphia Chapter 6 The Kuomintang in Chinese American Kuomintang in Chinese American Communities 477 E Communities before World War II the party in the Chinese American communities as they reflected events and changes in the party's ideology in China. The Chinese during the Exclusion Era The Chinese became victims of American racism after they arrived in Him Lai Mark California in large numbers during the mid nineteenth century. Even while their labor was exploited for developing the resources of the West, they were targets of discriminatory legislation, physical attacks, and mob violence. Assigned the role of scapegoats, they were blamed for society's multitude of social and economic ills. A populist anti-Chinese movement ultimately pressured the U.S. Congress to pass the first Chinese exclusion act in 1882. Racial discrimination, however, was not limited to incoming immi- grants. The established Chinese community itself came under attack as The Chinese settled in California in the mid nineteenth white America showed by words and deeds that it considered the Chinese century and quickly became an important component in the pariahs. Attacked by demagogues and opportunistic politicians at will, state's economy. However, they also encountered anti- Chinese were victimizedby criminal elements as well. They were even- Chinese sentiments, which culminated in the enactment of tually squeezed out of practically all but the most menial occupations in the Chinese Exclusion Act of 1882. -
Notes Made in China in May 1990 for the BBC Radio Documentary *The Urgent Knocking: New Chinese Writing and the Movement for Democracy* Gregory B
Notes made in China in May 1990 for the BBC radio documentary *The Urgent Knocking: New Chinese Writing and the Movement for Democracy* Gregory B. Lee To cite this version: Gregory B. Lee. Notes made in China in May 1990 for the BBC radio documentary *The Urgent Knocking: New Chinese Writing and the Movement for Democracy*. 2019. hal-02196338 HAL Id: hal-02196338 https://hal-univ-lyon3.archives-ouvertes.fr/hal-02196338 Preprint submitted on 28 Jul 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Gregory B. Lee. URGENT KNOCKING, China/Hong Kong Notebook, May 1990. Notes made in China in May 1990 in connection with the hour-long radio documentary The Urgent Knocking: New Chinese Writing and the Movement for Democracy which I was making for the BBC and which was broadcast on BBC Radio 3 on 4the June 1990 to coincide with the 1st anniversary of the massacre at Tiananmen. My Urgent Knocking notebook is somewhat cryptic. I was worried about prying eyes, and the notes were not made in chronological, or consecutive order, but scattered throughout my notebook. Probably, I was hoping that their haphazard pagination would withstand a cursory inspection. -
Comparing Lu Xun and Joyce: Two Contrasted Modes of Modernism
Paper Number: 109 March 2011 Paralysis and Paranoia: Comparing Lu Xun and Joyce: Two Contrasted Modes of Modernism Tsoi Sze Pang, Pablo Hong Kong Baptist University Pablo Sze-pang Tsoi lectures English language and literature at College of International Education, Hong Kong Baptist University. Tsoi received his PhD in Comparative Literature, on James Joyce and Lacanian psychoanalysis, from The University of Hong Kong. He has previously published (March 2007), in the Series, on Joyce and his Chinese reception, and is currently working on a topic comparing the politics and art of Lu Xun with European modern art, e.g. Munch’s and Kollwitz’s influences on the modern woodcut movement in China that Lu Xun initiated. The authors welcome comments from readers. Contact details: E-mail: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. -
Translation of English and Chinese Addressing Terms from the Cultural Aspect
ISSN 1798-4769 Journal of Language Teaching and Research, Vol. 1, No. 5, pp. 738-742, September 2010 © 2010 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/jltr.1.5.738-742 Translation of English and Chinese Addressing Terms from the Cultural Aspect Chunli Yang Foreign Languages School, Zhengzhou University, Zhengzhou, China Email: [email protected] Abstract—Terms of address are frequently used in social communication to show the identity, rank and relationship between the speaker and the hearer. It is important to have a profound understanding of addressing terms, especially in cross-cultural communication. However, due to the difference in history, religion and culture, terms of address vary in different countries and regions. In this paper, the author discusses the translation of English and Chinese addressing terms from the aspect of cultural background. First, the author defines terms of address and gives the reason why people use terms of address in social communication. Then, the differences between English and Chinese terms of address are analyzed from the point of kinship terms and social terms of address. Last, four translation methods are given according to different situations, namely, literal translation, translating flexibly, specification or generalization and domestication and foreignization. Index Terms—terms of address, kinship terms, social terms of address, translation methods I. INTRODUCTION With the development of globalization and the expansion of the intercultural communication, the contact between people from different countries, cultures and races are becoming more and more frequent. In the communication, it is inevitable to use terms of address which differ because of the diversity of culture. -
The Becoming Self-Conscious of Zawen”: Literary Modernity and Politics of Language in Lu Xun’S Essay Production During His Transitional Period
Front. Lit. Stud. China 2014, 8(3): 374−409 DOI 10.3868/s010-003-014-0021-6 RESEARCH ARTICLE Xudong ZHANG “The Becoming Self-Conscious of Zawen”: Literary Modernity and Politics of Language in Lu Xun’s Essay Production during His Transitional Period Abstract While Lu Xun’s early works of fiction have long established his literary reputation, this article focuses on the form and content of his zawen essays written several years later, from 1925 to 1927. Examining the zawen from Huagai ji, Huagai ji xubian (sequel), and Eryi ji (Nothing more), the author views these as “transitional” essays which demonstrate an emergent self-consciousness in Lu Xun’s writing. Through close reading of a selection of these essays, the author considers the ways in which they point toward a state of crisis for Lu Xun, as well as a means of tackling his sense of passivity and “petty matters.” This crisis-state ultimately yields a new literary form unique to the era, a form which represents a crucial source of Chinese modernity. From sheer impossibility and a “negating spirit” emerges a new and life-affirming possibility of literary experience. Keywords Lu Xun, zawen, crisis, consciousness, revolution, education, writing Introduction We might say the basic contours of the figure of Lu Xun can ultimately be determined through his zawen writings. A great deal of preparatory work must be done in order to address these zawen in their entirety. Today I will speak of what I deem to be the “transitional phase” of two or three collected zawen works, in order to determine whether several characteristics of Lu Xun’s zawen writings can be summed up therein. -
A Study of Translation Strategy of Folklore in Biancheng
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSCanada.net: E-Journals (Canadian Academy of Oriental and Occidental Culture,... ISSN 1923-1555[Print] Studies in Literature and Language ISSN 1923-1563[Online] Vol. 12, No. 4, 2016, pp. 17-23 www.cscanada.net DOI:10.3968/8345 www.cscanada.org A Study of Translation Strategy of Folklore in Biancheng ZHU Lingyan[a],* [a]School of Foreign Languages, Dongfang College, Zhejiang University of Finance & Economy, Hangzhou, China. INTRODUCTION *Corresponding author. With the increasingly frequent cultural exchange between China and western countries, especially Supported by Higher Education Teaching Reform Project of Zhejiang Province (kg2015580); Key Research Projects of Zhejiang Federation of after Mo Yan won the Nobel Prize in Literature in Humanities and Social Sciences Circles (2016N20Z); General Project of 2012, Chinese local literature, also called as Chinese Hangzhou Philosophy and Social Sciences (Z16JC048). countryside literature, has been attracting more and more attention from the outside world. When we speak Received 28 December 2015; accepted 23 March 2016 Published online 26 April 2016 of Chinese local literature, it is necessary for us to cast our eyes on another influential Chinese writer, Shen Abstract Congwen, for he has ever been reputed as “the father of Chinese local literature” and produced the closest The folklore, featuring its national temperament, literary works Biancheng (also called as “the border specialization, localization, etc., is a vehicle carrying rich connotations of a national culture which does not exist town”) to the Nobel Prize in Literature. Biancheng, the in foreign cultures. -
English Translations of Shen Congwen's Masterwork
English Translations of Shen Congwen’s Masterwork, Bian Cheng (Border Town) ENGLISH TRANSLATIONS OF SHEN CONGWEN’S MASTERWORK, BIAN CHENG (BORDER TOWN) Jeffrey C. KINKLEY St. John’s University, New York City 8000 Utopia Parkway, Jamaica, NY 11439, USA [email protected] This essay compares the four published English translations of Bian cheng (Border Town) of Shen Congwen’s novel, discussing personal, linguistic, social, political, historical, and cross- cultural factors that might have influenced the translations and their reception when they appeared, respectively, in 1936, 1947, 1962, and 2009. Key words: Shen Congwen, Bian cheng, Border Town, Frontier City, translation, dialect, West Hunan, reception, Cuicui, Pearl Buck, Nobel Prize Shen Congwen’s 沈從文short novel Bian cheng 邊城, composed in 1933 − 1934, first published serially in Chinese in 1934,1 and translated under titles including Border Town (my own translation, which I shall privilege in this essay), The Frontier City, Une bourgade a l’écart (Fr.: An outlying town), Le passeur de Chadong (Fr.: The ferryman of Chadong), and Die Grenzstadt (Ger.: The frontier city), has for more than seven decades been acclaimed as Shen Congwen’s masterwork. That is the view in China and globally. 2 In China, biographical dictionaries from the 1930s to 1949 commonly (though not always 1 SHEN CONGWEN (1902 − 1988), Bian cheng, first published in the Guowen zhoupao 國聞週報. The initial installment appeared on 1 January 1934, yet the final installment bears a note indicating that Shen finished the work only on 19 April 1934. 2 I wish to thank Professor Gang Zhou (Zhou Gang 周刚) of Louisiana State University for organizing a panel on the “Global Shen Congwen” at the July 2013 conference of the International Comparative Literature Association in Paris. -
Interracial Experience Across Colonial Hong Kong and Foreign Enclaves in China from the Late 1800S to the 1980S
Volume 14, Number 2 • Spring 2017 Erasure, Solidarity, Duplicity: Interracial Experience across Colonial Hong Kong and Foreign Enclaves in China from the late 1800s to the 1980s By Vicky Lee, Ph.D., Hong Kong Baptist University Abstract: How were Eurasians perceived and classified in Hong Kong and China during this hundred-year period? Blood admixture was only one of many ways: others included patrilineal descent, choice of family name, and socio-economic background. Family-imposed silence on one’s Eurasian background remained strong, and individual attempts to erase one’s Eurasian identity were common for survival reasons. It is no wonder that government authorities often had difficulty quantifying their Eurasian population. What experiences of erasure of Eurasianness were shared both collectively and individually? A strong sense of Eurasian solidarity was manifested in different forms, such as intermarriage and community cemeteries. Duplicity was another common element in their experience: Name-changing practices and submission to the new Japanese government during the Occupation sometimes rendered Eurasians suspect during and after wartime. Memoirs reflect the constant psychological harassment of Eurasians in patriotic Chinese schools during 1940s Peking and in Tsingdao, and Eurasians became frequent targets for criticism during the Maoist Era. Many Eurasians experienced psychological and physical torment as their very faces were evidence enough to subject them to criticism and punishments. Permalink: Citation: Lee, Vicky. “Erasure, Solidarity, Duplicity: usfca.edu/center-asia-pacific/perspectives/v14n2/Lee Interracial Experience across Colonial Hong Kong and Keywords: Foreign Enclaves in China from the late 1800s to the Chinese Eurasian, Mixed Identities, Colonial 1980s,” Asia Pacific Perspectives, Vol. -
An Analysis of the Story of the Stone by David Hawkes from the Perspective of Prophecies
International Journal of Arts and Commerce Vol. 9 No. 3 March 2020 An Analysis of The Story of the Stone by David Hawkes from the Perspective of Prophecies Ji Xiaoxia School of Foreign Studies, Northwestern Polytechnical University E-mail: [email protected] Published: 30 March 2020 Copyright © Xiaoxia. Abstract: With the current boom of Chinese literature, literary translation has been on the fast track of going global. Translation with higher quality reflects the demand of the growing strength and influence of our nation. This article attempts to analyze The Story of the Stone from the perspective of prophecy. By contrasting the different thinking differences between China and the West, the author summarize the translation strategies for literary works. Key words: Prophecies;Hong Lou Meng;Translation strategies A. Introduction of Prophecies Derived from people’s worship of the mysterious functions of language in the ancient times, prophecies reflect the ambiguity of the language. It is defined in Encyclopedia Britannia Ultimate Reference 2007 that a prophecy is a divinely inspired revelation or interpretation. With some superstition and fantasy flavor, prophecies are usually characterized with obscure predictions that may come true in the future in the form of the will of the immortals and other supernatural forces. With time going on, prophecies were not favored by rulers any more on account of their negative influence on the political power and people’s thoughts, thus abandoning their theological form. Afterwards, a group of creative writers began to employ this specific linguistic skill into their literary works in order Cite this article: Xiaoxia, J. (2020). -
Studies on the Acceptance of Yang Xianyi's Translations of Pygmalion from the Perspective of History of Effect
Frontiers in Educational Research ISSN 2522-6398 Vol. 3, Issue 3: 45-50, DOI: 10.25236/FER.2020.030311 Studies on the Acceptance of Yang Xianyi’s Translations of Pygmalion from the Perspective of History of Effect Ma Xiaoxing School of Foreign Studies, Henan Agricultural University, Henan 450046, China ABSTRACT. George Bernard Shaw and his works, exert profound influences on the world, including millions of Chinese readers. Pygmalion was translated by Yang Xianyi in 1956 and retranslated in 1982, 1987 and 2002 respectively. History of effect is important concept of hermeneutics. According to the principle of history of effect, any text is characterized by its positive practical significance. Gadamer’s idea of hermeneutics is helpful for our understanding of the necessity and significance of retranslation. The target text is the afterlife of the source text in time and space. In terms of the history of effect, this paper is devoted to a deep insight into Yang’s translating process of Pygmalion during four different periods of time and to further analyses of the theoretical foundation and specific characteristics of creation and polishing in retranslation, which is designed to offer references for retranslating literary works and the study of Yang Xianyi’s thoughts on translation. KEYWORDS: George bernard shaw, Yang xianyi; Pygmalion; Gadamer; The history of effect 1. Introduction In 1912, Shaw wrote Pygmalion, which has been staged all over the world. Shaw’s plays have also attracted much attention from Chinese scholars and translators. Lin Yutang published his translation of Pygmalion in 1929 and it was also put on stage. -
Lu Xun and Translation
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The hinC a Beat Blog Archive 2008-2012 China Beat Archive 11-30-2009 Lu Xun and Translation Follow this and additional works at: http://digitalcommons.unl.edu/chinabeatarchive Part of the Asian History Commons, Asian Studies Commons, Chinese Studies Commons, and the International Relations Commons "Lu Xun and Translation" (2009). The China Beat Blog Archive 2008-2012. 576. http://digitalcommons.unl.edu/chinabeatarchive/576 This Article is brought to you for free and open access by the China Beat Archive at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The hinC a Beat Blog Archive 2008-2012 by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Lu Xun and Translation November 30, 2009 in Uncategorized by jwasserstrom | 7 comments I recently wrote an essay called “China’s Orwell” for the Asian edition of Time Magazine. In the article, I deal with the conundrum of Lu Xun’s enormous influence within China yet continued relative obscurity outside of the Sinophone world. Among other things, I ponder the possibility that an attractive new collection of his complete fiction, which features spirited translations by Julia Lovell and was published as part of the Penguin Classics series (click here for a “Paper Republic” interview with the translator about the book), could help right this imbalance by introducing figures such as Ah-Q to Western readers who had never before come across his name. As a follow-up to that essay, which set me thinking about both the important work done by translators of fiction and about Lu Xun’s legacy as a writer, here is a top five list of places to go for more on one or both of these issues: 1) Two towering figures in the history of English language renditions of major Chinese works of fiction have died in recent months.